Redefining Coole: Lady Gregory, Class Politics, and the Land War
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An Analysis of the Holdings of Certain Lady Gregory Monographs at the University of North Carolina at Chapel Hill’S Rare Book Collection
Melissa A. Hubbard. An Analysis of the Holdings of Certain Lady Gregory Monographs at the University of North Carolina at Chapel Hill’s Rare Book Collection. A Master’s Paper for the M.S. in L.S. degree. December, 2007. 47 pages. Advisor: Charles B. McNamara This paper analyzes Lady Gregory monographs related to her work as a playwright and theater director. It includes biographical information about Lady Gregory and a description of how her materials relate to other Rare Book Collection holdings. The focus of the paper is an annotated bibliography of these titles, with detailed notes about the condition of the items held in the Rare Book Collection. The paper concludes with a desiderata and recommendations for continued development of the Lady Gregory collection. Headings: Gregory, Lady, 1852-1932 — Bibliography Special Collections — Collection Development University of North Carolina at Chapel Hill. Rare Book Collection. AN ANALYSIS OF THE HOLDINGS OF CERTAIN LADY GREGORY MONOGRAPHS AT THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL’S RARE BOOK COLLECTION. by Melissa A. Hubbard A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina December 2007 Approved by _______________________________________ Charles B. McNamara 1 Table of Contents Part I Introduction 2 Biography 3 Collection Context 15 Methodology 16 Part II Annotated Bibliography 20 Collection Assessment 40 Desiderata 41 Table 1: Desiderata 42 Recommendations 43 Sources Consulted 44 2 Part I Introduction Lady Gregory was one of the most popular figures of the Irish literary renaissance, an early 20th century movement advocating the publication and promotion of literature that celebrated Irish culture and history. -
Copyrighted Material
Index Note: page numbers in italics denote illustrations or maps Abbey Theatre 175 sovereignty 390 Abbot, Charles 28 as Taoiseach 388–9 abdication crisis 292 and Trimble 379, 409, 414 Aberdeen, Earl of 90 Aiken, Frank abortion debate 404 ceasefire 268–9 Academical Institutions (Ireland) Act 52 foreign policy 318–19 Adams, Gerry and Lemass 313 assassination attempt 396 and Lynch 325 and Collins 425 and McGilligan 304–5 elected 392 neutrality 299 and Hume 387–8, 392, 402–3, 407 reunification 298 and Lynch 425 WWII 349 and Paisley 421 air raids, Belfast 348, 349–50 St Andrews Agreement 421 aircraft industry 347 on Trimble 418 Aldous, Richard 414 Adams, W.F. 82 Alexandra, Queen 174 Aer Lingus 288 Aliens Act 292 Afghan War 114 All for Ireland League 157 Agar-Robartes, T.G. 163 Allen, Kieran 308–9, 313 Agence GénéraleCOPYRIGHTED pour la Défense de la Alliance MATERIAL Party 370, 416 Liberté Religieuse 57 All-Ireland Committee 147, 148 Agricultural Credit Act 280 Allister, Jim 422 agricultural exports 316 Alter, Peter 57 agricultural growth 323 American Civil War 93, 97–8 Agriculture and Technical Instruction, American note affair 300 Dept of 147 American War of Independence 93 Ahern, Bertie 413 Amnesty Association 95, 104–5, 108–9 and Paisley 419–20 Andrews, John 349, 350–1 resignation 412–13, 415 Anglesey, Marquis of 34 separated from wife 424 Anglicanism 4, 65–6, 169 Index 513 Anglo-American war 93 Ashbourne Purchase Act 133, 150 Anglo-Irish Agreement (1938) 294, 295–6 Ashe, Thomas 203 Anglo-Irish Agreement (1985) Ashtown ambush 246 aftermath -
The Rendering of Irish Characters in Selected Plays by J.M. Synge Diplomarbeit
The Rendering of Irish Characters in Selected Plays by J.M. Synge Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Deborah SIEBENHOFER am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr. phil. Martin Löschnigg Graz, 2010 I dedicate this thesis to my mother in profound gratitude for her endless patience, support, and encouragement. 1 Pastel drawing of J. M. Synge by James Paterson, 1906 And that enquiring man John Synge comes next, That dying chose the living world for text And never could have rested in the tomb But that, long travelling, he had come Towards nightfall upon certain set apart In a most desolate stony place, Towards nightfall upon a race Passionate and simple like his heart (W. B. Yeats, “In Memory of Major Robert Gregory”) 2 Table of Contents List of Abbreviations .............................................................................................................. 5 1. Introduction ........................................................................................................................ 6 1.1. The Irish National Theatre ........................................................................................... 8 1.2. The Stage Irishman .................................................................................................... 12 1.2.1. The Stage Irishman up to the 19th Century ......................................................... 12 1.2.2. The 19th Century ................................................................................................ -
Patrick John Cosgrove
i o- 1 n wm S3V NUI MAYNOOTH Ollfctel na t-Ciraann W* huatl THE WYNDHAM LAND ACT, 1903: THE FINAL SOLUTION TO THE IRISH LAND QUESTION? by PATRICK JOHN COSGROVE THESIS FOR THE DEGREE OF PHD DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor R. V. Comerford Supervisor of Research: Dr Terence Dooley September 2008 Contents Acknowledgements Abbreviations INTRODUCTION CHAPTER ONE: THE ORIGINS OF THE WYNDHAM LAND BILL, 1903. i. Introduction. ii. T. W. Russell at Clogher, Co. Tyrone, September 1900. iii. The official launch of the compulsory purchase campaign in Ulster. iv. The Ulster Farmers’ and Labourers’ Union and Compulsory Sale Organisation. v. Official launch of the U.I.L. campaign for compulsory purchase. vi. The East Down by-election, 1902. vii. The response to the 1902 land bill. viii. The Land Conference, ix. Conclusion. CHAPTER TWO: INITIAL REACTIONS TO THE 1903 LAND BILL. i. Introduction. ii. The response of the Conservative party. iii. The response of the Liberal opposition to the bill. iv. Nationalist reaction to the bill. v. Unionist reaction to the bill. vi. The attitude of Irish landlords. vii. George Wyndham’s struggle to get the bill to the committee stage. viii. Conclusion. CHAPTER THREE: THE PARLIAMENTARY DEBATES THAT FORGED THE WYNDHAM LAND ACT, 1903. i. Introduction. ii. The Estates Commission. iii. The system of price‘zones’. iv. The ‘bonus’ and the financial clauses of Wyndham’s Land Bill. v. Advances to tenant-purchasers. vi. Sale and repurchase of demesnes. vii. The evicted tenants question. viii. The retention of sporting and mineral rights. -
Lady Gregory 1881-1932, Undated MS.1995.028
Boston College Collection of Lady Gregory 1881-1932, undated MS.1995.028 http://hdl.handle.net/2345/2783 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Biographical note ........................................................................................................................................... 5 Scope and Contents ........................................................................................................................................ 5 Arrangement ................................................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Boston College Collection of Lady Gregory MS.1995.028 - Page 2 - Summary Information Creator: Gregory, Lady, 1852-1932 Title: Boston College collection of Lady Gregory ID: MS.1995.028 Date [inclusive]: 1881-1932, undated Physical Description 0.25 Linear Feet (1 box) Language of the English Material: Abstract: This -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Augusta, Lady Gregory
Augusta, Lady Gregory From Wikipedia, the free encyclopedia Lady Gregory pictured on the frontispiece to "Our Irish Theatre: A Chapter of Autobiography" (1913) Isabella Augusta, Lady Gregory (15 March 1852 – 22 May 1932), born Isabella Augusta Persse, was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology. Born into a class that identified closely with British rule, her conversion to cultural nationalism, as evidenced by her writings, was emblematic of many of the political struggles to occur in Ireland during her lifetime. Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. Her home at Coole Park, County Galway, served as an important meeting place for leading Revival figures, and her early work as a member of the board of the Abbey was at least as important for the theatre's development as her creative writings. Lady Gregory's motto was taken from Aristotle: "To think like a wise man, but to express oneself like the common people."] Early life and marriage Lady Gregory was born the youngest daughter of the Anglo-Irish landlord family Persse at Roxborough, County Galway. Her mother, Frances Barry, was related to Standish O'Grady, 1st Viscount Guillamore, and her family home, Roxborough, was a 6,000-acre (24 km²) estate located between Gort and Loughrea, the big house of which was later burnt down during the Irish Civil War. -
Aristotle's Bellows by LADY GREGORY
Aristotle's Bellows BY LADY GREGORY PERSONS The Mother. Celia (HER DAUGHTER). Conan (HER STEPSON). Timothy (HER SERVING MAN). Rock (A NEIGHBOUR). Flannery (HIS HERD). Two Cats. ACT I ACT I Scene: A Room in an old half-ruined castle. Mother: Look out the door, Celia, and see is your uncle coming. Celia: (Who is lying on the ground, a bunch of ribbons in her hand, and playing with a pigeon, looks towards door without getting up.) I see no sign of him. Mother: What time were you telling me it was a while ago? Celia: It is not five minutes hardly since I was telling you it was ten o'clock by the sun. 1 Mother: So you did, if I could but have kept it in mind. What at all ails him that he does not come in to the breakfast? Celia: He went out last night and the full moon shining. It is likely he passed the whole night abroad, drowsing or rummaging, whatever he does be looking for in the rath. Mother: I'm in dread he'll go crazy with digging in it. Celia: He was crazy with crossness before that. Mother: If he is it's on account of his learning. Them that have too much of it are seven times crosser than them that never saw a book. Celia: It is better to be tied to any thorny bush than to be with a cross man. He to know the seventy-two languages he couldn't be more crabbed than what he is. -
John Millington Synge (16 April 1871 – 24 March 1909) Was an Irish Writer
www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 Premonition of Death in J.M.Synge’s Poetry D.S.Kodolikar Asso. Professor Department of English S.M.Joshi College, Hadapsar, Pune -28. Edmund John Millington Synge (16 April 1871 – 24 March 1909) was an Irish writer. He was a playwright, poet and lover of folklore. He was influenced by W.B.Yeats after meeting him and with his advice he decided to go to Aran Islands to prepare himself for further creative work. He joined W.B.Yeats, Lady Gregory, Augusta, and George William Russell to form the Irish National Theatre Society, which later was established as the Abbey Theatre.. He is best known for his play The Playboy of the Western World, which caused riots during its opening run at the Abbey Theatre. Synge was born in Newtown Villas, Rathfarnham, County Dublin on 16 April 1871.He was the youngest son in a family of eight children. His parents were part of the Protestant middle and upper class: Rathfarnham was rural part of the county, and during his childhood he was interested in ornithology. His earliest poems are somewhat Wordsworthian in tone. His poetry reflects his love for nature and the richness of the landscape. Synge was educated privately at schools in Dublin and later studied the musical instruments like piano, flute, violin. He was interested in music and his knowledge of music reflects in his poems. He wanted to make career in music but changed his mind and decided to focus on literature. -
The Banshee's Kiss: Conciliation, Class and Conflict in Cork and The
The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Patrick Joseph Murphy. August 2019 1 The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. ABSTRACT Historians have frequently portrayed constitutional nationalism as being homogeneous - ‘the Home Rule movement’- after the reunification of the Irish parliamentary party in 1900. Yet there were elements of nationalist heterodoxy all over the country, but it was only in Cork where dissent took an organised form in the only formal breakaway from the Irish party when the All for Ireland League (A.F.I.L.) was launched in 1910. The AFIL took eight of the nine parliamentary seats in Cork and gained control of local government in the city and county the following year. Existing historical accounts do not adequately explain why support for the Home Rule movement collapsed in Cork, but also why the AFIL flourished there but failed, despite the aspiration of its name, to expand beyond its regional base. The AFIL is chiefly remembered for its visionary policy of conciliation with unionists following the Damascene conversion of its leader William O’Brien, transformed from the enemy of the landed classes to an apostle of a new kind of bi- confessional politics. This would, he claimed, end the ‘Banshee’s Kiss’, a cycle of conflict in which each new generation attempts to achieve Irish freedom. However, conciliation was a policy which was unpopular with both nationalists and unionists and O’Brien therefore needed to develop an electoral base by other means with more popular policies. -
A Thesis Presented'to Thef~Culty of the Department of English Indiana
The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre . -
Empire, Class, and Religion in Lady Gregory's Dramatic Works
‘The Return to the People’: Empire, Class, and Religion in Lady Gregory’s Dramatic Works Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anna Pilz. July 2013 Anna Pilz University of Liverpool 2013 Abstract ‘The Return to the People’: Empire, Class, and Religion in Lady Gregory’s Dramatic Works Anna Pilz This thesis examines a selection of Lady Gregory’s original dramatic works. Between the opening of the Abbey Theatre in 1904 and the playwright’s death in 1932, Gregory’s plays accounted for the highest number of stage productions in comparison to her co-directors William Butler Yeats and John Millington Synge. As such, this thesis analyses examples ranging from her most well-known and successful pieces, including The Rising of the Moon and The Gaol Gate, to lesser known plays such as The Wrens, The White Cockade, Shanwalla and Dave. With a focus on the historical, bibliographical, and political contexts, the plays are analysed not only with regard to the printed texts, but also in the context of theatrical performances. In order to re-evaluate Gregory’s contribution to the Abbey, this thesis is divided into three chapters dealing with dominant themes throughout her career as a playwright: Empire, class, and religion. Acknowledgements I would like to express my sincerest gratitude to the Institute of Irish Studies, University of Liverpool, for its financial support throughout my postgraduate studies. I am also indebted to the School of Histories, Languages and Cultures and the International Association for the Study of Irish Literatures for their financial assistance in covering travel costs to conferences and archives in the UK and abroad.