DOCSLIB.ORG

A Dissertation Submitted to the Temple University Graduate Board

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Dissertation Submitted to the Temple University Graduate Board THE SPIRIT-LYRE AND THE BROKEN RADIO: THE MEDIUM AS POET FROM SPRAGUE TO SPICER A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Holly J. Schaeffer-Raymond Diploma Date May 2021 Examining Committee Members: Katherine Henry, Advisory Chair, English Steve Newman, English Jena Osman, English Eliza Richards, External Member, University of North Carolina at Chapel Hill ii © Copyright 2021 by Holly Schaeffer-Raymond All Rights Reserved iii ABSTRACT The origins and ongoing legacies of American Spiritualism in their relations to mainstream religion, science, and politics are by this point well-charted. As a vector between, on one side, esoteric philosophy and diffuse pseudo-scientific and occult disciplines, and, on the other, exoteric mass culture and the 19th century groundswell of popular progressive rhetoric, Spiritualism as a historical phenomenon has in the past decades become more legible than ever as a religious, political, and social movement. Less thoroughly studied, however, is the enormous mass of print culture left behind by Spiritualists. Spiritualist newsletters, journals, and small presses printed vast quantities of written matter, running from the obvious sermons, lectures, and seance transcriptions to Spiritualist novels, Spiritualist hymns, and, in particular, Spiritualist lyric verse. While critics like Helen Sword in Ghostwriting Modernism have begun to approach this archive as literary matter and not merely as the incidental byproduct of the movement, much work remains to be done. In this dissertation I want to draw connections from this mass of widely read, but little remembered, Spiritualist poetry to the late 19th century and early 20th century’s proliferation of occult and metaphysical poetry. In doing so I hope to illuminate the recurring esoteric streak running from high modernism to, in fits and spurts, the present. The crux of this dissertation pursues the trail of breadcrumbs leading from Spiritualist poet-mediums like Achsa Sprague and Lizzie Doten to the mediumistic elements of 20th century poets H.D. and Jack Spicer, before arriving in the conclusion at the 21st century and its fresh proliferation of esoterically inclined medium-poets. I propose that there is a meaningful thread wending from the 1850s to the present, and that iv this thread can be tracked by taking seriously the claims made by these poets regarding the composition of their verse, no matter how outrageous or unlikely those claims may at first seem. What would it mean to interrogate in earnest the logistics of authorship when a poem is attributed to a ghost? How do Spicer’s extraordinary claims about Martians and angels inflect how we read his body of work? What complications emerge from H.D.’s World War II-era poems of grief and trauma if we grant her the premise that their composition was saturated with the tangible presence of the dead? These allowances-- or at least the agreement to take these writers seriously in their compositional, metaphysical, and aesthetic claims-- reveals intriguing and consistent fissures in the normative understanding of the lyric. While Sprague and Doten, along with other Spiritualist poets, largely sought to write verse recognizable in terms of form and content as “lyric verse,” they began from first principles seemingly dramatically opposed to the received 19th century wisdom regarding what constituted the lyric and how it functioned. By contrasting these poets, who sought to write and publish from a position of authorial multiplicity and supernatural collaboration, with the lyric philosophy of thinkers such as John Stuart Mill, Ralph Waldo Emerson, Hegel, and Poe, I hope to demonstrate the theoretical radicalism quietly bubbling away under the sometimes deceptively staid and conventional surface of these poems. I track these fissures as they widen and grow more unruly in their contours, underlying the daring and experimental poetry of H.D. and Spicer, for whom the grounds staked by the category of the “lyric” exist in productive tension and conflict with the desire to complicate, subvert, and sidestep the attending assumptions about subjectivity, audience, and the stability of the figure of the author. By v rejecting the Millsian atomism of the writing self, and opening the position of authorship to both supernatural gnosis and abject supplication, these practices of the “mediumistic lyric” offer an apophatic poetics embraced by over a century of poets eager, for one reason or another, to locate alternatives to the model of the lyric subject as persistent, singular, masterful, and solitary. In doing so I propose that it becomes an attractive, durable, and remarkably flexible model for queer writers, writers orienting themselves against the subject of colonialism, and writers otherwise displaced from lyric stability and sovereignty. Chapter One: “Voices From the Other Sphere”: The Poet in Emerson and Sprague: This chapter begins by offering a comparison between two near-contemporary texts with identical titles but drastically different aspirations. Ralph Waldo Emerson’s “The Poet” provided a sturdy blueprint for American Romanticism by drawing on the example of European poets as well as esoteric philosophers contemporaneously in intellectual circulation such as Swedenborg and Boehme. Achsa Sprague’s verse drama “The Poet,” on the other hand, is a full-throatedly Spiritualist didactic narrative, offering amidst its supernatural and allegorical narrative, a domestic plot strikingly attuned to class and gender-based inequalities. I use these two texts as a springboard to begin to delineate the differing trajectories of their respective authors-- Emerson the public intellectual and religious progressive, Sprague a rural school teacher turned radical activist and spirit medium-- as well as the considerable overlap in their essential reference points. vi Chapter Two: “The Harp-Strings of My Being”: Lizzie Doten and the Phenomenology of Spirits: The next two chapters focus on major Spiritualist woman poets who in quite different ways drew on the mythic figure of Poe as compositional grist, offering two disparate models of how a Spiritualist metaphysics could inform an aesthetic orientation towards imitation, influence, and the knotty category of “originality.” Chapter two takes up Lizzie Doten, whose 1863 Poems From the Inner Life contains a mix of original poems and poems allegedly dictated by controlling spirits, including Poe. I discuss how imitation functions in these poems, and in particular how the desire to replicate the stylistic and formal tics of well-known authors interacted with the desire to produce didactic religious verse in which the post-mortem reform and uplift of seemingly morally vexed poets like Poe, Burns, and Byron. In this verse, deceased poets were represented as writing not as themselves but as better versions of themselves, creating a rich juxtaposition between the formal challenge of imitation and the didactic demands of poetic content . I also discuss her essay “A Word to the World,” a strikingly thorough prose exposition of what, in her framing, mediumship felt like and how the linguistic output of spirits filtered through the mortal hands of the poet. Chapter Three: Sarah Helen Whitman’s Poe: Performing Spiritualism: This chapter juxtaposes Doten’s explicitly supernatural and metaphysical understanding of imitation with the more socially mediated practice of Sarah Helen Whitman, a poet who maintained a somewhat wider distance between her poetics and her participation in Spiritualist mediumship and seances. A former lover of Poe and one of his primary early literary executors, Whitman’s Spiritualism can be read in the context of her widely vii circulated “secular” Poe imitations, situating them, after the pattern of Eliza Richards’ Gender and the Poetics of Reception in Poe’s Circle, in a social and aesthetic milieu in which mimicry and virtuosic copy-catting was not only expected of woman poets but imposed as a closed formal horizon. I argue that Spiritualism offered an avenue in which female poets could leverage the formal games of imitation so foregrounded in contemporaneous practices of poetic reading and writing towards wider modes of didactic and polemical expression, a method, in other words, of “hijacking” imitation’s limits and turning these assumed voices towards their own ends. Chapter Four: “Why Should We Not, At a Certain Stage, Remember?”: H.D. and the Echoing Other: Here I turn from the 19th century to the 20th, beginning with H.D. and concluding with the Berkeley Renaissance poet Jack Spicer. Chapter four offers a brief overview of H.D.’s history in esoteric and occult research and a survey of her contemporary milieu. It revolves around the 1919 prose work Notes on Thought and Vision, an intense description of an early visionary experience and a sustained exegesis of her thinking, at that time, on the intersection of visionary experience and privileged, quasi-mediumistic states of knowing. I read these texts and other early explorations of these themes as H.D.’s experimental studies on writing the self seemingly overdetermined by socialization and history, as well as on fashioning a generative middle-ground between spiritual supplication and modernist theories of mastery. I then track these motifs through the vision of gnosis described in her later text, the World War II-era The Flowering of the Rood. In short, I propose that H.D. leveraged the language and practices of mediumship as a vehicle for a novel species of autobiographical writing, viii one which might simultaneously privilege to a heightened degree the phenomenology of knowing, thinking, and perceiving, while offering a vantage point from which to observe the position of selfhood from a distance. Chapter Five: “The Ghost Is a Joke”: Jack Spicer and the Bathos of Outside: Chapter five centers on Jack Spicer and broadly, his mediumistic theory of poetic dictation (what his peer Robin Blaser dubbed his “practice of Outside”) and the playful, punning language of Martians, angels, and ghosts in which he scaffolded it.
Load more

Recommended publications
  • The History Spiritualism
    THE HISTORY of SPIRITUALISM by ARTHUR CONAN DOYLE, M.D., LL.D. former President d'Honneur de la Fédération Spirite Internationale, President of the London Spiritualist Alliance, and President of the British College of Psychic Science Volume One With Seven Plates PSYCHIC PRESS LTD First edition 1926 To SIR OLIVER LODGE, M.S. A great leader both in physical and in psychic science In token of respect This work is dedicated PREFACE This work has grown from small disconnected chapters into a narrative which covers in a way the whole history of the Spiritualistic movement. This genesis needs some little explanation. I had written certain studies with no particular ulterior object save to gain myself, and to pass on to others, a clear view of what seemed to me to be important episodes in the modern spiritual development of the human race. These included the chapters on Swedenborg, on Irving, on A. J. Davis, on the Hydesville incident, on the history of the Fox sisters, on the Eddys and on the life of D. D. Home. These were all done before it was suggested to my mind that I had already gone some distance in doing a fuller history of the Spiritualistic movement than had hitherto seen the light - a history which would have the advantage of being written from the inside and with intimate personal knowledge of those factors which are characteristic of this modern development. It is indeed curious that this movement, which many of us regard as the most important in the history of the world since the Christ episode, has never had a historian from those who were within it, and who had large personal experience of its development.
    [Show full text]
  • Sonoma County's Nineteenth Century Utopian Colonies
    SHADOWS ON THE LAND: SONOMA COUNTY'S NINETEENTH CENTURY UTOPIAN COLONIES by Varene Anderson A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Date Copyright 1992 By Varene Anderson ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS Permission to reproduce this thesis in its entirety must be obtained from me. Permission to reproduce parts of this thesis must be obtained from me. DATE: ~A 1,/99:2 I Signature City, State, Zip iii SHADOWS ON THE LAND: SONOMA COUNTY i S NINETEENTH CENTURY UTOPIAN COLONIES A thesis by Varene Anderson ABSTRACT purpose of the Study: Between 1875 and 1900, Sonoma county was the site of four utopian colonies, Fountaingrove, Preston, Icaria Speranza and Altruria. These colonies had religious and social reform origins, an agricultural economic base, and a message to present to the world. The purpose of this study is to examine generally the architecture, use of space and land, and community relationships of these colonies to determine if they builtin contemporary styles, used spatial arrangement to facilitate their communal lifestyle, were good stewards of the land, and perceived as good neighbors by nearby communities. This is intended as an overview of the four colonies to determine how they fit into Sonoma county culturally. Procedure: To determine how these colonies used architecture, space and land, and ,fit into their community, books, newspapers, and personal memOl.rs were consulted. In addition, personal interviews and inspection of the sites were conducted where possible. conclusions: The four Nineteenth century Sonoma county utopian colonies did not stand out architecturally from neighboring farms.
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Religion of Science-Fantasy Cults Martin Gardner
    Summer 1987 Vol. 7, No. 3 .40,11 Was the Universe Created? Victor Stenger The New Religion of Science-Fantasy Cults Martin Gardner The Relativity of Biblical Ethics Joe Edward Barnhart Plus "Pearlygate" Morality • New Directions for Humanism • Personal Paths to Humanism with Joseph Fletcher, Anne Gaylor, Rita Mae Brown, Ashley Montagu, and Mario Bunge • Tyranny of the Creed by John Allegro _- FreeC SUMMER 1987, VOL. 7, NO. 3 ISSN 0272-0701 Contents 3 LETTERS TO THE EDITOR 9 PERSPECTIVE 10 ON THE BARRICADES 61 IN THE NAME OF GOD 62 CLASSIFIED 6 EDITORIALS "Pearlygate" Morality Paul Kurtz / New Directions for Humanism / Catholic Consistency at Any Cost Tom Flynn 12 The Tyranny of the Creed John Allegro BELIEF AND UNBELIEF AROUND THE WORLD 14 Japan and Biblical Religion Richard L. Rubenstein 21 Letter to a Missionary Ronn Nadeau ARTICLES 22 The Relativity of Biblical Ethics Joe Edward Barnhart 25 Xenoglossy and Glossolalia Don Laycock 26 Was the Universe Created? Victor Stenger 31 Science-Fantasy Religious Cults Martin Gardner PERSONAL PATHS TO HUMANISM 36 A Secular Humanist Confession Joseph Fletcher 37 Free from Religion Anne Nicol Gay!or 38 Surrender to Life Rita Mae Brown 40 As if Living and Loving Were One Ashley Montagu 42 Growing Up Agnostic in Argentina Mario Bunge 46 The Case Against Reincarnation (Part 4) Paul Edwards BOOKS 54 The Cult of Objectivism Nathaniel Branden 55 Propaganda Before Education Gordon Stein 56 Critiquing the Old Unities Robert Basil Rita Mae Brown's and Ashler Montagu's articles are adapted by permission from The Courage of Conviction, edited by Philip Berman, published in hardcover by Dodd, Mead, and Company and in paperback by Ballantine Books.
    [Show full text]
  • Works Like a Charm: the Occult Resistance of Nineteenth-Century American Literature
    WORKS LIKE A CHARM: THE OCCULT RESISTANCE OF NINETEENTH-CENTURY AMERICAN LITERATURE by Noelle Victoria Dubay A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland August 2020 Abstract Works like a Charm: The Occult Resistance of Nineteenth-Century American Literature finds that the question of whether power could work by occult means—whether magic was real, in other words—was intimately tied, in post-Revolutionary America, to the looming specter of slave revolt. Through an examination of a variety of materials—trial narratives, slave codes, novels and short stories, pamphlets, popular occult ephemera—I argue that U.S. planters and abolitionists alike were animated by reports that spiritual leaders boasting supernatural power headed major rebellions across the Caribbean, most notably in British-ruled Jamaica and French-ruled Saint-Domingue. If, in William Wells Brown’s words, the conjurer or root-doctor of the southern plantation had the power to live as though he was “his own master,” might the same power be capable of toppling slavery’s regimes altogether? This question crossed political lines, as proslavery lawmakers and magistrates as well as antislavery activists sought to describe, manage, and appropriate the threat posed by black conjuration without affirming its claims to supernatural power. Works like a Charm thus situates the U.S. alongside other Atlantic sites of what I call “occult resistance”—a deliberately ambivalent phrase meant to register both the documented use of occult practices to resist slavery and the plantocracy’s resistance to the viability of countervailing powers occulted (i.e., hidden) from their regimes of knowledge—at the same time as it argues that anxiety over African-derived insurrectionary practices was a key factor in the supposed secularization of the West.
    [Show full text]
  • The Science of Mediumship and the Evidence of Survival
    Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2009 The cS ience of Mediumship and the Evidence of Survival Benjamin R. Cox III [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Recommended Citation Cox, Benjamin R. III, "The cS ience of Mediumship and the Evidence of Survival" (2009). Master of Liberal Studies Theses. 31. http://scholarship.rollins.edu/mls/31 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Science of Mediumship and the Evidence of Survival A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Benjamin R. Cox, III April, 2009 Mentor: Dr. J. Thomas Cook Rollins College Hamilton Holt School Master of Liberal Studies Winter Park, Florida This project is dedicated to Nathan Jablonski and Richard S. Smith Table of Contents Introduction ............................................................................................... 1 The Science of Mediumship.................................................................... 11 The Case of Leonora E. Piper ................................................................ 33 The Case of Eusapia Palladino............................................................... 45 My Personal Experience as a Seance Medium Specializing
    [Show full text]
  • Music and Environmentalism in Iceland
    This is a repository copy of Music and Environmentalism in Iceland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/98624/ Version: Accepted Version Book Section: Dibben, N. orcid.org/0000-0002-9250-5035 (2017) Music and Environmentalism in Iceland. In: Holt, F. and Kärjä, A-V., (eds.) Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press , Oxford . ISBN 9780190603908 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 8 Music and Environmentalism in Iceland Nicola Dibben How much would we accept for a mountain? Two billion? Twenty billion?i At the end of the trailer for the television eco-documentary Draumalandi! (2007), an interviewee questions the monetary value placed on landscape. The question encapsulates ongoing controversies over ownership, valuation and use of the natural environment in the Nordic region and beyond. It presents an implicit opposition between, on the one hand, economic valuation of the natural environment, epitomised by natural capital accounting (measurement and incorporation into markets of natural resources and ecosystems), and on the other hand, the idea that nature is, and should remain, in the realm of the “beyond-human”.
    [Show full text]
  • 2019 Tcc Jfteixeira.Pdf
    UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DESIGN-MODA JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA FORTALEZA 2019 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. OriEntAdora: Profa. Esp. PAtriciA MontEnegro MAtos Albuquerque. FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) T266b Teixeira, Johann Freitas. Björk e seu coração partido : uma analise das relações entre figurino e design gráfico a partir do encarte do álbum vulnicura / Johann Freitas Teixeira. – 2019. 60 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Esp. Patricia Montenegro Matos Albuquerque. 1. Figurino . 2. Design gráfico. 3. Encarte. 4. Björk. I. Título. CDD 391 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda.
    [Show full text]
  • Quacks / by Chas. W. Warner
    QUACKS By CHAS. W. \VARNER" Charles SEVENTH PRINTING REVISED AND ENLARGED CHAS. W. WARNER JACKSON, MISSISSIPPI 1934 Copyright 1930 CHAS. W. WARNER Jackson, Mississippi Second Printing October. 1930 Third Printing October. 1931 Fourth Printing March, 1932 Fifth Printing October. 1932 Sixth Printing July, 1933 Seventh Printing July, 1934 Tquj? This Book Is Dedicated to Man's Best Friend The Family Doctor PREFACE "Quacks" is not in any sense a defense of "Reg ular Medicine," "State Medicine," or the "Medical Trust," and no organization or society is in any way responsible for it. I am writing it on my own initiative, and will have it printed at my own expense. The profits, if there are profits, will be my own, The loss—if there is a loss—will likewise be my own. I shall not expect the book to become popular with Cults and Quacks, or that class of Public Offi cials who are on the Quack pay rolls. I am prepared to meet such opposition as I ex pect to come from those Newspapers and Maga zines which are deriving revenue from Quack ad vertisements. For the benefit of any and all persons who may — and will—threaten legal action, my name and ad dress are given herewith. CHAS. W. WARNER, Jackson, Mississippi. June 15, 1930 PREFACE TO THIRD PRINTING The first edition of every book is an experiment, in many instances a disappointment and a loss After the first edition of a book has been sold and a few hundred critics have paid their respects to it, the author of the book has a fair idea of its merits.
    [Show full text]
  • James Curtis and Spiritualism in Nineteenth-Century Ballarat
    James Curtis and Spiritualism in Nineteenth-Century Ballarat Greg Young This thesis is submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy. Faculty of Education and Arts Federation University University Drive, Mount Helen Ballarat 3353 Victoria, Australia STATEMENT OF AUTHORSHIP Except where explicit reference is made in the text this thesis contains no material published elsewhere or extracted in whole or in part from a thesis by which I have qualified for or been awarded another degree of diploma. No other person’s work has been relied upon or used without due acknowledgement in the main text and bibliography. Signed (Applicant): Date: Signed (Supervisor): Date: When the intellectual and spiritual history of the nineteenth century comes to be written, a highly interesting chapter in it will be that which records the origin, growth, decline, and disappearance of the delusion of spiritualism. —Australasian Saturday 25 October 1879 Acknowledgements I am greatly indebted to my University of Ballarat (now Federation University) supervisors Dr Anne Beggs Sunter, Dr Jill Blee, and Dr David Waldron for their encouragement, advice, and criticism. It is also a pleasure to acknowledge a large debt of gratitude to Professor Tony Milner and Professor John Powers, both of the Australian National University, for their generous support. This project began in the Heritage Library of the Ballaarat Mechanics’ Institute; I am grateful to the BMI for its friendly help. Dedication To Anne, Peter, Charlotte, and my teacher Dr Rafe de Crespigny. Abstract This thesis is about the origins, growth, and decline of spiritualism in nine- teenth-century Ballarat.
    [Show full text]
  • Relatório Final
    Relatório de Bolsa de Iniciação Científica Relatório Final Número do Processo: 2018/11470-1 Nome do Projeto: Inovação Audiovisual e a Voz Política em Let England Shake, Biophilia e Lemonade Vigência: 01/10/2018 a 30/09/2019 Período coberto pelo relatório: 10/03/2019 - 30/09/2019 Nome do Beneficiário/Bolsista: Fernando Paes de Oliveira Chaves Guimarães Nome do Responsável/Orientador: Cecília Antakly de Mello Fernando Paes de Oliveira Chaves Guimarães Cecília Antakly de Mello b) Resumo do plano inicial e das etapas já descritas em relatórios anteriores O projeto Inovação audiovisual e a voz política em Let England Shake, Biophilia e Lemonade teve como proposição inicial a investigação de novas formas audiovisuais que, de certo modo, são derivadas dos videoclipes e compõem um amálgama entre música e audiovisual. Em um primeiro momento, foi realizada uma extensa pesquisa sobre a história do videoclipe, suas origens e influências formais. Para essa pesquisa, utilizei uma bibliografia extensa, composta por autores como Arlindo Machado, Ken Dancyger, Kristin Thompson e David Bordwell, Flora Correia e Carol Vernallis. A obra Experiencing Music Video, de Carol Vernallis foi muito importante para o desenvolvimento da pesquisa e o uso da reserva técnica da bolsa para a aquisição dessa obra foi fundamental, uma vez que não a encontrei em bibliotecas públicas. Após o levantamento bibliográfico incial, foi realizada uma pesquisa sobre a biografia das artistas, de modo a possibilitar um melhor entendimento do contexto em que cada uma das obras foi lançada e a trajetória das três artistas até o momento de criação dos álbuns. Em seguida, realizei uma análise meticulosa de Let England Shake e Lemonade.
    [Show full text]
  • Intro & Table of Contents
    Intro & Table of Contents KNOW THYSELF Observe, Meditate, Contemplate, Synthesize, Repeat There is nothing more true or real than your own experience Strive For Gnosis, Live With Love, Expand Your Perception, Strengthen Your Will Are you the thought or the thinker, the dream or the dreamer, the creation or the creator, the music or the musician, the art or the artist; maybe a bit of each? “Write your own Gospel, live your own myth” Miguel Conner “There is only one way and that is your way. There is only one salvation and that is your salvation. Why are you looking for help? Do you believe it will come from outside? What is to come will be created in you and from you. Hence look into yourself. Do not compare, do not measure. No other way is like yours. All other ways deceive and tempt you. You must fulfill the way that is in you.” –The Red Book Table of Contents Chapter 1 - Why? Chapter 2 - What is True? Chapter 3- Consciousness Chapter 4- What is Reality? Chapter 5- Reality Theories Chapter 6- My Truth, Tenets and Gospel Chapter 7-Additional Life Practices Chapter 8-The Simplicity of Magick Chapter 9- Master of Manipulation: The Cult of Inversion Chapter 10- My Three Wise-Men Chapter 11- Focus on the Good Compiled/Manifested by LoKe~KeLo Chapter 1- Why? Why are we here? What are you? What is the purpose? Is there a purpose? What’s this all about? Every religion, philosophy, and esoteric system tries to answer this, most believing they have.
    [Show full text]