OURSELVES, OUR FOES by Jeff Schwamberger HCR 2 Box 122A 9150 Alpine Road La Honda, CA 94020 650.747.9682
[email protected] Ourselves, Our Foes Copyright © 1993 Jeffrey Alan Schwamberger All rights reserved You may print one copy of this script for the sole purpose of evaluating it for production. The printed copy must include the title page and this copyright page. No part of this script may be reproduced or transmitted for any other purpose in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the playwright. ii Ourselves, Our Foes Thou hast no conscience—are we not revenged? Is there one enemy left alive amongst those? ’Tis time to die when we are ourselves our foes. The Revenger’s Tragedy, V, iii, 117-119. TIME Spring, 1882 through December 17, 1916. PLACE Mainly St. Petersburg. SET The stage should be as bare as possible throughout. CHARACTERS The play is structured so that it can be played by eight actors (six men and two women). FELIX YUSUPOV, the only surviving son of perhaps the wealthiest family in all of Tsarist Russia. A prince; later, through his marriage to one of the tsar’s nieces, Irina Alexandrovna, a member of the imperial family. 30, male. Note: The voices Yusupov hears throughout the play are a theatrical device: they represent his thoughts, memories, and—most important—the sort of cultural impressions and expectations that get implanted in our minds, then take on a life of their own.