A Tale of Two Motels: the Times, the Architecture and the Architects*
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BAIRNSDALE – OMEO East Region – Diocese of Sale Who We Are Tomorrow Begins with What We Do Today
BAIRNSDALE – OMEO East Region – Diocese of Sale Who we are tomorrow begins with what we do today. St Marys Bairnsdale St Patricks Paynesville Vision: We are a welcoming community where the word of God, through the message of Jesus Christ is made known & lived. Our mission is to: L ive the message of Jesus Christ taking inspiration from Mary, the Mother of God. Empower our community to activate their gifts to build a better world. Strengthen and grow our faith. TWELFTH SUNDAY of ORDINARY TIME, Year A – June 21st, 2020 Welcome to all who have joined us to celebrate Mass. St Mary’s Parish Bairnsdale/Omeo acknowledge the Gunai Kurnai people, the Traditional Custodians who have walked upon and cared for this land for thousands of years. We acknowledge the continued deep spiritual attachment and relationship of Aboriginal and Torres Strait Islander Peoples to this country and commit ourselves to the ongoing journey of reconciliation. PARISH CONTACTS LITURGY/MASS TIMES Parish Priest: Fr Michael Willemsen ST MARY’S BAIRNSDALE – WEEKDAYS Assistant Priests: Fr Avinash George Mon: 22nd June 9:10am Mass Fr Jayakody Francis Tues: 23rd June 9:10am Mass Bairnsdale Presbytery: Wed: 24th June 9:10am Mass 23 Pyke Street Bairnsdale 3875 Phone 5152 3106 Thurs: 25th June 9:10am Mass Email: [email protected] Fri: 26th June 9:10am Mass Internet: www.stmarysbairnsdale.net ST MARY’S BAIRNSDALE - WEEKENDS Facebook: St Mary's Church Bairnsdale Sat: 27th June 6:00pm St Mary’s Parish Pastoral Centre: Sun: 28th June 9:30am 135 Nicholson Street Bairnsdale 3875 Phone 5152 2942 PLEASE NOTE: No 11am Mass on the 4th Sunday due to Parish Business Manager: Paul Heaton-Harris Masses being held in the High Country. -
Eligibility and Referral East Gippsland Wellington South
Mental Health Support for Secure Tenancies Telephone (all locations): (MHSST) aims to break the cycle of homelessness 1300 737 412 by supporting people with a severe and enduring mental illness to live independently in the community, Correspondence: Working with people to overcome obtain secure housing, improve their independent P.O. Box 635 barriers, regain hope, reconnect living skills and address their physical and mental Bairnsdale, VIC 3875 with their communities and realise health needs. MHSST utilises a flexible outreach their goals. approach that is integrated and links to the broader health and community service system. MHSST has East Gippsland a worker dedicated to the Aboriginal community. Bairnsdale (Head Office) 265 Main Street, Bairnsdale Partners in Recovery (PIR) works with people with Fax: (03) 5152 6345 Email: [email protected] multiple and complex needs, ensuring services work together in a more collaborative, coordinated and Orbost integrated way, supporting an individual’s recovery Orbost Regional Hospital – Health journey by addressing their physical health, mental Counselling and Support Services Building health and other needs. PIR promotes a community 29 Browning Street, Orbost centred recovery model based on the understanding Fax: (03) 5152 6345 that a successful recovery requires a coordinated Email: [email protected] response from a range of sectors. Wellington Online training programs enable participants Sale to develop resilience skills from within their home 1st Floor, 89 Raymond Street, Sale or workplace and at a time and pace that suits Fax: (03) 5144 5749 them. The innovative Growing Resilience InTernally Email: [email protected] (GRIT) program develops the capacity to meet the challenge of an ever changing world, effectively South Gippsland / Bass Coast manage stress (whether it be the result of the working environment, bush-fire, flood, illness or adversity) Leongatha and enable participants to transition from who they 3 Church Street, Leongatha are, to who they want to be. -
5. Through Non-Military Eyes: Developing the Postwar Bilateral
5 THROUGH NON-MILITARY EYES: DEVELOPING THE POSTWAR BILATERAL RELATIONSHIP Somewhere in the vast ruin of post-nuclear Hiroshima, two middle- aged Japanese men walk towards a stationary camera (see Figure 5.1). They look purposeful and strangely cheerful. As two Australian diggers slouch back into the colossal bombsite and towards the vanishing point beneath a cluster of stripped trees, the conspicuously civilian, Western- attired Japanese duo stride out of it, moving away from the militarism that led to such wholesale destruction and into a future that would be independently determined by men such as them. The photograph is carefully conceived, staged to capture a significant point of departure in postwar Japanese history—a people leaving war and military occupation behind and embarking on the task of rebuilding and remaking the nation. Significantly, this richly allegorical image was not taken by one of the professional photographers affiliated to the military and official civilian agencies. Rather, it is the work of an amateur, Hungarian-born Stephen Kelen, who served with British Commonwealth Occupation Force (BCOF) Intelligence before joining the military newspaper British Commonwealth Occupation News (BCON). Kelen was an enthusiastic and accomplished photographer. Several of the images that illustrate his memoir, I Remember Hiroshima, have become iconic pictures of the stricken city in the early stages of its reconstruction. His photographs of orphans and of an outdoor schoolroom that had sprung up in the rubble are among the best known pictures of atomic Hiroshima, featuring in 153 PACIFIC EXPOSURES Figure 5.1. Stephen Kelen, Hiroshima, c. 1946–48, published in I Remember Hiroshima (Sydney: Hale & Iremonger, 1983), 18. -
Bushfires in Our History, 18512009
Bushfires in Our History, 18512009 Area covered Date Nickname Location Deaths Losses General (hectares) Victoria Portland, Plenty 6 February Black Ranges, Westernport, 12 1 million sheep 5,000,000 1851 Thursday Wimmera, Dandenong 1 February Red Victoria 12 >2000 buildings 260,000 1898 Tuesday South Gippsland These fires raged across Gippsland throughout 14 Feb and into Black Victoria 31 February March, killing Sunday Warburton 1926 61 people & causing much damage to farms, homes and forests Many pine plantations lost; fire New South Wales Dec 1938‐ began in NSW Snowy Mts, Dubbo, 13 Many houses 73,000 Jan 1939 and became a Lugarno, Canberra 72 km fire front in Canberra Fires Victoria widespread Throughout the state from – Noojee, Woods December Point, Omeo, 1300 buildings 13 January 71 1938 Black Friday Warrandyte, Yarra Town of Narbethong 1,520,000 1939 January 1939; Glen, Warburton, destroyed many forests Dromona, Mansfield, and 69 timber Otway & Grampian mills Ranges destroyed Fire burnt on Victoria 22 buildings 34 March 1 a 96 km front Hamilton, South 2 farms 1942 at Yarram, Sth Gippsland 100 sheep Gippsland Thousands 22 Victoria of acres of December 10 Wangaratta grass 1943 country Plant works, 14 Victoria coal mine & January‐ Central & Western 32 700 homes buildings 14 Districts, esp >1,000,000 Huge stock losses destroyed at February Hamilton, Dunkeld, Morwell, 1944 Skipton, Lake Bolac Yallourn ACT 1 Molongolo Valley, Mt 2 houses December Stromlo, Red Hill, 2 40 farm buildings 10,000 1951 Woden Valley, Observatory buildings Tuggeranong, Mugga ©Victorian Curriculum and Assessment Authority, State Government of Victoria, 2011, except where indicated otherwise. -
Gillian Welch's Long-Awaited New Album
FREE JULY 2011 Readings Monthly • • • Peter Salmon Ann Patchett Alan Hollinghurst Robert Hughes (SEE P18) THE HARROW AND HARVEST IMAGE FROM GILLIAN WELCH'S NEW ALBUM Gillian Welch’s long-awaited new album p 17 Highlights of July book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION FICTION YA DVD POP CD CLASSICAL $50 $39.95 $29.99 $24.95 $30 $24.95 $33 $27.95 $19.95 $24.95 $25.95 $21.95 $24.95 >> p19 >> p5 >> p6 >> p7 >> p8 >> p14 >> p16 (for July) >> p17 July event highlights : Matthew Evans on Winter on the Farm. James Boyce at Readings Carlton, Favel Parrett, Rosalie Ham. See more events inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au travel card travel card Instant WIN a $10,000 4000 1234 5678 9010 4000 5678 9010 4000 1234 4000 GOOD THRU 00/00 GOOD THRU 00/00 ANZ Travel Card It’s money made to travel Purchase any Lonely Planet product with a promotional sticker from 9am 04/06/11 until ANZ Travel Card ANZ Travel Cards 5pm 31/07/11 and visit lonelyplanet.com/anztravelcard to be in the running to win.. -
National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Cross-Section
UNIVERSITY OF MELBOURNE DEPARTMENT OF ARCHITECTURE CROSS-SECTION Issue No. 205 December 1, 1969 complex will give us a second chance. Let us hope it is not wasted on talking solely about function. Archi- tects: Bates, Smart & McCutcheon with Skidmore, Owings and Merrill. Builders: E. A. Watts Pty. Ltd. Engineers: Bates, Smart & McCutcheon. Cost: $20,000,000. ¶ Commonwealth architects a-plenty are expected to enter a competition to design a new U.K. parliamentary building sited near the Palace of Westminster, London. The competition is being conducted by the Ministry of Public Building and Works in association with the R.I.B.A. The Australian representative on the panel of assessors is Robin Boyd. The 2-stage competition and its draft conditions have been discussed by the panel for release by the end of '69. Ala -INN"10 lUtlU{U10 +y. ülifllf6lt{ifl( NI IH UUOtllkir, ■ 6. Photo: Adrian Crothers The 26-storey A.M.P. Tower and its adjacent 6-storey St. James building, Melbourne, is now being occupied. Unwittingly or not, the complex introduces delicious mannerist effects that altogether distract one from the simple aesthetic of the clean and the efficient. From William Street the Tower appears to be a monolithic peg that has been driven too far into the ground. The massive piers and the near eye level plinth of the tower facade combine to give this instantaneous thrill. The infamous facade of the St. James building has moved architecture into the territory of op-art sensa- tion. From some angles it creates a bewilderment that can generate nausea. -
Survey of Post-War Built Heritage in Victoria: Stage One
Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application -
Robin Boyd's the Australian Ugliness, Ugliness
RMIT DESIGN ARCHIVES JOURNAL | VOL 9 Nº 2 | | VOL JOURNAL RMIT DESIGN ARCHIVES 9 Nº 2 RMIT DESIGN ARCHIVES JOURNAL VOL 9 Nº 2 | 2019 ROBIN BOYD REDUX ROBIN BOYD REDUX BOYD ROBIN RDA_Journal_21_9.2_Cover.indd 1 27/11/19 4:58 pm Robin Boyd’s The Australian Ugliness, ugliness, peer reviewed and liberal education essay John Macarthur Robin Boyd’s graphic style in The Australian Ugliness owes much to the British journal The Architectural Review (ar) and in particular to Osbert Lancaster and Gordon Cullen in their critical and frequently humorous depictions of the vernacular built environment and the fancies of popular taste.1 On this basis it is reasonable to assume that Boyd’s account of ugliness also has sources in the ar’s discussion of architecture and ugliness, which Boyd references. But this is not the case; or, rather, there is an ambiguity here. Boyd writes with a quite patrician distain for popular but Australian featurism is particularly repulsive because it misunderstandings and ignorance of architecture, and this is cheerful, hygienic and taken to signify modernity when it is at odds with a certain condescending fondness for the is its exact opposite. The idiom of Australian featurism plays Opposite foolishness of bad building that we see in his drawings, out in a sequence of attractive novelty of form, materials Robin Boyd, which are closer to the AR. Boyd’s ambivalent ugliness and ornaments, each making their own plea for attention, The Australian Ugliness, (Melbourne: F.W. shares with the AR a strategy of deploying ugliness to ask one after the other, feature columns, supporting feature Cheshire, 1960), what role architectural expertise ought to have in a liberal porches, with plasticised silky-oak front door alongside RMIT Design Archives, society where all have a right to express their taste. -
Featurism and the Fish Bowl: Robin Boyd's
Philip Goad: University of Melbourne Featurism and the Fish Bowl: Robin Boyd’s ‘Drive-in’ Design for 1969 In 1960, Melbourne architect and critic Robin Boyd (1919-1971) coined the term ‘Featurism’ in his book, The Australian Ugliness. It was a term directed at an emerging tendency in the late 1950s towards what Boyd described as ‘cloak and camouflage’ in architecture, and with specific reference to the so-called Googie-style architecture of the American commercial strip, where signs, symbols and exaggerated forms in the form of advertising took precedence over function. Nine years later, Boyd’s 1969 design for ‘Neptune’s Fishbowl’, a drive-in takeaway fish and chips outlet on busy Toorak Road in South Yarra caused something of a sensation. It wasn’t just the flamboyant launch with a bare-breasted ‘mermaid’ on the back of an open truck that raised eyebrows. The building’s glazed polygonal form topped by a near geodesic blue fibreglass sphere drew criticism as being ‘Featurist’, an accusation laid at the term’s originator and against which Boyd had to defend himself in the press. This paper outlines Boyd’s design, its genesis within his own design preoccupations of the time, and its reception amongst the public and the profession. It argues that the Fishbowl was not only part of a new postwar architectural idiom designed specifically for the road but also that its design was part of an emerging acceptance that automobile-related architecture might play a decisive role in radically shifting opinions about the aesthetics of the late twentieth century city. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science .