BBC and Annual Report Accounts 2005/2006
British Broadcasting Corporation Broadcasting House London W1A 1AA bbc.co.uk Annual Repor t and © BBC 2006 Accounts 2005/2006 Purpose, vision and values
The BBC’s purpose is to enrich people’s lives with programmes and services that inform, educate and entertain
The BBC’s vision is to be the most creative organisation in the world
Values Trust is the foundation of the BBC: we are independent, impartial and honest Audiences are at the heart of everything we do We take pride in delivering quality and value for money Creativity is the lifeblood of our organisation We respect each other and celebrate our diversity so that everyone can give their best We are one BBC: great things happen when we work together Contents
2 Chairman’s statement 4 Director-General’s report 6 The BBC now and in the future 10 Board of Governors 12 Executive Board 14 Governors’ review of objectives 22 The BBC at a glance
Governors’ review of services 24 Television 32 Radio 40 New Media 46 News 50 BBC World Service & Global News 54 Nations & Regions
58 Governors’ review of commercial activities
60 Being accountable and responsible 68 Performance against Statements of Programme Policy commitments 2005/2006
76 Compliance
92 Financial review 95 Financial statements
140 Broadcasting facts and figures 151 Getting in touch with the BBC 152 Other information
BBC Annual Report and Accounts 2005/2006 1 Chairman’s statement
This is the last annual report from the The main function of the Trust will be to BBC Board of Governors, which is to ensure that licence fee payers’ expectations be replaced under the new draft Royal of the BBC are fulfilled in terms of the Charter by the BBC Trust. I would like to quality and value for money of its services, pay tribute to the work of all Governors and that the BBC remains focused on over the last 80 years.The fact that the fulfilling its six public purposes as set out independence of the BBC endures is in the new draft Charter. In representing due in no small part to their robust the interests of licence fee payers, the Trust stewardship – sometimes in the face will recognise that these interests go of fierce onslaught from political and beyond their direct interest in the BBC. commercial vested interests. Licence fee payers do not exist solely on a media diet provided by the BBC.They value The pressing need for modernisation the choice of services provided by others, of the BBC’s governance arrangements and the Trust will ensure that the BBC was recognised by my predecessor as operates in a way that fully recognises this. Chairman, Gavyn Davies, and the Board has been able to build on the work he I have no doubt that the BBC Executive and his fellow Governors began.This work will sometimes be disappointed by the will be completed by the Trust using the outcome of a Public Value Test – just as new tools at its disposal under the new private sector interests will sometimes Charter: Purpose Remits, Service Licences be disappointed. Our job as BBC Trustees and Public Value Tests (for the details will be to ensure that the widest interests of these, see The BBC now and in the of licence fee payers take precedence over future, page 9). either of those interests.
At the heart of the new arrangements The White Paper published earlier this year is an explicit recognition that the Trust exists after two years of public debate, research to represent the interests of licence fee and evidence-gathering represents a vote payers, not the narrow interests of the of public confidence in the BBC.The new BBC as an institution. Although the new ten-year Charter and the maintenance structures will not be in place until the new of licence fee funding offer the BBC an Charter takes effect, in January 2007, the enviable degree of stability in a fast-changing present Board of Governors fully supports media landscape.The missing piece in the the changes and is already operating within jigsaw is the licence fee settlement. the spirit of the new Charter. For the first time, the BBC has been As a result, the relationship between the completely open with the public about Board and the Executive – those charged the licence fee bid. Its size was based on with the day-to-day running of the BBC – a fully costed business plan at the time has begun to change.There is now real of publication, reflecting the Government’s separation between the two bodies, enabling plan for the BBC set out in last year’s Green the Board to exercise independent oversight Paper. In the subsequent discussions with of the work of the Executive.This will the Government, the BBC has made clear intensify in the future as the Trust uses that its overriding concern is to be able to its new powers to ensure rigorous, meet the needs and expectations of licence independent and fully transparent scrutiny fee payers at the lowest possible cost. of the work of the Executive. Achieving the highest possible settlement
2 BBC Annual Report and Accounts 2005/2006 should not be regarded as a badge of programme, which is designed to release a brilliant comic actor, he was also an honour for those representing the licence money to invest in more and better exceptionally talented writer. He was a fee payers on the Board of the BBC. output. It has also been delivered in the modest man, and even as an established context of the exhaustive – and sometimes star he would sometimes submit scripts Much of our work as Governors this exhausting – process of Charter Review. to the BBC under an assumed name – he year has been focused on financial and said he wanted to make sure they were organisational change in preparation for This is not to say that the picture is accepted because of their quality, not the new Charter. As a result I am confident completely positive. One issue repeatedly because of who had written them. that the BBC is in good shape structurally raised with us in our consultations with Ronnie Barker’s contribution to the BBC to begin the next stage of its development. audiences around the UK this year is the proved beyond doubt that quality and The BBC will end the current Charter problem of limited digital coverage.Those popularity are not mutually exclusive. having met its commitment to achieve licence fee payers affected have expressed Maintaining support from licence fee payers a broadly zero debt position.The self-help justified disquiet that while they contribute over the ten years to come will depend target of £3.3billion imposed by the to the cost of the BBC’s digital output they on the BBC remembering that this is what Government for the period of the current are unable to receive the services.We have distinguishes BBC output. Charter is on track and will be exceeded. encouraged management to speed up their And the Director-General’s additional plans – working with commercial partners value-for-money savings target for – to develop a satellite equivalent of 2005/2006 has been exceeded, making Freeview that would solve these problems. more secure his overall target of achieving £355million of ongoing gross annual savings I’m proud to be the last Chairman of by 2007/2008. Governors and to have been appointed as the first Chairman of the new Trust. Michael Grade In this report we give an objective At the heart of my vision for the BBC Chairman assessment of management performance is the recognition that the survival of a 14 June 2006 during the year under review.Where more licence-fee funded BBC depends not on needs to be done we say so. But the economic theory or political dogma but general picture is encouraging.The overall on the ability of the BBC to retain the reach of the BBC’s television and radio support of the overwhelming majority services is broadly stable at 92.7%, and of the people of the UK through the the reach of the BBC’s online services content and services it offers. continues to grow rapidly. In an increasingly competitive context, where audiences are These can take many forms as the BBC presented with much increased choice, this delivers its historic public service remit is a real achievement. And the achievement to inform, to educate and to entertain. is greater because it reflects no lessening of But they must all share the aspiration overall quality – indeed quite the contrary. to set new standards of quality, whatever The BBC can take justified pride in the the genre or distribution mechanism. growing high quality of its overall output this year – a judgement reflected in the Earlier this year I took part in the memorial many awards it has won. service for Ronnie Barker, whose long career with the BBC exemplifies what I This performance has been delivered mean.The list of his BBC hits is astonishing: against a background of understandable The Navy Lark,The Frost Report,The Two staff concern over the job reductions and Ronnies, Porridge, Open All Hours – these changes in working practices flowing from are among the greatest achievements of the Director-General’s value for money BBC comedy. Ronnie Barker was not just
BBC Annual Report and Accounts 2005/2006 3 Director-General’s report
The BBC is living between two worlds: the radio or television studio. BBC News world of traditional radio and television remains the most popular and trusted broadcasting and the dizzying new world provider of news in the UK and – through of digital media. Our challenge is to strike BBC World Service, bbc.co.uk and BBC the right balance of resources and creative World – around the globe. Its reach now energy between these two worlds and to exceeds 250 million people every week. set the right pace of change. But technology and audience expectations are changing the rules of the game by Move too quickly and we risk underserving the week. the millions of licence fee payers who still rely on us first and foremost for That is why, despite the constant pressure outstanding television and radio. But move of events – a General Election, the terrible too slow and we may find ourselves falling earthquake in Pakistan, the ongoing drama behind and losing contact with some of in Iraq and more besides – many of our audiences altogether. our editors and journalists took time in 2005/2006 to think hard about what 2005/2006 was a year in which the digital comes next for BBC News.Their conclusions revolution shifted up another gear. Month formed part of what we called Creative after month, the BBC’s website set new Future, an attempt to scope the story of records for reach. Page impressions are each of our major areas of content over now more than three billion a month. the next five years or so. Live streaming, downloads, podcasts… the public seized on each new technology Creative Future has plenty to say about and each new trial – not for the sake of technology and its creative impact: the the technology itself, but as a new way need, for instance, for commissioners of receiving outstanding BBC content. to think about projects across television, radio and the web, to explore user- On 7 July 2005, the story of London’s generated content, to think about how agony and fortitude was told brilliantly on-demand should affect what we make across the BBC’s services, from BBC and how we make it. London 94.9 and Radio Five Live to BBC News 24 and the Ten O’Clock News. But But it also reminded us that what counts 7 July marked a new high-water mark most of all for audiences is creative both for bbc.co.uk as a whole and for rich ambition and integrity.Technology is the audio-visual content – sound and pictures means: for the BBC, the end should always streamed live to users across the internet. be the quality of the content itself. Interestingly, what the public most wanted to access that day was not the BBC’s own There were plenty of programmes on professional reports but shaky images of BBC television this year which showed tube tunnels and a shattered bus captured what we can achieve when we combine on mobile phones. innovation with talent and conviction. Bleak House was a phenomenon, a The BBC’s journalism used to be a largely Dickens adaptation with as much depth one-way form of communication. Now as any the BBC has ever made, but eyewitnesses can uplink their testimony conceived as an edgy, contemporary- within seconds and bloggers can take any feeling serial earning its place in the national or global debate far beyond the midweek BBC One schedule next to
4 BBC Annual Report and Accounts 2005/2006 EastEnders, itself in the midst of a creative new strategy helped it to feel more It was also a year when the debate about revival. And those were only two highlights confident and more relevant in the future of the BBC reached a climax in the strongest year for BBC television 2005/2006. Radio 2 consolidated its with the publication of a Government drama in more than a decade, which position as the country’s most popular White Paper.This presents a picture of included To The Ends of The Earth, Bodies, radio station, while Radio 3 built on the a strong BBC, but not one which exists Life on Mars, ShakespeaRe-Told, and Dr Who success of The Beethoven Experience in isolation from the rest of the market. with a brilliant new Doctor. with A Bach Christmas.The story of the Despite the picture some of the BBC’s Brixton Angels – convicts inside one of rivals like to paint, we see the future as Despite another heady series of Little Britain’s toughest jails coming together to increasingly dominated by partnerships – Britain, BBC One comedy breakthroughs sing Bach – was one of the most touching with other public bodies, with independent proved elusive, although across television broadcast moments of the year. producers, with other public broadcasters there was a real sense of new talent and with our audiences.The transformed and new ideas arriving on the scene: Meanwhile, Radio 4 experimented relationship with PACT and the memoranda The Catherine Tate Show, Extras, BBC successfully with more topical debates of understanding signed with various Scotland’s Still Game and The Thick Of It and more distinctive and high-profile bodies over the course of the past year stood out in a strong year on BBC Two, drama. In deciding to abandon its early are evidence of this new approach. Three and Four. From Jonathan Ross to morning medley of UK themes, the Strictly Come Dancing, entertainment station also sparked off a classic BBC Although the BBC has a good deal to be remained potent on BBC One, while BBC row as an apparently minor change at proud of in 2005/2006, we cannot afford Two’s line-up of panel shows such as QI the schedule’s margins came to stand to sit back and congratulate ourselves. and factual entertainment formats such for something much larger and more Audiences are urging us on: rightly, they as The Apprentice continued to strengthen. important for listeners. After careful raise their standards all the time. We Of our digital services, BBC Four in particular reflection, the Radio 4 team decided have Creative Future to implement, digital thrived during 2005/2006, discovering a to stick to their original judgement, and switchover to lead, and we have changes broader, bolder mix of programmes with in my view they were right to do so. to make to our own management systems drama and comedy complementing its But there was an important lesson here to respond to the introduction of the main diet of documentary and culture. for the BBC: you cannot hope to please BBC Trust. all of the people all of the time, but – Factual output was strong across the especially at a time when they have so We have just had one of the busiest years BBC. Planet Earth was another brilliant much choice – the BBC must never take in our history. But in many ways the real combination of technical innovation with its audience for granted. challenge starts now. visual artistry and storytelling of the highest order. Arena’s ravishing two-parter Our digital radio services continued to about the young Bob Dylan, No Direction build their relationships with listeners, Home, and Facing the Truth from BBC and there was strong, innovative content Northern Ireland, which brought together around our sports coverage and children’s those thrown into confrontation by the offering, as well as from our national troubles, were highlights from a powerful and regional services.There have been Mark Thompson and diverse documentary offer. launches too: the first modules of the Director-General Digital Curriculum (now named BBC jam) 14 June 2006 Of all of the BBC’s services, in some ways are receiving a very positive response Radio 1 has the hardest mission: striving from students and teachers alike, and in to offer a distinctive and valuable line-up the last two months we have begun a in one of the most crowded parts of the pilot BBC high-definition TV service – broadcasting market – and to what in another broadcasting first, and another many ways is the UK’s most discerning way of trying to improve the quality that and demanding audience.The station’s the public receives from the BBC.
BBC Annual Report and Accounts 2005/2006 5 The BBC now and in the future
Overview The draft Royal Charter signals far-reaching change at the BBC.The new BBC Trust which will replace the Governors has an explicit duty to represent the interests of licence fee payers.As a result, there will be much sharper separation between those charged with the oversight of the BBC and those charged with delivering its services.
Another significant change is that, for the first time, the new Charter will include a definition of the public purposes of the BBC.These are: