SLAP Mag February 2020 (Issue
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Nielsen Music 2017 Year End Music Report Canada
NIELSEN MUSIC 20I7 YEAR-END MUSIC REPORT CANADA 1 INTRODUCTION The music industry in Canada has never been stronger, with record consumption, growing live music attendance and a new class of emerging artists. Nielsen Music has also had an amazing, transformative year. Technological advancements and new partnerships have allowed us to provide robust, comprehensive data in more accessible, customizable and useful ways in 2017. Over the past year, we received a record number of requests for Nielsen Music research and insight reports. Welcome to the Nielsen Music Year-End Report, which examines the trends that shaped the Paul Shaver Canadian music industry in 2017 with definitive consumption figures and charts. Vice President/ Head of Nielsen Music Canada Overall consumption of albums, songs and On-Demand Audio streaming grew 13.6% year-over- year. On-Demand Audio streaming offset decreases in track and album sales and, on December 3, for the first time in history, it surpassed the 900 million per week mark. Ed Sheeran led all artists in Canada with overall consumption and had the top-selling album of the year. Six Canadians had No. 1 albums on the Billboard Canadian Albums chart in 2017, including The Weeknd’s Starboy, Drake’s More Life, Arcade Fire’s Everything Now, Shania Twain’s Now, Pierre Lapointe’s La Science Du Coeur and Gord Downie’s Introduce Yerself. The passing of Gord Downie captured the nation’s attention. In the week following his death, The Tragically Hip’s overall consumption increased by 1,000% over the previous week. Also, six of the group’s albums re-entered the Billboard Canadian Albums chart. -
The Sociology of Music and Social Distinctions: P!NK's Career As an Example of Social Linkage
Digital Commons @ Assumption University Honors Theses Honors Program 2019 The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage David Cifarelli Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Cifarelli, David, "The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage" (2019). Honors Theses. 49. https://digitalcommons.assumption.edu/honorstheses/49 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Sociology of Music and Social Distinctions: P!NK’s Career as an Example of Social Linkage David Cifarelli Faculty Supervisor: Christopher Gilbert, Ph. D Department of English A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2019 Cifarelli 1 Introduction Music is extremely social. It is one of the most expressive art forms our society holds. Due this expressive nature, the art of making music can hold many social connotations and directly involve or relate itself to social occurrences, movements and ideals. This intertwined relationship thus allows music to be a conductor of social change by existing and working within these various social constructs. In addition, those involved with the music-making business are, by association, also potential conductors of social change. -
Jazz – Pop – Rock Gesamtliste Stand Januar 2021
Jazz – Pop – Rock Gesamtliste Stand Januar 2021 50 Cent Thing is back CD 1441 77 Bombay Str. Up in the Sky CD 1332 77 Bombay Street Oko Town CD 1442 77 Bombay Street Seven Mountains CD 1684 7 Dollar Taxi Bomb Shelter Romance CD 1903 Abba The Definitive Collection CD 1085 Abba Gold CD 243 Abba (Feat.) Mamma Mia! Feat. Abba CD 992 Above & Beyond We are all we need CD 1643 AC/DC Black Ice CD 1044 AC/DC Rock or Bust CD 1627 Adams, Bryan Tracks of my Years CD 1611 Adams, Bryan Reckless CD 1689 Adele Adele 19 CD 1009 Adele Adele: 21 CD 1285 Adele Adele 25 CD 1703 Aguilera, Christina Liberation CD 1831 a-ha 25 Twenty Five CD 1239 Airbow, Tenzin Reflecting Signs CD 1924 Albin Brun/Patricia Draeger Glisch d’atun CD 1849 Ali Erol CD 1801 Allen, Lily It’s not Me, it’s You CD 1550 Allen, Lily Sheezus CD 1574 Alt-J An Awsome Wave CD 1503 Alt-J This is all yours CD 1637 Alt-J This is all yours, too CD 1654 Amir Au Cœurs de moi CD 1730 Girac, Kendji Amigo CD 1842 Anastacia Heavy rotation CD 1301 Anastacia Resurrection CD 1587 Angèle Brol la Suite CD 1916 Anthony, Marc El Cantante CD 1676 Arctic Monkeys Whatever people say CD 1617 Armatrading, Joan Starlight CD 1423 Ärzte, Die Jazz ist anders CD 911 Aslan Hype CD 1818 Avicii Tim CD 1892 Avidan, Assaf Gold Shadow CD 1669 Azcano, Juli Distancias CD 1851 Azcano, Julio/Arroyo, M. New Tango Songbook CD 1850 Baba Shrimps Neon CD 1570 Baker, Bastian Tomorrow may not be better CD 1397 Baker, Bastian Noël’s Room CD 1481 Baker, Bastian Too old to die young CD 1531 Baker, Bastian Facing Canyons CD 1702 Bailey Rae, Corinne The Heart speaks in Whispers CD 1733 Barclay James H. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
November 30, 2017
Check out The Duke’s Best of 2017 on pages 8-10 November 30, 2017 Volume 97 Number 15 THE DUQUESNE DUKE www.duqsm.com PROUDLY SERVING OUR CAMPUS SINCE 1925 GOP tax The ho-ho-ho-lidays begin Student plan raises struggles taxes on with the graduate Union students ATMs RAYMOND ARKE KAILEY LOVE news editor photo editor Money is often a concern for For anyone that relies on a every college student, but most teaching assistant or research po- anyone would be distressed to sition for graduate level tuition, see their hard-earned money you may soon pay taxes on money taken by an ATM and never de- that you never see. posited. Yet, that’s what one On Nov. 16, the U. S. House of Duquesne student said happened Representatives passed legislation at an ATM on the campus. to overhaul the tax code with a vote Brianna Hollick, a law student of 227-205. Though a version of the at Duquesne, said she went to $1.5 trillion bill still needs to pass in the PNC Bank ATM in the Stu- the Senate before it goes any further, dent Union on Nov. 14. She had the first step toward this GOP vic- received $450 for her birthday tory has implications for millions of and was looking to deposit it into Americans, including students. her State Farm account, some- According to the Joint Committee thing she had done on the PNC on Taxation, the tax bill will affect 13 machines “many times” before. million lower and middle class fami- “Everything appeared normal. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Record-Mirror-1982-1
2 October 30, 1982 TEST OUR PRICE RECORDS LATEST OUR PRICE RECORDS LATEST OUP PRICE RECORDS LATEST OUR PRICE RECOR o E BLUE HON AE RED HOT FAVOURITES THIS LAST OUR WEEK WEEK PRICE -,- 1 I 1I tD_ oi AvEEsO rvilEAnal HI 4.49 2 3 CURKIUSLSTIN ETtg l-131EIBCLEVER _4.29 3 5 sFRHIAELNADFASAn _4.29 _ AT BUB PRIC-1 4 26 VT.A rKOInFROM FAME II 4.49 5 9 outrARATvEr 4.49 6 7 TV HA E KIDS FROM FAME 4.49 7 ii TKRIDCROLe OPICAL NTGHSETCE OR CS °NUTS 4 29 833 HHAoLL & OATES 4.29 92 un 3.99 EVELYN KING 10 12 G ET LOOSE ,3' 99 11 10 DIANA ROSS SILK ELECTRIC 4.49 12 16 zureteeHrs - ..rgAupriGsTEEN 1 . 13 4 i 4.29 ADAM ANT 1 14 19 FRIEND OR FOE 4.29 IMAGINATION 15 6 IN THE HEAT OF THE NIGHT 4.49 16 15 CVSTAIRSz" AT ERIC S 3.99 DEPECHE MODE 17 13 BROKEN FRAME 3.99 FAT LARRY'S BAND 18 R- BREAKIN OUT 4.29 ASSAUEMICHA LL As fe cNKKER 19 24 3.99 20 17 NSIEmwPCLDE0PAINDDRSEAm 4.49 BAUHAUS 21 e THE SKY S GONE OUT 4.49 ABC 22 14 EXICON OF LOVE 4.49 7 23 42 eNr NAit-gr= 4.29 gi9_=siiimETAOTNE-JsoTHHNiTs 24 38 4.99 DIONNE WARWICK 25 fa HEARTBREAKER 13.99 JOEL 26 30 NEDYLLLOYNUg PI TAINS 4.49 r YeADyNEIGHT RUNNERS 27 22 4.29 28 31 TV HA ETICORY KINDA LINGERS 5.99 TOYAH 29 0 WARRIOR ROCK 5.49 raDEHDEimE 30 41 C 4.29 31 21 r oRAN DURAN 4.49 32 18 :ETEFI GABRIEL 4.49 33 25 Alt= THE GANG 4.29 34 34 CVDE1151IZAUDKNEOISE 4.49 35 27 ceeenerCersil 4.29 CHICAGO 36 40 16 4.49 37 53 CTHE HRIS IDTEA BW UARYGH 4.29 LITTLE STEVE & DISCIPLES or SOUL 38 el MEN WITHOUT WOMEN 4.29 39 44 STRAWBERRIES 3.99 40 50 CHOOSE YOUR MASQUES 4.29 OUR PRICE RECORD SHOPS OUTER LONDON CENTRAL LONDON AYLESBURY BARNET R 4.49 BISHOPSGATE 1(2 GSTOKF BPENT CROSS 41 52 Aeior CANNON STREET f .GSHOPPlTTG CENTRE BROMLEY CHA ,, NO CROSS ROAD WC 2 AMBEKEY CAMBRIDGI umNA-rniL& ETD FIE MAMBAS 42 20 3.99 CHEAPSIDE EC CANTERBURY CHATHAM COVENTRY ST*ET •.•,• CHELMSFORD (RAwuy BLANCMANGE THINK ALBUM EDGWARE ROAD CROYDON HARLOW HAPPY FAMILIES 43 28 3.99 fINCHLEY ROAD ITW) HARROW HEMEL HFMRSTEAD FLEET STREET Er 4 KATE BUSH H"CH WYCOMBE -HOUNSLOW . -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Wavelength (July 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from -
The New Hampshire, Vol. 80, No. 15 (Nov. 3, 1989)
:> -7 ,.i'• \,- o' ~< THREEJ.AM~PACK,E_DPAGES OFARTS! THEENTERTAINJ\{1ENT• 0 -DYSSEY·BEGINS ON P. 17 _ The New Hampshire · · amr Rate u~s. Postage Pali1 Vol, 80, No. 15 - ' FRIDAY, NOVEMBER 3, 1989 ( 603 ) 862 - 1490 Dmbaro -NB PeonU #3Q ,Woman raped Victim is not press,ing charges \, :Qy Mary Tamer and Ellen Hartis. , A 19 year old woman was', cies then, Sciola said, the Uni- · .. raped early Sunday.morning, versityinayor may not decide making this· the fourth inci- , to make sanctions against dent of sexual assault since that house. · the · semester began seven Sciola said the sanction weeks ago. · would depend on the incl- According to D-urbam Po,.. - dent, with the. maximum lice Captain Michael GoJding~ penaltybeingasuspensionof the incident ·occurred in the recognition by the University, wooded area near Strafford and which was the sanction giv~n Ganison avenues around I to Tau Kappa Epsilqn (TKE) · a.m. last Sunday. last sprrng. _ . · Thevict-imwastreatedand "As far as T know the · released from Wentworth University is not taking ac Douglass Hospital and referred · tion against; the. fraternity," to the Women's Resource Cen- . Goodman said, "'though<Dur:.. ter in Portsmouth, police said. ~am Police may." . More money will be·needed to suppor~ health insurance benefits. (Mike Parnham .photo) The alleged perpetrator,\ Goldingsaidreleasingthe< . ' . ' ' ; ' . ' . identified by police as a white} mime of the fraternity ".wotdd - male, is not a UNH student, compromise the . i~vestiga Faculty and staff disturbed by according to Eve Goodman,, · tlon" ·and would not comment director of Sexual Harassment - on any sanctions against -the· ···in . -
Trinity Will Host Student Conference
The Vol. LXXXII, Issue 23 TRINITY COLLEGE, HARTFORD, CONNECTICUT Trinity Will Host Student Conference by Roger Epstein drew 1200 from more than 55 Western schools. In Connecticut, On Saturday, April 28, Trinity ConnPIRG, with chapters at will host the state wide student UCONN and TRinity, has taken conference on Voter Registration. the lead in organizing student A state-sized version of the enor- voter registration projects. Over mously successful National Stu- 50 Trinity students were registered dent Conference on Voter by ConnPIRG in just two days Registration, held in February at last month. Harvard, the Connecticut confer- Position are available this sum- ence will feature a keynote speech mer PIRGs and other groups dur- by Irving Stolberg, Speaker of the ing voter registration drives all Connecticut House of Represent- over the country. The NSCVR has ative, issue workshops, and an developed the "Volunteer! Vote!" evening party. campaign. Students pledge three Following Stolberg's address, hours or more per week during the scheduled for 10:30, there will be summer to assist registration a discussion on low income voter drives in their area. '"Volunteer! registration projects, which will be Vote!' gives students the chance conducted across the country this to put more life into our country's summer. Afternoon workshops, political process," says Cindy run by students, will address such Jacques, a senior at UMass at phutub/JcU' issues as student financial aid, acid Amherst and chairperson of the rain, toxic wastes, Central Amer- NSCVR Board of Directors. Occasional sunny days give Trin students an opportunity to relax with various and sundry athletic activities.