Black Power and Self-Defense
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Race, Gender and Class in the Autobiography of Huey P. Newton 1
Race, gender and class in the autobiography of Huey P. 1 Newton Chloé Avril, University of Gothenburg “We’ll just have to get guns and be men”, such was the powerful rallying cry uttered by Black Panther member (and later leader) Elaine Brown in her 1969 song “The End of Silence”. I take Brown’s words as the point of departure for my article, since they seem to encapsulate much of what is at stake in relation to gender and the Black Power movement. Brown’s call to arms in “The End of Silence” immediately poses the question of the significance as well as the function of masculinity in the movement. It also highlights the link between masculinity and armed resistance. However, the use of the verb “to be” signals that “men” are the product of an action—getting guns—rather than a pre-existing subject performing the action, thus putting into question the automatic correlation between masculinity and the male body, a feeling reinforced by the words being uttered by the female voice of Elaine Brown. The contradictions and problematic aspects of the Black Power movement’s invocation of black masculinity, as well as the intersections of race, gender and class, will be at the core of this discussion. In order to explore these issues, I will focus on the autobiography of Black Panther leader Huey Newton, Revolutionary Suicide , where I will examine the tensions in this activist narrative’s construction of a racialized, classed and gendered self. Historical background As far as mainstream U.S. history goes, the Black Power movement has characteristically been understood as a distinct historical phenomenon following on, and breaking from the more widely accepted Civil Rights movement. -
Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
*Hr40/R1775* Mississippi Legislature Regular
MISSISSIPPI LEGISLATURE REGULAR SESSION 2003 By: Representatives Clark, Bailey, Malone, To: Rules Young HOUSE RESOLUTION NO. 15 1 A RESOLUTION COMMENDING MRS. WINSON HUDSON FOR HER MANY 2 OUTSTANDING ACCOMPLISHMENTS DURING THE CIVIL RIGHTS MOVEMENT. 3 WHEREAS, Mrs. Winson Hudson was born on November 17, 1916, in 4 the all African-American community of Harmony, Mississippi, in 5 Leake County; and 6 WHEREAS, Mrs. Hudson, along with her sister, Dovie, emerged 7 as courageous leaders in the freedom struggle in the early 1960s 8 and filed the first suit for school desegregation in a rural 9 Mississippi county; and 10 WHEREAS, having been one of the first to register to vote, 11 Mrs. Hudson became involved in the NAACP and was elected president 12 of the county chapter and served for the next 38 years; and 13 WHEREAS, subjected to harassment and threats of violence, 14 Mrs. Hudson appeared before the United States Commission on Civil 15 Rights in February of 1965 to speak about the harassment of her 16 fellow neighbors who were being harassed while attempting to 17 register to vote; and 18 WHEREAS, Mrs. Hudson was instrumental in the establishment of 19 the first Head Start program in Leake County, voter registration 20 drives, the integration of the Holiday Inn in Clarksdale, and 21 helped with the efforts to desegregate all public facilities in 22 Carthage, Mississippi; and 23 WHEREAS, Mrs. Hudson has been recognized for her many 24 outstanding accomplishments including serving as a delegate to the 25 Democratic National Convention in 1976 and was presented the 26 Fannie Lou Hamer Award by the Mississippi Democratic Party in 27 1989; and H. -
And at Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2018 And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons Recommended Citation Garrett, Linda, "And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind" (2018). Doctoral Dissertations. 450. https://repository.usfca.edu/diss/450 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. University of San Francisco And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment For the Requirements for Degree of the Doctor of Education by Linda Garrett, MA San Francisco May 2018 THE UNIVERSITY OF SAN FRANCISCO DISSERTATION ABSTRACT AND AT ONCE MY CHAINS WERE LOOSED: HOW THE BLACK PANTHER PARTY FREED ME FROM MY COLONIZED MIND The Black Panther Party was an iconic civil rights organization that started in Oakland, California, in 1966. Founded by Huey Newton and Bobby Seale, the Party was a political organization that sought to serve the community and educate marginalized groups about their power and potential. -
Do Guns Preclude Credibility?: Considering the Black Panthers As a Legitimate Civil Rights Organisation
Do Guns Preclude Credibility 7 Do Guns Preclude Credibility?: Considering the Black Panthers as a legitimate Civil Rights organisation Rebecca Abbott Second Year Undergraduate, Monash University Discontent over social, political and racial issues swelled in the United States during the mid- sixties. Even victories for the Civil Rights movement could not stem the dissatisfaction, as evidenced by the Watts riots that broke out in Los Angeles during August 1965, only two weeks after the Voting Rights Act was signed.1 Rioting had become more frequent, thus suggesting that issues existed which the non-violent Civil Rights groups could not fix. In 1966, the National Advisory Commission on Civil Disorders reported that forty-three race riots had occurred across the country, nearly tripling the fifteen previously reported for 1964.2 The loss of faith in mainstream civil rights groups was reflected in a 1970 poll of black communities conducted by ABC-TV in which the Black Panther Party for Self Defense (BPP) was the only black organisation that ‘respondents thought would increase its effectiveness in the future.’3 This was in contrast to the National Association for the Advancement of Colored People (NAACP) and the Southern Christian Leadership Conference, which the majority thought would lose influence.4 Equality at law had been achieved, but that meant little in city ghettoes where the issues of poverty and racism continued to fester.5 It was from within this frustrated atmosphere that in October 1966, 1 See Robert Charles Smith, We Have No Leaders: African Americans in the Post-Civil Rights Era, (New York: State University of New York Press, 1996), 17. -
EXTENSIONS of REMARKS April 21, 1994 EXTENSIONS of REMARKS
8404 EXTENSIONS OF REMARKS April 21, 1994 EXTENSIONS OF REMARKS THE ALBANIAN PERSPECTIVE ON battle a t Trenton. That battle turned the wants you to believe. They did not chase PEACE IN THE BALKANS revolution around so that those 13 small Greeks out of southern Albania like Mr. American colonies could defeat the greatest Papandreou, the President of Greece wants power in the world at that time, Great Brit you to believe. They were there all the time. HON. BENJAMIN A. GILMAN ain. And let us not forget that Thomas Paine The Slavs came to the Balkans in the 5th OF t\EW YORK wrote an important book called .. The Rights century. As a matter of fact, the Albanians IN THE HOUSE OF REPRESENTATIVES of Man··. He may be the quintessential are the descendants the Illyrians. They have human rights activist of all times. Listen to been in the Balkans for 6,000 years. They Thursday, April 21, 1994 his words because I came here in his spirit as have not moved. Mr. GILMAN. Mr. Speaker, a former Mem well. He said: '·the world is my country, to The Albanians were gerrymandered and po ber of this body, the Hon. Joe DioGuardi, has do good is my religion"'. Think about that. litically emasculated after Nov. 28 , 1912 in order to create the now failed south slave long been a tireless advocate of the rights of What Paine meant was that when it comes to people and their human rights and free states called Yugoslavia. What they did was ethnic Albanians, both in Albania proper and dom, borders and countries are meaningless, arbitrarily draw a new border around one in the other States of the Balkans region. -
JOANNE DEBORAH CHESIMARD Act of Terrorism - Domestic Terrorism; Unlawful Flight to Avoid Confinement - Murder
JOANNE DEBORAH CHESIMARD Act of Terrorism - Domestic Terrorism; Unlawful Flight to Avoid Confinement - Murder Photograph Age Progressed to 69 Years Old DESCRIPTION Aliases: Assata Shakur, Joanne Byron, Barbara Odoms, Joanne Chesterman, Joan Davis, Justine Henderson, Mary Davis, Pat Chesimard, Jo-Ann Chesimard, Joanne Debra Chesimard, Joanne D. Byron, Joanne D. Chesimard, Joanne Davis, Chesimard Joanne, Ches Chesimard, Sister-Love Chesimard, Joann Debra Byron Chesimard, Joanne Deborah Byron Chesimard, Joan Chesimard, Josephine Henderson, Carolyn Johnson, Carol Brown, "Ches" Date(s) of Birth Used: July 16, 1947, August 19, 1952 Place of Birth: New York City, New York Hair: Black/Gray Eyes: Brown Height: 5'7" Weight: 135 to 150 pounds Sex: Female Race: Black Citizenship: American Scars and Marks: Chesimard has scars on her chest, abdomen, left shoulder, and left knee. REWARD The FBI is offering a reward of up to $1,000,000 for information directly leading to the apprehension of Joanne Chesimard. REMARKS Chesimard may wear her hair in a variety of styles and dress in African tribal clothing. CAUTION Joanne Chesimard is wanted for escaping from prison in Clinton, New Jersey, while serving a life sentence for murder. On May 2, 1973, Chesimard, who was part of a revolutionary extremist organization known as the Black Liberation Army, and two accomplices were stopped for a motor vehicle violation on the New Jersey Turnpike by two troopers with the New Jersey State Police. At the time, Chesimard was wanted for her involvement in several felonies, including bank robbery. Chesimard and her accomplices opened fire on the troopers. One trooper was wounded and the other was shot and killed execution-style at point-blank range. -
5.00 #214 February/MARCH 2008 the Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008
$5.00 #214 FEBRUARY/MARCH 2008 The Jack Kerouac School of Disembodied Poetics Summer Writing Program 2008 7EEKLY7ORKSHOPSs*UNEn*ULYs"OULDER #/ WEEK ONE: June 16–22 The Wall: Troubling of Race, Class, Economics, Gender and Imagination Samuel R. Delany, Marcella Durand, Laird Hunt, Brenda Iijima, Bhanu Kapil, Miranda Mellis, Akilah Oliver, Maureen Owen, Margaret Randall, Max Regan, Joe Richey, Roberto Tejada and Julia Seko (printshop) WEEK TWO: June 23–29 Elective Affinities: Against the Grain: Writerly Utopias Will Alexander, Sinan Antoon, Jack Collom, Linh Dinh, Anselm Hollo, Daniel Kane, Douglas Martin, Harryette Mullen, Laura Mullen, Alice Notley, Elizabeth Robinson, Eleni Sikelianos, Orlando White and Charles Alexander (printshop) WEEK THREE: June 30–July 6 Activism, Environmentalism: The Big Picture Amiri Baraka, Lee Ann Brown, Junior Burke, George Evans, Bobbie Louise Hawkins, Lewis MacAdams, Eileen Myles, Kristin Prevallet, Selah Saterstrom, Stacy Szymaszek, Anne Waldman, Daisy Zamora and Karen Randall (printshop) WEEK FOUR: July 7–13 Performance, Community: Policies of the USA in the Larger World Dodie Bellamy, Rikki Ducornet, Brian Evenson, Raymond Federman, Forrest Gander, Bob Holman,Pierre Joris, Ilya Kaminsky, Kevin Killian, Anna Moschovakis, Sawako Nakayasu, Anne Tardos, Steven Taylor, Peter & Donna Thomas (printshop) Credit and noncredit programs available Poetry s&ICTIONs4RANSLATION Letterpress Printing For more information on workshops, visit www.naropa.edu/swp. To request a catalog, call 303-245-4600 or email [email protected]. Keeping the world safe for poetry since 1974 THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #214 FEBRUARY/MARCH 2008 NEWSLETTER EDITOR John Coletti 4 ANNOUNCEMENTS DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 6 READING REPORTS THE POETRY PROJECT LTD. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
ED349360.Pdf
DOCUMENT RESUME ED 349 360 UD 028 851 TITLE A New Agenda for Educational Equit:. Education in a Changing South: New Policies, Patterns and Programs. Report on the Annual Continuing Conference (9th, Atlanta, Georgia, November 5-7, 1991). INSTITUTION Southern Education Foundation, Atlanta, Ga. SPONS AGENCY Ford Foundation, New York, N.Y. PUB DATE Nov 91 NOTE 38p.; Photographs will copy poorly. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Affirmative Action; *Black Education; *Civil Rights; Community Role; Educational Discrimination; Eaucational Finance; Elementary Secondary Education; *Equal Education; Higher Education; Legal Problems; Parent Participation; *Racial Discrimination; School Choice; School Desegregation; School Restructuring; Test Bias IDENTIFIERS *African Americans; Comprehensive Services Program; *United States (South) ABSTRACT This publication presents the proceedings of a conference on African Americans and educational equity in the southern United States. A brief overview opens the publication followed by information on Jean Fairfax, recipient at the conference of the John A. Griffin Award for Advancing Equity in Education. Other presentations are included as follows:(1) "A Perspective on the Continuing Struggle for Equity" (J. Fairfax); (2) "Evolving Legal Approaches to Equity" (J. L, Chambers); (3) "Some Thoughts on Rights and Remedies" (D. Bell); (4) "Financing Education in Troubled Times" (K. McGuire and B. Canada); (5) "Schools and Communities: Citizen Involvement in Quality Education" (S. Prighozy and A. Blackwell); (6) "Achieving Educational Equity: A Comprehensive Urban Approach" (W. W. Herenton); (7) "Adams Revisited: Equity in Higher Education" (W. R. Cleere and U. Wilson); (8) "Comprehensive Services: Their Role in Educational Equity" (A. Rowe and O.