Alternate History Creating Stories by Changing the Past
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The New Cosmic Horror: a Genre Molded by Tabletop Roleplaying Fiction Editor Games and Postmodern Horror
315 Winter 2016 Editor Chris Pak SFRA [email protected] A publicationRe of the Scienceview Fiction Research Association Nonfiction Editor Dominick Grace In this issue Brescia University College, 1285 Western Rd, London ON, N6G 3R4, Canada SFRA Review Business phone: 519-432-8353 ext. 28244. Prospect ............................................................................................................................2 [email protected] Assistant Nonfiction Editor SFRA Business Kevin Pinkham The New SFRA Website ..............................................................................................2 College of Arts and Sciences, Ny- “It’s Alive!” ........................................................................................................................3 ack College, 1 South Boulevard, Nyack, NY 10960, phone: 845- Science Fiction and the Medical Humanities ....................................................3 675-4526845-675-4526. [email protected] Feature 101 The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Fiction Editor Games and Postmodern Horror ..............................................................................7 Jeremy Brett Cushing Memorial Library and Sentience in Science Fiction 101 ......................................................................... 14 Archives, Texas A&M University, Cushing Memorial Library & Archives, 5000 TAMU College Nonfiction Reviews Station, TX 77843. Black and Brown Planets: The Politics of Race in Science Fiction ........ 19 -
7.Castrillo-Echart
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P. -
The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction Virginie Douglas
The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction Virginie Douglas To cite this version: Virginie Douglas. The Success and Ambiguity of Young Adult Literature: Merging Literary Modes in Contemporary British Fiction. Publije, Le Mans Université, 2018. hal-02059857 HAL Id: hal-02059857 https://hal.archives-ouvertes.fr/hal-02059857 Submitted on 7 Mar 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Abstract: This paper focuses on novels addressed to that category of older teenagers called “young adults”, a particularly successful category that is traditionally regarded as a subpart of children’s literature and yet terminologically insists on overriding the adult/child divide by blurring the frontier between adulthood and childhood and focusing on the transition from one state to the other. In Britain, YA fiction has developed extensively in the last four decades and I wish to concentrate on what this literary emergence and evolution has entailed since the beginning of the 21st century, especially from the point of view of genre and narrative mode. I will examine the cases of recognized—although sometimes controversial—authors, arguing that although British YA fiction is deeply indebted to and anchored in the pioneering American tradition, which proclaimed the end of the Romantic child as well as that of the compulsory happy ending of the children’s book, there seems to be a recent trend which consists in alleviating the roughness, the straightforwardness of realism thanks to elements or touches of fantasy. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
Toward a Theory of the Dark Fantastic: the Role of Racial Difference in Young Adult Speculative Fiction and Media
Journal of Language and Literacy Education Vol. 14 Issue 1—Spring 2018 Toward a Theory of the Dark Fantastic: The Role of Racial Difference in Young Adult Speculative Fiction and Media Ebony Elizabeth Thomas Abstract: Humans read and listen to stories not only to be informed but also as a way to enter worlds that are not like our own. Stories provide mirrors, windows, and doors into other existences, both real and imagined. A sense of the infinite possibilities inherent in fairy tales, fantasy, science fiction, comics, and graphic novels draws children, teens, and adults from all backgrounds to speculative fiction – also known as the fantastic. However, when people of color seek passageways into &the fantastic, we often discover that the doors are barred. Even the very act of dreaming of worlds-that-never-were can be challenging when the known world does not provide many liberatory spaces. The dark fantastic cycle posits that the presence of Black characters in mainstream speculative fiction creates a dilemma. The way that this dilemma is most often resolved is by enacting violence against the character, who then haunts the narrative. This is what readers of the fantastic expect, for it mirrors the spectacle of symbolic violence against the Dark Other in our own world. Moving through spectacle, hesitation, violence, and haunting, the dark fantastic cycle is only interrupted through emancipation – transforming objectified Dark Others into agentive Dark Ones. Yet the success of new narratives fromBlack Panther in the Marvel Cinematic universe, the recent Hugo Awards won by N.K. Jemisin and Nnedi Okorafor, and the blossoming of Afrofuturistic and Black fantastic tales prove that all people need new mythologies – new “stories about stories.” In addition to amplifying diverse fantasy, liberating the rest of the fantastic from its fear and loathing of darkness and Dark Others is essential. -
Review of Les Univers De La Science-Fiction: Essais, Ed
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 3-1999 Notable Book of SF Criticism in France. [Review of Les Univers de la Science-Fiction: Essais, ed. Stéphane Nicot, Galaxies, 1998] Arthur B. Evans DePauw University Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the French and Francophone Language and Literature Commons, and the Modern Literature Commons Recommended Citation Arthur B. Evans. "Notable Book of SF Criticism in France." [Review of Les Univers de la Science-Fiction: Essais, ed. Stéphane Nicot, Galaxies, 1998] Science Fiction Studies 26.1 (1999): 150-152. This Book Review is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. Science Fiction Studies #77 = Volume 26, Part 1 = March 1999 Stéphane Nicot, ed. Les Univers de la Science-Fiction: Essais (supplement to the sf magazine Galaxies #8 [March 1998]). April 1998. 222 pp. 70 French francs/10.7 euros, paper. This collection of twelve essays on science fiction by several well-known French sf scholars is noteworthy because it provides a glimpse into the current "institutional" status of the sf genre in France. According to its editor, this publication represents a concerted effort to establish a venue for learned sf criticism within the francophone university system—where sf has traditionally had difficulty in being accepted as a legitimate object of literary study. -
Understanding Bollywood Films (Courtesy of Nadine Dable)
Understanding Bollywood Films (courtesy of Nadine Dable) Influences: - Sanskrit theatre (the nine traditional rasas, see below) - Popular theatre (in particular Parsi theatre, which frequently combines both Indian and Western dramatic traditions) - The great Sanskrit epics (Ramayana, Mahabharata) - Western cinematic conventions Censorship: - initially, during British occupation, political censorship (with regard to independence movements) - erotic scenes, in particular kissing Typical/recurrent elements: Hybridity: Indian films are supposed to address themselves to, and reflect, all (or as many as possible of) the 9 “rasas”, that is, moods, or emotions: shringara (love, beauty, devotion), hasya (joy, humour, sarcasm), adbhuta (wonder, curiosity, mystery), shanta (peace, calmness, relaxation), raudra (anger, irritation, stress), veera (courage, pride, confidence), karuna (sadness, compassion, pity, sympathy), bhayanaka (fear, anxiety, worry), vibshata (disgust, depression, self-pity). As a result – and also as a legacy of the heterogeneous influences which Bollywood films have absorbed), they are hybrid in terms of their filmic genres as well (romance, thriller, political thriller, action film, western, fantasy, musical, comedy etc. etc.). One of the most important of these elements is the musical – song and dance routines (solos, duets, group performances with “supporting” dancers and singers). Characters: characters are often stereotypical (or “flat” in lit.crit. terms), for instance the strict patriarch, the scheming grandmother, the comedian etc.; the actors often use gestures, facial expressions etc. which seem exaggerated to western spectators. Some of these gestures are not easy to interpret as body language must be understood in the context of a given culture (examples: touching another person’s feet in order to express one’s respect for this person, shaking one’s thumb to express disapproval etc.). -
The Non-Native Language of Cyberpunk: from Retro-Diction to Pre-Diction and Back Again
Knowledge Cultures 6(1), 2018 pp. 131–146, ISSN 2327-5731, eISSN 2375-6527 doi:10.22381/KC61201810 THE NON-NATIVE LANGUAGE OF CYBERPUNK: FROM RETRO-DICTION TO PRE-DICTION AND BACK AGAIN. AN INTERVIEW WITH BRUCE STERLING PETAR JANDRIĆ [email protected] Zagreb University of Applied Sciences ABSTRACT. Bruce Sterling, author, journalist, editor, and critic, was born in 1954. Best known for his ten science fiction novels, he also writes short stories, book reviews, design criticism, opinion columns, and introductions for books ranging from Ernst Juenger to Jules Verne. During 2005, he was the Visionary in Residence at Art Center College of Design in Pasadena. In 2008 he was the Guest Curator for the Share Festival of Digital Art and Culture in Torino, Italy, and the Visionary in Residence at the Sandberg Instituut in Amsterdam. In 2011 he returned to Art Center as Visionary in Residence to run a special project on Augmented Reality. In 2013, he was the Visionary in Residence at the Center for Science and the Imagination at Arizona State University. In 2015 he was the Curator of the Casa Jasmina project at the Torino Fab Lab. In 2016 he was Visionary in Residence at the Arthur C. Clarke Center for Human Imagination. Bruce’s nonfiction works include The Hacker Crackdown: Law and Disorder on the Electronic Frontier (1992), Tomorrow Now: Envisioning the Next Fifty Years (2003), Shaping Things (2005), and The Epic Struggle Of The Internet Of Things (2014). Bruce’s novels include Involution Ocean (1977), Islands in the Net (1988), The Difference Engine (1991) (with William Gibson), Holy Fire (1996), The Zenith Angle (2004), and Pirate Utopia (2016). -
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’S “Monument Aux Marges”: L’Oiseau De Feu
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’s “Monument aux marges”: L’Oiseau de feu Amy J. Ransom xcitement over what appeared to be a monument of la sci- ence-fiction québécoise (SFQ) in the making accompanied the release of L’oiseau de feu-1. Les années d’apprentissage (1989), Ethe first volume of a new series by Jacques Brossard. Its author swept Canada’s awards for genre literature in 1990, receiving the Casper (now the Aurora Prize) for best work in French, as well as Québec’s Prix Boréal, and the Grand Prix de la science-fiction et du fantastique québé- cois. At the time, Claude Janelle asserted in L’année de la science-fiction et du fantastique québécois 1989 that “Il s’agit certainement du projet le plus ambitieux de l’histoire de la SF québécoise et qui pourrait devenir, au terme de l’entreprise, un véritable monument” (41; emphasis added).1 A decade after the publication of the series’ last volume in 1997, this essay examines the question implied in Janelle’s use of the conditional: has L’oiseau de feu realized the potential that critics saw in it when it first appeared? On the one hand, its author has been canonized by Québec’s science- fiction and fantasy community with the recent renaming of the Grand Prix de la Science-fiction et du fantastique québécois as the Prix Jacques Brossard. Academic and literary critic Michel Lord describes Brossard as one of five “incontournables” writers of science fiction in Québec (with Daniel Sernine, Esther Rochon, Élisabeth Vonarburg, and Jean-Pierre April) (“Feu roulant” 159). -
Contemporary European Cinema
Contemporary European Cinema 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ CONTEMPORARY EUROPEAN CINEMA Contents Page IMPORTANT NOTE............................................................................................... 1 GENERAL INFORMATION.................................................................................... 2 APPROACHES TO RESEARCH, by Samantha Bakhurst .................................... 4 INTRODUCTION ................................................................................................... 6 NATIONAL CINEMAS • Books............................................................................................................... 8 • Journal Articles ................................................................................................ 17 THE INDUSTRY • Books............................................................................................................... 21 • Journal Articles ................................................................................................ 24 BOX OFFICE • Journal articles ................................................................................................ 28 FESTIVALS • Journal articles ................................................................................................ 31 TABLE ................................................................................................................... 35 WEB SITES .......................................................................................................... -
![Review of Paul K. Alkon's Origins of Futuristic Fiction. Georgia UP, 1987]](https://docslib.b-cdn.net/cover/4633/review-of-paul-k-alkons-origins-of-futuristic-fiction-georgia-up-1987-1874633.webp)
Review of Paul K. Alkon's Origins of Futuristic Fiction. Georgia UP, 1987]
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 3-1989 Futures of the Past. [Review of Paul K. Alkon's Origins of Futuristic Fiction. Georgia UP, 1987] Arthur B. Evans DePauw University Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the Modern Literature Commons Recommended Citation Arthur B. Evans. "Futures of the Past." [Review of Paul K. Alkon's Origins of Futuristic Fiction. Georgia UP, 1987] Science Fiction Studies 16.1 (1989): 94-102. This Book Review is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. Science Fiction Studies #47 = Volume 16, Part 1 = March 1989 Arthur B. Evans Futures of the Past Paul K. Alkon. Origins of Futuristic Fiction. Athens, GA: Georgia UP, 1987. xii + 341pp. illus. $30.00 (cloth). Here is a most welcome addition to current SF scholarship: a seminal study of heretofore unknown and/or largely ignored European authors from the 17th through the 19th century who wrote futuristic fiction--i.e., "prose narratives explicitly set in future time" (p. 3). No other study, to my knowledge, has attempted a literary-archaeological investigation of this sort. Professor Alkon examines, in more or less diachronic fashion, a -
Adult Titles June2 2021
NEW ADULT FICTION JUNE 2021 Animal Bath haus The Blacktongue Thief Blush The Bombay by Lisa Taddeo by P.J. Vernon by Christopher by Jamie Brenner Prince Psychological LGBT Thriller Buehlman Family Secrets by Sujata Massey Fantasy Historical Mystery The Bullet Burn It All Down The Cape Doctor Castle Shade The Chosen and by Iris Johansen by Nicolas DiDomizio by E.J. Levy by Laurie R. King The Beautiful Mystery Thriller Humor & Crime Historical Ficiton Historical Mystery by Nghi Vo Historical Fantasy A Dark and Secret Dead by Dawn The Disappearing Act Dream Girl The Eagle's Claw Place by Paul Doiron by Catherine by Laura Lippman by Jeff Shaara by Jen Williams Mystery Thriller Steadman Psychological Thriller Historical Fiction Mystery Thriller Psychological Thriller The Fiancee The Great Mistake Golden Girl The Guncle The Heathens by Kate White by Jonathan Lee by Elin Hilderbrand by Steven Rowley by Ace Atkins Psychological Historical Fiction Family Life Family Life Mystery & Detective Thriller NEW ADULT FICTION JUNE 2021 The Hidden Palace Hostage Jackpot The Jasmine The Kobalt Dossier by Helene Wecker by Clare Mackintosh by Stuart Woods Throne by Eric Van Historical Fantasy Thriller Action & Crime by Tasha Suri Lustbader LGBT Fantasy Political Thriller The Living Sea of Love For Beginners Lorna Mott Comes The Maidens Malibu Rising Waking Dreams by Jill Shalvis Home by Alex Michaelides by Taylor Jenkins by Richard Romance by Diane Johnson Psychological Fiction Reid Flanagan Domestic Fiction Family Life Literary Message in the Morningside