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Aalborg Universitet Dansk Samtidslyrik Larsen, Peter Stein View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by VBN Aalborg Universitet Dansk samtidslyrik Larsen, Peter Stein; Mønster, Louise Publication date: 2015 Document Version Også kaldet Forlagets PDF Link to publication from Aalborg University Citation for published version (APA): Larsen, P. S., & Mønster, L. (red.) (2015). Dansk samtidslyrik. Aalborg Universitetsforlag. Studies in Contemporary Poetry General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: November 27, 2020 AALBORG UNIVERSITETSFORLAGAALBORG Dansk samtidslyrik Dansk samtidslyrik er det første bind i en serie, der beskæftiger Serien Studies in Contemporary Poetry / sig med samtidslyrik mellem genrer, kunstarter og medier i en Studier i samtidslyrik udgives af CERCOP dansk, en nordisk og en global kontekst. Antologien præsente- (Centre for Research in Contemporary Po- rer nye interdisciplinære metoder til læsning af samtidslyrikken etry), der har ti ansatte forskere fra Aalborg og diskuterer de litteratur- og kunsthistoriske, sociale og politi- Universitet, Aarhus Universitet og Høgsko- ske implikationer af lyrikkens ekspansion som genre. len i Hedmark samt en lang række associerede internationale forskere. Centret blev etableret i 2013 på grundlag af en bevilling fra Forsk- Dansk samtidslyrik indeholder tretten artikler om en mængde dansk ningsrådet for Kultur og Kommunikation til forskelligartede poetiske udtryksformer og retninger. Det gælder forskningsprojektet “Contemporary Poetry bl.a. konceptualisme, kunstnerbøger, nymaterialisme, interakti- between Genres, Art Forms and Media”. Si- onslyrik, kortdigte, performativ poesi og blogpoesi. Antologien den 2013 har CERCOP holdt en række kon- ønsker at inspirere til forskning og undervisning inden for et af ferencer med fokus på dansk, nordisk og in- samtidens mest righoldige, fascinerende og udfordrende kunst- ternational samtidslyrik, og seriens antologier neriske felter. Redaktører udgives i relation hertil. Peter Stein Larsen Louise Mønster AALBORG UNIVERSITETSFORLAG Peter Stein Larsen og Louise Mønster (red.): DANSK SAMTIDSLYRIK Dansk samtidslyrik Redigeret af Peter Stein Larsen & Louise Mønster 1. udgave, Open access © Redaktørerne og Aalborg Universitetsforlag, 2015 1. udgivelse i serien Studies in Contemporary Poetry / Studier i samtidslyrik Serieredaktører: Professor dr.phil. Peter Stein Larsen, Aalborg Universitet Lektor ph.d. Louise Mønster, Aalborg Universitet Lektor dr. phil. Dan Ringgaard, Aarhus Universitet 1. amanuensis ph.d. Hans Kristian Rustad, Hedmark University College Grafisk tilrettelæggelse: Hofdamerne ApS v/ Lea Rathnov og Cecilie von Haffner Layout af forside: akila v/ Kirsten Bach Larsen ISBN: 978-87-7112-436-1 ISSN (online): 2445-7094 Udgivet af: Aalborg Universitetsforlag / Skjernvej 4A, 2. sal / 9220 Aalborg Ø T 99407140 / F 96350076 / [email protected] / forlag.aau.dk Udgivelsen er finansieret af bevilling fra FKK til projektet "Contemporary Poetry between Genres, Art Forms, and Media". Tilladelse til gengivelse af illustrationer er indhentet ved indehavere af ophavsrettighederne. Såfremt forlaget med hensyn til gengivelse af enkelte illustrationer eller tekster imidlertid måtte have krænket nogens ophavsret, er det sket ufrivilligt og utilsigtet. Retmæssige krav i denne forbindelse vil blive honoreret efter gældende tarif, som havde forlaget indhentet tilladelse i forvejen. Alle rettigheder forbeholdes. Mekanisk, fotografisk eller anden gen givelse af eller kopiering fra denne bog eller dele heraf er kun tilladt i overensstemmelse med overenskomst mellem Undervisningsmi nisteriet og Copy-Dan. Enhver anden udnyttelse er uden forlagets skriftlige samtykke forbudt ifølge gældende dansk lov om ophavsret. Undtaget herfra er korte uddrag til brug i anmeldelser. INDHOLD 5 DANSK SAMTIDSLYRIK 9 Louise Mønster KORTDIGTE Post-it, katalog, metro, sms og ispinde 35 Tobias Skiveren og Martin Gregersen DEN MATERIELLE DREJNING En (ny) optik i og på aktuel dansk digtning 63 Marianne Stidsen INTERAKTION, MUNDTLIGHED OG PERSONISME Niels Frank som kunstgøder for den nyeste danske interaktionslyrik 81 Susanne Kemp DET HVIDE LYS SOM ER POESIEN Om sprog og billeddannelse hos Signe Gjessing, Lea Marie Løppenthin og Ninette Larsen 97 Rikke Andersen Kraglund “UDSAT PÅ HJERTETS BJERGE” Spot på modtagelsen i Pablo Llambías’ sonetsuite Monte Lema, Hundstein og Sex Rouge 121 Mikkel Krause Frantzen “DER ER SÅ MANGE FØLELSER DER SØGER ASYL I MIN KROP” Om affekt og politik i Lars Skinnebachs poesi 143 Michael Kallesøe Schmidt “HER HAR I MIG” Genre og kotekst i Asta Olivia Nordenhofs blog- og bogpoesi 3 163 Stefan Kjerkegaard HVER SIN YAHYA HASSAN En læsning af digtsamlingen Yahya Hassan 187 Birgitte Stougaard Pedersen YAHYA HASSAN Stemmen og fænomenet 205 Jakob Schweppenhäuser “FALDER. IKKE. TIL RO.” Musikalsk-sproglig betydningsdannelse (hos) Under Byen 233 René Rasmussen SKAL POESI LÆSES UD FRA POETIK? 247 Martin Glaz Serup KONCEPTUELLE VIDNESBYRD: STATEMENT OF FACTS 269 Thomas Hvid Kromann AT STAMME PÅ ET ALFABET, SOM NÆPPE EKSISTEREDE ENDNU Verbalt-visuelle værker i grænseområdet mellem poesien og kunstnerbogen 295 English abstracts 301 Bidragydere 4 DANSK SAMTIDSLYRIK Denne antologi er det første bind i en serie, der beskæftiger sig med sam- tidslyrik mellem genrer, kunstarter og medier i en dansk, en nordisk og en global kontekst. Det første bind omhandler den danske samtidslyrik. Der kan være forskellige måder at bestemme begrebet samtidslyrik på. I den nærværende sammenhæng sigtes der til den poesi, de lyriske forfat- terskaber, digtergrupperinger og strømninger, der gør sig gældende ved antologiens udgivelse, dvs. omkring år 2015. Det betyder ikke, at der ikke optegnes linjer, der går længere tilbage i litteraturhistorien, men blot at fokus er på den digtning, der har udfoldet sig i de allerseneste år. Hvad angår afgrænsningen af antologiens emne til den danske ly- rik, skal det understreges, at vi naturligvis ikke opfatter dansk litteratur som noget, der kan adskilles skarpt fra andre landes digtning. Som det vil fremgå af mange af bogens artikler, er der vigtige forbindelser mellem den danske og den internationale samtidslyrik. Det gælder f.eks. i forhold til strømninger, kunstformer og genrer såsom konceptualisme, kunstner- bøger, nymaterialisme, interaktionslyrik, kortdigte, performativ poesi og blogpoesi. På den anden side er det et faktum, at den dansksprogede litte- ratur udgør et særligt felt, og at der er mange betydningsfulde forbindel- seslinjer og slægtskaber også inden for dansk poesi mere isoleret betragtet. I seriens første antologi har vi valgt at lægge snittet således, at vi sætter fokus på en bred vifte af samtidige danske lyriske værker og poetiske praksisser. Når man betragter samtidslyrikken såvel nationalt som internatio- nalt, kan man registrere en eksplosiv udvikling inden for lyrikkens produk- tion, distribution og reception. Der er i de seneste års lyrik sket en orien- tering mod lyd og performance, hvor lyrik, musik og drama har indgået i nye konstellationer. Man har set en stadig mere omfattende samplingslyrik med markant genbrug af andres tekster samt en orientering mod det bio- grafiske og narrative. Man har oplevet en satsning på synteser mellem poesi og visuelle kunstneriske udtryk, og bogens eller digtsamlingens status som det dominerende medie for poesien er blevet anfægtet. Den medieteknolo- giske udvikling har desuden bidraget til opkomsten af alternative poetiske interaktionsformer på nettet, ligesom sms- og iPad-poesi er kommet til som nye poetiske udtryksformer. 5 Dansk samtidslyrik betragter poesien i forhold til tre primære spæn- dingsfelter, nemlig mellem en traditionel opfattelse af den poetiske genre (centrallyrik) og en genreopbrydende (interaktionslyrik), mellem litteratu- ren og andre kunstarter (billedkunst, musik, film etc.), og mellem bogme- diet og andre medier (internet, mundtlig performance etc.). I antologien lægges der desuden vægt på at udvikle og anvende nye interdisciplinære metoder til læsning af samtidslyrikken samt at diskutere de litteratur- og kunsthistoriske, sociale og politiske implikationer af lyrikkens ekspansion som genre. Med udpegningen af disse spændingsfelter har vi ikke til hensigt at opstille skarpe skel mellem kategorierne genrer, kunstarter og medier, idet f.eks. en genremæssig ændring fra en klassisk centrallyrisk form til en interaktionslyrisk form ofte går hånd i hånd med, at grænserne mellem kunstarterne anfægtes (f.eks. i kunstnerbøger og audiopoesi), eller at nye medier kommer i spil (f.eks. i blogpoesi og smspoesi). I antologien vil man imidlertid bemærke, at visse bidrag fokuserer mere på henholdsvis genrer, kunstarter og medier. I Marianne Stidsens artikel ”Interaktion, mundt- lighed og personisme.
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