UC Riverside Electronic Theses and Dissertations

Total Page:16

File Type:pdf, Size:1020Kb

UC Riverside Electronic Theses and Dissertations UC Riverside UC Riverside Electronic Theses and Dissertations Title An Ecocritical Approach to Mexican and Colombian Brief Fiction, 2000-2015 Permalink https://escholarship.org/uc/item/8pp6r2qk Author Hale, Raelynne M. Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE An Ecocritical Approach to Mexican and Colombian Brief Fiction, 2000-2015 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Spanish by Raelynne M. Hale March 2018 Dissertation Committee: Dr. Raymond L. Williams, Co-chairperson Dr. Christina Soto Van der Plas, Co-chairperson Dr. Benjamin Liu Copyright by Raelynne M. Hale 2018 The Dissertation of Raelynne M. Hale is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgments This dissertation would not have been possible without the financial support of the University of California, Riverside through the Chancellor’s Distinguished Fellowship and the Summer Research Grant from the Hispanic Studies Department. I am especially indebted to Dr. Raymond L. Williams, Distinguished Professor and Co-Chairperson of my Dissertation Committee, who supported my research, guided me through the writing process, and has consistently and actively worked toward my success in this doctoral program and beyond. I am also grateful for the professors in the Hispanic Studies department at the University of California, Riverside for their knowledge, expertise, and feedback throughout my studies. I am especially appreciative of Dr. Christina Soto Van der Plas, Assistant Professor and Co-Chairperson of my Dissertation Committee, who spent time discussing my research and areas in which to expand and improve; Dr. David K. Herzberger, Distinguished Professor, who spent hours advising me before my committee had been set and who has continuously guided and supported my academic decisions; and Dr. Benjamin Liu, Graduate Advisor to the Hispanic Studies Department and Associate Professor, who recruited me into the program, was always available with advice, anecdotes, and encouragement, and was an indispensable resource throughout these past three years. I am also indebted to Saint Louis University, Madrid for starting me off with a solid base for my research in Peninsular and Latin American literature. I would like to personally thank and mention Dr. Ángeles Encinar, Spanish Professor, who introduced me to microfiction and its literary analysis and who inspired me to continue my research; Dr. iv Aitor Bikandi-Mejías, Spanish Professor, who taught me the bases of literary criticism and supported my interest in obtaining a doctorate in Spanish; Dr. Olga Muñoz Carrasco, Program Director and Spanish Professor, who inspired my literary studies, creative writing, and editorial pursuits; and Dr. Verónica Azcue Castillón, Spanish Professor, who worked with me individually to develop academic projects and provided guidance and support throughout my Master of Arts degree in Spanish. There have been a handful of teachers and professors throughout my life who inspired and believed in me and my academic pursuits of Spanish and the study of its literature. I would like to mention two professors who motivated me during my undergraduate degree at Missouri State University, Dr. Pedro G. Koo, Associate Professor of Spanish, who taught me to strive for the best and compete against myself and who introduced me to the great writers of Latin America, and Dr. D. Roger R. Dowdy, Emeritus Professor of Spanish, who introduced me to Spanish culture and art. Ultimately, I would like to thank Señor Joaquin Cuni-Carreno for challenging me from the very beginning, for encouraging me to reach for more, and for his continuous support of my academic ambitions and the study of Spanish literature. There are many teachers and professors outside of my field of study who I would like to acknowledge, for without them I would not be here today: Mrs. Corey who gave me access to the library at a very young age; Mrs. Candler, German teacher, who was my first foreign language teacher and who inspired me to learn more than one foreign language; and Dr. Joey Independence, my French teacher at the University of Missouri – Kansas City, who introduced me to an immersion teaching method for foreign languages. I would also v like to mention Mr. Chambers who challenged me to write my first research essay, Mr. Hatfield who supported my writing and introduced me to publication, Dr. David Heller who taught me how to do research, data analysis, and formulate hypotheses, proper research statements, and goals, and Dr. Jessica Q. Stark who taught me how to be part of an editorial team. Finally, I am most grateful for Mr. Miguel Miguez, my colleague in Spain, who taught me to be the best professor I can be and is now a dear friend of mine. Furthermore, I couldn't have completed my degree or been prepared for this rigorous program without my family and friends. First and foremost, I would like to thank my mother, Lara Wood, whom I studied alongside as a child, who taught me to write and highlight books because it was the only way to read, who was my first editor, and who always challenged and supported everything I did. I would like to thank my dad, John Wood, who always believed in me, taught me to believe in myself, and told me to reach for the stars. I am appreciative of my grandparents, Connie and Sam Hale, who quizzed me, inspired me, and read everything I wrote, and of my aunts, Joanna Simmons and Lisa Winter, who taught me that education wasn't always in school and who, to this day, give me books and articles to read. I would also like to thank a few friends, in alphabetical order, who are my first readers, editors, and supporters: Aviya Amir, Marta Calvé Gómez, Mariana Guerra, Caralyn Harmon, Jayme Lisell, Katrina Nolte, and Zuleima Ramirez. I would also like to thank Gwendolyn Brune, Lee Carpenter, Matt Georges, Dwinetta Rozier, and Annalise Winter who, no matter how far, supply endless emotional support and encouragement. vi Finally, I would like to acknowledge my loving partner and husband, Guillaume Babin, who tolerates my long hours of reading, researching and writing, supports my academic and personal endeavors, and loves my passion for knowledge, language, and culture. vii Dedication Dedicated to Lara Wood, my mom, who taught me how to live in this complicated world, to Connie and Sam Hale, my grandma and grandpa, who told me I could do anything, to John Wood, my dad, who taught me that I didn't need anyone's permission to pursue my dreams, and to Guillaume Babin, my loving partner and husband, who supports all of my crazy ambitions. viii ABSTRACT OF THE DISSERTATION An Ecocritical Approach to Mexican and Colombian Brief Fiction, 2000-2015 by Raelynne M. Hale Doctor of Philosophy, Graduate Program in Spanish University of California, Riverside, March 2018 Dr. Raymond L. Williams, Committee Co-Chairperson Dr. Christina Soto Van der Plas, Committee Co-Chairperson This dissertation analyzes Mexican and Colombian brief fiction published after 2000, focusing on four authors from the Generation Zero Zero, Mexican authors Alberto Chimal and Heriberto Yépez and Colombian authors María Paz Ruiz Gil and Gabriela A. Arciniegas. The Generation Zero Zero consists of Latin American authors born in the 1970s who have published their major works after 2000. Agustín Cadena, Lorena Campa Rojas, Dolores Corrales Soriano, and Lauro Zavala separate the Generation Zero Zero from the writers of the Crack and claim that the group is heterogeneous in their lived experience in a time of crisis, their dismantling of utopic ideas, and their literary creations within the fantastic, science fiction and horror genres. This dissertation analyzes four authors of this generation to identify underlying ecocritical trends, an environmental unconscious, and the representation of human and non-human characters within this group of authors. Through an ecocritical approach to their writing and an exploration of their use of brief literary forms, I analyze Chimal, Yépez, Ruiz Gil, and Arciniegas’ representation of the environment and the non-human to reveal both anthropocentric and ecocentric perspectives within their publications, demonstrating a possible divide in the Generation Zero Zero in regard to environmental discourse. ix Table of Contents Acknowledgements ............................................................................................................ iv Dedication ........................................................................................................................ viii Abstract of the Dissertation ............................................................................................... ix List of Charts..................................................................................................................... xii List of Microrrelatos and Short Stories ........................................................................... xiii Chapter I: Introduction: An Ecocritical Approach to Mexican and Colombian Brief Fiction, 2000 - 2015 ............................................................................................................1 Bibliography ..........................................................................................................41 Endnotes .................................................................................................................49
Recommended publications
  • The Desert Nights, Rising Stars Writers Conference
    The Desert Nights, Rising Stars Writers Conference February 21 - 22, 2020 Arizona State University, Tempe Presented by the Virginia G. Piper Center for Creative Writing at Arizona State University PROGRAM The Desert Nights, Rising Stars Writers Conference Friday and Saturday, February 21 - 22, 2020 Historic Quarter, Arizona State University, Tempe Presented by the Virginia G. Piper Center for Creative Writing at Arizona State University with support from our sponsors: the Arizona Center for Medieval and Renaissance Studies; Barrett, the Honors College; Elizabeth Martina Bishop; the Global Sport Institute; the Northern Arizona University Creative Writing Program; Poisoned Pen Bookstore; the Romance Writers of America Phoenix; the Sisters in Crime Desert Sleuths; Superstition Review; Tahoma Literary Review; The College of Liberal Arts and Sciences, Humanities Division; the University of Arizona Poetry Center; Tolsun Books; and the University of Arizona Press About the Center The Virginia G. Piper Center for Creative Writing at Arizona State University is a non-academic university center dedicated to offering talks, readings, classes, workshops, and other literary events and programs for the larger community. To learn more about who we are and what we do, visit our website at http://piper.asu.edu/ Mailing Address: P. O. Box 875002, Tempe, AZ 85287 Street Address: 450 E Tyler Mall, Tempe, AZ 85281 Telephone: (480) 965-6018 Fax: (480) 727-0820 Email: [email protected] Web: http://piper.asu.edu THE DESERT NIGHTS, RISING STAR S WRITERS CONFERENCE PROGRAM TABLE OF CONTENTS [4] Welcome Welcome to this year’s conference with a letter from our director and an opening activity [6] Who We Are Learn more about the Virginia G.
    [Show full text]
  • Tanka Anthology Bright Stars 1 Poetry
    Bright Stars An Organic Tanka Anthology Volume 1 M. Kei, Editor Yancy Carpentier, Editorial Assistant Keibooks, Perryville, Maryland, USA KEIBOOKS P O Box 516 Perryville, Maryland, USA 21903 AtlasPoetica.org [email protected] Bright Stars An Organic Tanka Anthology, Volume 1 Edited by M. Kei Bright Stars is a serial anthology published on no fixed schedule. During 2014 it will publish as many volumes as can be filled with tanka, waka, kyoka, gogyoshi, and related forms that embodies our editorial vision. For guidelines, see: http://atlaspoetica.org/?p=952. Copyright © 2014 by Keibooks All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by reviewers and scholars who may quote brief passages. Individual rights remain with the authors. See our EDUCATIONAL USE NOTICE. Cover Image courtesy of NASA/JPL-Caltech. ISBN: 978-1493752607 (Print) Table of Contents Editorial Joy McCall!.....................................45, 85 Educational Use Notice!..........................4 Julie Bloss Kelsey!.................................50 Welcome to Bright Stars, M. Kei!.............5 Kath Abela Wilson!.........................29, 51 Bright Stars Submission Guidelines!.......97 Kathy Uyen Nguyen!..............................55 Keitha Keyes!........................................56 Contributors Kristen Lindbeck!.................................57 Alan Summers!........................................7
    [Show full text]
  • The Importance of the Poetry Book in the Digital
    The Importance Of The Poetry Book In The Digital Age How Far Digital Technology Has Influenced Contemporary Poetry And The Status Of The Poetry Book & The Birth of Romance A Poetry Collection A thesis submitted for the degree of Doctor of Philosophy in Creative Writing at the University of Birmingham by Philip Monks Submitted 27th September 2017 This corrected version 1st March 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT An examination through the creation and curation of a printed poetry collection, together with other practice-based and wider research, of how far digital technology has influenced contemporary poetry and the status of the poetry book. Personal practice is considered and analysed and, from this, and research leading out from this, a more general survey provided of the impact of digital technology on the poet’s persona, the creation of the poems themselves and on their dissemination. These wider issues, and the practice-based research that underlies them, inform the specific consideration of the extent to which digital technology has affected the nature and importance of the single collection poetry book in the early part of the twenty-first century.
    [Show full text]
  • A Journal of Poetry of Place in Contemporary Tanka Number 9 - Summer 2011
    ATLAS POETICA A Journal of Poetry of Place in Contemporary Tanka Number 9 Summer, 2011 ATLAS POETICA A Journal of Poetry of Place in Contemporary Tanka Number 9 Summer, 2011 M. Kei, editor Alex von Vaupel, technical director ISSN 1939-6465 Print ISSN 1945-8908 Digital 2011 Keibooks, Perryville, Maryland, USA KEIBOOKS P O Box 516 Perryville, Maryland, USA 21903 AtlasPoetica.org [email protected] Atlas Poetica A Journal of Poetry of Place in Contemporary Tanka Number 9 - Summer 2011 Copyright © 2011 by Keibooks All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by reviewers and scholars who may quote brief passages. See our EDUCATIONAL USE NOTICE at the end of the journal. Atlas Poetica : A Journal of Poetry of Place in Contemporary Tanka, a triannual print and e-journal, is dedicated to publishing and promoting fine poetry of place in modern English tanka (including variant forms). Atlas Poetica is interested in both traditional and innovative verse of high quality and in all serious attempts to assimilate the best of the Japanese waka/tanka/kyoka/gogyoshi genres into a continuously developing English short verse tradition. In addition to verse, Atlas Poetica publishes articles, essays, reviews, interviews, letters to the editor, etc., related to tanka poetry of place. Tanka in translation from around the world are welcome in the journal. Published by Keibooks Printed in the United States of America, 2011 Print Edition ISSN 1939-6465 Digital Edition ISSN 1945-8908 [PDF & HTML versions] AtlasPoetica.org TABLE OF CONTENTS Editorial Blood Sisters, Claire EVerett .....................
    [Show full text]
  • Aalborg Universitet Dansk Samtidslyrik Larsen, Peter Stein
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by VBN Aalborg Universitet Dansk samtidslyrik Larsen, Peter Stein; Mønster, Louise Publication date: 2015 Document Version Også kaldet Forlagets PDF Link to publication from Aalborg University Citation for published version (APA): Larsen, P. S., & Mønster, L. (red.) (2015). Dansk samtidslyrik. Aalborg Universitetsforlag. Studies in Contemporary Poetry General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: November 27, 2020 AALBORG UNIVERSITETSFORLAGAALBORG Dansk samtidslyrik Dansk samtidslyrik er det første bind i en serie, der beskæftiger Serien Studies in Contemporary Poetry / sig med samtidslyrik mellem genrer, kunstarter og medier i en Studier i samtidslyrik udgives af CERCOP dansk, en nordisk og en global kontekst. Antologien præsente- (Centre for Research in Contemporary Po- rer nye interdisciplinære metoder til læsning af samtidslyrikken etry), der har ti ansatte forskere fra Aalborg og diskuterer de litteratur- og kunsthistoriske, sociale og politi- Universitet, Aarhus Universitet og Høgsko- ske implikationer af lyrikkens ekspansion som genre.
    [Show full text]
  • Of the Diagram: the Work of Marjorie Welish Edited by Aaron Levy and Jean-Michel Rabaté
    Of the Diagram: The work of Marjorie Welish Edited by Aaron Levy and Jean-Michel Rabaté Contributions by Kenneth Baker, Norma Cole, Carla Harryman, Gans & Jelacic Architecture and Design, Olivier Gourvil, Ron Janssen, Joseph Masheck, Bob Perelman, Jean-Michel Rabaté, Frances Richard, Osvaldo Romberg, Keith Tuma, Chris Tysh, and Thomas Zummer. Work by Marjorie Welish. Slought Books, Philadelphia Contemporary Artists Series, No. 2 Copyright © 2003 by Aaron Levy All rights reserved, including the right to reproduce this book, or parts thereof, in any form, without written permission from Slought Books, a division of Slought Foundation. No part may be stored in a retrieval system, or transmitted, in any form or by any means electronic, mechanical, photocopying, recording, or otherwise, without prior written permission, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. We gratefully acknowledge the financial support of the following: Pratt Faculty Development Fund, University of Pennsylvania, Chain Arts, Keith Tuma, Joseph Masheck, Jack and Bea Morton, and Larry and Toby Levy. We also acknowledge the editorial support of Jen Kollar, Linda Petock, and Louis Cabri. These interviews, articles, and poems, or slightly modified versions of them, have appeared in the following publications acknowledged here: 1. “The Art of Being Sparse, Porous, Scattered: Roland Barthes on Cy Twombly.” Signifying Art: Essays on Art after 1960, Cambridge University Press, 1999. 2. “Lawrence Weiner.” Bomb: Speak Art!, G+B Arts International, 1997. ix. Contributors 3. “Cities of the Table,” and “Clans, Moieties and Other,” Word Group, Coffee House Press, forthcoming, Spring 2004. xvii.
    [Show full text]
  • A Bibliography of Conceptual Writing 2 a Bibliography of Conceptual Writing
    A Bibliography of Conceptual Writing 2 A Bibliography of Conceptual Writing v1.01 compiled by yigru zeltil khora impex // 2017 3 cover based on: derek beaulieu, extract from The Duchamp Opening (2016-05-29); Calgary. No press. released in the public domain ISBN: 978-1-365-72551-7. http://khora-impex.com/ 4 The business of a poet […] is to examine, not the individual, but the species; to remark general properties and large appearances: he does not number the streaks of the tulip, or describe the different shades in the verdure of the forest. (Samuel Johnson, The History of Rasselas, Prince of Abissinia, chapter 10, paragraph 6.) Esas ambigüedades, redundancias y deficiencias recuerdan las que el doctor Franz Kuhn atribuye a cierta enciclopedia china que se titula Emporio celestial de conocimientos benévolos. En sus remotas páginas está escrito que los animales se dividen en (a) pertenecientes al Emperador, (b) embalsamados, (c) amaestrados, (d) lechones, (e) sirenas, (f) fabulosos, (g) perros sueltos, (h) incluidos en esta clasificación, (i) que se agitan como locos, (j) innumerables, (k) dibujados con un pincel finísimo de pelo de camello, (l) etcétera, (m) que acaban de romper el jarrón, (n) que de lejos parecen moscas. (Jorge Luis Borges, El Idioma Analítico de John Wilkins1) 1 Pablo Katchadjian vs. María Kodama. 5 6 note This project consists of a permanent work-in- progress chronological list (that will continue to be updated and is accessible at http://workinprogressconpo.blogspot.com/2016/0 8/the-bibliography.html) and a bibliography of a somewhat more traditional format (authors sorted alphabetically, books sorted chronologically), that is now published with the launch of my own platform, ‘khora impex’ (co-founded with Sebastian Big, whose books I also had to include here), and may eventually receive a massively revised second edition of my own, but is going to remain open source – in other words, feel free to make your own, hopefully better edition.
    [Show full text]