JIM MECK's SONG LIST List Is Subject to Change at Any Time
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IV. We Find No Violation of Ferdinand's Right to Effective
THREE BOYS MUSIC CORP. v. BOLTON 477 Cite as 212 F.3d 477 (9th Cir. 2000) IV. of substantial similarity was not clearly erroneous; (3) defendants did not rebut We find no violation of Ferdinand’s right presumption of copying with evidence of to effective assistance of counsel or any violation of the Ex Post Facto Clause, and independent creation; (4) jury could find therefore Ferdinand’s § 2254 petition was that plaintiff deposited complete copy of properly denied. Accordingly, we affirm song with copyright office; (5) jury’s attri- the judgment of the district court. bution of profits was not clearly erroneous; (6) record company was not entitled to deduct its Net Operating Loss Carry-for- ward (NOL) in connection with award of , profits; and (7) defendants were not enti- tled to new trial. Affirmed. THREE BOYS MUSIC CORPORA- 1. Copyrights and Intellectual Property TION, Plaintiff–Appellee, O51 Copyright plaintiff must prove (1) v. ownership of the copyright; and (2) in- Michael BOLTON, individually and fringement, meaning that the defendant d/b/a Mr. Bolton’s Music, Inc.; An- copied protected elements of the plaintiff’s drew Goldmark; Non–Pareil Music, work. Inc.; Warner–Chappell Music Limit- 2. Copyrights and Intellectual Property ed; Warner–Tamerlane Publishing 83(3.1) Corp.; WB Music Corp.; and Sony O Music Entertainment, Inc., Defen- Absent direct evidence of copying, dants–Appellants. proof of copyright infringement involves fact-based showings that the defendant Nos. 97–55150, 97–55154 had access to the plaintiff’s work and that United States Court of Appeals, the two works are substantially similar. -
I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context
Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century. -
Eric Clapton I Shot the Sheriff
I Shot The Sheriff Eric Clapton Ami Dmi Ami 1. I shot the sheriff, but I did not shoot the deputy Dmi Ami I shot the sheriff, but I did not shoot the deputy Dmi Emi Ami All around in my home town Dmi Emi Ami They're trying to track me down Dmi Emi Ami They say they want to bring me in guilty Dmi Emi Ami For the killing of a deputy Dmi Emi Ami For the life of a deputy. But I say 2. I shot the sheriff, but I swear it was in self-defense I shot the sheriff, and they say it is a capital offense Sheriff John Brown always hated me For what I don't know Every time that I plant a seed He said "Kill it before it grows" He said "Kill it before it grows" I say! 3. I shot the sheriff, but I swear it was in self-defense I shot the sheriff, but I swear it was in self-defense Freedom came my way one day And I started out of town yeah All of a sudden I see sheriff John Brown Aiming to shoot me down So I shot, I shot him down I say! 4. I shot the sheriff, but I did not shoot the deputy I shot the sheriff, but I didn't shoot the deputy Reflexes got the better of me And what is to be must be Every day the bucket falls to the well But one day the bottom will drop out Yes, one day the bottom will drop out. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Divorce Deposition-Transcript-Example-2
1 IN THE CIRCUIT COURT OF THE SIXTH JUDICIAL CIRCUIT IN AND FOR PINELLAS COUNTY, FLORIDA CASE NO.: 15-003375-FD Petitioner/Husband, vs. I Respondent/Wife. DEPONENT: DATE: October 14, 2015 TIME: 9:00 a.m. - 12:00 p.m. LOCATION: Parliamentary Reporting Sununit Executive Suites 15375 58th Street North Clearwater, FL REPORTER: Sharon Ruby Notary Public State of Florida at Large Parliamentary Reporting, Inc. -- {727) 847-4000 ORIGINAL 2 AP PE AR AN CE S: { . ~ For Petitioner/Husband: JOHN S. THACKER, ESQ. Thacker Law Group, P.A. 407 South Ewing Avenue Clearwater, FL 33756 For Respondent/Wife: CHRISTIAN DENMON, ESQ. Denmon & Denmon 1560 W. Cleveland Street Tampa, FL 33606 INDEX Direct Examination by Mr. Denmon 3 Parliamentary Reporting, Inc. -- (727) 847-4000 ORIGINAL 3 1 2 WAS CALLED AND AFTER BEING DULY SWORN WAS EXAMINED AND 3 TESTIFIED AS FOLLOWS: 4 DIRECT EXAMINATION 5 BY MR. DENMON: 6 Q Mr. how are you doing today? 7 A Fine, thank you. 8 Q My name is Christian Denmon. We've met before 9 briefly at another deposition, a deposition of your wife; 10 is that correct? 11 A Yes, sir. 12 Q Okay. And have you ever had your deposition 13 taken before? 14 A No. 15 Q You've seen one taken before, correct? 16 A Yes. 17 Q Okay. So you tmderstand the deal is that I'm 18 going to ask you questions, right? 19 A Yes. 20 Q And then I'll need you to answer the question as 21 truthfully as you can, correct? 22 A Yes. -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
2021 AKC Master National Qualified Dogs
2021 AKC Master National Qualified Dogs 1,506 as of July 31, 2021 (See below if your dog is not listed.) DOG NAME OWNER BREED 3m Foxy Kona MH J Lane Lab 6bears Chasing The Perfect Storm MH B Berrecloth/S Berrecloth Lab 6bears Gatorpoint Rhea MH B Berrecloth/S Berrecloth Lab 6bears Just Sippin On Sweet Tea MH B Berrecloth/S Berrecloth Lab A Double Shot Of Miss Ellie May MH B Hadley Lab A Legend In Her Own Mind MH K Forehead Lab Abandoned Road's Caffeine Explosion MH MNH4 C Pugh Lab A-Bear For Freedom MH C Kinslow Lab Academy's Buy A Lady A Drink MH T Mitchell NSDTR Academy's Deacon Howl'N Amen MH MNH M Bullen/S Bullen Lab Academy's Pick'Em All Up MH P Dennis Lab Ace Basin’s Last King’s Grant MH R Garmany Lab Ace On The River IV MH MNH M Zamudio Lab Addys Sweet Baby Rae MH D McGraw Lab Adirondac Explorer MH C Lantiegne Golden Adirondac Kuma Yoko MH G Neurohr/N Neurohr Golden Adirondac Tupper Too MH C Lantiegne Golden Agent Natasha Romanova MH G Nichols Lab AHOY Dark Beauty MH R Randleman Lab Aimpowers Captain's Creole Cash MH L Hoover Lab Ajs Labs Once Upon A Time MH A Walters/J Walters Lab Ajs Labs Song Of The South MH J Walters/A Walters Lab AJS Labs Song of the South MH Joel and Anja Walters Lab Ajs Sailor Katy's I Shot The Sheriff MH a walters/j walters Lab Ajs Sailor Katy's Whips And Things MH MNR j walters/a walters Lab Ajtop Chiefs Blessed Beau MH K Jenkins Lab Ajtop Cody's Kajun Pride MH C Billings Lab AJTOP Gold Pearl MH R Loewenstein/J Loewenstein Lab Alabama Moon Bear MH J Gammon CBR Alabama's Rebel Girl MH G Goodman Lab Alabamas -
Duet Song List
Mike and Ray Song List year year year a boy named sue 1969 i would walk 500 miles 1988 the way 1998 across the universe 1969 julia 1968 the weight 1968 a day in the life 1967 kind of a hush 1967 till there was you 1957 against the wind 1980 layla 1992 tiny dancer 1971 american pie 1971 like a rolling stone 1965 town without pity 1961 at last 1941 lonely people 1974 treat me nice 1957 a whiter shade of pale 1967 losing my religion 1991 tuesday afternoon 1967 bad bad leroy brown 1972 love the one you're with 1970 two of us 1969 because 1964 lucy in the sky 1967 volcano 1979 be my baby 1963 margaritaville 1977 wagon wheel 2004 blackbird 1968 midnight confessions 1968 we can work it out 1965 blowin in the wind 1962 misty 1954 who'll stop the rain 1970 brown eyed girl 1967 moondance 1968 wild night 1971 can't help falling in love 1961 mother nature's son 1968 wild world 1970 can't take my off of you 1967 mr tanner 1974 wish you were here 1975 changes in latitudes 1977 my love is real 2015 w.o.l.d. 1973 cheeseburger in paradise 1978 nights in white satin 1967 wonderful tonight 1977 cherry bomb 1987 norwegian wood 1965 yesterday 1965 city of new orleans 1971 old man 1972 you belong to me 1952 desperado 1973 paint it black 1966 you don't mess around with jim 1972 don't be cruel 1956 peaceful easy feeling 1972 your song 1970 down by the water 2010 pencil thin mustache 1974 you've got to hide your love 1965 dream a little dream of me 1931 people are strange 1967 doctor my eyes 1971 please don't bury me 1971 jenny songs dreams go by 1976 ring of -
Coconuthead -.:: GEOCITIES.Ws
Dave Pittman aka CoconutHead From 1995 to 2001, the band CoconutHead supplied the gulf coast panhandle with top-notch acoustic Jimmy Buffett music. Now based out of the upstate of South Carolina, Dave Pittman, the lead singer and acoustic guitar player, continues to perform solo as CoconutHead. CoconutHead is just what the parrot heads ordered! Playing a large selection of acoustic Jimmy Buffett tunes, Dave Pittman covers everything from the popular “Songs You Know By Heart” to the more obscure parrot head favorites. His song list includes music related to Jimmy Buffett such as In the Meantime, Chain of Love, and Suzannah by Buffett’s guitarist Peter Mayer, crowd favorite hits by Bob Marley such as No Woman, No Cry and Redemption Song, and the Eagles' Tequila Sunrise served up right along side Margaritaville. A long time parrot head himself, Dave Pittman knows exactly what Jimmy Buffett fans want: Acoustic performances with the intensity and freshness that Jimmy Buffett had when he started in the 1970’s. Let CoconutHead excite your crowd into a Feeding Frenzy with requests and audience sing-alongs. Far left: Dave plays on St. George Island, FL Left: Greg “Fingers” Taylor plays with CoconutHead in Tallahassee, FL. Right: Dave entertains the parrotheads in W. Palm Beach at Mars Amphitheater before a Jimmy Buffett concert. Dave Pittman supplies his own PA equipment providing DJ music before & after each set. Contact Dave about playing your private party or live music venue! Web site: http://CoconutHead.ontheweb.nu E-mail: [email protected] -
Covering Joel with Perfect Pitch
Covering Joel with perfect pitch SUSAN DEEFHOLTS (Mar 23, 2007) One of the remarkable things about Billy Joel's music is that his writing has evolved with the times, while still retaining a sound that makes it distinctly his own. His work is uniquely contemporary, capturing a wide diversity of moods, from wry humour and sophisticated contemplation, through psychological angst and frenetic stress. An Innocent Man: The Music of Billy Joel marks the most recent in the Electric Thursdays series of concerts, a collaboration between the KWS and the Jeans 'n Classics band. Who better to lead us on this tribute to Joel's musical career than Jim Witter, himself an accomplished singer, pianist and songwriter? Witter is the creator of the hit show The Piano Men, a tribute to the 1970's hits of both Billy Joel and Elton John. His vibrant performance on Wednesday night potently demonstrated his strong affinity for Joel's work. At times, he sounded uncannily like the Piano Man himself, evoking both his timbre and enunciation. And yet, Witter also brought a presence that was uniquely his own to the performance. The evening began with such favourites as Only the Good Die Young and Uptown Girl --both songs about love between the kind of boy your mother warned you about and the girl who's got it all. The upbeat opening set the mood for a stellar performance of Joel classics. From the very first notes played, the audience sat up and took notice. Peter Brennan's orchestral arrangements, with Daniel Warren conducting, complemented the original songs, adding depth and resonance to the diverse range of songs covered throughout the evening.