Teacher Guide

Total Page:16

File Type:pdf, Size:1020Kb

Teacher Guide Teacher Guide by Alvaro Saar Rios directed by Michelle Lopez-Rios guide created by Brenda Gonzales, Alyysa Mohn, and Oskar Westbridge Table of Contents Welcome/Summary ............................................................................................................................................ 3 A History of Lucha Libre .................................................................................................................................. 4 Finding Your Inner Luchador/a ........................................................................................................................ 5 Hall of Fame ......................................................................................................................................................... 6 Make Your Own Mask ...................................................................................................................................... 8 "Me On the Map" Activity .............................................................................................................................. 12 Spanish Vocabulary in Luchadora! .................................................................................................................. 20 Exploring the Music of the Show .................................................................................................................. 21 For Further Reference ..................................................................................................................................... 23 2 Hello and Welcome! Thank you for choosing to attend a production of Alvaro Saar Rios’ Luchadora! with your students. The play’s main characters, Vanessa and Nana Lupita, represent an important tradition of women defying expectations placed on them due to their genders. We think that it is a tradition that demands respect and attention, and we are very excited to have the chance to share it with you. Throughout this packet, you will find materials created specifically to add to you and your students' experience of seeing Luchadora! We have written articles that explain deeper facets of the play’s subtext and context, as well as activities that allow students to engage with the themes and narrative of the play in a more active, hands-on fashion. Luchadora! is produced as part of Chicago Playworks for Families and Young Audiences. Founded as the Goodman Children’s Theatre in 1925 and recognized as a pioneer of theatre for families, Chicago Playworks welcomes more than 30,000 students and families to our highly- celebrated productions each season. Today we are dedicated to reflecting our audience’s experience in an urban, contemporary, and multi-ethnic environment. --------------------------- Summary Luchadora! is the tale of family history and a young girl defying gender norms. Nana Lupita tells Vanessa the story of when she was young, back in 1968 during the Vietnam War. As a girl, she found out a big secret about her father: he was a Lucha Libre wrestler! He became a great champion of his time, but, eventually, he had to stop his career to take care of his family, and because his body was ailing. He had to back out of a fight with Dragon Azul, the other great wrestler of the time. Lupita, finds out that El Hijo, the son of Dragon Azul, has challenged her father to a match. In secret, she to wrestle El Hijo in place of her father. As Vanessa hears the story from her grandmother. The women develop a bond that will continue for generations to come. 3 History What is Lucha Libre? Lucha Libre is a type of professional wrestling that originated in Mexico. The style of wrestling includes the use of rapid acrobatic techniques; “high-flying” maneuvers, some of which have been adopted in the United States and elsewhere; fighting choreography; and contestants who wear masks. Luchadores are traditionally more agile and perform more aerial maneuvers than professional wrestlers in the United States. A luchador or luchadora is an entertainer who usually comes from an extended wrestling family, as well as an actor that develops a story line. They never take off their mask or unveil their real name unless they're forced to give up. Losing their mask means loss of dignity and status, as well as the loss of the fight. The Rules: A match involves two opponents where one must pin the other for a count of three, then either knock them out of the ring for a count of twenty, force submission, or get them disqualified for some other reason. An additional way of winning is with the use of violence, better known as “exceso de ru-dezas,” a rule in which the referee awards the winner the title. A luchador or luchadora is disqualified when they use an illegal move such as the “piledriver.” Mascara Dorado begins a Huracan Rana. 4 Finding your inner Luchadora and Luchador! In this activity students are instructed to create a character backstory and make their own Luchador and Luchadora name. Students are encouraged to be as creative and detailed as possible to make their characters believable. Luchador/Luchadora Example Names: “Hijo del Santo” - Son of the Saint “El Cardo”- The Thistle “Blue Demon” “Yellowtail” “La Mascara Rosa”- The Pink Mask “Dragon Azul”- Blue Dragon Luchador/Luchadora names can be in English OR Spanish. If you come up with a name that seems cool, try using Google Translate, to see how it sounds in another language!! Written Prompt Have you ever pictured yourself as a Luchador or Luchadora? Ever wanted to become a superhero and save the day? Now is your chance to imagine what it takes to become one by making up your own Luchador and Luchadora name and origin backstory! You can make it sound as cool as you want and give as much detail as you want, the goal is to make your story sound unique to you! Common Core W.2.3 Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. W.2.5 With guidance and support from adults and peers, focus on a topic and strengthen writing as needed by revising and editing. W.2.8 Recall information from experiences or gather information from provided sources to answer a question. W.3.3Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. 5 Lucha Libre Hall of Fame El Santo: (September 23, 1917 – February 5, 1984) Rodolfo Guzmán Huerta, more widely known as El Santo, or in English The Saint, was a Mexican Luchador enmascarado, film actor, and folk hero., is one of the most famous and iconic of all Mexican luchadores, and has been referred to as one of “the greatest legends in Mexican sports.” His wrestling career spanned nearly five decades, during which he became a folk hero and a symbol of justice for the common man through his appearances in comic books and movies. Mil Mascaras: Born July 15, 1942, Máscaras is one of the original “Big Three” of the lucha libre tradition in Mexico (the other two being El Santo and Blue Demon). He is considered one of the most influential wrestlers of all time for enhancing and popularizing the lucha libre style around the world both in the ring and as the star of 20 films. He is also an accomplished artist and cultural ambassador from his native country and has appeared on three of its postage stamps. Blue Demon: (April 24, 1922 – December 16, 2000), Alejandro Muñoz Moreno better known by the ring name Blue Demon (Demonio Azul in Spanish), was a Mexican film actor and luchador enmascarado (Spanish for masked professional wrestler). Blue Demon was one of the original “big three” of the lucha libre tradition in Mexico (the other two being El Santo and Mil Máscaras). He was affectionately referred to as “Blue” and was known for his signature blue mask. 6 Lucha Libre Hall of Fame Rey Mysterio: Born December 11, 1974, Rey Mysterio is an American professional wrestler currently signed to WWE, where he performs on the Raw brand and in his first United States Championship reign. Mysterio is known for his high-flying Lucha libre wrestling style, which is credited with having helped kick-start the emergence of cruiserweight wrestling in the United States in the mid-1990s. Xóchitl Leyva Sánchez: Born February 20th, 1973, She is better known in Lucha Libre as the Luchadora Tiffany. As with a lot of Lucha Libre stars, Tiffany comes from a wrestling family. Her father Jesse Rojas “El Vasco”, a famous Luchador, her mother was the original La Diabolica and her brother Jessy is also a Luchadore. Tiffany was trained by her father and made her professional wrestling debut on July 18, 1993 at the Arena Solidaridad in her hometown, Monterrey. She has held the Northern Women’s Wrestling Title, the National Women’s Wrestling Title twice, the AAA Reina de Reinas and the AAA World Mixed Tag Team Wrestling Championship with Chessman. Irma González: Born on August 20th, 1936 Legendary Luchador Irma Gonzales as trained by Jorge Rojas, Tarzán López, Gori Guerrero and Raúl Romero, and made her lucha libre debut on August 20, 1955 at Cancha San Pedro in Puebla City, Puebla, Mexico. During her career she held the National Women’s Wrestling Title, the UWA World Women’s Wrestling Title (twice), and the National Women’s Tag Team Wrestling Titles (with Irma Aguilar). Irma also appeared in a few Mexican wrestling films like Las Luchadoras contra el médico asesino (1963). 7 Making Your Own Mask Materials Scissors Mask Template
Recommended publications
  • Wrestling Masks in Chicano and Mexican Performance Art
    Studies in 20th Century Literature Volume 25 Issue 2 Article 6 6-1-2001 (Ef)Facing the Face of Nationalism: Wrestling Masks in Chicano and Mexican Performance Art Robert Neustadt Northern Arizona University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the American Literature Commons, Latin American Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Neustadt, Robert (2001) "(Ef)Facing the Face of Nationalism: Wrestling Masks in Chicano and Mexican Performance Art ," Studies in 20th Century Literature: Vol. 25: Iss. 2, Article 6. https://doi.org/10.4148/ 2334-4415.1510 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. (Ef)Facing the Face of Nationalism: Wrestling Masks in Chicano and Mexican Performance Art Abstract Masks serve as particularly effective props in contemporary Mexican and Chicano performance art because of a number of deeply rooted traditions in Mexican culture. This essay explores the mask as code of honor in Mexican culture, and foregrounds the manner in which a number of contemporary Mexican and Chicano artists and performers strategically employ wrestling masks to (ef)face the mask- like image of Mexican or U.S. nationalism. I apply the label "performance artist" broadly, to include musicians and political figures that integrate an exaggerated sense of theatricality into their performances.
    [Show full text]
  • UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title Making Familia from Scratch : : U.S. Latina/o Narratives of Rupture and Resistance Permalink https://escholarship.org/uc/item/0q26n9xp Author Cázares, Gabriela Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Making Familia from Scratch: U.S. Latina/o Narratives of Rupture and Resistance A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Gabriela Cázares Committee in charge: Professor Rosaura Sánchez, Chair Professor Dennis Childs Professor Fatima El-Tayeb Professor David Gutiérrez Professor Tiffany López Professor Shelley Streeby 2014 Copyright Gabriela Cazares, 2014 All rights reserved. The Dissertation of Gabriela Cazares is approved, and is of acceptable quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2014 iii EPIGRAPH “It is like making familia from scratch, each time all over again
    [Show full text]
  • Grappling with Race: a Textual Analysis of Race Within the Wwe
    GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg.
    [Show full text]
  • Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
    Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here.
    [Show full text]
  • Politics by Kayfabe: Professional Wrestling and the Creation of Public Opinion
    POLITICS BY KAYFABE: PROFESSIONAL WRESTLING AND THE CREATION OF PUBLIC OPINION WILLIAM P STODDEN North Dakota State College of Science and Concordia College and JOHN S. HANSEN Hennepin County Library1 INTRODUCTION Professional wrestling offers an excellent analogy for understanding the way politicians socially construct reality to produce changes in public opinion. In most cases, politicians will frame specific events in a way designed to elicit public support for their preferred policies or candidates. They will also use these same techniques to frame those they perceive to be “enemies” in a way that generates fear and antipathy in the population. The creation of reality and incitement to action in a mass population is one function of political propaganda, which is nearly ubiquitous in the age of mass media, big data, and the 24 hour news cycle.2 In many ways, the process of the construction of reality employed by politicians is similar to the creation of angles and storylines in professional wrestling, which has grown into a world phenomenon alongside-- and largely as a result of-- mass media. In its current manifestation, professional wrestling, now called “sports entertainment,” requires the apparatus of mass media as well as the audiences mass media generates to succeed financially. For their part, policy makers and political leaders also use the mass media. In fact, the modern mass- based political Party, which appeals to huge swaths of the population using claims and narratives resonant with the average person rather than traditional political elites would not exist without the mass media. Without widespread dissemination of news, Parties would not be able to effectively disseminate political propaganda or generate public opinion.
    [Show full text]
  • 27 De Abril, 2020
    *Hoy no circula 5 y 6 *Clima 23ºc máxima 7ºc mínima *Dólar Compra 24.44 Venta 25.39 [email protected] | www.impulsoedomex.com.mx Metepec.Lunes.27.Abril.2020 | No. 4800 ESCUCHA www.impulsoedomex.com.mx EDOMEX SIN RESPETO A MEDIDAS SANITARIAS EN ECATEPEC; CIUDADANOS CONTINÚAN REALIZANDO FIESTAS CLANDESTINAS. Pág. 09 EDOMEX EDOMEX REGISTRA 2,355 CASOS DE COVID-19 : El Estado de México registra este lunes 2 mil 355 pacientes con COVID-19 y según la proyección del Programa Centinela existen en el territorio estatal un total de 20 mil 724 contagiados, los cuales se irán registrado al sector salud en los próximos días. Este programa nacional da a conocer que han perdido la vida en esta pandemia 166 personas en la entidad. Pág. 04 CHEF’S HOUSE IMPULSA DESAYUNOS PENDIENTES PARA PERSONAL MÉDICO UAEM DESARROLLÓ CARETAS QUE PUEDEN ESTERILIZARSE Pág. 07 : Investigadores de la UAEM realizaron el proyecto con poliácido láctico, material potencialmente biodegradable y que resiste altas temperaturas sin sufrir deformaciones, para proteger a personal :Opinión médico del COVID-19, entregando 25 al Centro Médico “Adolfo Arturo Albíter Martínez 02 López Mateos”. Pág. 06 Luis Miguel Loaiza 02 Teodoro Rentería Arróyave 03 Eduardo Backhoff 03 02-LUNES.27.ABRIL.2020 www. impulsoedomex.com.mx DIRECTORIO DESDE LAS ALTURAS HORIZONTE IMPULSO MEXIQUENSE ESTADO DE MÉXICO ARTURO ALBÍTER MARTÍNEZ Suscripciones, LUIS MIGUEL LOAIZA Publicidad, Atención a Clientes y Redacción + De acuerdo al plan del presidente Andrés Manuel mil pesos. + Destapan cloaca en la (722) 319 23 54, al 58 López Obrador hoy iniciará la entrega de créditos a Pero vamos a lo más básico y dependiendo de la zona Cruz Roja de Ecatepec [email protected] la palabra por 25 mil pesos para microempresarios.
    [Show full text]
  • Attendees As of 9.27
    Honorific First Name Middle Name Last Name Title Company City State Country Attendee Type Student, B.S. Computer Engineering Minor Beverly Abadines in Applied Physics California State University, San Bernardino Student Alex Acuna Student, Finance Lindenwood University Belleville Illinois United States of America Scholarship Administrative Assistant to the College HACU National Member Colleges & Ms. Angela Acuna President Estrella Mountain Community College Avondale Arizona United States of America Universities Dr. José A. Adames President El Centro College Dallas Texas United States of America Presenter Stephanie Marie Adames‐Anico Student Baylor University Waco Texas United States of America Student Zachary Addington Student, Psychology Transfer Chaffey College Rancho Cucamonga California United States of America Student LaGarius Adside Student, Health Administration Armstrong Atlantic State University Student Higher Education Recruitment Consortium‐ Nancy Aebersold Executive Director HERC Ben Lomond California United States of America Exhibitor Dr. DeBrenna Agbenyiga Vice Provost & Dean, The Graduate School The University of Texas at San Antonio San Antonio Texas United States of America Exhibitor HACU National Member Colleges & Mr. Edward Aguilar Manager San Joaquin Delta College Stockton California United States of America Universities Student, B.A. Sociology with certificate in Ms. Karina Michelle Aguirre gerontology & social service track California State University, San Bernardino San Bernardino California United States of America Student Director of Corporate and Foundation HACU National Member Colleges & Mr. Richard Aguirre Relations Goshen College Goshen Indiana United States of America Universities Oluwapelumi Akiwowo Student, Business Administration Transfer Chaffey College Claremont California United States of America Student HACU National Member Colleges & Jennifer Alanis Director of Diversity and Inclusion Colorado State University–Pueblo Pueblo Colorado United States of America Universities Mr.
    [Show full text]
  • Revista Teologia Ago 2020.Indd
    revista TEOLOGÍA Tomo • N° • revista TEOLOGÍA ISSN 0328-1396 Tomo LVII • Nº 132 • Agosto 2020 Revista de la Facultad de Teología de la Pontificia Universidad Católica Argentina Concordia 4422 (C1419AOH) - Ciudad de Buenos Aires - República Argentina [email protected] TEOLOGÍA es una publicación cuatrimestral (abril, agosto y diciembre) de la Facultad de Teología de la Pontificia Universidad Católica Argentina de Buenos Aires. La revista se dirige a investigado- res, docentes y alumnos de nivel superior. Ofrece artículos in- éditos de Teología y de disciplinas afines. Recibe aportes que resulten de la investigación de los docentes de la Facultad y otros textos inéditos de colaboradores externos, con nivel cien- tífico, que respondan al perfil de esta publicación. Todos son evaluados bajo la forma de «doble ciego». Las normas éticas de responsabilidad de autores, editores y evaluadores pueden ser consultadas en la página web de la revista bajo el título: Normas éticas para autores, editores y evaluadores. En todos los casos se respeta el juicio del refera- to solicitado y del Director de la revista. Al final de cada ejemplar se detalla el enlace digital en el que se encuentran las instrucciones para los colaboradores y el manual de estilo. Las opiniones expresadas en los artículos y trabajos publicados en Teología son de exclusiva responsabili- dad de sus respectivos autores. La revista se reserva los dere- chos de autor y el derecho de incluir los artículos en el Reposi- torio digital institucional de la Universidad así como en otras bases de datos que considere de interés académico. Los índices y resúmenes (abstracts) de los números anterio- res pueden consultarse en la sección "Publicaciones - Revis- ta Teología" de la página web de la Facultad de Teología: ‹http://www.uca.edu.ar/teologia› Los artículos publicados en Teología son indexados y/o alo- jados por: • Latindex.
    [Show full text]
  • Arena Puebla
    Octubre 2020 Spanish Reader ARENA PUEBLA Arena Puebla lugar de diversión y tradición. Septiembre es uno de los meses más importantes para los mexicanos, no solo por las fiestas patrias sino también por el “Día Nacional de la Lucha Libre y del Luchador Profesional Mexicano'' que se celebra cada 21 de septiembre. Por esa razón es necesario hablar de la emblemática Arena Puebla, el lugar sagrado para los luchadores, el lugar en donde se desarrollan espectáculos tan emocionantes para los mexicanos. La Arena Puebla se fundó el 18 de julio de 1953, está ubicada en la 13 oriente 402 en el popular barrio El Carmen y tiene un espacio para 3000 aficionados. Fue inaugurada por Salvador Lutteroth González conocido como el padre de la lucha libre mexicana y quien fue el fundador del Consejo Mundial de la Lucha Libre (CMLL). Además, este espacio funciona como escuela de lucha libre, con más de 20 años de experiencia. Este año celebró 67 años de su creación, pero debido a la pandemia los festejos tuvieron que ser postergados. 01 Spanish Institute of Puebla www.sipuebla.com Octubre 2020 En su inauguración, la lucha estelar tuvo a grandes figuras como Black Shadow, Tarzán López, y Enrique Yañez, enfrentando al Verdugo, el Cavernario Galindo y el famosísimo Santo “El Enmascarado de Plata”, quien en aquel momento era el campeón mundial Welter. Diferentes luchadores han engalanado las noches en el cuadrilátero, entre ellos están Blue Demon, El Huracán Ramírez, Arturo Casco “La Fiera”, El Perro Aguayo, Semi- narista, Califa, Danger, El Hércules Poblano, Gorila Osorio, Petronio Limón, El Jabato, Manuel Robles, Furia Chicana, Gardenia Davis, El Faraón, Enrique Vera, Príncipe Rojo, Tarahumara, Chico Madrid, Gavilán, Sombra Poblana, Murciélago, El Santo Poblano, El Perro Aguayo Jr.
    [Show full text]
  • El Estado Cibernético
    El Estado cibernético La Unidad del Derecho, la Política y la Economía Javier Livas Cantú El Estado cibernético La Unidad del Derecho, la Política y la Economía Javier Livas Cantú Senado de la República Primera edición: octubre de 2003 Senado de la República ISBN: 970-727-028-4 Impreso y hecho en México Printed and made in Mexico Índice Introducción a la versión en español ...................... 9 ¡Alto! ¡Leer esto primero!.................................... 13 Parte I Los Sistemas Viables ........................................................... 21 Capítulo 1: Un modelo cibernético ........................................ 23 Sistemas y modelos ............................................................. 23 El SISTEMA VIABLE y sus elementos ....................................25 Recursión ............................................................................ 27 Capítulo 2: Las relaciones internas del MSV ...........................31 El problema mente-cuerpo ..................................................31 El Metasistema y la Lógica cibernética .................................. 35 El SISTEMA y la lógica causal ...............................................36 Más lógica cibernética .........................................................39 Capítulo 3: Intercambios ....................................................... 41 El intercambio de información .............................................. 41 La variedad y las Leyes del control ........................................ 42 Los intercambios de materia y energía .................................
    [Show full text]
  • Cubed Circle Newsletter 241 – Consistency Is Hard
    Cubed Circle Newsletter 241 – Consistency is Hard As many of probably noticed, we have been posting late and sporadically for the last month. This was, obviously, not our intention, but with the second semester eating into my free time, staying up to date is a tall order. Even without the newsletter itself seeing weekly publication the site has still remained up to date on a weekly basis, thanks primarily to co-author Ben Carass, as well as guest writers Paul Cooke and Leslie Lee III. But, the newsletter has survived for well over 241 weeks, and will hopefully thrive in the years to come. I have attempted to make provisions for publishing related tasks which should minimize the risk of major delays (obviously there will be some regular delays, as this late issue can attest), but we have some fail safes in place in order to keep this to a minimum. With all of this said, we have a great issue for everyone this week with Paul Cooke discussing the Pro-Wrestling Only Greatest Wrestler Ever project and his personal experience with the poll, Ben covers the news including tons of results from Japan and the Lesnar USADA violation, the Mixed Bag returns with a look at comedy wrestling, Ricochet/Ospreay, and a potential WWE match of the year -- plus Ben also looks at last Sunday's Battleground show and the first RAW of the brand split (a very good show). Also, for those unaware, we now have an official Twitter account @CubedCircleWres allowing the banger to unprecedented highs at @BenCarass and @RyanClingman.
    [Show full text]
  • Downloaded on 2017-02-12T12:57:58Z TITLE: 'Muchos Méxicos': Widening the Lens in Rulfo's Cinematic Texts
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title 'Muchos Méxicos': widening the lens in Rulfo's cinematic texts Author(s) Brennan, Dylan Joseph Publication date 2015 Original citation Brennan, D. J. 2015. 'Muchos Méxicos': widening the lens in Rulfo's cinematic texts. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2014, Dylan J. Brennan. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information No embargo required Item downloaded http://hdl.handle.net/10468/1960 from Downloaded on 2017-02-12T12:57:58Z TITLE: 'Muchos Méxicos': Widening the Lens in Rulfo's Cinematic Texts. AUTHOR: Dylan Joseph Brennan, M.A. QUALIFICATION SOUGHT: PhD INSTITUTION: National University of Ireland, Cork. (University College Cork) DEPARTMENT: Centre for Mexican Studies, Department of Hispanic Studies. MONTH AND YEAR OF SUBMISSION: Originally submitted July, 2014— resubmitted after Minor Changes in February 2015 HEAD OF DEPARTMENT: Prof. Nuala Finnegan, Director of Centre for Mexican Studies. SUPERVISOR: Prof. Nuala Finnegan, Director of Centre for Mexican Studies. TABLE OF CONTENTS 1. Widening the Focus in Rulfo's Cinematic Texts – An Introduction P.1 1.1 Texts for Cinema? – Rationale and Paramaters P.1 1.2 Methodology P.7 1.3 Muchos Méxicos P.10 1.4 Widening (not shifting) the Focus P.15 1.5 Objectives P.18 2. Inframundos and Fractured Visions – El despojo and La fórmula secreta P.22 2.1 Conception and Synopsis: An Introduction to El despojo
    [Show full text]