Ghosts and Guitars on the 'Rain Plans'
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Lyn Hejinian “The Inanimate Are Rocks, Desks, Bubble,” 50 from My Life 51 from Writing Is an Aid to Memory 54 the Green 57 “The Erosion of Rocks Blooms
in the american tree Silliman in the american tree Second Edition, with a new Afterword by Ron Silliman The “Language Poets” have extended the Pound-Williams (or perhaps the Pound-Williams- in the americanlanguage tree realism poetry Zukofsky-Stein) tradition in American writing into new and unexpected territories. In the process, these poets have established themselves as the most rigorous and the most radically experi- mental avant-garde on the current literary scene. This anthology offers the most substantial col- lection of work by the Language Poets now available, along with 130 pages of theoretic statements by poets included in the anthology. As such, In the American Tree does for a new generation of American poets what Don Allen’s The New American Poetry did for an earlier generation. The poets represented include Robert Grenier, Barrett Watten, Lyn Hejinian, Bob Perelman, Michael Palmer, Michael Davidson, Clark Coolidge, Charles Bernstein, Hannah Weiner, Bruce Andrews, Susan Howe, Fanny Howe, Bernadette Mayer, Ray DiPalma, and many others. “For millennia, poets have had to make their own way and the world that goes with it. The genius of these various writers and the consummate clartiy with which they are presented here make very clear again that not only is this the road now crucial for all poetry, it’s literally where we are going.” –Robert Creeley “This historic anthology brings into long-needed focus the only serious and concerted movement in American literature of the past two decades. It will be indispensible to anyone with interest in writ- ing’s present and hope for writing’s future.” –Peter Schjeldahl “Provocative in its critique and antidote, this collection invites the curious writer/reader to question all assumptions regarding generally agreed upon values of poetic language practices. -
Mustang Daily, September 28, 1979
LIBRARY ARCHIVES . CALIFORNIA FOLY TECHNiC STA Mustang Daily UNIVERSITY LIBRARY September 28,1979 California Polytechnic State University, San Luis Obispo VoL 44, No. 3 Students WOWed in first week BY CATHY SPEARNAK Dally Editorial Aaatatant “1 don’t like the fact that we have to buy our own When David Copley came to Cal Poly two weeks ago, he sweatshirts. Also, I lost my meal ticket and had to pay $2 didn’t know what it meant to be a “ WOWie.” to get a new one,” said the counselor. But after experiencing the school’s orientation Holmgren isn’t the only counselor who lost money program—Week of Welcome—the 18-year-old animal during WOW. One counselor wh'o asked her name not be science major said he is proud to have survived “WOW used because she didn’t want to be a “ spoil sport” said she week ’79.” lost over $60 entertaining her WOWies. 1 This year Cal Poly’s WOW program introduced over “Their meal ticket doesn't provide all their meals, and 2,500 new students—often called WOWies—to the when we had a few dinners over at my house 1 was em University. This is about 200 more than last year. barrassed to ask for donations,” she said. “At first I was scared and I wanted to go home. After WOW I liked Cal Poly and I’m glad I’m in it. I’m trying to Writing exam figure out how I can stay here six years,” said the en thusiastic freshman. Copley said the orientation not only helped him get Test is required through first-week rough spots such as registration and departmental advising, but helped him adjust to school BY JOE STEIN socially. -
Felix Issue 1103, 1998
sv ELECTION INTERVIEWS ELECTRIC CAFE THIS TUESDAY Your Last Election Special Chance to Edition Decide IC Shall Go to the Ball MARK BAKER meeting of the Union Finance The sponsorship money has Council was called and the organis- been pledged by the firm EDS and Thanks to the work of four students, ers announced that they had was obtained via the 1C Alumni Imperial College will stage its first secured £15,000 corporate spon- Relations Office, the Managing ever summer ball this year. The sorship. UFC then voted unani- Director of EDS being an IC gradu- event, to be held in Alexandra mously to underwrite the event. A ate. "EDS came to college wanting Palace, is open to all stu- to sponsor something", revealed dents, graduates and staff of Ling Li, one of the four initiators, IC and is set to rival the well- iB "eight proposals were given to known Oxbridge May balls. HHSHHI them, including minibus sponsor- Included in the evening's ™ ship, but EDS themselves chose entertainment will be a string the summer ball". They hope to quartet reception, a three- raise at least another £5,000 course meal, drinks, a head- towards fixed costs and ents. line band and other entertain- At least 500 people are need- ments such a casino and pos- ed to fill the enormous West Hall sibly a bouncy castle. at Alexandra Palace (pictured), Transport to and from ICU but the organisers hope to see will also be included in the |||§ many more. Tickets will be on ticket price. sale as soon as next week from The project is the brain- the Union Office priced at £45 child of four 1SE students for students. -
Lady in the Dark
The Kurt Weill Edition Series I — Stage Series II — Concert Series III — Screen Series IV — Miscellanea Editorial Board Tim Carter Joel Galand Edward Harsh Stephen Hinton Kim H. Kowalke Giselher Schubert Managing Editor Elmar Juchem Lady in the Dark A Musical Play in Two Acts Book by Moss Hart Music and Lyrics by Kurt Weill and Ira Gershwin CRITICAL REPORT Series I, Volume 16 Edited by bruce d. mcclung and Elmar Juchem Kurt Weill Foundation for Music, Inc. / New York European American Music Corporation / New York Kurt Weill Foundation for Music, Inc., New York, New York European American Music Corporation, New York, New York Lady in the Dark Book by Moss Hart; Music and Lyrics by Kurt Weill and Ira Gershwin This Critical Edition Copyright © 2017 by The Kurt Weill Foundation for Music, Inc. All Rights Reserved Published 2017 Printed in Austria by Plöchl Druck GmbH O The paper in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. ISBN 978-1-62721-901-3 CONTENTS List of Sources and Sigla 7 Statement of Source Valuation and Usage 9 Commentary: General Issues 17 Critical Notes 21 Source Descriptions 127 Abbreviations 135 Kurt Weill Edition Personnel 136 Credits and Acknowledgments for this Volume 137 LIST OF SOURCES AND SIGLA SOURCES ADDITIONAL MATERIALS Full Score Format Drafts Fh Holograph full score (1940–41) Dh Holograph drafts and sketches (1940–41) Fh(R) Photostat copy of Fh (before 1948) Fh-misc Three items separated -
Lajkonik of Tucson – a Piece of True Poland: Constructing Polish – American Identities in an Ethnically Heterogeneous Society
LAJKONIK OF TUCSON – A PIECE OF TRUE POLAND: CONSTRUCTING POLISH – AMERICAN IDENTITIES IN AN ETHNICALLY HETEROGENEOUS SOCIETY __________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ___________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ___________________________________________________ by Monika Glowacka-Musial January 2010 ii © by Monika Glowacka-Musial May 2010 All Rights Reserved iii ABSTRACT Lajkonik of Tucson – a piece of true Poland: Constructing Polish-American identities in an ethnically heterogeneous society Monika Glowacka-Musial Doctor of Philosophy Temple University, 2010 Dr. Paul Garrett Tucson, Arizona is a site of a lively Polish-American community. Initially associated with a political organization (“Solidarity Tucson”), which actively supported the Solidarity Movement throughout the 1980s, the Polish diaspora has gradually transformed into an ethnic community very much focused on maintaining its distinctive heritage. Recent formation of the Polish folkloric dance group Lajkonik was directly stimulated by the local multicultural establishment, which promotes ethnic diversity in the Old Pueblo. Having become an integral part of the Southwestern society, Lajkonik has developed a collection of identity practices, which despite diverse influences continues to reproduce Polish cultural traits. In my ethnographic account, I examine ways, by which members of the Lajkonik group construct their diasporic identities. First, I focus on the core activities of the group, which include the practice of Polish traditions, learning folk dances and songs in a wide cultural context, and negotiating the speaking of Polish. Additional analyses, based on video recordings, of Polish classes and dance rehearsals, which show the actual mechanics of the production processes, as well as the narratives of the teacher and parent of performers, further support the account of the ethnographer. -
(And Recording) Studios
Anderson, Robert (2015) Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). PhD thesis. https://theses.gla.ac.uk/6459/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Strength in Numbers A Social History of Glasgow’s Popular Music Scene (1979-2009) Robert Anderson BA (Hons), PGCE, MEnvS, DipEd Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow June 2015 © Robert Anderson, 2015 2 Abstract In 2004, US Time magazine named Glasgow Europe’s ‘capital of rock music’ and likened it to Detroit in its Motown heyday (Porter, 2004). In 2008 UNESCO awarded Glasgow the title of ‘City of Music’ and the application dossier submitted in support of this title noted the importance of rock and pop for the city’s musical reputation. Since the late 1970s a large number of bands have emerged from (or been associated with) the city, yet little academic research has been carried out to determine the factors behind this phenomenon. -
Next Level Guitar® Modern & Classic Blues Rock Masters
® NEXT LEVEL GUITAR® MODERN & CLASSIC BLUES ROCK MASTERS GUITAR WRITTEN LESSON MANUAL -written by David Taub Written Lesson Page Table of contents ................................................................................................................... 2 Introduction ............................................................................................................................ 3 Blues Masters DVDs lesson menu contents .......................................................................... 4 Getting started ....................................................................................................................... 5 Lead Playing – Tone .............................................................................................................. 6 Lead Playing – rhythm, the ride, note choice, & phrasing ...................................................... 7 Scales defined and drawn out ................................................................................................ 8 Key Signature and chord analyzing ....................................................................................... 9 The choices when soloing ...................................................................................................... 10 T Soloing choices study guide illustration ................................................................................. 11 Minor & major key soloing application ................................................................................... 12 Minor Pentatonic -
Shawn Mendes a New Look
www.lightingandsoundamerica.com May 2019 $10.00 Shawn Mendes A New Look for a New Tour ALSO: Mumford & Sons Pittsburgh Playhouse at Point Park University Bryan Bradley Joins Group One Martin by Harman’s New Strategy Altman Lighting AP-150 RGBW PAR Luminaire Copyright Lighting&Sound America MAYCOMPLETEISSUEHTTPPLASAMESHPC CONCERTS Copyright Lighting &Sound America May 2019 http://www.lightingandsoundamerica.com/LSA.html Flowe R Shawn Mendes: The Tour POGives wthe Star Ea Newr Look By: Sharon Stancavage P 48 • May 2019 • Lighting &Sound America Flowe R POwEr Opposite and above: The 16'-tall flower is positioned near the B stage. “It is the emblem of the show,” Caslin says. hawn Mendes burst upon the music scene in campaign [for Mendes’ current album] was based around 2014; since then, he has headlined three tours the theme of flowers and we wanted to find something and received countless awards. Last year, that could tap into it. We came up with this idea of creat - Mendes became the first artist under 20 to have ing this huge flower, which would be seen in every photo four number-one singles on the Billboard Adult of the show. People would see it and know it was from the Pop Songs Chart. Shawn Mendes: The Tour start - Shawn Mendes tour. That is the emblem of the show.” ed in Europe last March; like all his live performances, it is The 16'-tall flower is positioned at the far end of the being handled by 24/7 Productions. “We head up all sides arena, at the B stage. -
Helen Welch Tribute to Ladies of Song Barbershop Quartet Festival In
Aug. 27, 2011 Vol. 2011, Issue 11 Mind, Bo uring dy and C nurt Spi el s of rit ebr year ating more than 135 Helen Welch tribute to ladies of song Hoover Worship Preachers: Vocalist Helen Welch will some of history’s greatest songs pay tribute to legendary female sung by female voices. Welch Rev. Dr. Gary Olin (Aug. 28) & artists in her Lakeside perfor- turns the spotlight on artists such mance, “Divas: Celebration as Ella Fitzgerald, Peggy Lee, Bishop Bruce Ough (Sept. 4) of the First Ladies of Song” at Aretha Franklin, Barbra Strei- Note: For those who desire to attend worship during the 8:15 p.m., Saturday, Aug. 27 in sand, Bette Midler, Etta James, Chautauqua season, a complimentary church gate pass may be Hoover Auditorium. Judy Garland, Karen Carpenter obtained Sundays between 7:30-10:30 a.m., valid until 3 p.m. During Welch’s first visit and Patsy Cline. Songs include The pass includes admittance for guests and auto. to Lakeside, she wrote two “At Last,” “Over the Rainbow,” songs for and appeared in the “Natural Woman,” “Wind Be- Lakeside’s preacher for the 10:30 film “Christmas at Maxwell’s,” neath My Wings” and “Down- a.m. Sunday, Aug. 28 Hoover Wor- which was shot at the bed and town.” ship Service is the Rev. Dr. Gary Olin breakfast in 2004. Welch, originally from Eng- (pictured above), and his sermon will Her show is a memorable land, is well-known in the U.K. be “After the Fireworks” (Exodus production which highlights and moved to the U.S. -
Theatre Organ Society
ATOS NovDec 50-6 G 10/21/08 7:32 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2008 50THEATRE ORGAN YEARS ATOS NovDec 50-6 G 10/21/08 7:32 PM Page 2 ATOS NovDec 50-6 G 10/22/08 7:56 AM Page 1 THEATRE ORGAN NOVEMBER | DECEMBER 2008 Volume 50 | Number 6 FEATURES THEATRE ORGAN 11 Missing Link 18 A Lasting Obsession 20 The Wheaton Fox 50 Camp ATOS YEARS 26 Play it Again 30 Indianapolis Convention Review Jack Moelmann & Friends 42 at Radio City Music Hall Floods Damage 46 Cedar Rapids Theatre Organs DEPARTMENTS 4 Vox Humana 5 Headquarters 6 Vox Pops 7 Directors’ Corner 8 Letters 12 News & Notes 48 Professional Perspectives 50 For the Records 54 Chapter News On the cover: The art department at the Rudolph Wurlitzer Manufacturing Company was kept busy turning out spectacular advertisements to be published in exhibitor trade 64 Around the Circuit publications such as The Motion Picture Herald and Motion Picture News. This spectacular ad comes to us courtesy of the Theatre Historical Society. 69 Meeting Minutes THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ Society, 70 Obituaries Inc., 5 Third Street, Suite 724, San Francisco, California 94103-3200. Periodicals Postage Paid at San Francisco, California and at additional mailing offices. Annual subscription of $33.00 paid from members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Membership Office, P.O. Box 5327, Fullerton, California 92838, [email protected]. NOVEMBER | DECEMBER 2008 1 ATOS NovDec 50-6 G 10/22/08 5:06 PM Page 2 Paid Advertisement ABIGTHANKYOU!!! ǣǡ ǡǡ ǡǡ Dzdz Ǩ Ǥ ǡ ǡ ǡ ǡ ǡ Ǥ Ǥ Ǥ ȋ Ȍ Ǥ ǡ Ǥ ǯ ǫ ǯ Ǩ 2 THEATRE ORGAN ATOS NovDec 50-6 G 10/21/08 7:48 PM Page 3 Journal of the American Theatre Organ Society Library of Congress Catalog Number ML 1T 334 (ISSN 0040-5531) Printed in U.S.A.