Annual Report 1981-82 I
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TABLE OF CONTENTS SECTION I - GENERAL 1 DEFINITIONS AND ABBREVIATIONS ............................................................................................................ 1 OVERSEAS SHAREHOLDERS .......................................................................................................................... 6 CURRENCY OF PRESENTATION AND FINANCIAL DATA ........................................................................ 7 FORWARD-LOOKING STATEMENTS ............................................................................................................. 8 SECTION II - RISK FACTORS 9 SECTION III - INTRODUCTION 29 THE ISSUE .......................................................................................................................................................... 29 SELECTED FINANCIAL INFORMATION ...................................................................................................... 30 GENERAL INFORMATION .............................................................................................................................. 33 CAPITAL STRUCTURE ..................................................................................................................................... 36 OBJECTS OF THE ISSUE .................................................................................................................................. 41 STATEMENT OF TAX BENEFITS ................................................................................................................... 43 SECTION -
Classical Music Conference Culture of North India with Special Reference to Kolkata
https://doi.org/10.37948/ensemble-2020-0201-a016 CLASSICAL MUSIC CONFERENCE CULTURE OF NORTH INDIA WITH SPECIAL REFERENCE TO KOLKATA Samarpita Chatterjee 1 , Sabyasachi Sarkhel 2 Article Ref. No.: Abstract: 20010236N2CASE The music of any country has its own historical and cultural background. Social changes, political changes, and patronage changes may influence the development of music. This may affect the practices in the field of music. This present study does the scrutiny of the broad sociocultural settings in context to the music conferences of India. The study then mainly probes and explores the prime music conferences of India, with special reference Article History: to Kolkata, from a century ago till the present time. It shows the role of Submitted on 02 Jan 2020 music conferences in disseminating interest and appreciation of Classical Accepted on 07 May 2020 music among the common public. The cultural climate shaped under the Published online on 09 May 2020 domination of British rule included the shift of patronage from aristocratic courts to wealthy persons and a mercantile class of urban Kolkata. This allowed the musicians to earn a livelihood, and at the same time, provided them with a new range of opportunities in the form of an increasing number of music conferences. This happened at a time when a new class of Keywords: Western-educated elites was formed in Kolkata. Analyzing the present patronage, british, stage scenario, made it clear that Kolkata still leads in the number of music performances, north indian, musical festivals / Classical music conferences. The present study also points out genre, hindustani music, shastriya the contemporary complexities that conference organizers face, and to sangeet, british, post independence conclude, incorporates suggestions to sustain the culture of the conference. -
Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
New Beginnings
NEW BEGINNINGS A three-year report of Eklavya Foundation 2001-2004 NEW BEGINNINGS A three vi'ar report of the Ikb\\a I ouruiatinn fJQOl Jun/j i We gratffulli a. k now ledpc tor Design. IOVLM illu-itMtion & le<if motif: Urijii Moh.mly. IDC. NT F'OVM^I, Murnbai Sketches Mrm.r.wmi 1 ^td Ravnuird & AntdM HjzanK.i Murnhni ic This honor, uy piojoU Inciu'.ti i.il D ,icjn C^ntif, MF P'j\\-ii. Mun.h.ii Eklavya Foundation H(Hji'.U>u>rJ Vu itMy No S l *n I ) H U--H .-/> 1 lh.' 1 ' 1 -- Mi'qiM(M(KlUtfic" H .' i. .VKM!. W.M U..lhi , O'uj ' ' ".." i " ' AM (l(.jt|.|ir In | U.'.-v.i i" 't!|i l-i, mi*, i.j, ,M.-t ,"H.'I.. :i ] J,)I)M 1- * ' 1 >' ' l I ; v'lil- '-! i i- ' .. ii i'. .i J /()(.)/ [ '! .'11" ',-,* ? ;i' ! \ i i i I)' .'. )! _>f [ ^h Jciiuuirv <?Ol)S '.'Jon uj l ontnhutoiy put i <-, sn Published In Eklavya L / Hir,-1',^ Arer.u olony Phone 0755 246 3380, 246 4824 - Fax: 0755 246 1 703 Email eklavyampfj'mantrdfteenet corn Printed at ' Bhanclan Otis*.". Pnnti-rs Arfj v.n!c>nv Bliou.u P ( iont- /-it; i Contents The dismantling oKwiMon People's voices Report of cK-tiviLies(;OOl Foreword In this report we share with you a truly momentous leg of our long journey Two events impacted significantly on the structure and work of Eklavya. One was the closure of our collaborative middle school educational programmes by the Madhya Pradesh government in July 2002 The second was the bifurcation of Eklavya into two autonomous units - a 'school education and publication' group and a'rural development'group.The latter was registered as a new society on August 1 1, 2003 as the Samavesh Society for Development and Governance. -
Factor Analysis of the Impact of Industrial Areas on Rural Development: a Case Study Crossmark of Farahan Industrial Area in Iran
Journal of ArchiveSustainable of SID Rural Development December 2018, Volume 2, Number 1-2 Research Paper: Factor Analysis of the Impact of Industrial Areas on Rural Development: A Case Study CrossMark of Farahan Industrial Area in Iran Soudeh Golabi1, Mohammad Sadegh Ebrahimi2* 1. Graduated student, Department of rural development, College of Agriculture, Isfahan University of Technology, Isfahan, Iran. 2. Assistant professor, Department of rural development, College of Agriculture, Isfahan University of Technology, Isfahan, Iran. Use your device to scan and read the article online Citation: Golabi, S., & Ebrahimi, M. S. (2018). Factor Analysis of the Impact of Industrial Areas on Rural Development: A Case Study of Farahan Industrial Area in Iran. Journal of Sustainable Rural Development, 2(1-2), 51-60. https://doi. org/10.32598/jsrd.01.03.250 : https://doi.org/10.32598/jsrd.01.03.250 Article info: A B S T R A C T Received: 19 Dec. 2017 Accepted: 15 July 2018 Purpose: Rural industrialization is a means of technical change to improve the quality of life for the current generation in rural areas. One of the most important problems in many developing countries is that of unemployment. This paper reports a survey conducted in Farahan industrial area in Iran through which the impact of industrial areas on the development of rural regions was investigated as a case study. Methods: The population of the research included 236 employees selected in the industrial area. A researcher-made questionnaire was used to collect the data. Results: According to the results of the factor analysis, economic, social, and infrastructural factors explain 61% of the industrial impact on rural development. -
Raja Mansingh Tomar Music and Arts University
RAJA MANSINGH TOMAR MUSIC AND ARTS UNIVERSITY Mahadaji Chok, Achaleshwar Mandir Marg, Gwalior – 474009, Madhya Pradesh Tel : 0751-2452650, 2450241, 4011838, Fax : 0751-4031934 Email : [email protected]; [email protected] Website : http://www.rmtmusicandartsuniversity.com Raja Mansingh Tomar Music and Arts University has been established at Gwalior under the Madhya Pradesh Act No. 3 of 2009 vide Raja Mansingh Tomar Sangit Evam Kala Vishwavidyalaya Adhiniyam, 2009. Unity in diversity is the cultural characteristic of India. The statements is fully in consonant with reference to Madhya Pradesh. It is one of the most recognized cetnres of arts and music from ancient times. It was also a centre for the teaching of Lord Krishna during the period of the Mahabharata in Sandipani Ashram of Ujjain. During the period of the Ramayan it was Chitrakoot which became the witness of Lord Rama’s penances. So many rivers create the aesthetic beauty of Madhya Pradesh, Apart from the various rivers such as Narmada, Kshipra, Betava, Sone, Indravati, Tapti and Chambal. Madhya Pradesh has also given birth to many saints, poets, musicians and great persons. Ashoka the great, was associated with Ujjaini and Vidisha, Mahendra and Sanghamitra started spreading the teachings of Buddhism from here. Madhya Pradesh is the pious land of Kalidas, Bhavabhuti, Tansen, Munj, Raja Bhoj, Vikramaditya, Baiju Bawra, Isuri, Patanjali Padmakar, and the great Hindi poet Keshav. This is the province which always encouraged and motivated the artists. Raja Man Singh Tomar also nutured the arts of music, dance and fine arts here. From time immemorial Madhya Pradesh has been resonated with the waves of Music. -
Critical Analysis on Role of Women in Sericulture Industry
International Journal of Social Science Citation: IJSS: 6(3): 211-222, September 2017 DOI: 10.5958/2321-5771.2017.00024.2 ©2017 New Delhi Publishers. All rights reserved Critical Analysis on Role of Women in Sericulture Industry Kunal Sarkar, Mahasankar Majumdar and Arundhati Ghosh* Department of Sericulture, Krishnath College, Berhampore, Murshidabad, West Bengal, India *Correspondence author: [email protected] ABSTRACT Women constitute more than fifty per cent of the world’s population, one third of the labour force, and perform nearly two thirds of all working hours. Women are also mostly engaged in the unorganized sector (Mehta and Sethi, 1977). This is more so in the case of agriculture and allied activities. Sericulture is one of the important potential labour intensive agro- based rural industry in the world. No wonder women are playing a very important role in the sericulture industry. Their qualities like maternal instincts and loving care of those under their charge prove to be very helpful in the successful breeding of silk worms. The sericulture industry has opened up phenomenal employment avenues and helped women to become important players in the decision- making process—whether in the household or in the community at large. The active involvement of women is very essential for the success of the any community development initiative. This has been proved on many occasions all over the world—more so in the developing countries. This paper analyzed that impact of women workers’ dominance in sericulture sector upon the process of inclusive development in the rural household sectors of West Bengal. Women has patience, perseverance, caring attitude and adaptability to new technologies have made her activities more dominant in sericulture and silk production. -
11 Tamil Nadu Economy
www.tntextbooks.in CHAPTER 11 Tamil Nadu Economy “If the nature of the work is properly appreciated and applied, it will stand in the same relation to the higher faculties as food is to the physical body” –J.C.Kumarappa LEARNI NG OBJ ECTI VES To understand the resource position of Tamil Nadu 1 economy To analyse the performance of Tamil Nadu economy in relation to other 2 states. 11.1 of contribution to GDP, third highest in terms of per capita income, investment, I ntroduction Foreign Direct Investment (FDI) and industrial output. It has been ranked as The economic and social development the most economically free state by the of states in India are not uniform. Wide Economic Freedom. regional disparities exist. The western region and southern regions are better off than the In the social and health sector also Tamil other regions. Tamil Nadu is geographically Nadu’s performance is better than many eleventh largest and population wise third other states and better than national largest. Tamil Nadu fares well with many average in terms of health, higher achievements. It stands to second in terms education, IMR and MMR. Tamil Nadu Economy 225 www.tntextbooks.in Tamil Nadu Economy 226 www.tntextbooks.in 11.2 11.3 Highlights of Tamil Nadu Performance of Tamil Nadu Economy Economy ��Growth of SGDP in Tamil Nadu has Some of the States like Gujarat and been among the fastest in India since Maharashtra seem to perform well in some 2005. of the economic indicators. Kerala tops in ��Poverty reduction in Tamil Nadu has literacy, IMR and MMR. -
Panjab University Research Journal (Arts)
PANJAB UNIVERSITY RESEARCH JOURNAL (ARTS) Volume XXXIV Nos. 1 & 2 April - Oct. 2007 (Diamond Jubilee Year) Editor-in-Chief M.R. KHURANA PANJAB UNIVERSITY CHANDIGARH Patron Vice-Chancellor R.C.Sobti Editorial Board M.R.Khurana (Editor-in-Chief) Manju Jaidka (Editor) Members Anil Raina (English) Dharmanand Sharma (Philosophy) I.D.Gaur (History) Jagmohan Chopra (Hindi) Rajesh Gill (Sociology) Ronki Ram (Political Science) Sanjay Wadwalkar (Mass Communication) Shankarji Jha (Sanskrit) Shelley Walia (English) V.V.Upmanyu (Psychology) Technical Production Jatinder Moudgil, Manager, P.U.Press, Chandigarh Subash Chander, Manager, Publication Bureau, P.U., Chandigarh Officer Staff Asha Rani Office Panjab University Research Journal (Arts) Department of Economics Arts Block-III (Top Floor) Chandigarh- 160014 Copyright 2007: Panjab University Research Journal (Arts) It is hereby asserted that all the rights with respect to the material published in this journal are vested in the publisher. Therefore, no part of this publication may be reproduced, stored in or introduced into a retrieval system or translated, in any for, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Inquiries regarding reproduction in any manner, in whole or part, in English or any other language may by addressed to the Editor-Chief, Panjab University Research Journal (Arts). However, the Editor-in-Chief takes no personal responsibility for the opinions or views expressed in the articles published in this Journal. PURJA is a liberal journal and often publishes opinions and views of the writers that are not strictly in consonance with those of its editorial policies. Contents Articles Page From the Editor’s Desk M. -
THE KARUR VYSYA BANK LIMITED the Bank Was Incorporated on June 22, 1916 Under the Companies Act, 1913 with the Registrar of Companies, Trichinopoly
DRAFT LETTER OF OFFER November 12, 2010 For the Equity Shareholders of the Bank Only THE KARUR VYSYA BANK LIMITED The Bank was incorporated on June 22, 1916 under the Companies Act, 1913 with the Registrar of Companies, Trichinopoly. The Bank now comes under the jurisdiction the Registrar of Companies, Chennai. (For further details, please see “History and Other Corporate Matters” on page 55) Registered and Central Office: Post Box No. 21, Erode Road, Karur – 639 002, Tamil Nadu, India Tel: +91 4324 226520; +91 4324 225521-25; Fax: +91 4324 225700 Contact Person: Mr. R. Kannan, Company Secretary and Compliance Officer Email: [email protected]; Website: www.kvb.co.in FOR PRIVATE CIRCULATION TO THE EQUITY SHAREHOLDERS OF THE BANK ONLY DRAFT LETTER OF OFFER ISSUE OF 30,502,976 EQUITY SHARES WITH A FACE VALUE OF ` 10/- EACH ("RIGHTS EQUITY SHARES") FOR CASH AT A PRICE OF ` 150/- INCLUDING A PREMIUM OF ` 140/- AGGREGATING UPTO ` 457.54 CRORES TO THE EXISTING EQUITY SHAREHOLDERS OF THE KARUR VYSYA BANK LIMITED (“THE BANK” OR “THE ISSUER”) ON RIGHTS BASIS IN THE RATIO OF TWO (2) RIGHTS EQUITY SHARES FOR EVERY FIVE (5) EQUITY SHARES HELD ON THE RECORD DATE I.E. [•] ("RIGHTS ISSUE/ THE ISSUE"). THE ISSUE PRICE FOR THE EQUITY SHARES IS 15 TIMES OF THE FACE VALUE OF THE EQUITY SHARES. Payment Method* Amount Payable per equity share Applicable to all categories of shareholders (in `) Face Value Premium Total On Application 6 54 60 First call 2 43 45 Second and final call 2 43 45 Total 10 140 150 * Please see risk factor no. -
Ph.D. Entrance Examination Subject: Music
Ph.D. Entrance Examination Subject: Music Time : 2 Hrs. Max. M. 100 Mim. M. 50 u¨V % lÒh ç“u gy djsaA çR;sd ç“u 1 vad dk gSA çR;sd ç“u d¢ pkj fodYi gSa] lgh fodYi pqfu,A Note : Attempt all questions. Each question carries 1 mark. Each question has four opptions, Choose the correct option. 1- fuEu esa ls d©u lk Loj vpy gSa\ ¼~v½ eè;e ¼c½ fj’kÒ ¼l½ xkaèkkj ¼n½ ‘kM~t Which Swaras is Achal of following? (a) Madhayam (b) Rishabh (c) Gandhar (d) Shadaj 2- Xokfy;j Äjkus d¢ tUenkrk d©u Fks\ ¼~v½ m- vCnqy djhe [k+k¡ ¼c½ m- uRFku ihjc[+“k ¼l½ m- vYykmíhu [kk¡ ¼n½ ia- oklqnso cqvk t¨“kh Who was the founder of Gwalior Gharana? (a) Ustad Abdul Karim Khan (b) Ustad Nathanpeer baksh (c) Ustad Allauddin Khan (d) Pt. Vasudev Bua Joshi 3- fuEu esa ls d©u lqçfl) fgUnqLrkuh “kkL=h; laxhr xk;d@xkf;dk gSa\ ¼~v½ ia- gfjçlkn p©jfl;k ¼c½ ia- fd“ku egkjkt ¼l½ Jherh ,u- jkte~ ¼n½ Jherh xaxwckà gaxy Who amongst the following is renowned in Hindustani classical vocal singer? (a) Pt. Hariprasad Chaurasiya (b) Pt. Kishan Maharaj (c) Smt. N. Rajam (d) Smt. Gangubai Hangal 4- ia- vu¨[ks yky fdl {ks= dh fo“ks’kK ekus x;s\ ¼~v½ flrkj ¼c½ rcyk ¼l½ xk;u ¼n½ y¨dlaxhr In which field has Pt. Anokhelal distinguished? (a) Sitar (b) Tabla (c) Vocal (d) Folk Music 5- Äjkus ls vki D;k le>rs gSa\ ¼~v½ “kkL=h; fgUnqLrkuh laxhr dh y¨dfç; “kSyh ¼c½ laxhr {ks= d¢ laxhrK¨a dk lewg ¼l½ xk;u dh ijEijkxr “kSyh ¼n½ laxhr dh ijEijk t¨ oa“k ,oa f“k’; J`a[kyk ls lEcfUèkr g¨rh gSA What do you mean by Gharana? (a) A popular musical form of Hindustani classical music (b) A group of musicians in -
General Studies Series
IAS General Studies Series Current Affairs (Prelims), 2013 by Abhimanu’s IAS Study Group Chandigarh © 2013 Abhimanu Visions (E) Pvt Ltd. All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or any information storage or retrieval system or otherwise, without prior written permission of the owner/ publishers or in accordance with the provisions of the Copyright Act, 1957. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claim for the damages. 2013 EDITION Disclaimer: Information contained in this work has been obtained by Abhimanu Visions from sources believed to be reliable. However neither Abhimanu's nor their author guarantees the accuracy and completeness of any information published herein. Though every effort has been made to avoid any error or omissions in this booklet, in spite of this error may creep in. Any mistake, error or discrepancy noted may be brought in the notice of the publisher, which shall be taken care in the next edition but neither Abhimanu's nor its authors are responsible for it. The owner/publisher reserves the rights to withdraw or amend this publication at any point of time without any notice. TABLE OF CONTENTS PERSONS IN NEWS .............................................................................................................................. 13 NATIONAL AFFAIRS ..........................................................................................................................