2007 Inductees Dr. Robert Clayton
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The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Jazz Canada Bulletin, Its 29Th Year, Continues to Set the Standard for Performances Are a Great Chance for Musicians 57 D’Arcy Drive, Winnipeg, Jazz Excellence
THE NEWSLETTER OF JAZZ CANADA VOLUME 6 NUMBER 1 • SPRING 2002 INSIDE Music in the Mountains at The Banff Centre Music in the Mountains at Nestled below the massive peaks of the Wheeler, and Joe Lovano) have made their the Banff Centre 1 Canadian Rocky Mountains is an institution presence felt in Banff since 1973, working as known as The Banff Centre - a genuine haven “visiting artists” and collaborating with the President’s message 2 for artists. The Centre is a place renowned for jazz participants in the residency programs. its professional development programs for This year, the tradition continues with artists of all disciplines, including visual and renowned composer Maria Schneider joining FEATURE: Time: One of 3 media arts, theatre arts, writing and publishing, Hugh Fraser in the 2nd annual Jazz Orchestra The Fundamentals aboriginal arts, and of residency. Dave Douglas, course, music. The Jim Black, Chris Potter, Canadian Sister in Jazz 4 music programs at the Ari Hoenig, and Django Centre began in the Bates join artist-in- 1930’s with programs residence Kenny Werner FEATURE: The Musician’s 5 offered in the during the jazz Need for Awareness: Part 2 summer, and in 1979, workshop. the year-round music What makes all the programs were music programs at Young Women of Note 7 established. Since The Banff Centre then, countless Maria Schneider unique is not only conducting the jazz musicians (both estab- excellent faculty Institutional Update 8 orchestra, May 2001 lished and emerging) and top-notch have walked through the doors - including facilities, but also Regional News 9 composers, solo performers, ensembles, singers, the countless and of course, jazz musicians. -
Water Polo for Players and Teachers of Aquatics
1 WATER POLO FOR PLAYERS & TEACHERS OF AQUATICS Pete Snyder, Ph. D. Professor, Fullerton College, Fullerton, California Layout Design: Mary Jo Reutter ©2008, updated 2017. All rights reserved. This manual may not, in whole or in part, be copied, photocopied, reproduced, translated, or converted to any electronic or machine readable form without prior written consent of the author. It is Web-pub- lished by the LA84 Foundation under a license from the author. Printed in the USA 2 Acknowledgements This book would not have been completed and had its particular attention to detail without the help and support of the following individuals. First I’d like to thank Mr. Lundy Smith, an English teacher and head Girls Water Polo Coach at Phillips Exeter Academy in Exeter, New Hampshire. Lundy was most helpful in points of emphasis and grammatical structure in the book. I’d also like to thank Roger Nekton from Phillips Exeter. Roger just retired as head boys water polo and swimming coach after a long and very distinguished career of over thirty years at the Academy. Roger provided valuable technical input as well as encouragement regarding the need for written material in the sport of water polo. As a picture is worth a thousand words, I’m very indebted to Mrs. Chris Kittredge of CMK Enterprises (www.tudorgraphics.com). Chris was able to capture some of the more difficult team aspects of the game only because of her dedication, extensive knowledge of over twenty years with the sport and her brilliance as a photographer. Matt Brown (www.mattbrownphoto.com) is another photographer who exhibited a tremendous amount of alacrity in his water polo photos. -
25 Years of Keeping Jazz Alive
April 2011 Vol. 26 No. 3 www.wmichjazz.org An All-Volunteer orgAnizAtion Retrospective 25 Years of Keeping Jazz Alive Wmjs: 1986 - 2011 Beginnings By Betty Forrest Quite often a good Nancy Gould, Kathi Swets, program, an orga- and Bob & Ginny Taylor. nization, or even a By April the first edition business, is developed of Jazz Notes was mailed to out of what was es- 40 people and our first public sentially one person’s meeting/gig was held at the individual, even self- former Pockett’s Club where ish, motive. Mine was one of our founding members, to establish a support Bruce Early, was appearing group to help promote with his big band (which has an annual Jimmy now evolved into the Grand Forrest Scholarship Rapids Jazz Orchestra). Mem- Fund concert. After bership rose to nearly 100 at Jimmy’s death in Au- a June jazz party held at the gust 1980, I had estab- home of Jim and Nancy lished a fund through Gould (Jim was drafted to GRJC to award mon- be our first President), and we ies to students major- felt we were off and running. ing in jazz studies by By the end of 1986, when we presenting an annual had our first annual holiday concert featuring pop- party, we had written by-laws, ular jazz stars that he established our non-profit had known or played Jimmy Forrest status, had money in the bank, with during his own 40-year career on tenor saxophone. and a membership of nearly 150! We call these our Charter Successful concerts were given each of the following five Members, and of these, 90 were still with us nearly 10 years years, with the Count Basie Orchestra appearing on later. -
Peter Appleyard First Appearedon Our Seriesin March of 1992He Introduced Us to Jay Leonhart and Johnbunch, As Well As Reacquaintingus with Dennismackrel
L -t7' tl ]- f 2r | 7-t- q tr t .-2 R D - uNtvgnsrry oF NEw HAMPsHIRE OUR ONE HIJNDREDTHAND SECONDPROCMM PETERAPPLEYARD QUINTET PETERAPPLEYARD - Vibraphone RICK WILKINS - Tenor Sax BILL MAYS - Piano LYNN SEATON- Bass ALAN DAWSON - Drums SPONSOREDBY THE DEPARTMENT OF MUSIC AND THE NEW HAMPSHIRE LIBRARY OF TRADITIONAL IAZZ 8 PM MONDAY IANUARY 30, 1995 STRAFFORDROOM MEMORIAL UNION BI'ILDINC PETERAPPLEYARD QUINTET "iazz" One of the more salutary adiectivesmodifying the noun is "celebratory,"and this quality in particularly compellingwhen our attentionis otherwisedrawn to the troubles of the world and natiory the solution of which we may little influence. So what do we celebrate?That one of the mysteriesof humankind is the capacity of somebeings to turn soundsinto affirmationwhich lifts the spirit, and that we constantly can be refreshedand energizedby visits from artists both familiar and unfamiliar to us who give eloquenttestimony to this blessing.When Peter Appleyard first appearedon our seriesin March of 1992he introduced us to Jay Leonhart and JohnBunch, as well as reacquaintingus with DennisMackrel. Tonight the wide range of his musical contactsresults in a totally new configuratiorybringing Rick Wilkins,Bill Mayq and LynnSeaton here for thefirst time,and reminding us that one of the best drummers in the world lives iust down the road, so to speak. Peterhas long beenrecognized as one of Canada'soutstanding jazz musicians and pre-NAFTA exportsto the world at large. Born in Englandin 1928he first developed asa drummer. Enrouteto a two-yeargig in Bermudain 1950he encounteredLionel Hampton in New York and an earlierinterest in the vibeswas rekindled to the point of immediatepurchase (!) Soonafter his emigrationto Torontoin 1951he met our dear friend Red Norvo, and his fate was sealed. -
Mid West Program
New Trier High School Jazz Ensemble I Winnetka, Illinois The Midwest Clinic An International Band and Orchestra Conference Chicago Hilton Grand Ballroom December 19, 2002 2:45 p.m. The NEW TRIER HIGH SCHOOL JAZZ ENSEMBLE I is the more advanced of four curricular jazz ensembles at New Trier High School. All jazz ensembles rehearse for forty minutes each school day and the students receive a grade for their participation. New Trier also offers four curricular concert bands and five orchestras. More than 120 students participate in the jazz studies program at New Trier. Some of the jazz artists who have performed with the New Trier Jazz Ensemble in- clude... Dizzy Gillespie, Maynard Ferguson, the rhythm section of the Count Basie Orchestra, Toshiko Akiyoshi, Lew Tabacken, Ed Shaugnessy, Clark Terry, Louie Bellson, Jamie Aebersold, Bobby Shew, and more than 50 others listed later in this program. Believing that their graduates are their trophies, the New Trier jazz ensembles do not participate in competitive jazz events. However, Jazz Ensemble I has performed at the Montreux Jazz Festi- val and the North Sea Jazz Festival, twice at the conventions of the Intemational Association of Jazz Education, three times before today at the Midwest Interna- tional Band and Orchestra Clinic, a Music Educators National Conference, and the National Band Association convention. They have performed several times at Ravinia and the Jazz Showcase in Chicago. During the summer of 2000 the ensemble toured China for two weeks with the Cham- ber Orchestra, performing the first jazz concerts ever presented in the three major cities in the Henan Province, China’s most populated Prov- ince. -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
Developing and Promoting Big Band Jazz in Canada and Beyond
2019 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 3 - 5, 2019 PRINCE WAIKIKI HOTEL, HONOLULU, HAWAII DEVELOPING AND PROMOTING BIG BAND JAZZ IN CANADA AND BEYOND GILLIS, RICHARD UNIVERSITY OF MANITOBA WINNIPEG, MANITOBA CANADA Dr. Richard Gillis University of Manitoba Winnipeg, Manitoba Canada Developing and Promoting Big Band Jazz in Canada and Beyond Synopsis: Big Band jazz is very much alive in every city and on every college campus in the Western world. Professional organizations throughout North America are actively engaged in big band exploration, creation, performance, recording and education. This article will present what the Winnipeg Jazz Orchestra is doing to keep big band alive and thriving, and how it is developing ties to like-minded organizations in Canada and beyond. Developing and Promoting Big Band Jazz in Canada and Beyond Synopsis: Big Band jazz is very much alive in every city and on every college campus in the Western world. Professional organizations throughout North America are actively engaged in big band exploration, creation, performance, recording and education. This article will present what the Winnipeg Jazz Orchestra is doing to keep big band alive and thriving, and how it is developing ties to like-minded organizations in Canada and beyond. Preamble: What comes to mind if you were asked to provide a definition of a “symphony orchestra”? Most people would respond with a description close to that in the Encyclopaedia Britannica… an ensemble “western classical” musical instruments - primarily strings, though usually complemented by brass, woodwinds and percussion1. If there was one composer that most would associate with this ensemble, it would be Beethoven2, but it is widely recognized that the symphony orchestra has a huge repertoire of masterworks from a great number of composers, with new works being created every year throughout the world. -
Ilnaizletter 93022 May 1987 Vol
P.O. BOX 1305 Oak view, Calif. ilnaizletter 93022 May 1987 vol. 6 N0. 5 If a Steinway falls in a forest, does anyone hear? Madame Chiang’s‘Pian0 ' Suppose it landed outside the cave of an Abominable by Grover Sales Snowman. Keeping in mind the rise ofthe Cargo Cult in New If you haven’t seen the charming South African film The Guinea during that war, did Steinway become worshipped as Gods Must Be Crazy, do yourselfa favor. This beguiling fable the first Jewish god of the Orient? Did the Yeti anticipate a tells ofthe profound culture shock that occurs among the gentle Second Coming? If so, he hadn’t longto wait. Within a month, little people ofthe Kalahari Desert when a Coke bottle tossed another full Steinway concert grand was lifted into a B-24 for from an aircraft plops in their midst. Madame Chiang. » Something similar may have happened in the Himalayas in And once again the pilot unloaded over The Hump. World War ll. The piIot’s name, as I recall, was Ogden; I wish I could . During what Lenny Bruce and Studs Terkel called “the Good remember his first name. But he was a stone jazz fan, and we War.“ I was stationed in the foothills ofthe Himalayas, known used to talk about music. I couldn't wait to corner him. as The Hump to those who had to fly “military materiel" over “Ogden -— could you hear it?” the awesome heights en route to Chinese troops under the “Oh Christ, yes!” he said. command of Generalissimo Chiang Kai-Chek in his war “What did it sound like?” against the Japanese. -
Ravi Coltrane Steps out of His Parents' Shadows And
001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.