BANK REGISTER I YPLU-ME LXIX, NO
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Bergen,S *One Card+ in the Works
“Truth, No Matter The Cost” The Torch OCTOBER 2015 # ,$* #+ %!#$ The Bergen OneCard will become a staple In the coming years. JENISE BURWELL Jessica Rodriguez//The Torch CONTRIBUTING WRITER One of the greatest conveniences for young students is the ease of carrying debit and credit cards for purchases opposed to using cash. As hectic as student life can get, eliminating the trip to an ATM to withdraw cash would be ideal. Current students may feel that their current IDs are useless, however Bergen’s new One Card which began last month offers a new innovative way for students and faculty that makes campus life much easier and secure. Bergen will introduce the One Card this semester. The card will be equipped with the new smart chip that is found in all debit and credit cards today. This chipprovides a more secure card for cardholders and helps prevent security fraud. One of the features on the new card will be its prepaid capability. Students will be allowed to have funds placed on the card which they can use at the vending machines, the cafeteria, the bookstore and Dunkin Donuts. Financial aid funds can also be placed on your card. If you happen to misplace or if your card is stolen, Bergen will be able to deactivate your card immediately. For Bergen faculty members, they will be allowed to swipe their cards for entrance into their offices and other rooms in the building. This is one of the main focus points for security. This feature will keep a record of who was entering offices and at what time. -
Nature Writing in Romania During the Post-War and Post-Communist Period
Emanuel Modoc Faculty of Letters, Babeș-Bolyai University Cluj-Napoca, Romania [email protected] NATURE WRITING IN ROMANIA DURING THE POST-WAR AND POST-COMMUNIST PERIOD Recommended Citation: Modoc, Emanuel. “Nature Writing in Romania During the Post-War and Post- Communist Period”. Metacritic Journal for Comparative Studies and Theory 3.2 (2017): https://doi.org/10.24193/mjcst.2017.4.04 Abstract: My proposal aims to investigate the changes in the Romanian literary discourse on nature and the effects of industrialization following the 1989 revolution in comparison to the ideological discourse of the post-war era. If Romanian post-war literary discourse is firmly tied to the underlying ideology of Communism, then any attempt to investigate the discourse on nature in this period must be made alongside a reading of the Communist discourse on nature. In this respect, the situation of Romanian post-1989 prose that contains aspects of the influence of Communist industrialization on nature provides an interesting case study on the effects of the post-industrial era on literature itself. Thus, my proposal will focus on a number of novels written after 1989 in an ecocritical mode of reading. Keywords: ecocriticism, nature, ideology, Romanian post-war literature, 1989 Revolution Seeing as Romanian post-war literary discourse is invariably subordinated to the Communist ideology, analysing nature writing, or any discourse on nature of this period for that matter, from an ecocritical perspective could be seen as both a productive and a fruitless endeavour. As paradoxical as it may seem, to talk about nature in Romanian Communism, and then to talk about the Communist discourse on nature implies a careful, exhaustive, and therefore productive analysis of its ideology. -
Armortech ® THREESOME ® Label
2,4-D • MECOPROP-p • DICAMBA Threesome® Herbicide Selective broadleaf weed control for turfgrass including use on sod farms. To control clover, dandelion, henbit, plantains, wild onion, and many other broadleaf weeds. Also for highways, rights-of-way and other similar non-crop areas as listed on this label. Contains 2,4-D, mecoprop-p, and dicamba. ACTIVE INGREDIENTS KEEP OUT OF REACH OF CHILDREN Dimethylamine Salt of 2,4-Dichlorophenoxyacetic Acid* .......30.56% Dimethylamine Salt of (+)-R-2-(2-Methyl-4-Chlorophenoxy) DANGER – PELIGRO propionic Acid**‡ .......................................................................8.17% Si usted no entiende la etiqueta, busque a alguien para que se la Dimethylamine Salt of Dicamba (3,6-Dichloro-o-anisic Acid)*** 2.77% explique a usted en detalle. (If you do not understand the label, find someone to explain it to you OTHER INGREDIENTS: ......................................................................58.5% in detail.) TOTAL: ....................................................................................100.00% Isomer Specific Method, Equivalent to: *2,4-Dichlorophenoxyacetic Acid ................................... 25.38%, 2.38 lbs/gal PRECAUTIONARY STATEMENTS **(+)-R-2-(2-Methyl-4-Chlorophenoxy)propionic Acid.... 6.75%, 0.63 lbs/gal HAZARDS TO HUMANS AND DOMESTIC ANIMALS ***3,6-Dichloro-o-anisic Acid .......................................... 2.30%, 0.22 lbs/gal Corrosive. Causes irreversible eye damage. Do not get in eyes, or on skin or clothing. ‡CONTAINS THE SINGLE ISOMER FORM OF MECOPROP-p Harmful if swallowed. FIRST AID IF • Call a poison control center or doctor immediately for treatment advice. HOT LINE NUMBER SWALLOWED: • Have person sip a glass of water if able to swallow. Have the product container or label with you when calling a poison control • Do not induce vomiting unless told to do so by the poison control center or doctor. -
Weed Discrimination Using Ultrasonic Sensors
INSIGHTS DOI: 10.1111/j.1365-3180.2011.00876.x Weed discrimination using ultrasonic sensors D ANDU´JAR*, A ESCOLA` , J DORADO* & C FERNA´NDEZ-QUINTANILLA* *Instituto de Ciencias Agrarias, CSIC, Madrid, Spain, and Universitat de Lleida, Lleida, Spain Received 11 March 2011 Revised version accepted 7 June 2011 Subject Editor: Peter Lutman, UK sis revealed that the ultrasonic data could separate three Summary groups of assemblages: pure stands of broad-leaved A new approach is described for automatic discrimina- weeds (lower height), pure stands of grasses (higher tion between grasses and broad-leaved weeds, based on height) and mixed stands of broad-leaved and grass their heights. An ultrasonic sensor was mounted on the weeds (medium height). Dynamic measurements con- front of a tractor, pointing vertically down in the inter- firmed the potential of this system to detect weed row area, with a control system georeferencing and infestations. This technique offers significant promise for registering the echoes reflected by the ground or by the the development of real-time spatially selective weed various leaf layers. Static measurements were taken at control techniques, either as the sole weed detection locations with different densities of grasses (Sorghum system or in combination with other detection tools. halepense) and broad-leaved weeds (Xanthium strumar- Keywords: weed species discrimination, site-specific ium and Datura spp.). The sensor readings permitted the weed management, wide-row crops, ultrasound detec- discrimination of pure stands of grasses (up to 81% tion, patch, sonar. success) and pure stands of broad-leaved weeds (up to 99% success). Moreover, canonical discriminant analy- ANDU´JAR D, ESCOLA` A, DORADO J&FERNA´NDEZ-QUINTANILLA C (2011). -
Invasive Weeds of the Appalachian Region
$10 $10 PB1785 PB1785 Invasive Weeds Invasive Weeds of the of the Appalachian Appalachian Region Region i TABLE OF CONTENTS Acknowledgments……………………………………...i How to use this guide…………………………………ii IPM decision aid………………………………………..1 Invasive weeds Grasses …………………………………………..5 Broadleaves…………………………………….18 Vines………………………………………………35 Shrubs/trees……………………………………48 Parasitic plants………………………………..70 Herbicide chart………………………………………….72 Bibliography……………………………………………..73 Index………………………………………………………..76 AUTHORS Rebecca M. Koepke-Hill, Extension Assistant, The University of Tennessee Gregory R. Armel, Assistant Professor, Extension Specialist for Invasive Weeds, The University of Tennessee Robert J. Richardson, Assistant Professor and Extension Weed Specialist, North Caro- lina State University G. Neil Rhodes, Jr., Professor and Extension Weed Specialist, The University of Ten- nessee ACKNOWLEDGEMENTS The authors would like to thank all the individuals and organizations who have contributed their time, advice, financial support, and photos to the crea- tion of this guide. We would like to specifically thank the USDA, CSREES, and The Southern Region IPM Center for their extensive support of this pro- ject. COVER PHOTO CREDITS ii 1. Wavyleaf basketgrass - Geoffery Mason 2. Bamboo - Shawn Askew 3. Giant hogweed - Antonio DiTommaso 4. Japanese barberry - Leslie Merhoff 5. Mimosa - Becky Koepke-Hill 6. Periwinkle - Dan Tenaglia 7. Porcelainberry - Randy Prostak 8. Cogongrass - James Miller 9. Kudzu - Shawn Askew Photo credit note: Numbers in parenthesis following photo captions refer to the num- bered photographer list on the back cover. HOW TO USE THIS GUIDE Tabs: Blank tabs can be found at the top of each page. These can be custom- ized with pen or marker to best suit your method of organization. Examples: Infestation present On bordering land No concern Uncontrolled Treatment initiated Controlled Large infestation Medium infestation Small infestation Control Methods: Each mechanical control method is represented by an icon. -
Weeds: Control and Prevention
Weed Control and Prevention Sheriden Hansen Assistant Professor, Horticulture USU Extension, Davis County COURSE OBJECTIVES • What is the definition of a weed • Why are weeds so difficult to control? • Annuals vs. biennials vs. perennials • Methods of spread • Noxious weeds • How to control • Methods of control • Tips to win the weed war • Common weeds and how to beat them! What is a weed? • A plant out of place • An undesirable plant • An interfering plant • “A plant whose virtues have not yet been discovered.” Ralph Waldo Emmerson • A plant that has mastered every survival skill except how to grow in rows • A plant that someone will spend time and money to kill! What is a weed? • Any plant that interferes with the management objectives for a given area of land at a given point in time. Weeds are successful survivors! • Excellent reproducers • They grow FAST • They are hardy generalists and can live just about anywhere Multiple ways of spreading! • By seed production • Seeds remain viable for YEARS! • Produce copious seeds • Runners or rhizomes/stolons • They have adapted to being spread in creative ways • Animal fur • Wind • Bird, deer, lizard digestion • Wheels Photo: Missoula County Weed District and Extension Annual vs biennial vs perennial weeds • What is an annual? • Plant that performs its entire lifecycle from seed to flower to seed in a single growing season • Dormant seed bridges the gap from one generation to the next F.D. Richards, Flickr.com Annual vs biennial vs perennial weeds • Annual weeds spread by seed only • Spurge -
Beta Cinema Presents a Purple Bench Films / Zero Gravity Films / Live Through the Heart Films / Barry Films / Furture Films Production “Walter” Andrew J
BETA CINEMA PRESENTS A PURPLE BENCH FILMS / ZERO GRAVITY FILMS / LIVE THROUGH THE HEART FILMS / BARRY FILMS / FURTURE FILMS PRODUCTION “WALTER” ANDREW J. WEST JUSTIN KIRK NEVE CAMPBELL LEVEN RAMBIN MILO VENTIMIGLIA JIM GRAFFIGAN BRIAN WHITE PETER FACINELLI VIRGINIA MADSEN WILLIAM H. MACY CASTING J.C. CANTU MUSIC DAN ROMER MUSIC SUPERVISOR KIEHR LEHMAN EDITING KRISTIN MCCASEY DIRCTOR OF PHOTOGRAPHY STEVE CAPITANO CALITRI PRODUCTION DESIGN MICHAEL BRICKER COSTUMES LAUREN SCHAD EXECUTIVE PRODUCERS BILL JOHNSON SAM ENGELBARDT JENNIFER LAURENT RICK ST. GEORGE JOHN FULLER CARL RUMBAUGH TIM HILL RICKY MARGOLIS SIMON GRAHAM-CLARE WOLFGANG MUELLER MICHEL MERKT ANNA MASTRO CO-EXECUTIVE PRODUCERS STEFANIE MASTRO MICHAEL DAVID MASTRO KEITH MATSON AND JOANNE MATSON CO-PRODUCER ANTONIO SCLAFANI ASSOCIATE PRODUCER MICHAEL BRICKER PRODUCED BY MARK HOLDER CHRISTINE HOLDER BRENDEN PATRICK HILL RYAN HARRIS BENITO MUELLER WRITTEN BY PAUL SHOULBERG DIRECTED BY ANNA MASTRO Director Anna Mastro (GOSSIP GIRL) Cast William H. Macy (SHAMELESS, FARGO) Virginia Madsen (SIDEWAYS) Peter Facinelli (TWILIGHT) Andrew J. West (THE WALKING DEAD) Justin Kirk (WEEDS, MR. MORGAN‘S LAST LOVE) Neve Campbell (SCREAM, WILD THINGS) Milo Ventimiglia (HEROS, THAT´S MY BOY) Genre Comedy / Drama Language English Length 88 min Produced by Zero Gravity, Purple Bench Films, Barry Films and Demarest Films WALTER SYNOPSIS Walter believes himself to be the son of God. As such, it is his responsibility to judge whether people will spend eternity in heaven or hell. That’s a lot to manage along with his job as a ticket- tearer at a movie theater, his loving but neurotic mother, and his growing but unspoken affection for his co-worker Kendall. -
€˜Shameless’ Thanks Fans for Season 9 Return
‘Shameless’ Thanks Fans for Season 9 Return 06.07.2018 Shameless star Emmy Rossum and other cast members thank fans for their love and support in Showtime's teaser announcing a ninth season of the series. The promo features a nostalgic montage that looks back at key moments from the show. When it returns, political fervor hits the South Side and the Gallaghers take justice into their own hands. Frank (William H. Macy) sees financial opportunity in campaigning and gives voice to the underrepresented South Side working man. Fiona (Rossum) tries to build on her success with her apartment building and takes an expensive gamble hoping to catapult herself into the upper echelon. Meanwhile, Lip (Jeremy Allen White) distracts himself from the challenges of sobriety by taking in Eddie's niece, Xan (Scarlet Spencer). Ian (Cameron Monaghan) faces the consequences of his crimes as the Gay Jesus movement takes a destructive turn. Debbie (Emma Kenney) fights for equal pay and combats harassment; and her efforts lead her to an unexpected realization. Carl (Ethan Cutkosky) sets his sights on West Point and prepares himself for cadet life. Liam (Christian Isaiah) must develop a new skillset to survive outside of his cushy private school walls. Kevin (Steve Howey) and V (Shanola Hampton) juggle the demands of raising the twins with running the Alibi as they attempt to transform the bar into a socially conscious business. Shameless will premiere September 9 at 9 p.m. Immediately afterward at 10 p.m., Showtime will debut new half-hour comedy series Kidding starring Jim Carrey in his first series regular role in more than two decades, and reuniting him with director Michel Gondry (Eternal Sunshine of the Spotless Mind). -
VIRUSES in WEEDS in Dioscorea YAM FIELDS in NIGERIA
African Crop Science Journal, Vol. 22, No. 2, pp. 109 - 115 ISSN 1021-9730/2014 $4.00 Printed in Uganda. All rights reserved © 2014, African Crop Science Society VIRUSES IN WEEDS IN Dioscorea YAM FIELDS IN NIGERIA S. ASALA1,2,4, M.D. ALEGBEJO1, B.D. KASHINA1, O.O. BANWO1 and C.P. SHINGGU3 1Department of Crop Protection, Ahmadu Bello University, Zaria, Nigeria 2International Institute of Tropical Agriculture, PMB 5320, Ibadan, Nigeria 3Department of Agronomy, Ahmadu Bello University, Zaria, Nigeria 4Department of Crop Science, Faculty of Agriculture, University of Abuja, Abuja, Nigeria Corresponding author: [email protected] (Received 13 March, 2014; accepted 13 April, 2014) ABSTRACT The presence of viruses in yam leaves and the presence of weeds in close proximity to yam fields have been shown to be associated with diminished tuber yield. But the precise role of weeds as alternative hosts of viruses infecting yam has not been systematically studied. Therefore, leaf samples of weeds were collected from Dioscorea yam fields in FCT-Abuja, and five States of the Guinea Savanna agro-ecological zone of Nigeria in 2009 and 2010, and analysed by Enzyme-Linked Immuno-absorbance Assay (ELISA) and Polymerase Chain Reaction for viruses. Fifty-four and 70% of samples collected during the two years, respectively, were infected with Yam mosaic virus, Cucumber mosaic virus, Cowpea mild mottle virus, Pepper venial mosaic virus, Telfeiria mosaic virus, Cowpea yellow mosaic virus and Badnavirus (DaBV). The weeds and viruses were Hibiscus esculentus Moench (YMV, CMV and CPMMV), Amaranthus spinosus Linn (CMV, YMV), Physalis angulata L (YMV, CMV), Procumbane Linn (CMV), Phyllanthus amarus Shum (YMV, CMV, CPMMV), Ludwigia abyssinica A. -
Menu Samples
Menu Samples The Original Quick Six Rosemary Spiked Cannellini Crostini, Spaghetti al Cavolo Nero (Black Kale), Chicken with Herbs De Provence, Popcorn Cauliflower, Nori Crunch Salad with Avocado, Elana's Famous GuiltFree Cobbler The original MEAL that started the SPIEL. Six delicious, healthy and fast recipes including Elana's Famous Guiltfree Cobbler. You will be amazed at how easy it is to make good food and increase your popularity in your circle of friends!! This class is ideal for novices and cooks with more experience and will provide you with a 4 1/2 course dinner party menu (should you decide to accept the challenge), smaller dinner party menus and "quick fixes" just for you. A Quick Six: Hot Mediterranean Menu Roasted Tomato and Burrata Crostini, Pasta with Deconstructed Arugula Pesto, Edo's Mother's Swordfish, Shores of Capperi Potato Salad (no mayo), BiColore Salad, Strawberry Macedonia with Mint A tried and true menu that will transport you to the hotblooded flavors of the southern Mediterranean. (Note, the food is not spicy, just good.) The Quick Six has become one of the signature classes of Meal and a Spiel. Come learn six fast, easy, healthy and delicious recipes that will make you popular amongst your circle of friends. This class is ideal for novices and cooks with more experience and will provide you with a 4 1/2 course dinner party menu (should you decide to accept the challenge), smaller dinner party menus and "quick fixes" just for you. Hot Tuscan Nights Tomato and Basil Bruschetta, Sliced Steak with Arugula, Shaved Parmigiano and a Balsamic Reduction, BakedNotFried Little Potato Sticks with Rosemary and Thyme, Greek Yogurt Panna Cotta with Rosemary Grove Peaches The warm windy Italian countryside sets a perfect tone for a romantic dinner amongst lovers and friends. -
Law, Art, and the Killing Jar
Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship 1993 Law, Art, And The Killing Jar Louise Harmon Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Part of the Entertainment, Arts, and Sports Law Commons, and the Other Law Commons Recommended Citation 79 Iowa L. Rev. 367 (1993) This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Law, Art, and the Killing Jart Louise Harnon* Most people think of the law as serious business: the business of keeping the peace, protecting property, regulating commerce, allocating risks, and creating families.' The principal movers and shakers of the law work from dawn to dusk, although they often have agents who work at night. 2 Their business is about the outer world and how we treat each other during the day. Sometimes the law worries about our inner life when determining whether a contract was made5 or what might have prompted a murder,4 but usually the emphasis in the law is on our external conduct and how we wheel and deal with each other. The law turns away from the self; it does not engage in the business of introspection or revelation. t©1994 Louise Harmon *Professor of Law, Jacob D. Fuchsberg Law Center, Touro College. Many thanks to Christine Vincent for her excellent research assistance and to Charles B. -
Texto Completo (Pdf)
ISSN 2173-5123 Enfoques morales vs. enfoques estéticos en la narración audiovisual. El caso de Weeds Moral vs. Aesthetic Approaches to Audiovisual Narration. The Case Of Weeds Recibido: 31 de octubre de 2012 Aceptado: 29 de diciembre de 2012 Gemma Argüello Manresa 1 Universidad Nacional Autónoma de México [email protected] Resumen Este trabajo tiene como objetivo encontrar las consecuencias que tiene el análisis narrativo de un corpus de material audiovisual televisivo en la discusión filosófica entre autonomismo y moralismo en estética. El debate entre estas dos posturas implica el cuestionamiento de si el defecto moral de una obra se convierte en un defecto estético. Se analizará la serie televisiva Weeds (Kohan, cr., 2005-2012), en la cual la protagonista desafía los valores morales convencionales por medio de la comedia. A través del exploración del contenido narrativo de la serie se mostrará si es posible establecer un juicio y goce estético independiente de las cuestiones morales presentes en su contenido. Palabras clave Estética, moralidad, goce estético, juicio, drogas. Abstract This work aims to find the implications narrative analysis of a corpus of audiovisual television series have in the philosophical discussion between autonomism and moralism in aesthetics. The debate between the two positions involves the question of whether the moral fault of a work becomes an aesthetic defect. It will analyze the TV series Weeds (Kohan, cr. 2005-2012), in which the protagonist defies conventional moral values through comedy. Through the exploration of the narrative content of the series it will be shown if it is possible to establish an independent aesthetic judgment and joy from the moral issues in their content.