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Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
PROMS 2018 Page 1 of 7
PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5 -
2018/19 Season
NOV/ DEC 2018/19 Season wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Coffee Concerts. -
Download Booklet
BACH TO PARKER Thomas Gould FOREWORD This album began life as a recital programme in which I interspersed movements from Bach’s six Sonatas and Partitas for unaccompanied violin with some of the new works recorded here for the first time. My intention was to show that the extended violin techniques called upon by living composers had evolved from the demanding contrapuntal writing of Bach, whose mighty Chaconne is considered as the summit of the solo violin repertoire. All composers writing solo violin music face the challenge of composing for an essentially monophonic instrument, and it is interesting to see the points of comparison and departure in the way the composers featured on this disc address this inherent limitation. In the case of Mark Bowden’s Lines Written a Few Miles Below and Nico Muhly’s Long Line a solution is provided by technology, as both pieces utilise a pre-recorded backing track. The final track on this album is a performance of Miles Davis’s classic bebop tune Donna Lee (with its close association to the great Charlie Parker) in which my solo is a loose transcription of bassist Jaco Pastorius’s famous solo from his version of this tune on the album Jaco, and complements the preceding piece BoBop by John Hawkins. I’d particularly like to thank David and Mary Bowerman, Raphaël Mouterde, David O’Brien and Sam Hogarth, who transcribed the solo on Donna Lee . I hope you enjoy the journey from Bach to Parker as much as I did in selecting and recording this repertoire, and I hope that many of the new works will take their deserving place in the repertoire of music composed for solo violin. -
Booking Opens for Britten Sinfonia's 2019-20 Season at the Barbican
Press Release: 5 March 2019 Booking now open for Britten Sinfonia’s 2019-20 Season as Associate Ensemble at the Barbican A strong season for new music includes premieres from Steve Reich/Gerhard Richter, Mark-Anthony Turnage, James MacMillan, Emily Howard, John Woolrich and Shiva Feshareki Featured guest artists include: Alison Balsom, Ian Bostridge, Allan Clayton, Lucy Crowe, Colin Currie, Benjamin Grosvenor Nicholas Mulroy and Roderick Williams Public booking has now opened for Britten Sinfonia’s 2019-20 concerts at the Barbican, where the orchestra has been an Associate Ensemble since 2012. Tickets are available at www.barbican.org.uk Barbican Box Office: 0207 638 8891 Britten Sinfonia’s Barbican season is studded with premieres by leading international composers, including: • The European premiere of a new collaboration between Steve Reich and celebrated German visual artist Gerhard Richter, the first time Richter has collaborated in this way. The new work examines the intersection between Richter’s formula for his Patterns series, which divides, mirrors and repeats a single painting, and Reich’s repeating musical structures in a genre-crossing film, with Britten Sinfonia conducted by percussionist Colin Currie. Britten Sinfonia and the Barbican are amongst the work’s international co-commissioners. (Barbican Hall, 23 October 2019) • The UK premiere of Mark-Anthony Turnage’s Refugee for chamber orchestra and tenor (close Britten Sinfonia artistic collaborator Allan Clayton). Based on poems by Benjamin Zephaniah, Emily Dickinson, Warsan -
Upbeat Spring 2014
The Magazine for the Royal College of MusicI Spring 2014 Composing about Architecture Collaborative projects at the RCM What’s inside... Welcome to upbeat... The cover of this issue shows just one of six enthralling exhibits from the Royal Academy of Arts’ latest exhibition – Sensing Spaces. This exciting show, which Contents brings together some of the most creative architectural minds from around the world, has been the source of inspiration for RCM composers in the latest of 4 In the news their cross-art collaborations. Turn to page 12 to find out more. Updating you on recent RCM Collaborations is the theme for this issue of Upbeat. Artistic Director Stephen activities Johns highlights the many partnerships the RCM has with professional groups in London and gives away just a few details about the next exciting 10 Performance Platforms collaboration with the Philharmonia. RCM violinist Joo Yeon Sir also shares her From community centres to experiences of performing in a remarkable range of venues and how they’ve Wigmore Hall, RCM violinist shaped her as a musician. Joo Yeon Sir tells Upbeat about the diverse spaces she’s had the Elsewhere, the new Listening Experience Database, which aims to create a mass opportunity to perform in record of people’s experiences of listening to music, is inviting members of the public to input their own musical experiences. Turn to page 6 to find how. 11 Orchestral Collaborations We’re always keen to hear from students past and present, so if you have Artistic Director Stephen Johns anything you would like us to feature in next issue of Upbeat, send your news tells Upbeat about the RCM’s and pictures to [email protected] by Monday 28 April. -
Past Commissions 2012/13 Season Page 1 of 3
Past Commissions 2012/13 Season Page 1 of 3 * Denotes Fondation Hoffmann Project commission at Wigmore Hall October Day Composer Title Performer(s) Première Sarah Power 1 Boyle, Rory 'Burble' for solo clarinet in B flat London Anna Cardona Hilliard Ensemble 2 Muhly, Nico My Days for voices and 5 viols World* Fretwork Rosalind Ventris 6 Roxburgh, Edwin Ricercare World Lara Dodds-Eden Riyad Nicolas 8 Simpson, Mark Echoes and Embers World Mark Simpson 16 Hefti, David Philip Trio No. 2 Medea Trio World 23 Venables, Philip Sextet Endymion World* Quartet No.4 Abrahamsen, Hans (commissioned by Westdeutscher Rundfunk with support from Siemens Musikstiftung and Wigmore Hall) 31 Arditti Quartet UK* Fletch for string quartet Saunders, Rebecca (commissioned by ORF-Musikprotokoll Graz, Wigmore Hall and the Arditti Quartet) November Day Composer Title Performer(s) Première 2 Préludes from 4 Choe, Uzong Grace Yeo UK '12 Piano Préludes' Sonata No.1 for Diana Galvydyte 5 Podgaits, Efrem UK solo classical accordion Christopher Guild Elias String Quartet 14 Matthews, Colin String Quartet No. 4 World* Michael Collins The Jersey Side Christine Brewer 28 Bolcom, William (written especially for Christine Brewer for the World William Lyne Birthday Gala) Roger Vignoles December Day Composer Title Performer(s) Première On Colours Britten Sinfonia 5 Tabakova, Dobrinka (co-commission by Britten Sinfonia and London* Wigmore Hall) Jacqueline Shave Rosanna Ter-Berg 17 King, George Three Dances World Leo Nicholson Past Commissions 2012/13 Season Page 2 of 3 January Day Composer Title Performer(s) Première Britten Sinfonia 23 Barry, Gerald Jabberwocky London Mark Padmore February Day Composer Title Performer(s) Première Blue Shadows Fall (co-commissioned by The Chamber Music Society Paul Watkins 10 Watkins, Huw of Lincoln Center and Wigmore Hall. -
PORTRAIT of a COMPOSER MARK SIMPSON's DEBUT DISC for NMC Premiere Re
Press release date: 3 February 2016 PORTRAIT OF A COMPOSER MARK SIMPSON’S DEBUT DISC FOR NMC Premiere Recordings In May 2016 NMC is releasing a portrait CD, Night Music, to profile the work of 27 year old composer Mark Simpson featuring a collection of chamber music pieces (2006-2014) recorded by the musicians and ensembles for whom they were originally written. Among the performers are Ensemble 10/10 with Clark Rundell (the contemporary music group of the Royal Liverpool Philharmonic with whom Mark has a long relationship, having first been commissioned by them when he was 15), the Mercury Quartet, cellists Leonard Elschenbroich and Guy Johnston, pianists Ian Buckle, Alexei Grynyuk, Víkingur Ólafsson and Richard Uttley, and oboists Nicholas Daniel and Jonathan Small, as well as Mark himself on clarinet. Mark’s works are most often inspired by dark tones and atmospheres of loss, dreams, hauntings, intimacy and passion and, as with Night Music and Echoes and Embers, often embrace ambiguities of emotion and attitude with extremes of quietude and agitation, of fragility and power. His pieces are also his own musical response to poetry (Sylvia Plath’s Ariel, Ted Hughes’ ‘Tales from Ovid’ for Windflower) or the mysteries and resonances of place (Barkham Fantasy whose genesis harks back to an eerie farmhouse on Dartmoor, and Nur Musik written during a stay in Berlin). Most recently Mark’s commissions have been on a much larger scale: 2015 saw the world premieres of Israfel for BBC Scottish Symphony Orchestra and The Immortal oratorio for Manchester International Festival, while his first chamber opera, Pleasure, debuts on 28 April 2016 for Opera North/Royal Opera/Aldeburgh Music. -
Francisco Coll Brochure March 2018
FRANCISCO COLL CATALOGUE OF WORKS ‘A major talent, with a potent, dark-hued voice all his own… Could Coll be the composer Spain has long been waiting for?’ BBC MUSIC MAGAZINE FRANCISCO COLL Abbreviations WOODWIND picc piccolo fl flute afl alto flute bfl bass flute ob oboe bob bass oboe ca cor anglais acl alto clarinet Ebcl clarinet (Eb) cl clarinet bcl bass clarinet cbcl contra bass clarinet bsn bassoon cbsn contra bassoon ssax soprano saxophone asax alto saxophone tsax tenor saxophone bsax baritone saxophone BRASS hn horn fl.hn flugel horn ptpt piccolo trumpet (Bb) tpt trumpet trbn trombone btrbn bass trombone Francisco Coll (b. Valencia, 1985) studied at the Valencia and Madrid Conservatoires scrt soprano cornet crts cornets before moving to London as a private pupil of Thomas Adès (his only pupil to date). He rcrt repiano cornet was also a student at the Guildhall School of Music and Drama, where he won the 2010 btuba bass tuba euph euphonium Ian Horsburgh Memorial Prize for the best postgraduate composition. bar baritone PERCUSSION Coll’s music has received the advocacy of some of the world’s leading ensembles ant.cym antique cymbals including the Los Angeles Philharmonic New Music Group, Ensemble intercontemporain, BD bass drum c.bell cow bell Birmingham Contemporary Music Group, and the London Sinfonietta. In 2014 his cast castanets chamber opera Café Kafka, to a libretto by Meredith Oakes, premiered to great acclaim ch.bl chinese block chic.cym chic cymbal in a production by the Royal Opera House Covent Garden, Aldeburgh Music, and ch.dr chinese drum Opera North, and has since been staged at the Palau de les Arts Reina Sofia, Valencia. -
Simpson Mozart
MARK SIMPSON Geysir W.A. MOZART 'Gran Partita' K.361 Mark Simpson (b.1988) 1 Geysir (world premiere recording) 7.55 W.A Mozart (1752-1796) Serenade No.10, K.361 ‘Gran Partita’ 2 I. Largo – Molto Allegro 9.24 3 II. Menuetto – Trio – Trio II 8.26 4 III. Adagio 5.06 5 IV. Menuetto – Allegretto – Trio – Trio II 4.48 6 V. Romanze: Adagio – Allegretto – Adagio 8.22 7 VI. Thema mit 6 Variationen – Andante 10.06 8 VII. Finale – Molto allegro 3.24 Total time 57.32 Mark Simpson, Fraser Langton, clarinet Nicholas Daniel, Emma Feilding, oboe Amy Harman, Dom Tyler, bassoon Oliver Pashley, Ausiàs Garrigós Morant, basset horns Ben Goldscheider, Angela Barnes, James Pillai, Fabian van de Geest, horns David Stark, double bass 2 Mark Simpson, Geysir (2014) Geysir was a commission for the Britten Sinfonia. It was imagined as a partner to Mozart’s Serenade in B flat(K.361), the ‘Gran Partita’, drawing on the same instrumental forces: pairs of oboes, clarinets, basset horns, bassoons, four horns, and double bass. Geysir’s relationship to Mozart goes beyond programming convenience. Geysir – the Icelandic word for geyser, from the Old Norse geysa, ‘to gush’ – is the surface emanation of two ideas in the Serenade. The first is the resplendent B flat major chord that opens the ‘Gran Partita’: fulsome homophonic textures, making extravagant and atmospheric use of warm clarinets, basset horns, bassoons, and french horns, are key to the design of Simpson’s piece - though Geysir extends the spread and range of these chords to generate a sound world very much its own. -
Spring 2018 Highlights
Press Release For release: 7 December 2017 Britten Sinfonia – Concert highlights Spring 2018 Britten Sinfonia’s 25th anniversary season continues in the New Year with a series of world and UK firsts. Highlights include: • The second installment of Thomas Adès’s Beethoven Symphony Cycle, with Beethoven’s Symphonies 4, 5 & 6 alongside Gerald Barry’s The Conquest of Ireland and the London premiere of his Piano Concerto. • The world premiere of Mark-Anthony Turnage’s opera Coraline, in a Royal Opera House production at the Barbican. • Jeremy Denk in a jazz-infused programme, including the original jazz band arrangement of Gershwin’s Rhapsody in Blue. • Easter performances of Stravinsky’s Mass, Mozart’s Missa Brevis and Bach’s St John Passion • Ben Goldscheider in Esa-Pekka Salonen’s Concert étude for solo horn. • World premiere of works by Leo Chadburn, Caroline Shaw and Tom Coult as part of Britten Sinfonia ‘At Lunch’ 2018 season. • International touring includes performances at the Philharmonie, Paris and Amsterdam Concertgebouw. FULL DETAILS AT: www.brittensinfonia.com FURTHER PRESS INFORMATION FROM: Sophie Cohen on 020 7482 3466 07711 551 787 [email protected] BRITTEN SINFONIA SPRING 2018 CONCERTS MONTH BY MONTH DIARY JANUARY 2018 A new work by Leo Chadburn, co-commmissioned with Wigmore Hall, is on the menu in the first ‘At Lunch’ concert of 2018. Scored for electronics and string trio – the outstanding line up features Britten Sinfonia Principals Jacqueline Shave (violin), Caroline Dearnley (cello) and Huw Watkins (piano). Chadburn’s new work features alongside music spanning 350 years: Mozart’s Piano Trio in B Flat, Biber’s Annunciaton Sonata 1, Arvo Pärt’s Spiegel im Spiegel and Philip Glass’s Orbit. -
13 May 2016 Page 1 of 20 SATURDAY 07 MAY 2016 Tabea Zimmermann (Viola), Monique Savary (Piano)
Radio 3 Listings for 7 – 13 May 2016 Page 1 of 20 SATURDAY 07 MAY 2016 Tabea Zimmermann (viola), Monique Savary (piano) SAT 01:00 Through the Night (b078xlp1) 4:51 AM Proms 2015: Prokofiev, Qigang Chen and Rachmaninov from Beethoven, Ludwig van (1770-1827) the BBC NOW Egmont Overture Trondheim Symphony Orchestra, Eivind Aadland (conductor) Jonathan Swain presents the BBC National Orchestra of Wales playing Prokofiev, Rachmaninov and the London premiere of Iris 5:01 AM Dévoilée by Qigang Chen at the 2015 BBC Proms. Strauss (ii), Johann (1825-1899) Wienerblut (waltz) (Op.354) 1:01 AM Danish Radio Concert Orchestra, Borge Wagner (Conductor) Prokofiev, Sergei [1891-1953] Symphony no. 1 in D major Op.25 (Classical) 5:11 AM BBC National Orchestra of Wales, Xian Zhang (conductor) Chopin, Fryderyk [1810-1849] 4 Mazurkas (Op.33) 1:16 AM Yulianna Avdeeva (piano) Chen, Qigang [b.1951] Iris Dévoilée 5:22 AM Meng Meng (soprano), Anu Komsi (soprano), Piia Komsi Kodály, Zoltán (1882-1967) (soprano), Jia Li (pipa), Jing Chang (zheng), Nan Wang (erhu), 4 Madrigals for women's chorus: Chi vuol veder; Fior Scoloriti; BBC National Orchestra of Wales, Xian Zhang (conductor) Chi d'amor sente; Fuor de la bella caiba Jutland Chamber Choir, Mogens Dahl (director) 1:59 AM Rachmaninov, Sergei [1873-1943] 5:33 AM Symphony no. 2 in E minor Op.27 Telemann, Georg Philipp (1681-1767) BBC National Orchestra of Wales, Xian Zhang (conductor) Sonata for transverse flute & basso continuo in G major - from Essercizii Musici 2:54 AM Camerata Köln - Karl Kaiser (transverse