DOCSLIB.ORG

Contemporary Chinese Artworks on Show in Cuba Events to Mark

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Chinese Artworks on Show in Cuba Events to Mark CHINA DAILY | HONG KONG EDITION Thursday, June 6, 2019 | 21 LIFE Events to mark discovery of oracle-bone inscriptions China will hold a series of events take various steps, such as setting up to commemorate the 120th anniver- an expert committee and initiating sary of the discovery of oracle-bone research programs to support the inscriptions, the Ministry of Educa- study and application of oracle- tion announced recently. bone inscriptions and other ancient Tian Lixin, head of the department Chinese writings. of language application and informa- “These efforts are to dig into the tion management under the minis- history, ideas and culture of the lan- try, says the ministry will host the guage and to showcase the essence events jointly with the Publicity of Chinese civilization,” the official Department of the Communist Party says. of China Central Committee, the Jiaguwen, or oracle-bone inscrip- Ministry of Culture and Tourism, the tions, are ancient Chinese writings Ministry of Science and Technology, carved on tortoise shells and ani- the National Cultural Heritage mal bones. They are a primitive Administration, the Chinese Acade- form of Chinese characters and the my of Social Sciences and the Henan oldest fully developed characters in provincial government. China. The events will include a work- Oracle-bone inscriptions are one shop in Beijing, a themed exhibition of the four ancient characters in the at the National Museum of China as world and the only text in ancient well as an international symposium Chinese characters that has been in Anyang, Henan province, in Sep- passed down to the present. tember and October, Tian says. Tian says the authorities will also XINHUA Action giant Jackie Chan alongside a group of stunt performers during the Beijing media conference of the fifth Jackie Chan International Action Film Week on June 2. PHOTOS PROVIDED TO CHINA DAILY Tribute to action The fifth edition of Jackie Chan’s film festival will be held in Datong, Xu Fan reports. Bones or tortoise shells bearing inscriptions are known as jiaguwen, or oracle-bone inscriptions. They were found in Yinxu Ruins in Anyang city, Henan province. XINHUA ackie Chan, the iconic stand-ins for lead actors. He also stunt veterans will discuss their action star behind more suffered from falls, kicks and survival and development at a time than 200 movies, is using punches on set. when computer-generated imag- his celebrity power to earn “It’s hard to imagine how tough a ing can easily turn a human into an Contemporary Chinese recognitionJ for stunt performers in stuntman’s life can be,” he says, action figure or superhero on cinema. The long-ignored group adding that he believes the group screen. faces challenges while shooting, should be rewarded. In addition to celebrating action artworks on show in Cuba including injuries, and is often not The weeklong film festival he films, the Datong event is boosting given enough time on the big launched presents the Steel Man tourism in the city, which is screen. Awards as its top honor, a set of 11 known for the UNESCO heritage HAVANA — A contemporary Chi- Cuba, said: “Art is always a universal And toward this end, the Jackie awards in the action genre for best site, the Yungang Grottoes, and nese art exhibition was inaugurated language, no matter what the dis- Chan International Action Film feature, director, actor, actress and the Hanging Temple. During last recently in Cuba’s capital, Havana, tance between the artists and the Week will hold its latest edition in stand-in. year’s festival, some 1.4 million offering local people an opportunity audience.” the ancient city of Datong, Shanxi A global solicitation process for tourists visited Datong, an to learn about the Chinese view of And the artworks help “strength- province, from July 21 to 27. potential contenders for the increase of 47 percent year-on- life and see artworks up close. en the bond of cultural exchange The annual event was held in awards was launched in April. So year compared to the same period Themed “Faces around us in and promote understanding and Shanghai for its first three years far, more than 800 companies in in 2017, according to the festival silence”, the exhibition of more friendship between the Chinese and and moved to Shanxi in 2018. over 50 countries and regions have organizers. than 50 works by three contempo- Cuban people”. “I wanted to launch this event responded, says Cai Liang, an They say the 2018 event also gar- rary Chinese artists — Yue Minjun, Exchanges between China and more than 20 years ago, but I organizer of the Datong edition. nered 170 million views for related Lou Min and Wu Yuan — opened at Cuba can be traced back to the 19th didn’t know how to make it hap- The selected films will be screened It’s hard to imagine content on Sina Weibo, the Chinese the Palacio de Lombillo Museum in century, when Chinese immigrants pen back then,” Chan said at a in 19 cinemas in the city and all equivalent of Twitter. a historical district in Havana and first landed on the island, which news conference in Beijing on member cinemas of Jackie Chan how tough a As an initiator of a campaign to will run through June 28. partly explains why the Cubans are June 2. Theater International, a theater stuntman’s life can use his celebrity influence to help Yue says: “My paintings feature keen on Chinese art and want to He describes the festival as “a chain co-founded by Chan and impoverished areas in China, rich colors and a strong contrast update their knowledge of the coun- dream come true”. Hong Kong company Sparkle Roll be.” Chan will visit several locations in between light and shadow, just like try. Over the past few decades, Chan Group. the visual impression this country Aliana Martinez, the curator of Jackie Chan, actor and around Datong during this has participated in many festivals, Film critics will discuss new year’s event. Last year, the cam- brings me, which is intense sun- the museum, described the exhibi- but he says he was disappointed to trends in action films in Asia, cover- paign saw more than 30 Chinese light.” tion as a “gift” to Cubans, saying, “It see that few had special sections ing Chinese martial arts films working to invite 12 stunt per- film stars, including Chen Kun, The artists also use lithographs, is very important because some- shedding light on films’ dangerous directed by Xu Haofeng and Lu formers’ associations from nine Zhou Xun and Huang Xiaoming, oil on canvas and ink on rice paper times we have the cliche of seeing stunt jobs. Yang, Thai films featuring Muay countries, including Russia, Brit- tour impoverished areas to pro- to depict faces and characters in the China only as an ancient nation, Chan, 65, began his career as a Thai and more. ain, Japan, Germany and Thai- mote local productions and tourist works that reflect their inner worlds while actually there are many con- stuntman in the Hong Kong film Wang Cheng, producer of the land. attractions. and individual pursuits. temporary artists showcasing mod- industry in the early 1970s. popular Chinese TV program, “This is a new part of the festival Speaking at the opening ceremo- ern new life.” Back then, he earned little play- Movie Talk, and an organizer of that will be launched this year,” says Contact the writer at xufan@ ny, Zhao Xiaoming, the cultural ing extra characters or working as one of the forums, says his team is Wang, adding that international chinadaily.com.cn adviser of the Chinese embassy in XINHUA THE COMPANIES (WINDING UP AND MISCELLANEOUS PROVISIONS) ORDINANCE (CHAPTER 32) -------------------- IN THE MATTER OF LEVELUXE DEVELOPMENTS LIMITED -------------------- NOTICE OF MEETING OF CREDITORS PURSUANT TO SECTION 241 -------------------- NOTICE IS HEREBY GIVEN, pursuant to Section 241 of the Companies (Winding Up and Miscellaneous Provisions) Ordinance (Chapter 32), that a meeting of the creditors of the above named Company will be held at Suite 1507, 15th Floor, Wing On Kowloon Centre, 345 Nathan Road, Kowloon, Hong Kong on 14 June 2019 at 11:15 a.m. for the purposes provided for Sections 241, 242, 243, 244 and 255A of the Companies (Winding Up and Miscellaneous Provisions) Ordinance. Creditors may vote either in person or by proxy. Proxies to be used at the meeting must be lodged at Suite 2302, 23/F., Seaview Commercial Building, Your first choice to keep updated with rapid development in China 21 Connaught Road West, Sheung Wan, Hong Kong or by facsimile transmission at (852) 2116-0638 not later than 3:00 p.m. on the day before the meeting or adjourned meeting at which they are to be used. Dated this 6 June 2019 Subscribe, get 30% off By the sole director YAO Mei-Chu Director and receive an exclusive package of benefits as a welcome gift.
Load more

Recommended publications
  • Mainstream Cinema As a Tool for China's Soft Power
    Master’s Degree programme in Languages, Economics and Institutions of Asia and North Africa “Second Cycle (D.M. 270/2004)” Final Thesis Mainstream cinema as a tool for China’s soft power Supervisor Ch. Prof. Federico Alberto Greselin Assistant supervisor Ch. Prof. Tiziano Vescovi Graduand Alessia Forner Matriculation Number 846622 Academic Year 2017 / 2018 To the two stars that have guided me from above TABLE OF CONTENTS 1 Introduction 5 Chapter one: Soft power: a general overview and the beginning of China’s soft power era 7 1.1 Joseph Nye’s definition of soft power 7 1.2 Culture: the core of soft power 10 1.3 The entry of the concept of soft power in China and its translations 12 1.4 Hu Jintao’s speech at the 17th National Congress of the Communist Party of China and China’s first steps towards its soft power strategy 14 Chapter two: China’s focus on cultural soft power and the Chinese film industry 19 2.1 China’s investments in the film industry and films as a soft power resource 19 2.2 The situation of the Chinese film industry in the 1980s and 1990s: is Hollywood China’s lifeline? 26 2.3 Main melody films and the correlation with the China dream (( : taking the documentary Amazing China ()() and the film American Dreams in China (() as an example 32 2.4 Focus on the film Wolf Warrior II II) : a successful soft power strategy 56 Chapter three: Sino-US collaborations 65 3.1 Hollywood and China: same bed, different dreams 65 3.2 The different types of collaborations between China and Hollywood 69 3.3 Is China changing Hollywood? 78
    [Show full text]
  • Bureaucracy and Law a Study of Chinese Criminal Courts and Social Media
    BUREAUCRACY AND LAW A STUDY OF CHINESE CRIMINAL COURTS AND SOCIAL MEDIA A dissertation presented by Yu Zhang to The School of Criminology and Criminal Justice In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of Criminology and Criminal Justice Northeastern University Boston, Massachusetts August, 2014 1 BUREAUCRACY AND LAW A STUDY OF CHINESE CRIMINAL COURTS AND SOCIAL MEDIA by Yu Zhang ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Criminology and Justice Policy in the College of Social Sciences and Humanities of Northeastern University August, 2014 2 Abstract Born in a firmly-rooted bureaucratic society, Chinese judiciary has never gained the opportunity to build its own identity. Concurrently, Chinese people, immersed in a bureaucratic culture, always pin their dream of justice on a powerful bureaucracy rather on a weak judiciary. The current study discusses the thousands years of Chinese history and the significant impact of bureaucracy on Chinese society and courts, and then look into the potential change in a global era revolutionized with technology and internet. A story-telling mode is used to analyze eleven important criminal cases to disclose the operations of criminal courts in China. Large amount of social media data are presented to showcase the dynamic legal community and online activism. We do not know exactly the impact of government monitoring of the social media and it is an open question. Chinese online legal activism derives its methods and vitality from multiple and intersecting forces, including the particular internet transmitting formats, actual contemporary protest forms, incipient public space promotion.
    [Show full text]
  • Caid&Cd 2009
    2009 IEEE 10th International Conference on Computer-aided Industrial Design & Conceptual Design (CAID&CD 2009) Wenzhou, China 26 – 29 November 2009 Pages 1-793 IEEE Catalog Number: CFP0949B-PRT ISBN: 978-1-4244-5266-8 Table of Contents 1. Industrial Design 6 The Applied Research of Sludge materials in the automotive design 1 Wei Peng 7 Analysis of the Symbolization in Graphic Design 5 Gao Qian 21 The Design Experience Reuse System Modeling and External Locus 9 Sharing of Enterprise Resource Hui Li, Jun Mao, Xinhong Li, Zhongwei Xin 32 Research on Cultivation Mode for Talent of Art and Design 13 Department Lin Liu, Min Sun 65 The Structural Analysis Based on Modern Design Method 16 Bin Shu, Changsheng Xu 103 Changes in perception ability of the aged and the research on 19 countermeasure in universal design Yongxiang Liu,Bo Zhou 131 Ergonomics Analysis on Tower Fans Design 22 Jiang Hong,Li Kailing,Zhao Yingxin,Xu Fengqin 142 Key Points Analysis on Product Structure Design 25 Feng Li, Fei Li 149 Study on the Application of Metaphor in Modern Furniture Design 29 Ying Zhu, Xiaochen Yin, Xiaoyong Shu 154 Application of Fuzzy ISODATA Clustering Method in Product 33 Identity Planning Li Chen, Rupeng Zhu, Haihai Zhou 161 Intensive Design of Solar Picnic Products 37 Yancong Liu, Hongwei Ren, Kai Ren 167 Theoretical Research on Design DNA Based on Stylistic Feature in 41 Industrial Design Zhaolin Lu, Wencheng Tang, Chengqi Xue 170 Optimization Design of Steering Linkage in Independent Suspension 45 Based on Genetic Algorithm Bing Zhou, Dongsheng
    [Show full text]
  • Imports Get to the Core of Local Tastes US, Taiwanese and Even Indian Titles Overshadowed Hong Kong Fare at Its Home Box Office in 2011
    FEATURE You Are The Apple Of My Eye: biggest ever Chinese-language release in Hong Kong Imports get to the core of local tastes US, Taiwanese and even Indian titles overshadowed Hong Kong fare at its home box office in 2011. Liz Shackleton reports on a territory looking abroad for its next blockbuster he big surprise at the Hong Kong box offi ce end of April, A Simple Life had grossed $3.57m in in the number of releases from 286 in 2010 to 276 over the past year has been the success of Tai- Hong Kong, while Love In The Buff, which follows last year. Twanese romantic comedy You Are The Apple a Hong Kong couple in Beijing, had grossed Hong Kong movies had only a 20.2% market Of My Eye, which grossed nearly $8m at the end of $3.6m. share in 2011 compared to 22.6% in 2010. Local 2011 to become the biggest ever Chinese-language But on the whole, Hollywood fi lms, particularly producers are making fewer fi lms specifi cally for release in Hong Kong. effects-laden 3D spectaculars, continued to rule the the local market and Hong Kong audiences tend to A huge hit in Taiwan, where it was also released roost in Hong Kong — Apple ranked third in the reject the bigger budget Hong Kong-China co- by Fox, the fi lm fl ourished on word-of-mouth and 2011 top 10 behind the latest instalments in the productions, which make most of their returns on repeat viewings. Based on the director’s own expe- Transformers and Harry Potter series.
    [Show full text]
  • 贺敬德 EN-Updated Dec-第二版
    WU STAR MEDIA (INTERNATIONAL) LIMITED FOUNDER Jaden He （贺敬德） Wushu World Cup Champion Instructed by Wu Bin (Jet Li’s and Wu Jing’s master) Gender: Male Height: 1.66 meters Weight: 62 kg Languages: Mandarin, English Occupation: Action Director, Stage Director, Actor, Coach Athletic Awards: Hong Kong Chief Executive’s Commendation for Community Service (2011), Bank of China Hong Kong- Hong Kong Sports Stars Award (2010), 16th Asian Games Leader of the Year- Sports Category (2010) Asian Olympic Games- Silver medal for Nanquan, Nangun (2010) Tenth World Wushu Championships- Gold medal for Nangun, Silver for Nanquan, Bronze for Nandao (2010) East Asian Games- Gold medal for Nanquan, Nangun (2009) Jaden (贺敬德) Film Work: “Saturday Fiction (兰心大剧院)” (2018)- Action Choreographer “The Teacher” (2018)- Action Director, Main Actor “Wu Ji” Adidas advertisement (2017)- Martial Arts Director “The One” (2017) “League of Gods” (2015)- Official Head Coach of fight scenes, Actor “Dun Di” Theatre Show: “Kung Fu Panda Spectacular Live show” (2019) - Martial Arts Choreographer The Sunac Dragone Wuxi Project – 太湖秀(2019) - Martial Arts Choreographer & Supervisor, From 1994 to 2001, Jaden trained under Mr. Wu Bin, the head coach of Beijing Wu Shu Team, and teacher of Jet Li and Wu Jing. During his time in the Beijing Wushu Team, Jaden has won gold at the National Wushu Championship multiple times for broadsword, staff, and double broadsword. In 2003, Jaden joined Cirque du Soleil’s KA Show at Las Vegas’ MGM Grand Hotel. There, he led as the main actor, stage martial arts coach, and choreographer. By combining eastern and western cultures onstage, Jaden gained new insights on traditional Wushu, choreographing, and acting.
    [Show full text]
  • Old Teachings, New Marketing Strategies, and Hollywood's Industry
    Master’s Degree in European, American and Postcolonial Language and Literature Final Thesis Old Teachings, New Marketing Strategies, and Hollywood’s Industry: The Cultural Conflicts between the U.S. and China Supervisor Simone Francescato Assistant supervisor Marco Perusi Savorelli Graduand Zeno Casti 845026 Academic Year 2018 / 2019 Abstract This study aims at identifying the analogies and differences between American culture and Chinese culture stemming from marketing strategies and their adaptation. It shows in particular that some Chinese literary masterpieces, including Sun Tzu’s The Art of War, can be considered as starting point and as inspiration for American financial strategy, business attitude and general approach to the American mentality and lifestyle. The objective of this research is to explain how the teachings contained in such works represent the cornerstones that inspired American successful entrepreneurial spirit and why they are considered now the key for American marketing approach to China and its enigmatic culture, especially through the translation of brands into Chinese language. The study then investigates the economic factors and cultural influences that China exercised over U.S. Film Industry, by focusing on the economic and cultural reasons why Hollywood decided, or rather, was forced to accept financing from China in order to expand (and save) their Film Industry and why Chinese film production companies chose to invest in this business to learn the know-how needed to produce successful films in China. The
    [Show full text]
  • China's Political Ecology and the Fight Against Corruption
    China’s Political Ecology and the Fight against Corruption Joseph Fewsmith Since the 18th Party Congress convened in November 2012, China has undertaken a wide-ranging campaign against corruption. The campaign has gone on longer, cut deeper, and affected more people than anyone might have imagined two years ago. The course of the campaign has exposed in considerable depth many of the ills of political life in China. Although it seems intended to break up many of the “small circles” that pervade China’s political life, there is no question that the campaign has focused particular attention on the networks around Zhou Yongkang, the former head of China’s security forces, and Ling Jihua, the former head of the General Office. China’s leadership has promised the campaign will continue, so there are likely to be more surprises; perhaps one or more new “tigers” will be exposed. China’s fight against corruption really began with the conviction of Bo Xilai (薄熙来), the former party secretary of Chongqing municipality and an apparent contender for a seat on the party’s powerful Politburo Standing Committee (PBSC). But since Bo’s case was concluded prior to the 18th Party Congress, he is not mentioned in the running tab the People’s Daily website has maintained of ministerial-level cadres who have been taken in for investigation, and he is rarely mentioned in media articles discussing corruption. Perhaps the relative silence surrounding the Bo Xilai case since the 18th Party Congress is intended to minimize the political nature of the current campaign, though the recent arrest of Zhou Yongkang (周永康), the retired former head of the security apparatus, inevitably raises questions about Bo and politics in general.
    [Show full text]
  • An Analysis of the Narrative Strategy of Current Chinese Youth Films in the Light of Audiences’ Psychological Needs
    International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 5, Issue 11, November 2018, PP 8-15 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) http://dx.doi.org/10.20431/2349-0381.0511002 www.arcjournals.org An Analysis of the Narrative Strategy of Current Chinese Youth Films in the Light of Audiences’ Psychological Needs Yan Jun* School of Foreign Languages, Sichuan University of Science and Engineering, Zigong, China *Corresponding Author: Yan Jun, School of Foreign Languages, Sichuan University of Science and Engineering, Zigong, China Abstract: In recent years, quite few of youth films have made good box office performance. With close study it could be revealed that by meticulously choosing the narrator, applying ocularisation and anachronies, presenting sounds and scenes with time features, youth films generally possess narrative strategies which meet the physiological needs of the mainstream audience, especially those audiences born after 1980 and 1990s. That is an important reason for the popularity of youth films. Nevertheless, youth films are harshly criticized for their increasingly stereotyped narrative strategy and it will inevitably make the audience end up in aesthetic weariness. So, to maintain the audience’s enthusiasm, youth films should have their narrative pattern diversified, and the focus should be expanded to cover youth of different ages and different types of people. At the end of 2017, the film Youth attracted audiences born in 1950s and 1960s,by setting its background from 1960s to 1980s, although it has not completely jumped out of the narrative pattern of previous youth films. In 2018, Forever Young finally presented a new narrative pattern of the youth film by exploring the meaning of youth in different ages, and so expanded its circle of audience to people of several generations, and realized the transcendency of the narrative strategy of youth films.
    [Show full text]
  • The Journal of Shakespeare and Appropriation
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation http://www.borrowers.uga.edu/1404/show (/current) ALEXA HUANG, PENNSYLVANIA STATE UNIVERSITY ABSTRACT | CAST OF MAQBOOL | CAST OF THE BANQUET (YE YAN) | NOTES | REFERENCES (/previous) (/about) ABSTRACT The introduction to this collection of multimedia essays on Maqbool and The Banquet argues that close examination of the films through a truly global array of appropriative strategies and cultural contexts can (/archive) help combat the tendency to report on rather than analyze non-Western works and thus can also prevent Asian films from being seen as merely exotic and disconnected from Shakespeare scholarship. Especially valuable for Shakespeareans are the ways in which the two films refashion Hamlet, Gertrude, Macbeth, Lady Macbeth, and other characters to shed new light on the visceral and political experiences enabled by these Shakespearean tragedies. Asian Shakespeares on Screen: Two Films in Perspective, special issue, edited by Alexa Huang, Borrowers and Lenders 4.2 (Spring/Summer 2009). The past decades have witnessed diverse incarnations and bold sequences of filmic re-imaginings that gave rise to productive encounters between the ideas of Asia and of Shakespeare in the global cultural marketplace. The beginning of the new millennium is for Asian cinematic Shakespeares (Huang and Ross 2009, 1-3) as the 1990s were for Anglophone Shakespeare on film — a "citationally rich intertextual environment" (Cartelli and Rowe 2007, 2). Shakespeare has been a part of the film and popular cultures of various Asian countries, with Romeo and Juliet, Macbeth, and Hamlet at the center of cinematic imaginations. Akira Kurosawa's Throne of Blood (Macbeth, 1957) and Ran (Lear, 1985) are far from the earliest or the only Shakespeare films from Asia.1 Among other locations, Shakespeare films have been produced in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan.
    [Show full text]
  • The Rise of Cetacean Captivity in China
    TAKEN The Rise of Cetacean Captivity in China Follow Us on WeChat Now that's guangzhou that's shenzhen China Intercontinental Press Advertising Hotline 城市漫步珠三角 英文版 4 月份 国内统一刊号: APRIL 2017 CN 11-5234/GO ALSO INSIDE: Win Flights to Thailand that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 总编辑 Editor in Chief of China Intercontinental Press: 慈爱民 Ci Aimin 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 : 梁健 发行 / 市场 : 黄静 李若琳 广告 : 林煜宸 Editor in Chief Jocelyn Richards Shenzhen Editor Sky Thomas Gidge Senior Digital Editor Matthew Bossons Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang National Arts Editor Andrew Chin Contributors Lachlan Cairns, Dr. Alfred Chambers, Paul Finkbeiner, Connor Frankhouser, Lena Gidwani, Oscar Holland, Matt Horn, Mia Li, Victor Liu, Noelle Mateer HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM ISSN 1554-6985 VOLUME IV · NUMBER (/current) 2 SPRING/SUMMER 2009 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS "Nisht kayn Desdemona, nisht kayn Dzulieta": Yiddish Farrah Adaptations of The Merchant of Venice and the Early Modern Lehman Father-Daughter Bond (/782243/show) (pdf) (/782243/pdf) Time Lord of Infinite Space: Celebrity Casting, Andrew Romanticism, and British Identity in the RSC's "Doctor Who James Hamlet" (/782252/show) (pdf) (/782252/pdf) Hartley A SIAN SHAKESPEARES ON SCREEN: TWO F ILMS IN PERSPECTIVE E DITED BY ALEXA HUANG Alexa Introduction (/1404/show) (pdf) (/1404/pdf) Huang Mark Extending the Filmic Canon: The Banquet and Maqbool Thornton (/1405/show) (pdf) (/1405/pdf) Burnett Martial Arts and Masculine Identity in Feng Xiaogang's The Yu Jin Ko http://borrowers.uga.edu/7158/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM Banquet (/1406/show) (pdf) (/1406/pdf) Amy Shakespeare: It's What's for Dinner (/1407/show) (pdf) Scott- (/1407/pdf) Douglass Woodcocks to Springes: Generic Disjunction in The Banquet Scott (/1410/show) (pdf) (/1410/pdf) Hollifield Spectator Violence and Queenly Desire in The Banquet Rebecca (/1411/show) (pdf) (/1411/pdf) Chapman Interiority, Masks, and The Banquet (/1413/show) (pdf) Yuk Sunny (/1413/pdf) Tien The Banquet as Cinematic Romance (/1414/show) (pdf) Charles (/1414/pdf) Ross A Thousand Universes: Zhang Ziyi in Feng Xiaogang's The Woodrow Banquet (/1418/show) (pdf) (/1418/pdf) B.
    [Show full text]
  • Peter Ho-Sun Chan
    AMERICAN DREAMS IN CHINA PETER HO-SUN CHAN AMERICAN DREAMS IN CHINA Director: Peter Ho-Sun Chan Producers: Jojo Hui Yuet-chun, Peter Ho-Sun Chan Scriptwriters: Zhou Zhi Yong, Zhang Ji Cinematographer: Christopher Doyle Production Designer: Sun Li Costume Designer: Dora Ng Cheng Dongqing: Huang Xiaoming Meng Xiaojun: Deng Chao Wang Yang: Tong Dawei Su Mei: Du Juan Production Budget: US$9 million Status: Completed Release Date: 30 May, 2013 (Hong Kong) Production Company: We Pictures Limited Int’l Sales: We Distribution Limited Unit F, 17/F, MG Tower, 133 Hoi Bun Road Kwun Tong, Hong Kong Tel: (852) 2366 1622 Fax: (852) 2366 0661 Email: [email protected] Copyright © 2012 We Pictures Limited. All Rights Reserved. Introduction China, with a population of over 1.3 billion, has emerged as a global power player and taken the world by storm at the turn of the century. All eyes set on this vast 2.3 billion acres of landmass filled with infinite opportunity. It is on the same soil where 3 ordinary men succeed in doing what billion others can’t, by building a tutorial empire worth over US$5 billion in market value. Synopsis Wind the clock back to the year 1985. In the midst of the economic reform period, 3 college students bind together by a common ambition – to live the American dream. They are Cheng Dongqing, a overzealous hillbilly who refuses to accept his destiny of being a farmer; Meng Xiaojun, a self-confident, cynical intellectual who thinks he’s superior among all; and Wang Yang, a somewhat idealistic romanticist dreaming of becoming a poet.
    [Show full text]