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Home , Haram, Hypostyle, Iwan, Mihrab, Minaret, Minbar

ART AND RELIGION

PART 2

• Literal: : ‘surrender to • Founded by Mohammed: prophet born in (died 632 CE) • TEXT; Koran, dictated by to Mohammed in series of visions • • TENETS OF FAITH: • 1) no god but Allah • 2) ritual in direction of Mecca 5 times a day • 3) almsgiving • 4) fasting and abstinence during • 5) haj: pilgrimage to Mecca (expected once during lifetime) • • Rejects all representation of human forms as image worship. • Recognizes and as prophets: forerunners to Mohammed

The name "" in traditional calligraphy by the hand of Hattat Aziz Efendi.[1] of the Rock. . Late 7th C. (where Mohammed ascended to heaven) The Al-Aqsa , adjacent to the (along the southern wall of al- ash-), is the site from which Muhammad is believed to have travelled to heaven and returned. MOSQUE

• haram: prayer . rectangular, partially open to the sky. • : . arcaded and directly preceding the prayer hall. • : hall supported by columns. often a mosque's prayer hall is a hypostyle hall. • : the toward Mecca. • : the recess or niche in a mosque indicating the direction of Mecca. • :pulpit in the mosque. • : ornamental vaulting composed of small concave elements, often employed to fill the zone of transition between supporting walls and a dome. • : tower from which daily call to prayer is issued by the (official).

Mosque. . . 836 qibla: the direction of prayer toward Mecca. mihrab: the recess or niche in a mosque indicating the direction of Mecca. Persia. 1354

490 Mir-I-Arab . , . 1535-6. 9.8 Mihrab Bay. Cordoba Mosque. Dome in Front of Mihrab. Cordoba Mosque. 4.34 Main entrance portal (), Masjid-i-Shah, early 17th century, , Iran Chapter 4.2 Spirituality and Art PART 4 THEMES

Main entrance portal (iwan), Masjid-i-Shah

• are called to prayer 5 times a day, facing Mecca • Mosque: building for people gathering to pray – Generally the largest structure in an Islamic community – Qibla wall: indicates the direction for – , or large towers: call worshipers to prayer – : vaulted entrances connecting courtyard to mosque – Mihrab: prayer niche – Muqarnas, or stalactite vaults: represent the “rotating dome of heaven” • Decoration includes: – Foliage designs, intricate work, and calligraphy

Gateways to Art: Understanding the Visual Arts, Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields 9.6-7 Plan and Hypostyle Hall, Mosque Cordoba . 768-787 9.10 Sinan the Great. Mosque of Suleyman I. . Begun 1550. 8.28 , Constantinople (Istanbul) completed 537. 9.13 Interior of the Mosque.

9.12 Courtyard of Mosque of Suleyman I. HINDUISM

• Hindu Religion and Art -Oldest continuous religious tradition (from 2500 BC) -has a centrality of god which exposes itself through many manifestations • Brahma: creator • Vishnu: sustainer • Shiva: destroyer • -this multiplicity of manifestations gives artwork an important role in Hindu Art -Rigveda is the oldest known religious text. -art rose to prominence in the Gupta Period (320-415 AD) TEXTS

• Upanishads • Ramayana • Mahabharata • Bhagavad Gita, or the "Song of the Blessed Lord • Karma. The law that good begets good, and bad begets bad. Every action, thought, or decision one makes has consequences good or bad � that will return to each person in the present life, or in one yet to come. • Reincarnation. Also known as �transmigration of souls,� or �samsara.� This is a journey on the �circle of life,� where each person experiences as series of physical births, deaths, and rebirths. With good karma, a person can be reborn into a higher caste, or even to godhood. Bad karma can relegate one to a lower caste, or even to life as an animal in their next life. • Nirvana. This is the goal of the Hindu. Nirvana is the release of the soul from the seemingly endless cycle of rebirths. Kandarya Mahadeva (temple of Shiva). 10th-11th C. Garbhagriha: inner room: literally ‘womb house’ Relief Sculpture from the Kandariya Mahadeo Temple Relief sculpture, ca. 1000, depicting mithuna figures stands on the south outer wall of the antarala of the Kandariya Mahadeo Temple, Khajuraho, . OVER 600 figures on the exterior. 200 interior

Plan of Temple of Vishnu. Uttar Pradesh. Early 6th C. Temple of Vishnu, Uttar Pradesh, India. Early 6th C. Mukteshvar Temple of Shiva. Bhubaneshvar. Orissa, India. 950. Sandstone. BUDDHISM

• Quest for Enlightenment (Nirvana) • 2 paths: ascetic growth through meditation OR prayer and faith • FOUR NOBLE TRUTHS (Dharma, Law) • Three Jewels of Buddhism: Buddha, Law, Community of Monks

W 3.10 Great Stupa at Sanchi. Shunga and early Andhra. 3rd C. BCE

W. 3.15 Standing Buddha. Kushan. From W 3.16 Seated Buddha. From Gandhara. Kushan. nd rd Gandhara. 2 -3 C. 2nd C. W 3.18 Seated Buddha. MAthura. Kushan Period. 2nd C. W 3.14 Yakshi from east Torana.

W 3.13 North Torana. W4.6 Caves at Ajanta. Maharashtra India. 450-500 CE W4.1 Chaitya Hall, Karli. Maharashtra, India. CE 50-70. Mithuna couple. Façade of Karli. CE 50-70. W4.11 -12 Padmapani. Ajanta Cave 1.

W4.14 Colossal Buddha. Cave 20 Yungang. Shaanxi Province, China 460-490/ 45’ An undated photo shows one of two huge Buddha statues in Bamiyan before they were destroyed by the Taliban in 2001. W 3.6 Birth of the Buddha. Gandhara. 2nd-3rd C. gray schist. 15” W 3.7 Dream of Queen Maya. Shunga period. 2nd C. BCE. From Stypa at Barhut.

Five Storied Pagoda & of Horyuji. Nara, Japan. Late 7th C. Mandala page Borobudur. Java. C. 800. Corridor at Borobudur. First Gallery 462 Angkor Wat. 1120-1150 CE One Pillar Pagoda Tiếng Việt: Chùa Một Cột Hanoi, Vietnam

Vietnamese Temple Houston. 475 Ise Shrine. C. 685-present