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Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Gigs of My Steaming-Hot Member of Loving His Music, Mention in Your Letter
CATFISH & THE BOTTLEMEN Van McCann: “i’ve written 14 MARCH14 2015 20 new songs” “i’m just about BJORK BACK FROM clinging on to THE BRINK the wreckage” ENTER SHIKARI “ukiP are tAKING Pete US BACKWARDs” LAURA Doherty MARLING THE VERDICT ON HER NEW ALBUM OUT OF REHAB, INTO THE FUTURE ►THE ONLY INTERVIEW CLIVE BARKER CLIVE + Palma Violets Jungle Florence + The Machine Joe Strummer The Jesus And Mary Chain “It takes a man with real heart make to beauty out of the stuff that makes us weep” BLACK YELLOW MAGENTA CYAN 93NME15011142.pgs 09.03.2015 11:27 EmagineTablet Page HAMILTON POOL Home to spring-fed pools and lush green spaces, the Live Music Capital of the World® can give your next performance a truly spectacular setting. Book now at ba.com or through the British Airways app. The British Airways app is free to download for iPhone, Android and Windows phones. Live. Music. AustinTexas.org BLACK YELLOW MAGENTA CYAN 93NME15010146.pgs 27.02.2015 14:37 BAND LIST NEW MUSICAL EXPRESS | 14 MARCH 2015 Action Bronson 6 Kid Kapichi 25 Alabama Shakes 13 Laura Marling 42 The Amorphous Left & Right 23 REGULARS Androgynous 43 The Libertines 12 FEATURES Antony And The Lieutenant 44 Johnsons 12 Lightning Bolt 44 4 SOUNDING OFF Arcade Fire 13 Loaded 24 Bad Guys 23 Lonelady 45 6 ON REPEAT 26 Peter Doherty Bully 23 M83 6 Barli 23 The Maccabees 52 19 ANATOMY From his Thai rehab centre, Bilo talks Baxter Dury 15 Maid Of Ace 24 to Libs biographer Anthony Thornton Beach Baby 23 Major Lazer 6 OF AN ALBUM about Amy Winehouse, sobriety and Björk 36 Modest Mouse 45 Elastica -
6 of the Best – Laura Marling | Nouse
Nouse Web Archives 6 of the Best – Laura Marling Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › News Features Reviews Playlists 6 of the Best – Laura Marling In the run up to her sixth album, Andrew Young takes a look at the highlights of Laura Marling’s career so far Sunday 5 March 2017 Image: NRK P3 With the release of her sixth studio album Semper Femina approaching fast, now seems a good time to take a look back at the highlights of Laura Marling’s short yet prolific career so far. From her delightful acoustic debut Alas I Cannot Swim, released when she was just 18, to 2015’s propulsive Short Movie, Marling’s style has constantly evolved, without ever losing her superb ability to write touching, insightful lyrics coupled with accessible and memorable music. To help whet the appetite for her sixth album, here are six of the best from the indie-folk queen. Ghosts (Alas I Cannot Swim) Still, after 9 years, her best-known song, Ghosts is perhaps the best place to start with Marling, a simple acoustic guitar-led song about lost love, it showcases her ability to write hummable tunes and get under your skin at the same time. Its delicate folk style is indicative of Alas I Cannot Swim as a whole, but the mix of freedom and pain in its refrain hinted early on at the depth Marling would bring to her music. Failure (Alas I Cannot Swim) Another one from Marling’s debut, Failure is a great example of the album’s enduring appeal. -
PRESS RELEASE Monday 24 October
PRESS RELEASE Monday 24 October MARY STUART CASTING UPDATE As rehearsals begin today, the full cast of MARY STUART at the Almeida Theatre is announced. Playing both Elizabeth I and Mary Stuart, Juliet Stevenson and Lia Williams trade the play’s central roles, decided at each performance by the toss of a coin. Joining them will be Alexander Cobb, Rudi Dharmalingam, Vincent Franklin, David Jonsson, John Light, Carmen Munroe, Eileen Nicholas, Daniel Rabin, Sule Rimi and Alan Williams. Following his critically acclaimed productions of Uncle Vanya and Oresteia, Associate Director Robert Icke will adapt and direct Friedrich Schiller’s play. Two queens. One in power. One in prison. It’s all in the execution. Schiller’s political tragedy takes us behind the scenes of some of British history's most crucial days. Mary Stuart will be designed by Hildegard Bechtler, with lighting by Jackie Shemesh, original composition by Laura Marling, sound by Paul Arditti, and video by Tim Reid. Casting is by Julia Horan CDG. The Associate Director is Daniel Raggett. Alexander Cobb’s theatre credits include Red Velvet for the Kenneth Branagh Theatre Company; The Seagull for Headlong; The Magistrate at the National Theatre; Goodbye To All That at the Royal Court Theatre; The Two Gentlemen Of Verona for Rash Dash at Royal & Derngate; and Wasted for Paines Plough. Television includes Indian Summers; The Mimic; Ripper Street; Mr Selfridge; Call The Midwife and Parade’s End. Film includes A Storm in the Stars; and Whitehawk. Rudi Dharmalingam’s previous Almeida credits include Oresteia (also Trafalgar Studios) and 1984 at the Playhouse Theatre; Hamlet at the Barbican; Dara, England People Very Nice, Playing with Fire, Rafta Rafta and The History Boys (also on Broadway) at the National Theatre; X and Hope at the Royal Court; Worst Wedding Ever at Salisbury Playhouse; The Events for the Young Vic, Edinburgh Fringe and on UK Tour; The Seagull and The English Game for Headlong Theatre and Much Ado About Nothing for the Royal Shakespeare Company and in the West End. -
Laura Marling
LAURA MARLING US-Sängerin Laura Marling über die Schönheit der Frauen Am 16. Mai 2020 im Bahnhof Pauli in Hamburg Mit gerade einmal 18 Jahren veröffentlicht Laura Marling ihr erstes Album, das es auf Anhieb in die britischen Charts schafft. Seitdem ist mit der Ausnahmekünstlerin viel passiert und sie zählt zu den wichtigsten Songwritern Englands. Im Mai kommt Laura Marling für zwei exklusive Konzerte am 16. Mai in den Hamburger Bahnhof Pauli sowie am 19. Mai in die Kulturkirche Köln. Aufgewachsen im englischen Hampshire hat Laura Marling schon in jungen Jahren Berührungen zur Folk-Musik, denn ihr Vater ist als Musiklehrer tätig und besitzt ein kleines Tonstudio. Ihr großes Vorbild ist die kanadische Musikerin und Malerin Joni Mitchell. 2008 veröffentlicht Laura Marling erst die EP ›London Town‹ und anschließend ihr Debütalbum ›Alas, I Cannot Swim‹ über Virgin. Die Scheibe erreicht Goldstatus und landet direkt in den britischen Albumcharts. Zudem wird die Musikerin für den renommierten Mercury Prize nominiert. Der Nachfolger ›I Speak Because I Can‹ (2010) steht zwei Jahre später in den Startlöchern und sorgt dafür, dass sich das Standing der Singer-Songwriterin in der Folk-Pop-Szene noch mehr festigt. Mit dem Album steigt Laura Marlin auf Platz vier der UK-Charts und gewinnt damit 2011 den Brit-Award in der Kategorie ›Beste Britische Künstlerin‹. Nach den zwei Alben ›A Creature I Don’t Know‹ (2012) und ›Once I Was An Eagle‹ (2013) verändert Laura Marling ihren musikalischen Fokus, bewegt sich weg vom Folk-Sound und nutzt vermehrt die E-Gitarre. Was sich allerdings nicht ändert, ist das unfassbar gute Gespür für Songtexte, die Poesie für die Ohren sind. -
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience by Christine Sarah Steinbock A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014 Christine Sarah Steinbock ii Abstract Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience Americana, a musical genre defined by its place in a lineage of roots music styles and a nostalgic outlook is enjoying increasing mainstream popularity in response to general societal unease about the fast pace of social change and the increasing presence of technology in everyday life. Americana artists’ invocations of the past cultivate a psychic landscape of collective memory that quells fears of change by asserting the sustained value of the past. Instead of actively resisting social and technological change Americana artists, listeners and promoters embrace technology in service of a nostalgically- motivated humanization and disintermediation of musical performance and consumption. Gillian Welch and Dave Rawlings (who perform as “Gillian Welch”) and their 2011 album The Harrow & the Harvest are analyzed vis-à-vis the ways in which their musical and visual invocations of the rural past dialogue with a psychic landscape of collective memory. iii Acknowledgements I want to express my gratitude for the opportunity to study in the Music and Culture program at Carleton and the privilege of working alongside such dedicated scholars, professors and fellow students alike. I want to especially thank my supervisor, Dr. -
COREY SMITH Like Performing Somewhere New
K k SEPTEMBER 2016 K g VOL. 28 #8 H WOWHALL.ORGk “That’s why I am so excited to be heading out west this fall. After a decade of playing songs for a liv- ing, nothing gets my juices flowing COREY SMITH like performing somewhere new. It keeps me young and always WEST BOUND & DOWN TOUR reminds me that every place I have On Friday, September 30, the Tonight’. In a denim-vest-on-den- fans was once somewhere I’d never Community Center for the im ensemble, Smith may have been.” Performing Arts and KRVM looked like the cool guy who never proudly welcome Sugar Hill leaves campus, but his set revealed LUKE COMBS recording artist Corey Smith to the a soul-searching that only comes Luke Combs is taking country WOW Hall along with special from equal parts experience and radio by storm with his song guest Luke Combs. intellect.” “Hurricane”, released as a single Acclaimed singer/songwriter, Nash Country Weekly states, via River House/Thirty Tigers. producer and guitarist Corey Smith “Smith is as a performer and song- The powerful track was written by has launched his inaugural headlin- writer, an artist who may reside on Combs along with Thomas Archer ing West Coast tour (“West Bound the fringes of country music, but and Taylor Phillips and produced and Down” Tour) in support of one who has earned the kind of by Scott Moffatt. The 26-year-old his newest release, While The rural cred that others can only Asheville, North Carolina native Gettin’ Is Good. -
Ice-Digitalwidescreen-Jan2018.Pdf
PACKED WITH RECOMMENDATIONS AND THE FULL LIST OF 3000+ CHANNELS Digital Widescreen | January 2018 GET YOUR THINK ON Disrupt your world Adventure Capitalists Secrets of Silicon Valley The Partner Business TV chs 1270-1276 Voted World’s Best Infl ight Entertainment for the 13th year in a row! NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE OBCOFCJan18EX2.indd 47 15/12/2017 11:48 EMIRATES ICE_EX2_DIGITAL_WIDESCREEN_63_JANUARY_2018 047_FRONT COVER_V2 200X250 44 New Battle of the Sexes Hello, January in New New year, new you? Movies. Unlock your best health channel 103 with documentary Beyond Food (ch 200), get a skills boost from LinkedIn Learning (chs 1260-1269), or begin a new language with uTalk (chs 1310-1324). Explore all this and so much more in this guide to your entertainment. Explore over 3,000 channels of entertainment... WATCH LIVE TV Find out more MOVIES TV on page 16 Page Page 6 New Movies 12 Comedy 7 Documentaries 13 Drama 8 Film Club 13 Relax TV Car S.O.S. 8 Marvel movies 14 Wildlife in Lifestyle TV. channel Monkey 14 Documentaries 1284 Business: The 14 Music TV Adventures 14 LinkedIn Learning of Curious Goodbye 14 uTalk Language Learning George's Christopher Robin Creators in in New Movies. 14 Business 15 Lifestyle Documentaries. channel 104 15 Trending 15 Emirates & Dubai channel 203 15 Sport 16 Live TV Nella The TOP 5 Princess things to Knight in watch and KIDS Pre-school listen to on Kids TV. Page today's flight, channel such as 10 Kids New Movies 1392 Victoria 10 Disney Classics The LEGO Ninjago in Drama TV. -
Femininity, Sexuality, and Self: a Candid Chat with Laura Marling by Jules Lefevre 8 March 2017
Femininity, sexuality, and self: A candid chat with Laura Marling by Jules LeFevre 8 March 2017 On the second track off her 2015 album Short Movie, Laura Marling reveals herself. In the middle of bristling guitars and drums, she sings: “The whole downtown looks dark like no one lives there/We stay in the apartment on the upper west side/And my worst problem is I don’t sleep at night.” For most artists the lyric would be inconsequential, but for Marling it was revolutionary. For the rst time ever, we could place Marling in a concrete situation. We knew where she was, what she was doing – hell, we even knew when she wrote the song (during Hurricane Sandy, when most of Manhattan was blacked out). Marling had spent most of her career singing in riddles and abstract stories, steadfastly deecting any attention to her personal life. But now, here she was. Most of Semper Femina – her new album out March 10 – was written while on tour for Short Movie. Those expecting another direct view into Marling’s life will be disappointed, but there’s more of Marling in here than meets the ear. Semper Femina (Latin for “always a woman”) is a deep exploration of female relationships, the precarious balance of masculinity and femininity, and of what happens when your sexuality begins to crumble and reform. To reduce it to its purest idea, Semper Femina is a vibrant celebration of womanhood. Unfurling over nine songs, Semper Femina has Marling gliding through jazz-inected folk and spoken word stanzas. Her voice – which inches closer yet to the untouchable Joni Mitchell – is as melliuous as ever, and while she irted with electric guitars on Short Movie she’s now brought her acoustic playing back to the centre.