Nicole Heaston, Soprano / Richard Bado, Piano
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8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time. -
BEYOND the BASICS Supplemental Programming for Leonard Bernstein at 100
BEYOND THE BASICS Supplemental Programming for Leonard Bernstein at 100 BEYOND THE BASICS – Contents Page 1 of 37 CONTENTS FOREWORD ................................................................................. 4 FOR FULL ORCHESTRA ................................................................. 5 Bernstein on Broadway ........................................................... 5 Bernstein and The Ballet ......................................................... 5 Bernstein and The American Opera ........................................ 5 Bernstein’s Jazz ....................................................................... 6 Borrow or Steal? ...................................................................... 6 Coolness in the Concert Hall ................................................... 7 First Symphonies ..................................................................... 7 Romeos & Juliets ..................................................................... 7 The Bernstein Beat .................................................................. 8 “Young Bernstein” (working title) ........................................... 9 The Choral Bernstein ............................................................... 9 Trouble in Tahiti, Paradise in New York .................................. 9 Young People’s Concerts ....................................................... 10 CABARET.................................................................................... 14 A’s and B’s and Broadway .................................................... -
Concert Band Symphonic Band
Symphonic Band JACOBS SCHOOL OF MUSIC Piccolo Saxophone Tuba Four Hundred Ninety-Seventh Program of the 2006-07 Season Alyse Hashi Matt Evans Michael Woods Nick Perez Jia-Lang Wu Flute Kyle Stec Cabot Cobb Anna Zamm Corey Alston Minjoo Ji Grayson Palmer Timpani Hyun Jung Kim Emily Saltz Corey Glenton Horn Leslie Patrice Nobles Ed Morling Percussion Concert Band Andrew Laverghetta Sarah Williams Steve Such Danielle Kuo-LeBlanc Christopher Beckley Paul W. Popiel, Conductor Oboe Kurtis Henderson Drew Rhoda Matthew G.P. Brunner, Conductor Briana Tarby Polly Middleton Ike Machover Krista Stephenson Melissa Crumrine Boomer Kerwin English Horn Trumpet String Bass Crystal Barrett Seth Bowers Karis Samson Eric Nathan Bassoon Patrick R. McMinn Harp Claire Sakurada Andrew Horrigan Kate Mullins Vanessa Davies Kyle Springer Julia Richardson Richard Larkin Jin-Kyung Park Contrabassoon SangHee Ahn Symphonic Band Selena Yamamoto Trombone Kirsten Carrell Scott A. Weiss, Conductor Matthew Sullivan Megan Stout Clarinet Steve Spang Maggie Grove John D. Franklin, Conductor Jackie O’Kain Andrew Bednarz Nai-Wei Hung Tiffany Dulmage Derrick Wallace Tun-Man Ho Piano Michele Williams Bass Trombone Aisha Ahmad-Post Danré Strydom James Yardley Richard Frey Emily Hutchinson Doyeon Kim Jennifer Hughson Euphonium Joe Sheehan Chris Woodall, E-Flat Todd McCready Jiyoung Yoo Megan Corrigan Bass Clarinet Librarians Elise Bonhivert Cabot Cobb Sarah Labovitz _______________ Musical Arts Center Tuesday Evening Sponsored in part February Thirteenth by the Indiana Daily Student Eight O’Clock music.indiana.edu Concert Band From Infinity – Symphony for Wind Band (2005) . Ming-ching Chiu Paul W. Popiel, Conductor I. Misterioso (born 1979) Matthew G.P. -
CHRISTINA O Brochure
About length: 99m / 325’ speed: 19 knots Christina O refit: 2015-18 More than any other yacht, CHRISTINA O is a symbol of romance, and coming aboard you feel it’s magic. cabins: 17 The yacht is a stage, and has a history of the most glamorous, guests: 34 and heroic business, political, and entertainment protagonists. Aristotle Onassis understood perfectly what people need to come crew: 38 together, relax and be entertained. You simply need old-world charm. We invite you to charter to Whether you have take advantage of a perfect experience of large yachts venue for any gathering of or not, you will appreciate “CHRISTINA O has infinitely better friends and family. You can the unique atmosphere deck space for entertaining than the cruise in absolute comfort and romantic power of this latest yachts built today. and offer your guests an historic vessel. Onassis knew The experience of cruising in such unforgettable experience that modern yachts lack style is almost impossible to replicate” Her ability to cruise fast is a valuable asset for involving an iconic yacht. class in comparison. enjoying a wide area of coast during a charter exterior Graceful and impressive with style, flair and panache The aft deck table seats 16 people. It is a beautiful varnished table with intricate marquetry inlays designed by Melinda Patten depicting the tales of Ulysses. space on deck The mosaic dancefloor lowers to form the swimming pool, and depicts the story of the Minotaur. It is a popular area for breakfasts and BBQ set-ups. The original showpiece pool design, with a mosaic base that can be raised & lowered There are spaces for large groups as well as cosy relaxing and dining. -
Westchester Music Man Harold Rosenbaum Shares His Alphabetical Favorites
Subscribe Digital Edition Give a Gift Customer Service WestchesterBest Places To Live Today's Music News What To Do ManLocal Business Harold Guide Blogs Real Estate Top Doctors Top Dentists High School Chart Take Our Reader Survey Rosenbaum Shares His Alphabetical Favorites ® County people and places that strike a chord with renowned choral conductor Harold Rosenbaum. BY HAROLD ROSENBAUM; LLUSTRATION BY CAITLIN KUHWALD EAT & DRINK LIFE & STYLE ARTS & CULTURE INSIDER GUIDES BEST OF WESTCHESTER® Facebook Twitter Google+ Pinterest Ancient houses. Not by European RELATED STORIES standards, but who cares? Barber in Cross River, who also replaces watchbands. It reminds me of the Wild West, where barbers also extracted teeth! Copland House in Cortlandt Manor. Yes, Aaron actually lived there. I conducted his choral Urban Planning Pioneer Seeks To Upgrade masterpiece In the Beginning at his 80th birthday Playland celebration at Symphony Space in NYC. Dirt roads. Sure, they can be a muddy mess when it rains, but they are a nice reminder of our past. Edie, my amazing, talented, beautiful, kind wife, who, among many other things, runs our youth choir, The Canticum Novum Singers. How Baseball Sparked Doris Kearns Goodwin's Love Of History Farms. Real ones. One can join some of them to obtain organic produce weekly. Grandsons. My three—who force me to be normal at times (well, at least goofy and regressive). Horse & Hound Inn, which accommodates my diet every time (I haven’t had meat, fish, dairy, or grains for decades). Idealists. There are plenty of them here, with solar panels, food-producing farm animals, and world-class gardens. -
Distribution Agreement in Presenting This Thesis As A
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Naomi P. Newton April 12, 2016 Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis by Naomi P. Newton Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Department of Music Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Stephen Crist, PhD Committee Member Arri Eisen, PhD Committee Member 2016 Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis By Naomi P. Newton Kristin Wendland, PhD Adviser Bradley Howard, MM Adviser Department of Music An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors. Department of Music 2016 Abstract Storytelling In Opera, Operetta, and American Musical Theater A Research-Performance Honors Thesis By Naomi P. Newton This thesis represents one aspect of my dual research-performance honors project. -
Taking Audio Or Visual Recordings Will Disqualify the Event! Room: 26 Adjudicator: Amy Doty Area: Instrumental Page 1
Taking audio or visual recordings will disqualify the event! Adjudicator: Amy Doty Area: Instrumental Room: 26 Time Event District Building Teacher Event Composition Composer Rating 8:00 Flute/Clarinet Duet Buckeye High School King Ashley Bowles and Logan Bryant Polonaise Gabrielsky 8:10 Percussion Quartet Buckeye High School King Buckeye Percussion Quartet Suite for Percussion Ostling 8:20 Flute/Bell Duet Buckeye High School King Ashley Bowles and Tim Grega Minuet 8:30 Snare Drum Solo Buckeye High School King Taylor Nielsen Simple Simon March Morris Goldenburg 8:40 Snare Solo Buckeye High School King Kevin Maul Turkish March Ann Linsay 8:50 Woodwind Quartet Buckeye High School King Buckeye Woodwind Quartet TBA 9:00 Alto Saxophone Solo Buckeye High School King Karson Riley Berceuse Cesar Cui 9:10 Trumpet Solo Buckeye High School King Michael Caniglia Gavotte Boyce 9:20 Flute/Clarinet Duet Buckeye High School King Amber Murphy and Ashley Bowles Canon Wormser 9:30 Snare Solo Buckeye Jr. High King Ashley Puhala The Girl I left Behind Me Mike Hannickel 9:38 Snare Drum Solo Buckeye High School King Tim Grega The Barber of Seville Craig Alan 9:48 Oboe Solo Buckeye High School King Denell Cormany TBA TBA 9:58 Marimba Solo Buckeye High School King Taylor Nielsen Spinning Song A. Ellmenreich 10:08 Oboe Solo Buckeye High School King Ryan Brooks Presto, Andante Teleman 10:18 Alto Saxophone Duet Buckeye Jr. High King Emma Klooz and Cory Gould Air H. Voxman 10:26 French Horn Duet Buckeye High School King Courtney Styfurak and Cassie Campbell Spring Antonio Vivaldi 10:36 Trumpet Duet Buckeye High School King Michael Caniglia and Kayla Shellenbarger Old German Song Rathgeber 10:46 Flute/Clarinet Duet Buckeye Jr. -
SOME AMERICAN OPERAS/COMPOSERS October 2014
SOME AMERICAN OPERAS/COMPOSERS October 2014 Mark Adamo-- Little Women, Lysistrata John Adams—Nixon in China, Death of Klinghoffer, Doctor Atomic Dominick Argento—Postcard From Morocco, The Aspern Papers William Balcom—A View From the Bridge, McTeague Samuel Barber—Antony and Cleopatra, Vanessa Leonard Bernstein— A Quiet Place, Trouble in Tahiti Mark Blitzstein—Regina, Sacco and Venzetti, The Cradle Will Rock David Carlson—Anna Karenina Aaron Copland—The Tender Land John Corigliano—The Ghosts of Versailles Walter Damrosch—Cyrano, The Scarlet Letter Carlisle Floyd—Susannah, Of Mice and Men, Willie Stark, Cold Sassy Tree Lukas Foss—Introductions and Goodbyes George Gershwin—Porgy and Bess Philip Glass—Satyagraha, The Voyage, Einstein on the Beach, Akhnaten Ricky Ian Gordon—Grapes of Wrath Louis Gruenberg—The Emperor Jones Howard Hanson—Merry Mount John Harbison—The Great Gatsby, Winter’s Tale Jake Heggie—Moby Dick, Dead Man Walking Bernard Hermann—Wuthering Heights Jennifer Higdon—Cold Mountain (World Premiere, Santa Fe Opera, 2015) Scott Joplin—Treemonisha Gian Carlo Menotti—The Consul, The Telephone, Amahl and the Night Visitors Douglas Moore—Ballad of Baby Doe, The Devil and Daniel Webster, Carrie Nation Stephen Paulus—The Postman Always Rings Twice, The Woodlanders Tobias Picker—An American Tragedy, Emmeline, Therese Racquin Andre Previn—A Streetcar Named Desire Ned Rorem—Our Town Deems Taylor—Peter Ibbetson Terry Teachout—The Letter Virgil Thompson—Four Saints in Three Acts, The Mother of Us All Stewart Wallace—Harvey Milk Kurt Weill—Street Scene, Rise and Fall of the City of Mahagonny . -
Program Notes | Amahl and the Night Visitors
23 Season 2018-2019 Thursday, December 13, at 7:30 The Philadelphia Orchestra Saturday, December 15, at 8:00 Bramwell Tovey Conductor and Narrator Dante Michael DiMaio Boy Soprano (Amahl) Renée Tatum Mezzo-soprano (His Mother) Andrew Stenson Tenor (King Kaspar) Brandon Cedel Bass-baritone (King Melchior) David Leigh Bass (King Balthazar) Kirby Traylor Bass (The Page) Philadelphia Symphonic Choir (Shepherds and Villagers) Amanda Quist Director Omer Ben Seadia Stage Director Walton Crown Imperial (Coronation March) Britten The Young Person’s Guide to the Orchestra, Op. 34 Intermission Menotti Amahl and the Night Visitors First complete Philadelphia Orchestra performances Ryan Howell, designer Chris Frey, lighting desig This program runs approximately 1 hour, 45 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. The December 15 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 16_Home.indd 23 12/7/18 10:35 AM 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. -
A Study of Gian Carlo Menotti's Concerto for Violin and Orchestra
A STUDY OF GIAN CARLO MENOTTI’S CONCERTO FOR VIOLIN AND ORCHESTRA by LAURA ANNE TOMLIN (Under the Direction of Dorothea Link and Levon Ambartsumian) ABSTRACT Gian Carlo Menotti’s Concerto for Violin and Orchestra (1952), although written and premiered in the early 1950s, has been an unduly neglected work due to a number of circumstances, but one that has recently been gaining in popularity. The purpose of this document is to provide a comprehensive guide to the Violin Concerto in the hope that it will help capture the attention of those unaware of its existence and ultimately aide in the concerto’s acceptance into the violinist’s standard repertoire. The Violin Concerto’s historical context is examined in relationship to its compositional style and possible sources of inspiration, and to its neglect in the past and recent surge in popularity in the violin world. A formal and theoretical analysis of Menotti’s concerto, as well as a discussion of its technical challenges from the standpoint of the performer, will provide insight into its composition and interpretative issues. Despite its traditional form, Menotti’s Violin Concerto is an unusual piece in many respects, among which are its intriguing possible biographical components. Composed in 1952 for violinist Efrem Zimbalist, the work, on first hearing, can seem a bit disjointed with elements obviously derived from, or at the very least influenced by, other works. However, on closer examination of the work and of its intended performer, these elements appear to be intentional. For these reasons, in addition to its appeal simply as a composition, Menotti’s Violin Concerto is worthy of further study. -
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Volume 26 Kurt Weill Number 1 Newsletter Spring 2008 LOST IN THE STARS Volume 26 Kurt Weill Number 1 Newsletter In this issue Spring 2008 Note from the Editor 3 ISSN 0899-6407 Feature: Lost in the Stars © 2008 Kurt Weill Foundation for Music 7 East 20th Street The Story of the Song 4 New York, NY 10003-1106 Genesis, First Production, and Tour 6 tel. (212) 505-5240 fax (212) 353-9663 The Eleanor Roosevelt Album 10 Later Life 12 Published twice a year, the Kurt Weill Newsletter features articles and reviews (books, performances, recordings) that center on Kurt Books Weill but take a broader look at issues of twentieth-century music and theater. With a print run of 5,000 copies, the Newsletter is dis- Handbuch des Musicals: tributed worldwide. Subscriptions are free. The editor welcomes Die wichtigsten Titel von A bis Z 13 the submission of articles, reviews, and news items for inclusion in by Thomas Siedhoff future issues. Gisela Maria Schubert A variety of opinions are expressed in the Newsletter; they do not The Rest Is Noise: necessarily represent the publisher's official viewpoint. Letters to Listening to the Twentieth Century 14 the editor are welcome. by Alex Ross Joy H. Calico Staff Elmar Juchem, Editor Carolyn Weber, Associate Editor Artists in Exile: How Refugees from Twentieth-Century War and Dave Stein, Associate Editor Brady Sansone, Production Revolution Transformed the American Performing Arts 15 by Joseph Horowitz Kurt Weill Foundation Trustees Jack Sullivan Kim Kowalke, President Joanne Hubbard Cossa Performances Milton Coleman, Vice-President Paul Epstein Der Silbersee in Berlin 17 Guy Stern, Secretary Susan Feder Tobias Robert Klein Philip Getter, Treasurer Walter Hinderer Welz Kauffman Aufstieg und Fall der Stadt Mahagonny in Mainz 18 Robert Gonzales Julius Rudel Aufstieg und Fall der Stadt Mahagonny in Essen 19 David Drew and Teresa Stratas, Honorary Trustees Robert Gonzales Harold Prince, Trustee Emeritus Lady in the Dark in Oullins 20 William V. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.