ISLAMIC POTTERY from JERBA (7Th-10Th CENTURY)
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The History and Description of Africa and of the Notable Things Therein Contained, Vol
The history and description of Africa and of the notable things therein contained, Vol. 3 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmafricanus3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The history and description of Africa and of the notable things therein contained, Vol. 3 Alternative title The history and description of Africa and of the notable things therein contained Author/Creator Leo Africanus Contributor Pory, John (tr.), Brown, Robert (ed.) Date 1896 Resource type Books Language English, Italian Subject Coverage (spatial) Northern Swahili Coast;Middle Niger, Mali, Timbucktu, Southern Swahili Coast Source Northwestern University Libraries, G161 .H2 Description Written by al-Hassan ibn-Mohammed al-Wezaz al-Fasi, a Muslim, baptised as Giovanni Leone, but better known as Leo Africanus. -
Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art
Annika K. Johnson exhibition review of Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012) Citation: Annika K. Johnson, exhibition review of “Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art,” Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012), http://www.19thc-artworldwide.org/autumn12/johnson-reviews-osman-hamdi-bey-and-the- americans. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Johnson: Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012) Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art The Suna and Inan Kıraç Foundation Pera Museum, Istanbul October 14, 2011 – January 8, 2012 Archaeologists and Travelers in Ottoman Lands University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia September 26, 2010 – June 26, 2011 Catalogue: Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art (Osman Hamdi Bey & Amerikalilar: Arkeoloji, Diplomas, Sanat) Edited by Renata Holod and Robert Ousterhout, with essays by Renata Holod, Robert Ousterhout, Susan Heuck Allen, Bonna D. Wescoat, Richard L. Zettler, Jamie Sanecki, Heather Hughes, Emily Neumeier, and Emine Fetvaci. Istanbul: Pera Museum Publication, 2011. 411 pp.; 96 b/w; 119 color; bibliography 90TL (Turkish Lira) ISBN 978-975-9123-89-5 The quietly monumental exhibition, titled Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art, was the product of a surprising collaboration between the Suna and Inan Kıraç Foundation Pera Museum in Istanbul and the University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia. -
Sustainability and ‘The Fall of the Western Roman Empire’: Grain, Labor Markets, and Military Policies
Sustainability and ‘The Fall of the Western Roman Empire’: Grain, Labor Markets, and Military Policies Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Dr. Cheryl Walker, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Hunter M. Bruno May 2018 Copyright by Hunter Bruno © 2018 ABSTRACT Sustainability and ‘The Fall of the Western Roman Empire’: Grain, Labor Markets, and Military Policies A thesis presented to the Graduate Program in Ancient Greek and Roman Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Hunter M. Bruno The issue of societal sustainability is relevant to both modern and ancient civilizations. Ancient Rome was defined and influenced by the issue of sustainability because it was integral to the fundamental structure of the Roman society. In the 5th Century CE, the fall of the Western Roman Empire took place because of consequences that resulted from the issue of sustainability. The societal factors of grain production, military policy, and labor markets all served to influence the sustainability of the Roman West. Roman military policy defined the nature of the Roman economy and established the type of labor system that it employed. Free and unfree labor markets structured the agrarian economy and formed the Roman system of internal taxation and rent collection. Local and commercial grain producers were relied upon to maintain the populations of the Roman West, uphold the Roman military, and sustain the growing servile populations. -
Roman North Africa North Roman
EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved. -
Lecture Series - Points of Contact: New Approaches to Islamic Art, IFA, NY
H-Islamart Lecture series - Points of Contact: New Approaches to Islamic Art, IFA, NY Discussion published by Margaret Graves on Friday, August 22, 2014 From: Finbarr Barry Flood <[email protected]> Date: August 22, 2014 2014-2015 Lecture series at the Institute of Fine Arts, New York University Points of Contact: New Approaches to Islamic Art Over the past decades, the study of Islamic material culture has been marked by increased scholarly attention to transcultural dimensions of art, architecture and archaeology. This interest coincides with an interest in histories of mobility generated by contemporary discourses of the global. It has taken a variety of forms, from attention to the modalities and effects of circulation - the result of diplomatic exchange and gifting, long-distance trade, or looting and reuse, for example - to research on media and regions that lie on the margins of the Islamic world, or outside the traditional boundaries of the canon. Points of Contact introduces some of the exciting new scholarship generated by these developments. This series is supported by The Gulnar K. Bosch Lecture Fund, and co-sponsored by NYU's Hagop Kevorkian Center. All lectures take place at 6:00 PM at the Institute of Fine Arts, New York University, 1 East 78th Street. Fall 2014 October 2, 2014 Gülru Necipoğlu, Aga Khan Professor of Islamic Art, Department of History of Art and Architecture, Harvard University. Persianate Images Between Europe and China: The "Frankish Manner" in the Diez and Topkapı Albums, ca. 1350-1450 November 6, 2014 Renata Holod, College for Women Class of 1963 Professor in the Humanities, History of Art Department; Curator, Near East Section, Museum of Archaeology and Anthropology, University of Pennsylvania A Tumulus in the Pontic Steppe: Reconstructing Ritual, Community and Polity in the early Thirteenth Century CE December 4, 2014 Avinoam Shalem, Riggio Professor of the History of the Arts of Islam, Department of Art History and Archaeology, Columbia University Citation: Margaret Graves. -
Landscape Archaeology and Urbanism at Meninx: Results of Geophysical Prospection on Jerba (2015) Stefan Ritter, Sami Ben Tahar, Jörg W
Landscape archaeology and urbanism at Meninx: results of geophysical prospection on Jerba (2015) Stefan Ritter, Sami Ben Tahar, Jörg W. E. Fassbinder & Lena Lambers This paper presents the results of the geophysical prospection conducted at the site of Meninx (Jerba) in 2015. This was the first step in a Tunisian-German project (a coopera- tion between the Institut National du Patrimoine, Tunis, and the Institut für Klassische Archäologie der Ludwig-Maximilans-Universität München), the aim of which is to shed light on the urban history of the most important city on the island of Jerba in antiquity. Meninx, situated on the SE shore of the island (fig. 1), was the largest city on Jerba dur- ing the Roman Empire and eponymous for the island’s name in antiquity.1 The outstanding importance of this seaport derived from the fact that it was one of the main production centers of purple dye in the Mediterranean.2 With the earliest secure evidence dating to at least the Hellenistic period, Meninx saw a magnificent expansion in the 2nd and 3rd c.A.D. It was inhabited until the 7th c. when the city was finally abandoned.3 Fig. 1. Meninx in its N African context (P. Scheding). 1 For a list of the ancient sources on Jerba and the city of Meninx, see A. Drine, E. Fentress and R. Holod (edd.), An island through time: Jerba Studies 1. The Punic and Roman periods (JRA Suppl. 71, 2009) 37-43 with Table 3.1 (with earlier bibliography), henceforth cited as Jerba Studies 1; cf. -
Straipsniai Thrinacia, the Island of Malta
ISSN 0258-0802. LITERATŪRA 2012 54 (3) Straipsniai THRINACIA, THE ISLAND OF MALTA Horatio Caesar Roger Vella Professor of Classics, Department of Classics and Archaeology, University of Malta Introduction lines, groups of lines, motifs, personages in Homer.2 All these stories with differ- We do not know for sure whether the Tro- ent names seem to be moulded around one jan War really took place or not. If it did core of truthful accounts, which accounts not, then Homer, or whoever the author we can never fathom. It is this long oral was (for even his name has been put in tradition based on true facts that tempts us doubt), must be given the credit for being a to penetrate into the heart of the story and master in inventing hundreds of names and look not only for symbolism and allegory, incidents.1 The later theory goes against but also real persons with their own char- the identification of Troy by Heinrich acters and places with their own peculiar Schliemann and the acceptance of a long features. It is only by accepting this theory history of oral poetry ultimately going that I can approach this present study on back, surely, not to an invented story, but Homer’s Thrinacia. to a real one. Oral tradition is, in fact, be- Some years ago I have shown how the hind not only the Trojan War as described sister island of the Maltese Archipelago, by Homer, but also countless other stories, today called by two names, Għawdex and such as the Argonauts’ journey, the war Gozo, could not have been Ogygia, the is- at Thebes, and earlier stories such as the land of Calypso, and that this island could deluge and the creation of man. -
Mulder CV 2020
Stephennie Mulder Associate professor Department of Art and Art History | department of middle eastern studies The university of texas at austin email: [email protected] EDUCATION June 2008 Ph.D., History of Art, University of Pennsylvania Islamic Art and Architecture June 2001 M.A., Near Eastern Studies, Princeton University June 1997 B.A., Anthropology, Middle East Studies minor, University of Utah PROFESSIONAL APPOINTMENTS 2015-present Associate Professor of Art History Department of Art and Art History – Department of Middle Eastern Studies, The University of Texas at Austin Affiliation: Center for Middle Eastern Studies 2008-2015 Assistant Professor of Art History Department of Art and Art History – Department of Middle Eastern Studies, The University of Texas at Austin Affiliation: Center for Middle Eastern Studies 2000-2010 Archaeological Ceramicist Princeton University/Syrian Department of Antiquities Excavations at Balis, Syria SCHOLARLY PUBLICATIONS Books and Edited Volumes The Shrines of the ‘Alids in Medieval Syria: Sunnis, Shi’is, and the Architecture of Coexistence. Edinburgh: Edinburgh University Press, 2014; 320 pp., first hardback run sold out, reissued in paperback, 2019. “Imagining Localities of Antiquity in Islamic Societies,” guest editor for special issue, International Journal of Islamic Architecture 6:2 (June 2017). 1 Books in Progress Ceramics of Balis. A two-volume analytical study of ceramic material from Princeton University’s excavations at medieval Balis, Syria, including separate studies on two little- known categories: molded ceramics and Umayyad (early Islamic) ceramics. The study will publish four to five analytical chapters and nearly 1,000 drawings and photographs from my research at medieval Balis, and will be among the first major studies of Islamic unglazed ceramics. -
The Mini-Columbarium in Carthage's Yasmina
THE MINI-COLUMBARIUM IN CARTHAGE’S YASMINA CEMETERY by CAITLIN CHIEN CLERKIN (Under the Direction of N. J. Norman) ABSTRACT The Mini-Columbarium in Carthage’s Roman-era Yasmina cemetery combines regional construction methods with a Roman architectural form to express the privileged status of its wealthy interred; this combination deploys monumental architectural language on a small scale. This late second or early third century C.E. tomb uses the very North African method of vaulting tubes, in development in this period, for an aggrandizing vaulted ceiling in a collective tomb type derived from the environs of Rome, the columbarium. The use of the columbarium type signals its patrons’ engagement with Roman mortuary trends—and so, with culture of the center of imperial power— to a viewer and imparts a sense of group membership to both interred and visitor. The type also, characteristically, provides an interior space for funerary ritual and commemoration, which both sets the Mini-Columbarium apart at Yasmina and facilitates normative Roman North African funerary ritual practice, albeit in a communal context. INDEX WORDS: Funerary monument(s), Funerary architecture, Mortuary architecture, Construction, Vaulting, Vaulting tubes, Funerary ritual, Funerary commemoration, Carthage, Roman, Roman North Africa, North Africa, Columbarium, Collective burial, Social identity. THE MINI-COLUMBARIUM IN CARTHAGE’S YASMINA CEMETERY by CAITLIN CHIEN CLERKIN A.B., Bowdoin College, 2011 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2013 © 2013 Caitlin Chien Clerkin All Rights Reserved. THE MINI-COLUMBARIUM IN CARTHAGE’S YASMINA CEMETERY by CAITLIN CHIEN CLERKIN Major Professor: Naomi J. -
1 RENATA HOLOD College of Women Class of 1963 Term Professor In
RENATA HOLOD College of Women Class of 1963 Term Professor in the Humanities, History of Art Department, School of Arts and Sciences [Emerita, as of Fall 1919]; and Curator, Near East Section, Museum of Archaeology and Anthropology, University of Pennsylvania. [updated January, 2021] I. EDUCATION: Harvard University, Ph.D. in Fine Arts, 1972; University of Michigan, MA, History of Art, 1965; University of Toronto, St. Michael’s College, Honours BA in Islamic Studies, 1964. II. AWARDS and HONORS: A. GRANTS [selected] 1. 1984 Foundation Grant, Fall 2017: $50, 000; Fall 2018: $50, 000; Fall 2019: $25,000; Fall 2020; 2. Williams Fund, History of Art Dept. $10, 000 ; 3. Aga Khan Trust for Culture, $120, 000, 2014; 4. Getty Collaborative Grant, 2006 - 2009; 5. 1984 Foundation Grant, 2003, 2004; 6. Aga Khan Foundation, Grant, 1986 -1982; 7. Middle East Center, UPENN, Grants: 1977, 1976, 1974; 8. Social Science Research Council, Foreign Area Training Fellow, 1970-71; 9. Ford Foundation Training Fellowship in Archaeology, 1969-70; 10.Traveling Fellowship, Harvard University, Summer, 1969; 11. NDEA (Fulbright- Hayes), 1967-68; 12. Horace T. Rackham School of Graduate Studies Fellowship, University of Michigan, 1964-5; 13. Honours Society, St. Michael’s College, University of Toronto, 1963 - 4; 14. Charles Mc Tague Scholarship, St. Michael’s College, University of Toronto, 1961. B. HONORS [selected] 1. Middle East Studies Association (MESA) Award for Mentorship, awarded Oct., 2020 [https://mesana.org/awards/awardee/mesa-mentoring-award/renata-holod]; 2. Festschrift “Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod” David J. Roxburgh, editor. (Brill: Leiden, 2014); 3. -
WHAT Architect WHERE Notes Zone 1: Tunis Chikly Is a Small Island
WHAT Architect WHERE Notes Zone 1: Tunis Chikly is a small island located in the northern part of Lake of Tunis which houses Fort Santiago Chikly, a former Roman citadel which was reconstructed by the Spanish Governor of Goletta, Luys Peres Varga, between 1546 and 1550. The fort was completely abandoned in 1830 and Chikly island was left to deteriorate. Chikly was declared a national cultural heritage ** Fort Santiago Chikly asset and the fort is being restored as part of the Tunisian-Spanish شكلي cooperation involving the National Heritage Institute and the University of Madrid. Excavation and cleaning took place in 1994 followed by archaeological excavations in 1995. These found mosaics dating back to the Roman and Byzantine periods in the 4th and 5th centuries. The Tunis convention center is a former exhibition center in Tunis. It was built in 1969 by the architect Del Monaco, at the same time as the Avenue Mohamed V Olivier-Clément congress hotel (current Laico Tunis hotel) which was entrusted to the ** Palais des Congrès + ave du Ghana Cacoub architect Olivier-Clément Cacoub. It was refurbished and enlarged in 1994 قصر المؤتمرات by the architects Wassim Ben Mahmoud and Tarek Ben Miled and it's currently used for international political meetings and summits. Hotel Majestic is a historical hotel on the Avenue de Paris in Tunis, Avenue de Paris Tunisia. It was built in 1914 and is noted for its Art Nouveau architecture *** Majestic Hotel with a white facade and gently curved corners. The hotel is 4 storeys فندق ماجستيك and the first floor has a terrace. -
The Minoan Origin of Tyrian Purple Author(S): Robert R
The Minoan Origin of Tyrian Purple Author(s): Robert R. Stieglitz Reviewed work(s): Source: The Biblical Archaeologist, Vol. 57, No. 1 (Mar., 1994), pp. 46-54 Published by: The American Schools of Oriental Research Stable URL: http://www.jstor.org/stable/3210395 . Accessed: 17/05/2012 05:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The American Schools of Oriental Research is collaborating with JSTOR to digitize, preserve and extend access to The Biblical Archaeologist. http://www.jstor.org The Minoan Origin of Tyrian Purple By Robert R. Stieglltz Tyrianpurple, also known as 'royalpurple,' was the most expensivedye in the ancientworld qensen1963). Indi- rectevidence about its value is providedby Ugaritic textsof the 14thcentury BCE, in whichvarious types of dyed woolens arelisted with theirprices. Some of thesetextiles wereevidently dyed with Tyrianpurple, as theirhigher prices would suggest(Stieglitz 1979:19). Homer used the specialterm haliporphyros,'sea-purple', to referto this dye (Odyssey6.53: 306),perhaps in orderto distinguishit frompurple-dye imi- tations.By the time of Diocletian,in 301 BCE,we know that wool dyed with Tyrianpurple was literallyworth its weight in gold, as is statedin his Edicton Maximum Prices 24.