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Topics in Modern Architecture in Southern California
TOPICS IN MODERN ARCHITECTURE IN SOUTHERN CALIFORNIA ARCH 404: 3 units, Spring 2019 Watt 212: Tuesdays 3 to 5:50 Instructor: Ken Breisch: [email protected] Office Hours: Watt 326, Tuesdays: 1:30-2:30; or to be arranged There are few regions in the world where it is more exciting to explore the scope of twentieth-century architecture than in Southern California. It is here that European and Asian influences combined with the local environment, culture, politics and vernacular traditions to create an entirely new vocabulary of regional architecture and urban form. Lecture topics range from the stylistic influences of the Arts and Crafts Movement and European Modernism to the impact on architecture and planning of the automobile, World War II, or the USC School of Architecture during the 1950s. REQUIRED READING: Thomas S., Hines, Architecture of the Sun: Los Angeles Modernism, 1900-1970, Rizzoli: New York, 2010. You can buy this on-line at a considerable discount. Readings in Blackboard and online. Weekly reading assignments are listed in the lecture schedule in this syllabus. These readings should be completed before the lecture under which they are listed. RECOMMENDED OPTIONAL READING: Reyner Banham, Los Angeles: The Architecture of Four Ecologies, 1971, reprint ed., Berkeley; University of California Press, 2001. Barbara Goldstein, ed., Arts and Architecture: The Entenza Years, with an essay by Esther McCoy, 1990, reprint ed., Santa Monica, Hennessey and Ingalls, 1998. Esther McCoy, Five California Architects, 1960, reprint ed., New York: -
CATALOG NO. 1 Artists’ Ephemera, Exhibition Documents and Rare and Out-Of-Print Books on Art, Architecture, Counter-Culture and Design 1
CATALOG NO. 1 Artists’ Ephemera, Exhibition Documents and Rare and Out-of-Print Books on Art, Architecture, Counter-Culture and Design 1. IMAGE BANK PENCILS Vancouver Canada Circa 1970. Embossed Pencils, one red and one blue. 7.5 x .25” diameter (19 x 6.4 cm). Fine, unused and unsharpened. $200 Influenced by their correspondence with Ray Johnson, Michael Morris and Vincent Trasov co- founded Image Bank in 1969 in Vancouver, Canada. Paralleling the rise of mail art, Image Bank was a collaborative, postal-based exchange system between artists; activities included requests lists that were published in FILE Magazine, along with publications and documents which directed the exchange of images, information, and ideas. The aim of Image Bank was an inherently anti- capitalistic collective for creative conscious. 2. AUGUSTO DE CAMPOS: CIDADE=CITY=CITÉ Edinburgh Scotland 1963/1964. Concrete Poem, letterpressed. 20 x 8” (50.8 x 20.3 cm) when unfolded. Very Good, folded as issued, some toning at edges, very slight soft creasing at folds and edges. $225. An early concrete poetry work by Augusto de Campos and published by Ian Hamilton Finlay’s Wild Hawthorn Press. Campos is credited as a co-founder (along with his brother Haroldo) of the concrete poetry movement in Brazil. His work with the poem Cidade=City=Cité spanned many years, and included various manifestations: in print (1960s), plurivocal readings and performances (1980s-1990s), and sculpture (1987, São Paulo Biennial). The poem contains only prefixes in the languages of Portuguese, English and French which are each added to the suxes of cidade, city and cité to form trios of words with the same meaning in each language. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Washington State Capitol Historic District Is a Cohesive Collection of Government Structures and the Formal Grounds Surrounding Them
-v , r;', ...' ,~, 0..,. ,, FOli~i~o.1('1.300; 'REV. 19/771 . '.,' , oI'! c:::: w .: ',;' "uNiT~DSTATES DEPAANTOFTHE INTERIOR j i \~ " NATIONAL PARK SERVICE -, i NATIONAL REGISTER OF mSTORIC PLACES INVENTORY .- NOMINATION FOR~;';;" SEE INSTRUCTIONS IN HOW TO COMP/"£J'E NATIONAL REGISTER FORMS TYPE ALL ENTRIES·· COMPLETE APPLICABLE SECTIONS , " DNAME HISTORIC Washington State,CaRito1 Historic District AND/OR COMMON Capit'olCampus flLOCATION STREET &. NUMBER NOT FOR PUBUCATION Capitol Way CONGRESSIONAL DISTRICT CITY. TOWN 3rd-Dona1d L. Bonker Olympia ·VICINITY OF coos COUNTY CODE STATE 067 Washington 53 Thurston DCLASSIFICA TION PRESENT USE CATEGORY OWNERSHIP STATUS _MUSEUM x..OCCUPIED -AGRICULTURE .x..OISTRICT ..xPUBLIC __ COMMERCIAL _PARK _SUILDINGISI _PRIVATE _UNOCCUPIED _EDUCATIONAL _PRIVATE RESIDENCE _STRUCTURE _BOTH _WORK IN PROGRESS _ENTERTAINMENT _REUGIOUS _SITe , PUBLIC ACQUISITION ACCESSIBLE -XGOVERNMENT _SCIENTIFIC _OBJ~CT _IN PRoCesS __VES:RESTRICTED _INDUSTRIAL _TRANSPORTATION _BEING CONSIDERED X YES: UNRESTRICTED _NO -MIUTARY _OTHER: NAME State of Washington STREET &. NUMBER ---:=-c==' s.tateCapitol C~~~~.te~. .,., STATE. CITY. TOWN Washington 98504 Olympia VICINITY OF ElLGCA TION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEOS.ETC. Washin9ton State Department of General Administration STREET & NUMBER ____~~~--------~G~e~n~e~ra~l Administration Building STATE CITY. TOWN 01ympia Washington -9B504 IIREPRESENTATION IN EXISTING SURVEYS' trTlE Washington State Invent~,r~y~o~f_H~l~'s~t~o~r~ic~P~l~~~ce~s~----------------------- DATE November 1974 _FEOERAL .J(STATE _COUNTY ,-lOCAL CITY. TOWN Olympia ' .. I: , • ", ,j , " . , . '-, " '~ BDESCRIPTION CONOITION CHECK ONE CHECK ONE 2lexcElLENT _DETERIORATED ..xUNALTERED .xORIGINAl SITE _GOOD _ RUINS _ALTERED _MOVED DATE _ _FAIR _UNEXPOSED ------====:: ...'-'--,. DESCRIBE THE PRESENT AND ORIGINAL IIF KNOWN) PHYSICAL APPEARANCE The Washington State Capitol Historic District is a cohesive collection of government structures and the formal grounds surrounding them. -
Read This Issue
VIEW 2019 VIEW from the Director’s Office Dear Friends of LALH, This year’s VIEW reflects our recent sharpening focus on California, from the Bay Area to San Diego. We open with an article by JC Miller about Robert Royston’s final project, the Harris garden in Palm Springs, which he worked on personally and continues to develop with the owners. A forthcoming LALH book on Royston by Miller and Reuben M. Rainey, the fourth volume in our Masters of Modern Landscape Design series, will be released early next year at Modernism Week in Palm Springs. Both article and book feature new photographs by the stellar landscape photographer Millicent Harvey. Next up, Kenneth I. Helphand explores Lawrence Halprin’s extraordinary drawings and their role in his de- sign process. “I find that I think most effectively graphically,” Halprin explained, and Helphand’s look at Halprin’s prolific notebook sketches and drawings vividly illuminates the creative symbiosis that led to the built works. The California theme continues with an introduction to Paul Thiene, the German-born landscape architect who super- vised the landscape development of the 1915 Panama-California Exposition in San Diego and went on to establish a thriving practice in the Southland. Next, the renowned architect Marc Appleton writes about his own Santa Barbara garden, Villa Corbeau, inspired—as were so many of Thiene’s designs—by Italy. The influence of Italy was also major in the career of Lockwood de Forest Jr. Here, Ann de Forest remembers her grandparents and their Santa Barbara home as the family archives, recently donated by LALH, are moved to the Architecture & Design Collections at UC Santa Barbara. -
Curran House Historic Structure Report This Report Commissioned by the Friends of the Curran House Committee
CURRAN HOUSE HISTORIC STRUCTURE REPORT This report commissioned by the Friends of the Curran House Committee. Published May, 2010 Cover art 2009 photograph of the Curran House, taken by Susan Johnson, Artifacts Consulting, Inc. Contributors The authors of this report wish to express our gratitude for the contribution of the following persons and entities: the Western Washington Chapter of Documentation and Conservation of the Modern Movement; Washington Department of Archaeol- ogy and Historic Preservation, particularly Michael Houser for sharing artwork and his knowledge of Robert Billsbrough Price’s work; Tacoma Public Library, Northwest Room staff; and the Friends of the Curran House, including Cindy Bonaro, Karen Benveniste, Biz Lund and Linda Tanz. 3 4 Administrative Data Name(s) Charles and Mary Louise Curran Residence (Also currently part of the Curran Apple Orchard Park, which belongs to the City of University Place) Location 4009 Curran Lane University Place, WA Pierce County parcel 0220163014 Proposed Treatment Rehabilitation Cultural Resource Data 1955, date of construction (per Pierce County Assessor) and period of significance Robert Billsbrough Price, architect Modern Style Individually eligible at the local level under criterion C for being a fine example of modernist residential design on the West Coast during the 1950’s and for exhibiting advances in building materials in the post-war era. Furthermore, the house is a unique hybrid of speculative model houses and custom design elements by Robert Billsbrough Price, Ta- coma’s leading architect of the 20th century. The house and associated apple orchard are also significant under criterion A, representing the development of University Place with semi-urban lifeways. -
Commartslectures00connrich.Pdf
of University California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California University History Series Betty Connors THE COMMITTEE FOR ARTS AND LECTURES, 1945-1980: THE CONNORS YEARS With an Introduction by Ruth Felt Interviews Conducted by Marilynn Rowland in 1998 Copyright 2000 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Betty Connors dated January 28, 2001. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
20 09 Annual Report
20 annual report 09 the cultural landscape foundation 03 board / staff 04 letter from president 05 education 09 publications 09 exhibitions 10 outreach + events 15 supporters 17 financial exhibitions Marvels of Modernism Cover Photos: Exhibition and Opening (left) Newport Garden Excursion, March 2009 Reception at Design Within (right) TCLF Excursion at the Farnworth Pavilion in Plano, IL, September 2009 Reach, Dallas, TX contents See Page 7 2 Board / Staff Letter from the President The Cultural Landscape Foundation (TCLF) achieved new partnerships with New York Botanical Garden, (2008) is currently on view at the Andy Warhol Museum Board of Directors Officers of the Board several major milestones in 2009, resulting in University of California Berkeley, and The Andy Warhol in Pittsburgh and Heroes of Horticulture (2007) opens significant audience growth, valuable media coverage Museum. Through these partnerships, we organized at Crystal Bridges Museum of American Art in Arkansas Christine Astorino Ann Mullins Kurt Culbertson, Co-Chairman and attention for landscapes, landscape architecture five conferences in New York, Nashville, Berkeley, in January 2010. Amanda Graham Barton Jo Ann Nathan Shaun Saer Duncan, Co-Chairman and practitioners. Here are a few highlights: Pittsburgh, and Chicago to celebrate the publication of Carolyn Bennett Patricia O’Donnell Douglas Reed, Co-Chairman We are equally energized as we approach next year’s Sarah Boasberg Laurie Olin Shaping the American Landscape. First, we launched What’s Out There, the first-ever Sheila Brady Libby Page initiatives. Thanks in part to generous grants from Wiki-based Web site about parks, gardens, and other Laura Burnett Kalvin Platt Continuing the Pioneers of American Landscape Design the Richard H. -
AVAILABLE from Arizona State Capitol Museum. Teacher
DOCUMENT RESUME ED 429 853 SO 029 147 TITLE Arizona State Capitol Museum. Teacher Resource Guide. Revised Edition. INSTITUTION Arizona State Dept. of Library, Archives and Public Records, Phoenix. PUB DATE 1996-00-00 NOTE 71p. AVAILABLE FROM Arizona State Department of Library, Archives, and Public Records--Museum Division, 1700 W. Washington, Phoenix, AZ 85007. PUB TYPE Guides Non-Classroom (055) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Elementary Secondary Education; Field Trips; Instructional Materials; Learning Activities; *Local History; *Museums; Social Studies; *State History IDENTIFIERS *Arizona (Phoenix); State Capitals ABSTRACT Information about Arizona's history, government, and state capitol is organized into two sections. The first section presents atimeline of Arizona history from the prehistoric era to 1992. Brief descriptions of the state's entrance into the Union and the city of Phoenix as theselection for the State Capitol are discussed. Details are given about the actualsite of the State Capitol and the building itself. The second section analyzes the government of Arizona by giving an explanation of the executive branch, a list of Arizona state governors, and descriptions of the functions of its legislative and judicial branches of government. Both sections include illustrations or maps and reproducible student quizzes with answer sheets. Student activity worksheets and a bibliography are provided. Although designed to accompany student field trips to the Arizona State Capitol Museum, the resource guide and activities -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
David a Lester and the Kinsley Civil War Monument
Civil War Valor in Concrete by Randall M. Thies emorial Day, 1917: David Lester looked on with pride as the recently completed Civil War monument was unveiled in Hillside Cemetery, a short Mdistance northwest of Kinsley, Kansas. A Union vet- eran and longtime resident of the Kinsley area, Lester had a special reason to be proud of the new monu- ment: he was the artist who had created it. Memorial Day was always a special occasion, but the unveiling of the new monument made this day even more so, attracting a large crowd despite threat- ening weather and bad roads. After beginning the day with a band concert, speeches, and parade in downtown Kinsley, the crowd gathered at the ceme- tery to share in the dedication of its new monument. Uniformed members of the Knights of Pythias served as a ceremonial firing squad, while flower girls in white dresses provided a festive air. Honored as the The Kinsley Civil War monument photographed about the time of its dedication—Memorial Day, 1917. Randall W. Thies is an archeologist and cultural resource specialist with the Kansas State Historical Society in Topeka and currently serves as state coor- dinator for the Kansas Save Outdoor Sculpture! (SOS!) project. A graduate of Washburn University, he received an M.A. in sociology (anthropology) from Iowa State University in 1979. 164 KANSAS HISTORY David A. Lester and the Kinsley Civil War Monument creator of the monument, David Lester also read the memorial service, as appropriate to his role as com- mander of Kinsley’s Timothy O. Howe Post 241 of the Grand Army of the Republic (GAR), a nationwide Union veterans organization. -
Sculptor Charles Adrian Pillars
CHARLES ADRIAN PILLARS (1870-1937), JACKSONVILLE‟S MOST NOTED SCULPTOR By DIANNE CRUM DAWOOD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Dianne Crum Dawood 2 ACKNOWLEDGMENTS I would first like to acknowledge my thesis chair, Dr. Melissa Hyde, and committee members, Dr. Eric Segal and Dr. Victoria Rovine, for serving on this project for me. Their suggestions, insightful analysis, encouragement, and confidence in my candidacy for a master‟s in art history were important support. I also enjoyed their friendship and patience during this process. The wordsmithing and editing guidance of Mary McClurkin was a delightful collaboration that culminated in a timely finished paper and a treasured friendship. Assistance from Deanne and Ira in the search of microfilm and microfiche records turned a project of anticipated drudgery into a treasure hunt of exciting finds. I also appreciated the suggestions and continued interest of Dr. Wayne Wood, who assured me that Charles Adrian Pillars‟s story was worthy of serious research that culminated in learning details of his life and career heretofore unknown outside of Pillars‟s family. Interviews with Pillars‟s daughter, Ann Pillars Durham, were engaging time travels recalling her father and his celebrity and the family‟s economic and personal vicissitudes during the Great Depression. She also graciously allowed me to review her personal papers. Wells & Drew, the parent company of which was founded in Jacksonville in 1855, permitted my use of a color image, and The Florida Times-Union granted permission to use some of their photographs in this paper.