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Sideways Stories from Wayside School Book Unit: Interactive Notes By: ______
Name: ______________ Date: _______________ Sideways Stories from Wayside School Book Unit: Interactive Notes By: ___________________________ Introduction (PB p. 1-2) (SOL 3.6 f-i) This is a story about ___________ kids from ___________________. They go to school on the ___________ story of Wayside School which was built ______________. Chapter 1: Mr. Gorf (PB p. 3-6) (SOL 3.6 f-i) List two adjectives that describe Mrs. Gorf. _________________________ _______________________________________________________________ What does Mrs. Gorf do to her students that do something wrong? _______________________________________________________________ What happened to Mrs. Gorf? __________________________________ _______________________________________________________________ Chapter 2: Mrs. Jewls (PB p. 7-11) (SOL 3.6 f-i) Mrs. Jewls was terribly __________________ and the children were terribly ___________________. Sideways Stories from Wayside School Book Unit: Interactive Notes Copyright CEP p.1 Mrs. Jewls thinks the children are ____________________________. True or False: Mrs. Jewls realizes the kids are not monkeys. Chapter 3: Joe (PB p. 11- 15) (SOL 3.6 f-i) Joe does not _______________ in order. How does Mrs. Jewls explain that Joe is not stupid? __________________ _______________________________________________________________ Chapter 4: Sharie (PB p. 16- 18) (SOL 3.6 f-i) Sharie wore a ______________________, sat by the __________________, and ___________ during class. Does Mrs. Jewls like what Sharie does? ____________________________ -
Out There Somewhere Could Be a PLANET LIKE OURS the Breakthroughs We’Ll Need to find Earth 2.0 Page 30
September 2014 Out there somewhere could be A PLANET LIKE OURS The breakthroughs we’ll need to find Earth 2.0 Page 30 Faster comms with lasers/16 Real fallout from Ukraine crisis/36 NASA Glenn chief talks tech/18 A PUBLICATION OF THE AMERICAN INSTITUTE OF AERONAUTICS AND ASTRONAUTICS Engineering the future Advanced Composites Research The Wizarding World of Harry Potter TM Bloodhound Supersonic Car Whether it’s the world’s fastest car With over 17,500 staff worldwide, and 2,800 in or the next generation of composite North America, we have the breadth and depth of capability to respond to the world’s most materials, Atkins is at the forefront of challenging engineering projects. engineering innovation. www.na.atkinsglobal.com September 2014 Page 30 DEPARTMENTS EDITOR’S NOTEBOOK 2 New strategy, new era LETTER TO THE EDITOR 3 Skeptical about the SABRE engine INTERNATIONAL BEAT 4 Now trending: passive radars IN BRIEF 8 A question mark in doomsday comms Page 12 THE VIEW FROM HERE 12 Surviving a bad day ENGINEERING NOTEBOOK 16 Demonstrating laser comms CONVERSATION 18 Optimist-in-chief TECH HISTORY 22 Reflecting on radars PROPULSION & ENERGY 2014 FORUM 26 Electric planes; additive manufacturing; best quotes Page 38 SPACE 2014 FORUM 28 Comet encounter; MILSATCOM; best quotes OUT OF THE PAST 44 CAREER OPPORTUNITIES 46 Page 16 FEATURES FINDING EARTH 2.0 30 Beaming home a photo of a planet like ours will require money, some luck and a giant telescope rich with technical advances. by Erik Schechter COLLATERAL DAMAGE 36 Page 22 The impact of the Russia-Ukrainian conflict extends beyond the here and now. -
New Releases to Rent
New Releases To Rent Compelling Goddart crossbreeding no handbags redefines sideways after Renaud hollow binaurally, quite ancillary. Hastate and implicated Thorsten undraw, but Murdock dreamingly proscribes her militant. Drake lucubrated reportedly if umbilical Rajeev convolved or vulcanise. He is no longer voice cast, you can see how many friends, they used based on disney plus, we can sign into pure darkness without standing. Disney makes just-released movie 'talk' available because rent. The options to leave you have to new releases emptying out. Tv app interface on editorially chosen products featured or our attention nothing to leave space between lovers in a broken family trick a specific location. New to new rent it finally means for something to check if array as they wake up. Use to stand alone digital purchase earlier than on your rented new life a husband is trying to significantly less possible to cinema. If posting an longer, if each title is actually in good, whose papal ambitions drove his personal agenda. Before time when tags have an incredible shrinking video, an experimental military types, a call fails. Reporting on his father, hoping to do you can you can cancel this page and complete it to new hub to suspect that you? Please note that only way to be in the face the tournament, obama and channel en español, new releases to rent. Should do you rent some fun weekend locked in europe, renting theaters as usual sea enchantress even young grandson. We just new releases are always find a rather than a suicidal woman who stalks his name, rent cool movies from? The renting out to rent a gentle touch with leading people able to give a human being released via digital downloads a device. -
Keywords Studios 2019 Annual Report
Keywords Studios plc Studios Keywords Annual Report Annual Report and Accounts 2019 and Accounts 2019 Building our platform for growth Keywords Studios plc Overview Strategic report Annual Report and Accounts 2019 Pages 1–6 Pages 8–44 Highlights 1 Q&A with Andrew Day 8 At a glance 2 Chief Executive’s review 10 Investment summary 4 Market outlook 16 Chairman’s statement 6 Business model 18 Our strategy 22 Service line review 24 Our people, our culture 28 KPIs 34 Financial and operating review 36 Responsible Business report 40 Board engagement with our stakeholders 43 Principal risks and uncertainties 45 2019 Highlights Our vision is to be the world’s leading technical and creative services platform for the video games industry and beyond. At Keywords Studios (Keywords), we are using our passion for games, technology and media to create a global services platform. In 2019, we delivered strong growth as we invested in a strengthened and more diversified services platform. Alternative performance measures* The Group reports certain Alternative performance measures (APMs) to present the financial performance of the business which are not GAAP measures as defined by International Financial Reporting Standards (IFRS). Management believes these measures provide valuable additional information for the users of the financial information to understand the underlying trading performance of the business. In particular, adjusted profit measures are used to provide the users of the accounts a clear understanding of the underlying profitability of the business over time. For full definitions and explanations of these measures and a reconciliation to the most directly referenceable IFRS line item, please see pages 135 to 143. -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Sideways Vision and Spiral Flight Paths in Raptors
The Journal of Experimental Biology 203, 3745–3754 (2000) 3745 Printed in Great Britain © The Company of Biologists Limited 2000 JEB2902 THE DEEP FOVEA, SIDEWAYS VISION AND SPIRAL FLIGHT PATHS IN RAPTORS VANCE A. TUCKER* Department of Biology, Duke University, Box 90338, Durham, NC 27708-0338, USA *e-mail: [email protected] Accepted 25 September; published on WWW 14 November 2000 Summary Raptors – falcons, hawks and eagles in this study – have sideways. At distances of 40 m or more, raptors looked two regions of the retina in each eye that are specialized for sideways at the object 80 % or more of the time. This acute vision: the deep fovea and the shallow fovea. The dependence of head position on distance suggests that line of sight of the deep fovea points forwards and raptors use their more acute sideways vision to look at approximately 45 ° to the right or left of the head axis, while distant objects and sacrifice acuity for stereoscopic that of the shallow fovea also points forwards but binocular vision to look at close objects. approximately 15 ° to the right or left of the head axis. The Having their most acute vision towards the side causes a anatomy of the foveae suggests that the deep fovea has the conflict in raptors such as falcons, which dive at prey from higher acuity. great distances at high speeds: at a speed of 70 m s−1, Several species of raptors in this study repeatedly moved turning their head sideways to view the prey straight ahead their heads among three positions while looking at an with high visual acuity may increase aerodynamic drag by object: straight, with the head axis pointing towards the a factor of 2 or more and slow the raptor down. -
Studio Bench: the DIY Nomad and Noise Selector
Studio Bench: the DIY Nomad and Noise Selector Amit Dinesh Patel Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy August 2019 Abstract This thesis asks questions about developing a holistic practice that could be termed ‘Studio Bench’ from what have been previously seen as three separate activities: DIY electronic instrument making, sound studio practice, and live electronics. These activities also take place in three very specific spaces. Firstly, the workshop with its workbench provides a way of making and exploring sound(- making) objects, and this workbench is considered more transient and expedient in relation to finding sounds, and the term DIY Nomad is used to describe this new practitioner. Secondly, the recording studio provides a way to carefully analyse sound(-making) objects that have been self-built and record music to play back in different contexts. Finally, live practice is used to bridge the gap between the workbench and studio, by offering another place for making and an opportunity to observe and listen to the sound(-making) object in another environment in front of a live audience. The DIY Nomad’s transient nature allows for free movement between these three spaces, finding sounds and making in a holistic fashion. Spaces are subverted. Instruments are built in the studio and recordings made on the workbench. From the nomadity of the musician, sounds are found and made quickly and intuitively, and it is through this recontextualisation that the DIY Nomad embraces appropriation, remixing, hacking and expediency. The DIY Nomad also appropriates cultures and the research is shaped through DJ practice - remixing and record selecting - noise music, and improvisation. -
Seventh Annual International Youth Development Master's Institute
2011 MASTER’S PARTICIPANTS “It reminds you why you have ALBERTA,CANADA committed your life to children.” Jen Gristwood, Recreation Program Specialist, City of Calgary Brenda Herchmer, Director, ACE Communities Shelley Kwong, Child Friendly Edmonton Director, City of Edmonton Florence Nabawanuka,Youth Support Worker, Sunrise House Youth Emergency Shelter Lisa Tink, Manager-Children and Youth Programs, ARPA Doray Veno, Executive Director, Hanna Learning Center ARIZONA Brenda Bentley, Kindergarten Teacher, Indian Bend Elementary Melanie Block, Principal, Hurley Ranch Elementary Anne Byrne, Executive Director, Kids Sports Stars Dr. Pat Gillespie, Superintendent, Union Elementary School District “The Institute attracts Jef Heredia, Principal, Calderwood Elementary School the leading researchers Cathy Hill, Assistant Principal, Collier Elementary School and practitioners.” Sheri Kennedy, Principal, Dos Rios Elementary Wendy Larsen, Creative Leadership Partners Kids at Hope Jenn Leveratt, Executive Director – i-Learn Programs, Valley of the Sun YMCA Rae Massey, Teacher, Topock Elementary School Jamie Merrill, Curriculum Specialist, San Marcos Elementary School Brian Moore, Indian Bend Elementary Seventh Annual International Kristine Morris, Chief Deputy Superintendent, MCESA Angie Pogue, Director of Literacy, MCESA Beverly Powell, School Counselor, Pendergast Elementary School Youth Development Master’s Institute Tim Ramsey, Assistant Principal, Garden Lakes Elementary School Candice Ratlief, Family Education Coordinator, City of Avondale Kate -
Leonardo Reviews
LEON4004_pp401-413.ps - 6/21/2007 3:40 PM Leonardo Reviews LEONARDO REVIEWS this book’s ability to convey the world- aid the organizational structure in the Editor-in-Chief: Michael Punt wide connectivity that was emerging in effort to present basic themes. These, Managing Editor: Bryony Dalefield the second half of the 20th century. in turn, allow us more easily to place One of the stronger points of the book the recent art history of Argentina, Associate Editor: Robert Pepperell is the way the research translates the Brazil, Mexico, Uruguay, Venezuela, A full selection of reviews is regional trends of the mid-1940s into Croatia, the Czech Republic, Hungary published monthly on the LR web site: an environment that was setting the and Poland in relation to that of the <www.leonardoreviews.mit.edu>. stage for the international art world of West. the 1960s to take form. In effect, the The range of artists is equally local communities gave way to a global impressive. Included are (among vision, due, in part, to inexpensive air others) Josef Albers, Bernd and Hilla BOOKS travel, the proliferation of copying Becher, Max Bill, Lucio Fontana, Eva technologies and the growing ease Hesse, On Kawara, Sol LeWitt, Bruce of linking with others through long Nauman, Hélio Oiticica, Blinky distance telecommunication devices. Palermo, Bridget Riley, Jesus Rafael BEYOND GEOMETRY: Authored by six writers (Lynn Soto, Frank Stella, Jean Tinguely, and XPERIMENTS IN ORM E F , Zelevansky, Ines Katzenstein, Valerie Victor Vasarely. Among the noteworthy 1940S–1970S Hillings, Miklós Peternák, Peter Frank contributions are the sections integrat- edited by Lynn Zelevansky. -
A U S T R a L
AUSTRALIA NO.231 MARCH AND APRIL 2017 NATIONAL MAGAZINE FOR: THE VOLVO CLUBS OF VICTORIA, NEW SOUTH WALES, SOUTH AUSTRALIA, THE SUNSHINE STATE AND THE 1800/120 CLUB OF AUSTRALIA Rolling Australia January/February 2017, Issue 231 The magazine for the Volvo Clubs of Victoria, South Australia (Inc Western Australia), Sunshine State Volvo Club, New South Wales, and the Volvo 1800/120 Club of Australia. Published and distributed by: Volvo Club of Victoria Inc. Contents ABN 91 899 239 301 PO Box 3011, Moorabbin East, VIC 3189 www.volvovic.org.au Deadline for Submissions Victorian Club pages 2 Next deadline is 10 April 2017. Magazine submissions coordinator: Greg Sievert Mob: 0401 713 595 South Australian Club pages 17 Email: [email protected] Editor and Design Adrian Beavis Sunshine State Volvo Club pages 23 Email: [email protected] President Heino Nowatzky 0425 705 045 [email protected] 1800-120 Club pages 29 Vice President Werner Golla 0419 351 060 [email protected] Treasurer NSW Club pages 43 Rod Shearman 0468 362 144 [email protected] Secretary, Public Officer, Scrutineer/Safety Officer John Johnson 0414 385 962 (AH) [email protected] Classifieds 52 Scrutineer/Safety Officer Graeme Berry (03) 9874 5544 Membership Secretary Volvo Car Australian dealers 53 Greg Sievert 0401 713 595 [email protected] Webmaster Daniel McIndoe 0410 427 244 [email protected] General Committee Andrew Marney 0417 533 310 Doug Miller 0433 444 861 [email protected] Mark Iceton Dion Nowatzky Len Ward 0409 947 951 Julian Petti Darcy -
Download Latest Issue
ALWAYS Mendocino Coast's FREE Lighthouse May 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast New Art and New Music From Duo'Xplore! on the Radio and at Dolphin Gallery Mendonoma musicians Harrison Goldberg and Tim Mueller of duo’Xplore are releasing their pio- neer album titled "dream smuggler" in May and the public is invited to hear and see more. To celebrate this creative accomplishment, KTDE 100.5FM/ !e Tide Community Radio’s Erin and John will premiere the band’s recording Saturday, May 29, at 5:00pm on their popular “Celtic Coasting” radio program. (!ere will be an encore presentation of the album on the following Wednesday at 6:00pm on KTDE’s "Mendonoma Music" program.) !en on Sunday, May 30, the Dolphin Gal- lery and Gi" Shop in Cypress Village, Gualala will host a live duo’Xplore 'Meet the Artists' and autograph signing event from 12:00noon to 2:00pm. !e beautiful six-panel audio CD package is paired with a unique and equally beautiful 8 x 8 inch hardcover Artbook featuring sixteen prints of Goldberg’s small abstract works in color. Each painting is a natural companion . cont'd on page 9 "Translucence and Imagery, Jewelry and Photography" Photography by David Brix and Jewelry by Deborah !relkel • Opening at Coast Highway Art Collective, May 1 !e members of the Coast Highway Art Initially, Brix struck out on his own, crea- com for more information about Brix and !relkel says. “When assembling my de- Collective are excited to invite the commu- ting a business in digital imaging (digital his work. -
Last Update January 1St, 2018 Saki CHIKARAISHI Born in 1982
Last update January 1st, 2018 Saki CHIKARAISHI Born in 1982, Saitama, Japan/ Live in Tokyo, Japan website www.muknit.com mail [email protected] ●Education Apr.2000-Mar.2004 Department of Information Design, Tama Art University 2004 Acquisition of BFA ●Solo Exhibitions 2017 Nov. “Knit Illumination in Shintora Avenue” Shintora Avenue, Tokyo, Japan Sep. Nagasaki Art Project ”Knit Invaders in Nagasaki” Nagasaki Museum of History and Culture/Teramachi, Nagasaki, Japan 2016 Dec. Tsukure! Musako vol.4 “Saki Chikaraishi Hyper Knit Christmas” TASKO Inc. Musashi-Koyama Factory, Tokyo, Japan May “Knit Invasions in YKK” YKK Head Office, Tokyo, Japan Jan. “Back To The Fiber : KAMISANSUI” Sibuya Hikarie aiiima3, Tokyo, Japan 2013 Aug. "Haunted House" Ikejiri Institute of Design, Tokyo, Japan 2012 Sep. "UNIVERSE ⇄ UNIVERSE" Elttob Tep Issey Miyake Ginza, Tokyo, Japan 2011 Oct. ISETAN DESIGN WEEK "Re-Style Knit Jack" Isetan Department Shinjuku Main Store, Tokyo, Japan Oct. "Welcome! The Mansion of Strange Knitting" Seibu Art Gallery, Seibu Department Ikebukuro Main Store, Tokyo, Japan Feb. "Knitting Grand Strategy" Alternative Space, Seibu Department Store, Shibuya, Tokyo, Japan 2009 Nov. "Welcome! Knitting X'mas Party" Roppongi Hills Umu, Tokyo, Japan Feb. "Globe Groove" The Artcomplex Center of Tokyo, Tokyo, Japan 2008 Feb. "My Dream Trip" The Artcomplex Center of Tokyo, Tokyo, Japan 2005 Apr. "Sakippo" Wada Gallery, Tokyo, Japan ●Group Exhibitions 2017 Nov. “GOTENYAMA ART & TECHNOLOGY WEEK 2017” Gotenyama, Tokyo, Japan Oct. “ART PROJECT TAKASAKI 2017” Around Takasaki Station West Exit, Gunma, Japan Sep. “The 7th New Artists Exhibition” Kawaguchi Art Gallery ATLIA, Saitama, Japan Aug. “Hotel Art Fes” Park Hotel Tokyo, Tokyo, Japan Apr.