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Simfonies 1, 2, 3, 4 JORDI SAVALL
Simfonies 1, 2, 3, 4 JORDI SAVALL "An impressive recording" "Jordi Savall démontre une The Classic Review compréhension profonde du massif beethovénien ; il en révèle les équilibres singuliers” Classique News "L'enregistrement de l'année de Beethoven" MERKUR "It’s the organic nature of Savall’s conception that makes it stand head and shoulders above this year’s crop of Fifths" Limelight, EDITOR'S CHOICE "La perfección en estas grabaciones es difícil de comentar. La música está viva y coleando" POLITIKEN "A really first-class recording" Classical Candor 10/2/2021 Review | Gramophone BEETHOVEN Symphonies Nos 1-5 (Savall) Follow us View record and artist details Author: Peter Quantrill We know a lot about how Beethoven composed at the keyboard, and right from the clipped, slashed and rolled tutti chords of the First Symphony’s opening-movement Allegro, all weighted according to context by Le Concert des Nations, there’s a fine and rare sense of how his thinking transferred itself to an orchestral canvas. Made under studio conditions in the church of a medieval Catalonian fortress, these recordings BEETHOVEN enjoy plenty of string bass colour and timpani impact without Symphonies Nos 1-5 swamping the liveliest inner-part debates between solo winds (Savall) or divided-violin combat. Symphony No. 1 ‘Enjoy’ is the word for the set as a whole. The tempos are largely Beethoven’s own, at least according to the metronome Symphony No. 2 marks he retrospectively applied in 1809 to all the symphonies Symphony No. 3, he had composed up to that point, but almost no 'Eroica' interpretative decision feels insisted upon, no expressive horizon foreshortened by a ready-made frame. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
THE CLEVELAN ORCHESTRA California Masterwor S
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Visite Par Audioguide Des Dominicains
STATION - WELCOME BY BRIGITTE KLINKERT Hello, my name is Neil Beardmore and on behalf on Brigitte Klinkert, president of the association that manages this heritage site, which is listed as a historic monument, welcome to The Dominican Convent of Haut-Alsace. The Dominican convent is no longer a place of worship. It is now a cultural centre, certified by the French Culture Ministry as a Subsidised Music Performance Centre. The Dominican Convent of Haute-Alsace belongs to the Haut-Rhin County Council, and it is one of the most important sites of the Upper Rhine Region, together with Hohlandsbourg Castle, Wesserling Park and the Ecomusée d’Alsace, all three of which are nearby. Here you are at the Dominican Convent, a place with an extraordinary history where, if time had stood still, friar preachers, fishmongers, textile workers and the great Rostropovich would meet. To begin this tour, please make your way over to the cloister, which was once a place of prayer and contemplation. We recommend that you follow the tour in the suggested direction, because you will find markers corresponding to the chapter numbers of your audio-guide. Be curious, listen carefully and enjoy your tour of the Dominican Convent. STATION - CLOISTER The sandstone of the Vosges Mountains is whispering... Listen closely and it will tell you seven hundred years of history. This cloister is part of a former Dominican convent, where friar preachers lived. The mendicant order was composed of friars who lived in cities to preach and who relied on charity to survive. It was founded in Toulouse in the early 13th century by St. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: a Genealogy of “Yes We Can Can”
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: A Genealogy of “Yes We Can Can” BRUCE CURTIS Abstract I examine Raymond Williams’s concepts “structure of feeling” and “selective tradition” in an engagement with the novel technical-musical-cultural politics of the 2008 Barack Obama presidential election campaign. Williams hoped structure of feeling could be used to reveal the existence of pre-emergent, counter-hegemonic cultural forces, forces marginalized through selective tradition. In a genealogy of the Allen Toussaint composition, “Yes We Can Can,” which echoed a key campaign slogan and chant, I detail Toussaint’s ambiguous role in the gentrification of music and dance that descended from New Orleans’s commerce in pleasure. I show that pleasure commerce and struggles against racial segregation were intimately connected. I argue that Toussaint defanged rough subaltern music, but he also promoted a shift in the denotative and connotative uses of language and in the assignments of bodily energy, which Williams held to be evidence of a change in structure of feeling. It is the question of the counter-hegemonic potential of subaltern musical practice that joins Raymond Williams’s theoretical concerns and the implication of Allen Toussaint’s musical work in cultural politics. My address to the question is suggestive and interrogative rather than declarative and definitive. Barack Obama’s 2008 American presidential election and the post-election celebrations were the first to be conducted under the conditions of “web 2.0,” whose rapid spread from the mid-2000s is a historic “cultural break” similar in magnitude and consequence to the earlier generalization of print culture.1 In Stuart Hall’s terms, such breaks are moments in which the cultural conditions of political hegemony change.2 They are underpinned by changes in technological forces, in relations of production and communication. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Consequences of Power
Saturday, November 11, 2017, at 8:30 pm The Psalms Experience CONCERT 12 Consequences of Power The Tallis Scholars Peter Phillips, Conductor Introduction by John Schaefer This program is approximately one hour long and will be performed without intermission. Please hold applause until the end of the performance. Please join the artists for a White Light Lounge following the performance. (Program continued) The White Light Festival presentation of The Psalms Experience is supported by The Andrew W. Mellon Foundation. This program is supported as part of the Dutch Culture USA program by the Consulate General of the Netherlands in New York. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall, Starr Theater Please make certain all your electronic devices Adrienne Arsht Stage are switched off. WhiteLightFestival.org American Airlines is the Official Airline of Lincoln UPCOMING WHITE LIGHT FESTIVAL EVENTS: Center Sunday, November 12 at 3:00 pm in David Geffen Nespresso is the Official Coffee of Lincoln Center Hall NewYork-Presbyterian is the Official Hospital of Beethoven’s Missa solemnis Lincoln Center Swedish Chamber Orchestra Artist Catering provided by Zabar’s and Zabars.com Thomas Dausgaard , conductor Swedish Radio Choir Peter Dijkstra , choral director Malin Christensson , soprano The Psalms Experience was created and Kristina Hammarström , mezzo-soprano first produced by Tido Visser, managing Michael Weinius , tenor director of the Netherlands Chamber Josef Wagner , bass Choir. BEETHOVEN: Mass in D major (“Missa solemnis”) Pre-concert lecture by Andrew Shenton at 1:45 pm The Netherlands Chamber Choir was supported in the Stanley H.