Press Release-Becky

Total Page:16

File Type:pdf, Size:1020Kb

Press Release-Becky 588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 www.sfplayhouse.org PRESS RELEASE VENUE: 533 Sutter Street, @ Powell For immediate release Contact: Susi Damilano December, 2011 [email protected] Regional Premiere of BECKY SHAW By Gina Gionfreddo Directed by Amy Glazer January 24 th to March 10th PRESS OPENING: January 28th San Francisco, CA (December, 2011) – Gina Gionfreddo’s 2009 Pulitzer finalist, Becky Shaw will receive its regional premiere at the SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) opening January 28 th (after previews that begin January 24 th ) through March 10 th . Artistic Director, Bill English says he was drawn to Becky Shaw “because it seemed like a wonderful 21st century twist on the drawing room comedy genre. If Oscar Wilde, Noel Coward, or Frank Capra were writing today, aware of our much more complex and knotted relationships, they might have fashioned something like "Becky." The character Becky Shaw, like a time bomb with a slow fuse, is the nitro, thrown into the glycerin of a deeply co- dependent family. And the witty dialogue with zingers abounding is worthy of comparison to a Philadelphia Story or Private Lives .” Like the Victorian upstart Becky Sharp, this modern Becky is unsure, overdressed and socially ambitious. But watch out. She’s no shrinking violet, as the silkily cynical Max soon learns. From their first blind date, which includes an unscheduled visit to the police station, these 30-somethings, along with the newlyweds who set them up, surprise us—and themselves—in a comedy thriller The New York Times called “as engrossing as it is ferociously funny, like a big box of fireworks fizzing and crackling across the stage!” This play asks what we owe the people we love the most and the strangers who land on our doorstep. THE SF PLAYHOUSE Becky Shaw Continued: Lauren English*, will play the title role alongside a steaming cast that includes Arwen Anderson*, Brian Robert Burns*, Lee Dolson, Lorri Holt* and Liz Sklar*. Amy Glazer , Associate Artistic Director of the SF Playhouse will direct. Gina Gionfriddo was a Pulitzer Prize finalist for Becky Shaw , which had its world premiere at the Humana Festival at Actors Theatre of Louisville in 2008 and its New York, sold out, premiere Off Broadway at Second Stage in 2009. Her other plays include After Ashley (Humana Festival; Off Broadway at The Vineyard Theatre; regional theatres throughout the country; and abroad in Poland); U.S. Drag (Off-Broadway by the stageFARM and regional productions); Guinevere (O’Neill Playwrights’ Conference); and the one-acts Squalor and America’s Got Tragedy (commissioned and presented by the stageFARM). Ms. Gionfriddo has received an Obie Award, a Guggenheim Fellowship, The Susan Smith Blackburn Prize, an Outer Critics Circle Award, The Helen Merrill Award for Emerging Playwrights, and an American Theatre Critics Association/Steinberg citation. Currently a Supervising Producer for HBO’s "Boardwalk Empire," she has written for the television dramas "Law & Order," "Law & Order: Criminal Intent," "Cold Case" and "The Borgias." She has contributed essays on rock music to the literary journal, The Believer, and short fiction to Canteen. Gina attended the MFA Playwriting Program at Brown. She has taught writing at Brown, Providence College, and Rhode Island College. Currently she is working on new play commissions from Playwrights Horizons and Center Theatre Group. Amy Glazer (Director and SF Playhouse Associate Artistic Director) has directed numerous world, American and West Coast premieres, most recently, Tigers Be Still , Animals Out of Paper , Shining City and The Scene (SF Playhouse), The Model Apartment (TJT). For Magic Theatre, where Glazer was an associate artist for many years, her work included The God Of Hell, The Crowd You're In With, The Sweetest Swing in Baseball, Blue Surge and The American in Me, Drifting Elegant, Tape, and Wyoming . She has also directed at Marin Theater Company, Eureka Theatre, TheatreWorks, Glazer’s short film, Ball Lightning , premiered at the Locarno International Film Festival, and her feature film, Drifting Elegant , premiered at the Mill Valley Film Festival. Her latest feature film, Seducing Charlie Barker , adapted from Theresa Rebeck’s Page 2 of 4 THE SF PLAYHOUSE Becky Shaw Continued: The Scene is now showing in theatres throughout the country. Amy Glazer is a theatre and film professor at San Jose State University. Founded by Bill English and Susi Damilano in 2003, The SF Playhouse is San Francisco’s fastest growing and most awarded Theater Company and hailed as a “small delicacy” by SF Weekly , “eclectic” by the San Francisco Bay Guardian, and “local theater’s best kept secret” by San Francisco Magazine . Located in Union Square, The SF Playhouse offers intimate, professional theatre with top notch actors and world class design. It has received multiple awards for overall productions, acting and design including the SF Weekly Best Theatre Award, Bay Guardian’s Best Off-Broadway Theatre Award. The San Francisco Chronicle raved, “One of the most meteoric rises [of the decade] has been that of SF Playhouse, Bill English and Susi Damilano's 7-year-old-start-up that has been attracting more top-notch actors, directors, and scripts every year.” The SF Playhouse has become the intimate theatre alternative to the traditional Union Square theatre fare, providing a creative home and inspiring environment where actors, directors, writers, designers, and theatre lovers converge to create works that celebrate the human spirit. Page 3 of 4 THE SF PLAYHOUSE Becky Shaw Continued: FOR CALENDAR EDITORS: WHAT: When an evening calculated to bring happiness takes a dark turn, crisis and comedy ensue. Gina Gionfriddo’s comedy of bad manners, a tangled tale of love, sex and ethics among a quartet of men and women in their 30s, is as engrossing as it is ferociously funny, like a big box of fireworks fizzing and crackling across the stage from its first moments to its last. SHOWS: Tues/Wed/Thurs. 7 p.m., Friday & Saturday 8 p.m., plus Saturdays 3 p.m. WHERE: The SF Playhouse 533 Sutter Street (one block off Union Square, b/n Powell & Mason) TICKETS: For tickets ($20-$70) or more information, the public may contact The SF Playhouse box office at 415-677-9596 , or www.sfplayhouse.org . EVENTS: The SF Playhouse also now offers exclusive events in conjunction with our shows. Talk backs: The public is invited to join us for a special talk-back featuring members of our artistic team directly following the performances on January st 31 , February 2, 7, 8 and 9. Thirsty Thursday -2/23 Join young professionals and socialize pre-show while enjoying $1 beer, soda and pizza, great music, and a specially-discounted ticket. Page 4 of 4 .
Recommended publications
  • Spring 2012-2013 Spotlight Great Plays Begin with Great Stories
    SPRING 2012-2013 SPOTLIGHT GREAT PLAYS BEGIN WITH GREAT STORIES INVISIBLE MAN P.2 A RAISIN IN THE SUN P.6 “M” P.10 RAPTURE, BLISTER, BURN P.14 2013 SPOTLIGHT SPECTACULAR P.22 REIKEN HUNTINGTON NEWS P.26 ASTRID Teagle F. Bougere in Invisible Man. PERFORMANCE CALENDARS P.27 DIRECTED BY CHRISTOPHERcELROEN M “Theatrical brilliance! A must-see!” – CHICAGO TRIBUNE POWERFUL AMERICAN CLASSICADAPTED FOR THE STAGE BY ELLISON OREN JACOBY “Ravishing!” BASED ON THE NOVEL BY – THE WASHINGTON POST INVISIBLERALPH “STUNNING! MAN Teagle F. Bougere gives a tour de force performance!” – BROADWAYWORLD.COM AVENUE OF THE ARTS BU THEATRE “ I am an invisible man.” An idealistic young African-American man searches for identity and his place in the world in AN.4-FEB.3this epic journey through 1930s America. Ellison’s landmark American novel J about race, power, freedom, and liberty comes to life in this gripping theatrical adaptation. “This blazingly theatrical adaptation of one of the most important books of the 20th century confronts us with a blistering perspective on race in America.” – PETER DUBOIS Ralph Ellison Oren Jacoby INTEGRATING IMAGINATION: STAGING INVISIBLE MAN When Ralph Ellison insisted that no adaptation of his iconic novel literary and the performative, Ellison wanted to “take advantage of the Invisible Man be made until after his death, he wasn’t merely being novel’s capacity for telling the truth while actually telling a ‘lie,’ which possessive. “Ralph was a stickler and a perfectionist and he was not is the Afro-American folk term for an improvised story.” persuaded it could be done,” explained his friend and literary executor, Though Ellison’s meticulous writing was hardly “improvised,” he was John Callahan.
    [Show full text]
  • RAPTURE, BLISTER, BURN by GINA GIONFRIDDO Production Helmed by PETER Dubois
    THE ORIGINAL NEW YORK CAST AMY BRENNEMAN, BETH DIXON, VIRGINIA KULL, KELLIE OVERBEY AND LEE TERGESEN SET FOR THE WEST COAST PREMIERE OF RAPTURE, BLISTER, BURN BY GINA GIONFRIDDO Production helmed by PETER DuBOIS Opening Night - Wednesday, August 21 in the Gil Cates Theater at the Geffen Playhouse LOS ANGELES, June 19, 2013 – The original New York cast -- Amy Brenneman (Judging Amy, NYPD Blue, Private Practice), Beth Dixon, Virginia Kull, Kellie Overbey and Lee Tergesen (Monster, Wayne’s World, Weird Science) – are set for the West Coast premiere of Rapture, Blister, Burn, written by Gina Gionfriddo, in the Gil Cates Theater at the Geffen Playhouse, opening Wednesday, August 21, 2013 (previews begin August 13). The Geffen Playhouse presents the Playwrights Horizons production of Rapture, Blister, Burn – directed by Peter DuBois (Artistic Director for the Huntington Theatre Company which just won the 2013 Regional Theatre Tony Award). The comedy was a finalist for the 2012 Pulitzer Prize; playwright Gionfriddo was also a finalist in 2009 for Becky Shaw. Rapture, Blister, Burn tackles feminism’s foibles in what The New York Post called a "wonderful new show. It’s fun!” The Huffington Post said it is “piercingly sharp, roaringly funny comedy on the effect of Internet porn on gender politics, the women's movement and way-post-feminism, and the fate of Western civilization.” Variety said Rapture is full of “sharp dialogue and smart ideas – lots of fun and full of insights.” Three generations of women share their raucous and refreshing approaches to navigating work, love and family. Rock star academic Catherine envies her friend Gwen who finds her domestic responsibilities less than satisfying.
    [Show full text]
  • The Original New York Cast Amy Brenneman, Beth Dixon
    THE ORIGINAL NEW YORK CAST AMY BRENNEMAN, BETH DIXON, VIRGINIA KULL, KELLIE OVERBEY AND LEE TERGESEN SET FOR THE WEST COAST PREMIERE OF RAPTURE, BLISTER, BURN BY GINA GIONFRIDDO Production helmed by PETER DuBOIS Opening Night - Wednesday, August 21 in the Gil Cates Theater at the Geffen Playhouse LOS ANGELES, June 19, 2013 – The original New York cast -- Amy Brenneman (Judging Amy, NYPD Blue, Private Practice), Beth Dixon, Virginia Kull, Kellie Overbey and Lee Tergesen (Monster, Wayne’s World, Weird Science) – are set for the West Coast premiere of Rapture, Blister, Burn, written by Gina Gionfriddo, in the Gil Cates Theater at the Geffen Playhouse, opening Wednesday, August 21, 2013 (previews begin August 13). The Geffen Playhouse presents the Playwrights Horizons production of Rapture, Blister, Burn – directed by Peter DuBois (Artistic Director for the Huntington Theatre Company which just won the 2013 Regional Theatre Tony Award). The comedy was a finalist for the 2012 Pulitzer Prize; playwright Gionfriddo was also a finalist in 2009 for Becky Shaw. Rapture, Blister, Burn tackles feminism’s foibles in what The New York Post called a "wonderful new show. It’s fun!” The Huffington Post said it is “piercingly sharp, roaringly funny comedy on the effect of Internet porn on gender politics, the women's movement and way-post-feminism, and the fate of Western civilization.” Variety said Rapture is full of “sharp dialogue and smart ideas – lots of fun and full of insights.” Three generations of women share their raucous and refreshing approaches to navigating work, love and family. Rock star academic Catherine envies her friend Gwen who finds her domestic responsibilities less than satisfying.
    [Show full text]
  • FOR IMMEDIATE RELEASE Contact: Julia Suszynski/Kirstin Franko Press
    FOR IMMEDIATE RELEASE Contact: Julia Suszynski/Kirstin Franko [email protected]; 202-600-4055 January 27, 2011 ARENA STAGE ANNOUNCES CASTING AND COMPANIES FOR THE TWO-MONTH LONG EDWARD ALBEE FESTIVAL FULL PRODUCTIONS OF STEPPENWOLF THEATRE COMPANY’S WHO’S AFRAID OF VIRGINIA WOOLF? AND ARENA STAGE’S AT HOME AT THE ZOO TO OVERLAP WITH PRESENTATIONS OF NEARLY ALL OF EDWARD ALBEE’S PLAYS (Washington, D.C.) Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation’s greatest living playwrights, Edward Albee. The company has mounted a two-month festival featuring 30 events, making nearly every one of his plays available in performance spaces throughout the Mead Center. The festival kicks off with Steppenwolf Theatre Company’s highly acclaimed Who’s Afraid of Virginia Woolf? directed by Pam MacKinnon (Arena’s A Delicate Balance ) starring Pulitzer Prize and Tony Award winner Tracy Letts as George, Tony Award nominee Amy Morton as Martha, Carrie Coon as Honey and Madison Dirks as Nick in the Kreeger Theater February 25 – April 10. Simultaneously Arena Stage mounts At Home at the Zoo directed by Mary B. Robinson starring Jeff Allin as Peter, Colleen Delany as Ann and James McMenamin as Jerry in the Arlene and Robert Kogod Cradle February 25 – April 24. Beginning in March through the end of April, 16 theater troupes will present staged readings of Albee’s work. Participating companies include The Shakespeare Theatre Company , Theater J , Taffety Punk , Round House Theatre , American Century Theater and Forum Theatre and directors include Wendy C.
    [Show full text]
  • ELEMENTS of FEMINISM in PULITZER PRIZE WINNERS in the 2000S: a STUDY on SELECTED PLAYS
    ELEMENTS OF FEMINISM IN PULITZER PRIZE WINNERS IN THE 2000s: A STUDY ON SELECTED PLAYS AHMAD KAMAL BASYAH SALLEHUDDIN CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR University of Malaya 2018 ELEMENTS OF FEMINISM IN PULITZER PRIZE WINNERS IN THE 2000s: A STUDY ON SELECTED PLAYS AHMAD KAMAL BASYAH SALLEHUDDIN THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR University2018 of Malaya UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: AHMAD KAMAL BASYAH SALLEHUDDIN Matric No: RHA090005 Name of Degree: DOCTOR OF PHILOSOPHY Title of Project Paper/Research Report/Dissertation/Thesis (“this Work”): ELEMENTS OF FEMINISM IN PULITZER PRIZE WINNERS IN THE 2000s: A STUDY ON SELECTED PLAYS Field of Study: PERFORMING ARTS - DRAMA I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • Download Becky Shaw Theatre Program
    Program_COVER_BeckyShaw_rgb.indd 1 4/9/13 1:24 PM Note From the Director Becky Shaw is a deftly written work. Inciting thoughts on ambition, honesty, romantic rela- tionships and economic class, this play reflects how our attitudes and actions form the world that sustains or destroys us. The language can be crude at times, but it might be safe to say that the words may not be too different from ones you have wanted to express yourself (only now you don’t have to be culpable for having said it!). The twisting plot is complicat- ed, and the characters are contradictory, imperfect, and entirely realistic. I have had the very good fortune of working with five truly talented actors whose praise cannot be sang loud enough for having worked so hard on this very complex representation of humanity. And of course, none of this could be presented to you without all of those behind the scenes: many kudos to an outstanding crew! Enjoy the show, and remember… it is in the flaws of human- ity that we all find purpose and intrigue. Shannon Graham Shannon Graham - Director About the Play A Pulitzer Prize finalist, “Gina Gionfriddo’s comedy of bad manners, a tangled tale of love, sex and ethics among a quartet of men and women in their thirties, is as engrossing as it is ferociously funny, like a big box of fireworks fizzing and crackling across the stage from its first moments to its last… scabrous and sharp-witted…One of the great pleasures ofBECKY SHAW is the way the moral ground keeps shifting underneath your feet.” —NY Times.
    [Show full text]
  • Her Theater and Her Influence on Nilo Cruz, Sarah Ruhl, Quiara Alegria Hudes, and Lynn Nottage
    Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 4-30-2018 The House of Paula Vogel: Her Theater and Her Influence on Nilo Cruz, Sarah Ruhl, Quiara Alegria Hudes, and Lynn Nottage Lee Jones Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Jones, Lee, "The House of Paula Vogel: Her Theater and Her Influence on Nilo Cruz, Sarah Ruhl, Quiara Alegria Hudes, and Lynn Nottage." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/english_diss/192 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE HOUSE OF PAULA VOGEL: HER THEATRE AND HER INFLUENCE ON NILO CRUZ, SARAH RUHL, QUIARA ALEGRÍA HUDES, AND LNNN NOTTAGE by LEE BREWER JONES Under the Direction of Matthew Roudané, PhD ABSTRACT As both a playwright and a university professor, Paula Vogel has enjoyed a major career in postmodern American drama. Winner of the Pulitzer Prize for Drama (How I Learned to Drive 1998) as well as the Obie Award (The Baltimore Waltz 1992), Vogel at age sixty-five made her Broadway debut with Tony-nominated Indecent, a collaborative work with director Rebecca Taichman, inspired by Sholem Asch’s early twentieth-century drama featuring same sex romance, God of Vengeance. After an early closure announcement, Indecent received an unusual extension when Vogel struck back at critics who had given lukewarm reviews and, consequently, ticket sales improved.
    [Show full text]
  • Download 2014–2015 Catalogue of New Plays
    CCoverover SSpreadpread 11415.ai415.ai 1 77/28/2014/28/2014 112:15:052:15:05 PPMM IInsidenside CCoverover SSpreadpread 11415.ai415.ai 1 88/12/2014/12/2014 55:13:13:13:13 PPMM Catalogue of New Plays 2014–2015 © 2014 Dramatists Play Service, Inc. NNEWEW CCATALOGUEATALOGUE 114-15.indd4-15.indd 1 88/12/2014/12/2014 110:23:060:23:06 AAMM Dramatists Play Service, Inc. A Letter from the President Fall 2014 Dear Subscriber: After 22 years, you’ll see that this traditional letter is being sent to you by someone new. Stephen Sultan is now enjoying a well-deserved retirement, although he remains onboard here at the Play Service as a trusted and valued consultant. I became the president — only the sixth to head the company since its founding in 1936 — in January, after years of serving as an agent representative on our Board of Directors. I couldn’t be happier in my new position, as DPS has always meant a great deal to me. And I am extremely fortunate to work with a wonderful staff, whose dedication, intelligence, and good humor are an inspiration. The original charter for Dramatists Play Service empha- sizes the importance of the word “service” in our name. I think you’ll find that the service to both our customers and our playwrights continues at a higher level than ever before. As always, there are some great new additions to our catalogue this year. I’m very happy that we have acquired all five nominees for Best Play in this season’s Tony Awards, with ALL THE WAY, Robert Schenkkan’s riveting portrait of LBJ and the politics of power and compromise, leading the pack.
    [Show full text]
  • BECKY SHAW by Gina Gionfriddo
    BECKY SHAW by Gina Gionfriddo RESOURCE PACK Welcome to the Almeida Theatre’s production of Becky Shaw. When Suzanna sets up the unknown Becky Shaw, with her closest friend Max, little can she forecast the seismic effect it will have on their lives. No modern day Emma Woodhouse, Suzanna’s charitable matchmaking leads to a catastrophic first date, that ultimately causes each character in the play to reassess their relationship with one other, forced to clarify the future lives they envisage for themselves. As each character’s reaction to the disastrous first date spirals out of their control, the action speeds by and the plot quite literally thickens, denying the audience a chance to find a stable moral high ground or to take sides in the racing conflict. The result is an unsettling experience: the broad humour found in the uncomfortable circumstances offset with a bitter reality of its characters’ hopelessness; their desperate search for love and happiness in a world where the universal idealism of their generation keeps both constantly out of reach. Gina Gionfriddo’s play draws on the eponymous heroines of Introduction novels in the 19th Century, Thackeray’s Vanity Fair being a key influence. That novel’s anti-heroine, Becky Sharp, is Daisy Haggard driven by social ambition to flout the conventional rules of Photo: Hugo Glendinning courtship of the day, an idea that was echoed through many of Jane Austen’s subsequent books. In 2010, Austen’s England is far behind us. Gender lines blur and the rules of courtship are made by as they go along – or are they? How much have things changed, and is that for better or worse? Becky Shaw does not answer either question but gives us a classical tale of social ambition and love with a distinctly 21st Century ‘post-Hollywood’ sensibility.
    [Show full text]
  • Candidate Statements 2019 Candidates for Officer Positions
    Candidate Statements Each name below links to that individual candidate’s statement. Voting will take place online beginning on August 28, 2019 (paper ballots will be available upon request). Voting instructions will arrive in August in a Guild envelope marked “Election Material.” The WGAE does not endorse or recommend any candidates for Guild office. The Council is the governing body of the WGAE, consisting of 19 members, plus the three officers (President, Vice President and Secretary-Treasurer). Freelance members work in screen, television and new media, and Staff members work in television, radio and digital news shops under the Guild’s jurisdiction. The Officer candidates are as follows: Beau Willimon (i), President Kathy McGee, Vice President Philip Pilato, Vice President Bob Schneider (i), Secretary-Treasurer The fifteen (15) candidates for the six (6) open Freelance seats are (order determined by lot*): Melissa London Hilfers Andy Rheingold Anya Epstein Gina Gionfriddo Bonnie Datt (i) Tracey Scott Wilson (i) Josh Gondelman Courtney Simon (i) Larry J. Cohen Amy Sohn (i) David Simon (i) Dru Johnston David Angelo Bash Doran Stuart Zicherman The three (3) candidates for the three (3) open Staff seats are (order determined by lot*): Kim Kelly (i) Philip Pilato (i) Hamilton Nolan (i) *The order of listing candidates is determined by a drawing of candidates’ names by lot, conducted by two Guild members with a WGAE staff member acting as witness. *(i) denotes incumbent Deadline 2019 Candidates for Officer Positions BEAU WILLIMON, Candidate for President Dear Members, It has been my honor to serve you as president for the past two years.
    [Show full text]
  • Blithe Spirit Playbill
    Providence College DigitalCommons@Providence Playbill and Promotion Blithe Spirit (2015) Spring 3-27-2015 Blithe Spirit Playbill Providence College Follow this and additional works at: https://digitalcommons.providence.edu/blithe_pubs Part of the Theatre and Performance Studies Commons Recommended Citation Providence College, "Blithe Spirit Playbill" (2015). Playbill and Promotion. 2. https://digitalcommons.providence.edu/blithe_pubs/2 This Book is brought to you for free and open access by the Blithe Spirit (2015) at DigitalCommons@Providence. It has been accepted for inclusion in Playbill and Promotion by an authorized administrator of DigitalCommons@Providence. For more information, please contact [email protected]. Paying for college shouldn’t be like pulling teeth. Send your donation in any amount to: Department of Theatre, Dance & Film Providence College One Cunningham Square, Providence, RI 02918 Help us reach our goal of making all scholarships full-tuition scholarships. Blackfriars Guild Scholarship John Bowab Scholarship John Patrick Garrity Jr. ‘73 Scholarship John F. Leonard Scholarship Donations to scholarship funds are fully tax deductible. Providence College Department of Theatre, Dance & Film Angell Blackfriars Theatre, Smith Center for the Arts NoËl coward’s blithe spirit directed by casey seymour kim Scenic Design Costume Design Sara Ossana david costa-cabral Lighting Design Wig Design jen rock michael dates Sound Design Vocal and Dialect Coach dave rabinow megan chang Blithe Spirit is presented by special arrangement
    [Show full text]
  • Paula Vogel to Visit Playwrights' Center
    FOR IMMEDIATE RELEASE Contact: Jessica FRanken (612) 332-7481 x118 [email protected] Paula Vogel to visit Playwrights’ Center Public invited to a conversation on June 20 with Pulitzer Prize-winning playwright as part of the Dramatists Guild Fund’s Traveling Masters Program (MinneapoLis, MN—June 7, 2016)—CeLebRated playwRight and teacher Paula Vogel wiLL spend two days at the PLaywRights’ Center in June as part of the Dramatists GuiLd Fund’s TraveLing MasteRs PRogRam. VogeL’s visit wiLL concLude with a pubLic conveRsation on Monday, June 20, at 7 p.m. at the PLaywRights’ CenteR, 2301 E. FRankLin Avenue in MinneapoLis. ReseRvations foR this fRee event aRe encouRaged: pwcenter.org/vogel, [email protected] or (612) 332-7481. VogeL wiLL aLso be Running one of heR famous Bake-offs for PLaywRights’ Center felLows, an intensive writing woRkshop in which writeRs get thRee ingRedients and 48 houRs to write a new pLay. “The PLaywRights' CenteR is thRiLLed that PauLa VogeL wiLL be visiting the CenteR and shaRing her ideas with ouR community,” says PLaywRights’ CenteR Producing Artistic DiRectoR JeRemy B. Cohen. “PauLa is one of the most important theater artists in the countRy and we are grateful to the DRamatists GuiLd Fund foR making heR visit possible.” The Dramatists GuiLd Fund’s Traveling MasteRs PRogRam is a nationaL outReach pRogRam that bRings prominent dramatists into communities acRoss the countRy for wRiting workshops, master cLasses, taLkbacks, and otheR pubLic events. In paRtneRship with leading regionaL theateRs and univeRsities, the TraveLing MasteRs PRogRam cReates LocaL pRogRamming that gives theateR pRofessionaLs and the pubLic fiRst-hand experience with Renowned artists.
    [Show full text]