Adobe Premiere Elements 13

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ADOBE® PREMIERE® ELEMENTS HELP Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. Last updated 9/23/2014 iii Contents Chapter 1: What's new What's new in Adobe Premiere Elements 13 . .1 What's new in Elements Organizer 13 . .6 Chapter 2: Workspace Workspace . .9 Chapter 3: Creating a video project Create a video story . 14 Creating a project . 19 Saving and backing up projects . 21 Project settings and presets . 22 Viewing a project’s files . 25 Undoing changes . 27 Working with scratch disks . 27 Creating instant movies . 29 Previewing movies . 31 Viewing clip properties . 36 Chapter 4: Importing and adding media Supported devices and file formats . 39 Guidelines for adding files . 40 Adding media into Adobe Premiere Elements . 43 Creating specialty clips . 48 5.1 audio import . 49 Add numbered image files as a single clip . 50 Set duration for imported still images . 50 Working with aspect ratios and field options . 51 Set duration for imported still images . 54 Add numbered image files as a single clip . 55 Sharing files between Adobe Premiere Elements and Adobe Photoshop Elements . 55 Working with offline files . 56 Chapter 5: Arranging movie clips Arranging clips in the Quick view timeline . 58 Arranging clips in the Expert view timeline . 60 Creating a picture-in-picture overlay . 67 Grouping, linking, and disabling clips . 68 Working with clip and timeline markers . 70 Chapter 6: Editing clips Stabilize video footage with Shake Stabilizer . 74 Trimming clips . 77 Split clips . 84 Last updated 9/23/2014 ADOBE PREMIERE ELEMENTS iv Contents Replace footage . 85 Changing clip speed and duration . 85 Freezing and holding frames . 87 Working with source clips . 87 Trimming Unwanted Frames - Guided Edit . 89 Editing frames with Auto Smart Tone . ..

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A Method of Identifying Inconsistent Field Dominance Metadata in a Sequence of Video Frames
(19) & (11) EP 2 109 312 A1 (12) EUROPEAN PATENT APPLICATION (43) Date of publication: (51) Int Cl.: 14.10.2009 Bulletin 2009/42 H04N 5/44 (2006.01) (21) Application number: 08251412.6 (22) Date of filing: 11.04.2008 (84) Designated Contracting States: (72) Inventors: AT BE BG CH CY CZ DE DK EE ES FI FR GB GR • Barton, Oliver James HR HU IE IS IT LI LT LU LV MC MT NL NO PL PT Newport NP20 3PX (GB) RO SE SI SK TR • Elangovan, Premkumar Designated Extension States: Bristol BS1 6PL (GB) AL BA MK RS (74) Representative: Wardle, Callum Tarn et al (71) Applicant: Tektronix International Sales GmbH Withers & Rogers LLP 8212 Neuhausen am Rheinfall Goldings House Schaffhausen (CH) 2 Hays Lane London SE1 2HW (GB) (54) A method of identifying inconsistent field dominance metadata in a sequence of video frames (57) Embodiments of the present invention provide der over a predefined number of most recently analysed a method of identifying inconsistent field order flags for frames; and determining those frames for which the av- a sequence of video frames comprising: for each frame eraged field order does not match the field order identified in the sequence of video frames analysing the frame to by a respective field order metadata item associated with make an initial determination of the field order for that each frame by comparing the averaged field order for frame; averaging the initial determination of the field or- each frame to the respective field order metadata item. EP 2 109 312 A1 Printed by Jouve, 75001 PARIS (FR) EP 2 109 312 A1 Description [0001] Video frames can be classified as either progressive or interlaced, depending upon the method used to display them.
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Final Cut Pro HD
HighNoonNFHome.qxp 3/4/04 3:44 PM Page 1 New Features in Final Cut Pro HD UP01022.Book Page 2 Tuesday, March 23, 2004 7:32 PM Apple Computer, Inc. © 2004 Apple Computer, Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. Your rights to the software are governed by the accompanying software license agreement. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Every effort has been made to ensure that the information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. Apple Computer, Inc. 1 Infinite Loop Cupertino, CA 95014-2084 408-996-1010 www.apple.com Apple, the Apple logo, DVD Studio Pro, Final Cut, Final Cut Pro, FireWire, Mac, Mac OS, Macintosh, PowerBook, Power Mac, and QuickTime are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Cinema Tools, Finder, OfflineRT, LiveType, and Sound Manager are trademarks of Apple Computer, Inc. Digital imagery® copyright 2001 PhotoDisc, Inc. AppleCare is a service mark of Apple Computer, Inc. Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation.
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Technical Specifications
Technical Specifications Scope The standards defined in this document apply to all high definition programs, program blocks, commercials, and other high definition television content provided to the English and French networks of Accessible Media Inc. for broadcast. General HD Technical Specifications for Media Delivery Image Format The resolution shall be 1920 x 1080 pixels and compliant with the SMPTE ST 274-2008 standard. The sampling structure shall be 4:2:2 with 10-bit quantizing. These specifications should be preserved as much as possible throughout the complete production process. Frame Rate The Video frame rate shall be 29.97 frames per second, 2:1 interlaced (59.94 fields per second) noted as 29.97i. Any show or program originally shot at another frame rate, such as 23.98p, 25p or 25i shall be made available to Accessible Media Inc converted to 29.97i. Field Dominance The HD interlaced video shall have a field 1 dominance (upper field first). This means that the first field captured, stamped or output is a Field 1. Cuts in material must happen on frame boundaries (i.e. between field 2 and field 1). 3:2 Pulldown (aka 2:3 pulldown) Used to convert from film frame rate (25fps) to NTSC TV frame rate; in AMI’s case - 29.97fps). Active Format Description (AFD) Programs have a mix of full frame 16:9 and up-converted 4:3 aspect ratio materials. These programs are distributed through a TV channel to viewers equipped with 4:3 or 16:9 aspect ratio receivers. To ensure an optimum display of each picture on a given TV receiver, AFD information is inserted by the broadcaster and carried with each program to the TV receiver that will automatically choose the right display format for each material.
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Interlace, Interleave, En Field Dominance
KASK 2BA - technologie interlaced - progressive 1 of 4 Interlace, Interleave, en Field Dominance Videomonitoren en televisies zijn “raster-based display systems”: elk beeld (frame) wordt lijn per lijn om het scherm gezet (625 lijnen in pal en secam, 525 in NTSC). Progressive vs. Interlaced Progressive scanning is makkelijk. Elk frame wordt volledig opgenomen/weergegeven. Dit is het geval in elke film-camera (waar zelfs geen lijnen aan te pas komen), en in videocamera’s die opnemen in progressive scan. De frame rate duidt het aantal frames per seconde aan (24/25/30). Hierboven 3 elkaar opvolgend frames (progressive scan) Diezelfde drie frames weggeschreven als interlaced video geeft het volgende resultaat (we gaan voor de rest van de uitleg uit van een PAL-video signaal, dus 25fr/sec). In plaats van uit volledige frames bestaat het signaal uit fields, waarbij een field op 1/50 sec (de helft van 1/25 sec) de helft van het beeld op de helft van het totaal aantal beschikbare lijnen wegschrijft, en de volgende 1/50 sec (nogmaals de helft van 1/25 sec) de ander helft van het beeld op de andere helft van het totaal aantal lijnen wegschrijft. Op 2 x 1/50 sec ofwel 1/25 sec is het volledige beeld opgenomen/weggeschreven. De en helft van de lijnen noemen we upper fields, de andere helft lower fields. Het zou duidelijk moeten zijn dat de optelsom van twee fields niet hetzelfde is als één frame progressive scan. Een beetje vereenvoudigd kan je stellen dat bij progressive scan elk frame een foto is van 1/25 seconde, terwijl interlaced video twee foto’s door mekaar mengt die met een tussentijd van 1/50 sec na mekaar zijn opgenomen.
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IDENTIFYING TOP/BOTTOM FIELD in INTERLACED VIDEO Raja Subramanian and Sanjeev Retna Mistral Solutions Pvt Ltd., India
IDENTIFYING TOP/BOTTOM FIELD IN INTERLACED VIDEO Raja Subramanian and Sanjeev Retna Mistral Solutions Pvt Ltd., India BOB + Use the Same as the Close to the Weaving previous top or source source. Lesser ABSTRACT bottom field artifacts than all This paper elaborates an approach that can be adopted to data to the above determine top/bottom fields in an interlaced video. Knowing construct the the top and bottom field is important if the video is de- frame at interlaced using Field Combination, Weaving + Bob, Discard doubled FPS and other algorithms based on motion detection. Determining the field information helps to re-construct the frame with lesser artifacts. This approach can be used if the The captured frame shown below depicts the stair-case top/bottom field information is not provided by video artifacts of discard algorithm. decoder chip. INTRODUCTION Interlaced video has been in use for more than 50 years. When dealing with interlaced video, de-interlacing algorithms are essential to remove any interlacing artifacts. There are many de-interlacing algorithms available for NTSC/PAL interlaced video. For low-end systems (system with less processing capability), following approaches can be considered:- Figure 1: Discard If the field order is unknown (or not provided by the video Algorithm Description Quality decoder chip) then Discard or Bob algorithm is the efficient Stationary Moving method to de-interlace. Weaving / Combine the Same as the Artifacts due to Field top and bottom source time delay Combine field to form a between top and single frame bottom field Discard Discard the top Stair case Stair case or bottom field, artifacts due to artifacts due to resize (double resize/line copy.
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Adobe Premiere Elements Help and Tutorials
ADOBE® PREMIERE® ELEMENTS Help and tutorials Getting Started tutorials Getting started tutorials Knowing your devices You can take photos or videos with a variety of devices and bring them into Elements. Here are some guidelines that are good to follow: Read the documentation that came with your device. Switch on the camera. Follow any instructions that appear on the computer to install drivers and other software. If your camera or computer is not responding, try using a card reader instead. Installing Premiere Elements How do I install Premiere Elements? How do I convert a trial version into a full version? Organizing videos I have imported thousands of videos. How can I organize them? Is there a way I can mark or tag people in videos? How can I add information about places in my videos? In videos of birthdays and other events, can I add event information? Importing videos How do I import videos from Elements Organizer? What methods are available to import videos? How do I import from DVDs, camcorders, phones, and removable drives? How do I import photos from my digital camera or mobile phone? How do I add files from my hard drive? How do I capture live video from camcorders and webcams? Editing videos How do I trim clips to remove unwanted sections from the footage? How do I split video clips? How do I add special effects to my videos? How to I apply transitions between video clips? Creating titles How do I create titles? How do I apply styles to title text and graphics? Saving and Sharing What are the various ways to share my movies? How do I publish my movies to a DVD? How do I share my movies on YouTube? Twitter™ and Facebook posts are not covered under the terms of Creative Commons.
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SD > HD Conversion
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Compressor 3.5 Encoding and Delivery
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Bonsailan Manual
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Final Cut Pro User Manual
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Novel Source Coding Methods for Optimising Real Time Video Codecs
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Digital Video and Field Order 6/11/10 8:31 AM
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