MICHAEL SCHWEITZER, ACE Editor

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MICHAEL SCHWEITZER, ACE Editor Television (select) PROJECT DIRECTOR STUDIO / PRODUCTION CO. DEPUTY (season 1) Chris Grismer, Laura Belsey, Fox Toa Fraser Prod: Kim Harrison, Ryan Kavner DESIGNATED SURVIVOR (season 3) Chris Grismer Netflix Prod: Mark Gordon, Neal Baer, Ryan Kavner CRIMINAL MINDS (7 seasons) Hanelle Culpepper, CBS Larry Teng, Bethany Rooney, Prod: Mark Gordon, Eric Messer, Gigi Coello-Bannon Tawnia McKiernan, Sharat Raju UNDER THE DOME (seasons 1-3) Jack Bender, PJ Pesce, CBS Eriq La Salle, David Barrett, Prod: Neal Baer, Jack Bender, Agatha Warren Sergio Mimica-Gezzan, Olatunde Osunsanmi, Peter Leto, Peter Weller CHICAGO FIRE (season 1) Karen Gavila, Joe Chapple, NBC Alex Chappelle Prod: Dick Wolf, Arthur Forney, John Roman WHITE COLLAR (season 1) Peter Leo, Jeff Eastin, USA Constantine Makris Prod: Jeff Eastin, Keira Morrisette A GIFTED MAN (season 1) Constantine Makris CBS Peter Leto, Donna Deitch Prod: Neal Baer, Sarah Timberman, Agatha Warren Peter Werner LAW & ORDER: LOS ANGELES (season 1) Vincent Misiano, Allen Coulter, NBC Rod Holcomb, René Balcer, Prod: Dick Wolf, Arthur Forney, Chris Misiano Alex Chapple, Chris Misiano, Ed Bianchi, Nick Gomez LAW & ORDER (8 seasons) Various NBC Supervising Editor Prod: Dick Wolf, Arthur Forney, Fred Berner AMERICAN CANDIDATE (series) Michael McNamara Showtime Prod: R.J. Cutler CRIME & PUNISHMENT (docuseries) Various NBC Prod: Dick Wolf, Bill Guttentag, Bob Dussault ALI: AN AMERICAN HERO (tv movie) Leon Ichaso Fox Prod: Kim Moses, Ian Sander D.C. (season 1) Various The WB Prod: Dick Wolf, John August, Arthur Forney NEW YORK UNDERCOVER (season 4) Norberto Barba Fox Don Kurt Prod: Dick Wolf, Arthur Forney MAX Q (tv movie) Michael Shapiro ABC Prod: Jerry Bruckheimer, David Roessell THE OMEN (pilot) Jack Sholder Fox EP: Richard Donner, Prod: Chris Morgan Film (select) PROJECT DIRECTOR STUDIO / PRODUCTION CO. GROOMED (documentary) Gwen van de Pas Discovery+ Prod: Bill Guttentag NANKING (documentary) Bill Guttentag ThinkFilm Winner: Sundance Film Festival, Best Documentary Editing Dan Sturman Prod: Ted Leonsis TWIN TOWERS (documentary) Bill Guttentag Wolf Films Winner: Academy Award, Best Documentary Prod: Dick Wolf SUPERNOVA Walter Hill MGM Prod: Jamie Dixon WISHMASTER II Jack Sholder Artisan Entertainment Prod: Tony Amatullo HANGIN’ WITH THE HOMEBOYS Joe Vasquez New Line Cinema Winner: Sundance Film Festival, Waldo Salt Screenwriting Award Prod: Richard Brick Nominee: Sundance Film Festival Dramatic Grand Jury Prize 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net .

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Location Manager Resume
ROBERTO DE BIASE LOCATION SCOUT & MANAGER - RESUME (619) 977-3139 [email protected] www.rdblocations.com COMMERCIAL PRODUCTION (Selected Credits) APICTURES – VLADIMIR JONES - Xcel Energy “Hero” & “Tough” Location Scout & Manager John Elper, Director – Kent Feuerring, Producer – Jorie Kopie, Producer MARTIN BRINKERHOFF & ASSOCIATES – Honda Motorcycles “KZZA” Location Scout & Manager Rick Balthaser, Director – Jorie Kopie, Producer REALITY PICTURES – BMW “Stock Running Footage” Location Scout & Manager Kim Takal, Director - Pamela Elrich, Producer PARANA FILMS – CONILL - Toyota Prius V “Resort” & “Road” Location Scout Pucho Mentasti, Director - Sebastian Leda, Executive Producer – Sal Tassone, Producer TEN STORIES – Bridgepoint Education, Ashford University Holiday Bowl Location Scout & Manager Rich Underwood, Director – Robert Craghead and Bryan Bihari, Producers DETOUR FILMS – RED HYDRANT - San Diego Tourism “Happiness is Calling” Location Scout & Manager Dana Tynan, Director – Jessica Cooper Carlson, Producer, Jorie Kopie, Producer VRA USA – TEAM RETAIL FIRST – Ford “Built for San Diego Running Footage” Location Scout & Manager Alan Vajda, Director – Joe Ramey, Executive Producer – Jorie Kopie, Producer IDENTITY – GLOBAL HUE – US NAVY – Job 1464 Location Scout & Manager Andrew Walton, Director – Laure Stevens, Producer CHROME BUMPER FILMS – PERICH – “GM & GMC Fleet Running Footage” Location Scout & Manager John Quigley, Director – Shannon Cragin, Producer FILM REALITÉ – THE DESIGNORY – “Nissan Leaf Digital Brochure Running Footage” Location Scout & Manager Rich Epstein, Director – Marla Whittaker, Producer PONY SHOW ENTERTAINMENT – CAMPBELL-EDWALD – US NAVY “The Shield” Location Scout & Manager Peter Berg, Director – Fern Martin, Producer – Josh Mulry, Production Supervisor RESPOND2 – ICON FITNESS – “AbGlider, Discovery” Location Scout & Manager Greg Penner, Director - Kristin Swanson, Producer FILM REALITÉ – TEAM DETROIT – FORD “Early 2011 Running Footage” Location Scout Kevin Ward, Director – Marla Whittaker, Producer FOUNDATION POST – ORTHO BIOTECH INC.
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BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
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Mental Health Professionals According to Prime-Time: an Exploratory Analysis
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Productions in Ontario 2006
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KATHRYN HIMOFF, ACE Editor
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The Amazing, Performing Film: Some Propositions
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Hallmark Collection
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Proposed Combination of Comcast and Nbc-Universal
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