An Investigation of Nationalism Through the Writing of W. B Yeats
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The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’S College Burdwan, West Bengal India
www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’s College Burdwan, West Bengal India In his essay the ‘The Imagination’ I. A. Richards points out that in a poem impulses are organized by a poet in two ways -- by exclusion and by inclusion. In the structure of poems where impulses are organized by inclusion one comes across a unique ‘equilibrium of opposed impulses’ (197), a gift of the poetic imagination. Paradox is one of the verbal manifestations of this singular balance of heterogeneous impulses. As ordinary language is generally marked by what Shklovsky calls habitualization (12), the contradiction inherent in a paradox belies our expectations and comes to us at first as a shock. But as we probe deeper and look at the expression from a new angle, the familiar semantic horizon of the words used gets extended resolving in the process all apparent contradictions. This is what Cleanth Brooks theorizes as the ‘disruptive’ function of the language of literature: The tendency of science is necessarily to stabilize terms, to freeze them into fixed denotations; the poet’s tendency is by contrast disruptive. The terms are continually modifying each other, and thus violating their dictionary meanings. (9) When Eliot writes ‘April is the cruellest month’(51) we feel bewildered because the line rudely shakes all positive bliss and grace associated with the first month of the spring. Gradually as we take into account the story of the Fisher King of the fertility myth, we discover the truth embedded in the paradox. -
Tagore's Song Offerings: a Study on Beauty and Eternity
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Tagore’s Song Offerings: A Study on Beauty and Eternity Dr. Tinni Dutta Lecturer, Department of Psychology , Asutosh College Kolkata , India. ABSTRACT Gitanjali written by Rabindranath Tagore (and the English translation of the Corresponding Author: Bengali poems in it, written in 1921) was awarded the Novel Prize in 1913. He Dr. Tinni Dutta called it Song Offerings. Some of the songs were taken from „Naivedya‟, „Kheya‟, „Gitimalya‟ and other selections of his poem. That is, the Supreme Being is complete only together with the soul of the devetee. He makes the mere mortal infinite and chooses to do so for His own sake, this could be just could be a faint echo of the AdvaitaPhilosophy.Tagore‟s songs in Gitanjali express the distinctive method of philosophy…The poet is nothing more than a flute (merely a reed) which plays His timeless melodies . His heart overflows with happiness at His touch that is intangible Tagore‟s song in Gitanjali are analyzed in this ways - content analysis and dynamic analysis. Methodology of his present study were corroborated with earlier findings: Halder (1918), Basu (1988), Sanyal (1992) Dutta (2002).In conclusion it could be stated that Tagore‟s songs in Gitanjali are intermingled with beauty and eternity.A frequently used theme in Tagore‟s poetry, is repeated in the song,„Tumiaamaydekechhilechhutir‟„When the day of fulfillment came I knew nothing for I was absent –minded‟, He mourns the loss. This strain of thinking is found also in an exquisite poem written in old age. -
PAPER VI UNIT I Non-Fictional Prose—General
PAPER VI UNIT I Non-fictional Prose—General Introduction, Joseph Addison’s The Spectator Papers: The Uses of the Spectator, The Spectator’s Account of Himself, Of the Spectator 1.1. Introduction: Eighteenth Century English Prose The eighteenth century was a great period for English prose, though not for English poetry. Matthew Arnold called it an "age of prose and reason," implying thereby that no good poetry was written in this century, and that, prose dominated the literary realm. Much of the poetry of the age is prosaic, if not altogether prose-rhymed prose. Verse was used by many poets of the age for purposes which could be realized, or realized better, through prose. Our view is that the eighteenth century was not altogether barren of real poetry. Even then, it is better known for the galaxy of brilliant prose writers that it threw up. In this century there was a remarkable proliferation of practical interests which could best be expressed in a new kind of prose-pliant and of a work a day kind capable of rising to every occasion. This prose was simple and modern, having nothing of the baroque or Ciceronian colour of the prose of the seventeenth-century writers like Milton and Sir Thomas Browne. Practicality and reason ruled supreme in prose and determined its style. It is really strange that in this period the language of prose was becoming simpler and more easily comprehensible, but, on the other hand, the language of poetry was being conventionalized into that artificial "poetic diction" which at the end of the century was so severely condemned by Wordsworth as "gaudy and inane phraseology." 1.2. -
IP Tagore Issue
Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Reading Rabindranath Tagore's Gitanjali: Meanings for Our Troubled, Pandemic Stricken Times
ISSN 25820427 (Online) Special Issue No. 1 March, 2021 A bi-lingual peer reviewed academic journal http://www.ensembledrms.in Article Type: Research Article Article Ref. No.: 20113000443RF https://doi.org/10.37948/ensemble-2021-sp1-a016 (RE)READING RABINDRANATH TAGORE'S GITANJALI: MEANINGS FOR OUR TROUBLED, PANDEMIC STRICKEN TIMES Tapashree Ghosh1 Abstract: The COVID 19 pandemic is far from over. The second wave of the virus is already adversely affecting counties such as England, France, Germany, and the USA. In India, people are suffering from the widespread impact of this disease for the last nine months. It has deeply affected our life, livelihood, health, economy, environment, and mental health. This grim scenario is not only specific to our country but can be witnessed globally. At this critical juncture, literature is extremely important as it can lift us from the nadir of depression and the abyss of nothingness. Hence, while critically engaging with the sub-theme ‘Pandemic and Literature’ we should not limit our studies to texts dealing with crises, pandemics and apocalypse. We must broaden our perspective to include texts that can emotionally heal us and generate feelings of positivity, faith, strength, and peace. Hence, this paper re-reads Tagore’s Gitanjali from the present position of being sufferers of a global crisis. The text is timeless and our contemporary. It contains Tagore’s deep engagement with philosophy and spirituality. We should re-read it and fetch newer meanings relevant to our present context. It is relevant and a necessary read for both ‘the home and the world’. Article History: Submitted on 30 Nov 2020 | Accepted on 9 February 2021| Published online on 17 April 2021 Keywords: Anxiety, Death, Fear, Heal, Spirituality, Peace, Salutation, Strength “The mind is very restless, turbulent, strong and obstinate, O Krishna. -
Indian Writings in English
UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION V Semester BA ENGLISH CORE COURSE INDIAN WRITINGS IN ENGLISH ENG5 B01 SECTION I POETRY Gitanjali and TheGardener Rabindranath Tagore 1. What is the meaning of the word Gitanjali? a) Mantra chanting b) Song offerings c) Romantic songs d) spiritual quest 2. Rabindranath Tagore was awarded with Nobel prize in a) 1914 b)1913 c) 1915 d)1920 3. Who is known as the Bard of Bengal? a) Satyajith Ray b) Rabindranath Tagore c) Aurobindo Gosh d) M.M.Dutta 4. Who wrote the introduction to Gitanjali? a) Jibananda Das b) Nehru c) W.B.Yeats d) T.S.Eliot 5. Who was the first non-European to win Nobel Prize for literature? a) Arundathi Roy b) Kamala Das c) Tagore d) Aurobindo Gosh 6. Which of the following country’s national anthem was written by Tagore other than India’s? School of Distance Education a) Iran b) Bengladesh c) Kuwait d) Pakistan 7. Which of the following is not included in Rabindra Nritya Natya? a) Chitrangada b) Shyama c) Dak Ghar d) Chandalika 8. Tagore’s Dak Ghar andChandalika are included in which of the following genre? a) short story b) poem c) drama d) essay 9. Gitanjali by Tagore was published in Bengali in 1910. Its English translation got published in a) 1911 b)1913 c) 1914 d)1912 10. Which of the work has the motto ‘I am here to sing theesongs’? a) The Gardener b) Gitanjali c) Stary birds d)The Golden Boat 11.Who is addressed in the poem Where the mind is without fear a) God b) poet’s lover c) a stranger d) nature 12. -
Elective English - III DENG202
Elective English - III DENG202 ELECTIVE ENGLISH—III Copyright © 2014, Shraddha Singh All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara SYLLABUS Elective English—III Objectives: To introduce the student to the development and growth of various trends and movements in England and its society. To make students analyze poems critically. To improve students' knowledge of literary terminology. Sr. Content No. 1 The Linguist by Geetashree Chatterjee 2 A Dream within a Dream by Edgar Allan Poe 3 Chitra by Rabindranath Tagore 4 Ode to the West Wind by P.B.Shelly. The Vendor of Sweets by R.K. Narayan 5 How Much Land does a Man Need by Leo Tolstoy 6 The Agony of Win by Malavika Roy Singh 7 Love Lives Beyond the Tomb by John Clare. The Traveller’s story of a Terribly Strange Bed by Wilkie Collins 8 Beggarly Heart by Rabindranath Tagore 9 Next Sunday by R.K. Narayan 10 A Lickpenny Lover by O’ Henry CONTENTS Unit 1: The Linguist by Geetashree Chatterjee 1 Unit 2: A Dream within a Dream by Edgar Allan Poe 7 Unit 3: Chitra by Rabindranath Tagore 21 Unit 4: Ode to the West Wind by P B Shelley 34 Unit 5: The Vendor of Sweets by R K Narayan 52 Unit 6: How Much Land does a Man Need by Leo Tolstoy 71 Unit 7: The Agony of Win by Malavika Roy Singh 84 Unit 8: Love Lives beyond the Tomb by John Clare 90 Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins 104 Unit 10: Beggarly Heart by Rabindranath Tagore 123 Unit 11: Next Sunday by -
Language in India
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 20:11 November 2020 ISSN 1930-2940 Editors: Sam Mohanlal, Ph.D. B. Mallikarjun, Ph.D. A. R. Fatihi, Ph.D. G. Baskaran, Ph.D. T. Deivasigamani, Ph.D. Pammi Pavan Kumar, Ph.D. Soibam Rebika Devi, M.Sc., Ph.D. Managing Editor & Publisher: M. S. Thirumalai, Ph.D. Contents Aliya Shahnoor Ameen From Rooted to Uprooted: An Environmental Apocalypse in Amitav Ghosh’s Sea of Poppies 1-8 Anne Varghese, PhD (Linguistics) and Prema K. S. Rao, PhD (Speech & Hearing) Token Test - A Screening Tool For Children With Reading Disability 9-22 Bithi Mojumder, Rubaiyan Asif, and Fatema Akter Charulata as an Adaptation of ‘Nastanirh’: Satyajit Ray’s Craftsmanship in the Recreation of Tagore’s Work on Celluloid 23-31 David Lagachu, M.A., UGC NET Revisiting Simone de Beauvoir’s Defense of Female Sexuality in Brigitte Bardot and the Lolita Syndrome 32-37 Dr. Sheeba Azhar, M.A., PhD (English) and Dr. Syed Abid Ali Recurring Motif of Toru Dutt’s Poetry: The Quest for Identity and the Sense of Loss 38-48 ==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 20:11 November 2020 Contents i Dr. Lovely John Menachery Using Needs Analysis to Design a Student Centric English Curriculum for Engineering Students 49-58 Dr. Melissa G. Wallang Deafness and a Village Sign Language Community in Meghalaya 59-72 N. Vijayan, Ph.D. and N. Nadaraja Pillai, Ph.D. Discourse Analysis of Seven Brothers and their Sister – A Story of Eravalla, a Dravidian Tribal Community 73-97 Joy Das, M.A., NET Reconnoitring the Conflict between Good and Evil in William Golding’s Lord of the Flies 98-103 Patience Obiageri Solomon-Etefia and Samuel Edem Language, Action Negotiation in Lassa Fever Health Discourse in Nigeria 104-123 Prof. -
From Gitanjali to Song Offerings: Interrogating the Politics of Translation in the Light of Colonial Interaction
From Gitanjali to Song Offerings: Interrogating the Politics of Translation in the Light of Colonial Interaction Urmi Sengupta1 In English prose there is a magic which seems to transmute my Bengali verses into something which is original again in a different manner. Therefore, it not only satisfies me but gives me delight to assist my poems in their English birth....Fundamental idea is the same, but the vision changes. A poem can only be relived in a different atmosphere (Mitra 390) The above mentioned lines quoted from a letter of Rabindranath Tagore (1861-1941) addressed to D. J. Anderson spell out beautifully the nuances of the role played by Tagore as a translator of his collection of Bangla geeti-kavita titled Gitanjali (1910) into English prose. Song Offerings (also containing a few selected poems from nine of his earlier collections of poetry Gitimalya, Kalpana, Chaitali, Kheya, Naivedya, Shishu, Achalayatan , Utsarga and Swaran ) which was first published by Indian Society, London in November, 1912 and later by Macmillan and Company, London in March, 1913 received unprecedented appreciation in the West and had already been reprinted ten times within a span of a few months before it was awarded the Nobel Prize in Literature in November,1913. Of the two main standpoints that strive to explain this high acclaim for Song Offerings in the target language-culture , one is enunciated clearly by the Nobel Committee of 1913 in their citation which declares “Because of his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the 1 Urmi Sengupta is working as a Junior Research Scholar in the Department of Comparative Literature, Jadavpur University, Kolkata and pursuing PhD from the same. -
Biography of Sarojini Naidu Saroji Naidu Also Known by the Sobriquet the Nightingale of India, Was a Child Prodigy, Indian Indep
Biography of Sarojini Naidu Saroji Naidu also known by the sobriquet The Nightingale of India, was a child prodigy, Indian independence activist and poet. Naidu was the first Indian woman to become the President of the Indian National Congress and the first woman to become the Governor of Uttar Pradesh state. was a great patriot, politician, orator and administrator. of all the famous women of India, Mrs. Sarojinidevi Naidu's name is at the top. Not only that, but she was truly one of the jewels of the world. Being one of the most famous heroines of the 20th century, her birthday is celebrated as "Women's Day" Early Life She was born in Hyderabad. Sarojini Chattopadhyay, later Naidu belonged to a Bengali family of Kulin Brahmins. But her father, Agorenath Chattopadhyay, after receiving a doctor of science degree from Edinburgh University, settled in Hyderabad State, where he founded and administered the Hyderabad College, which later became the Nizam's College in Hyderabad. Sarojini Naidu's mother Barada Sundari Devi was a poetess baji and used to write poetry in Bengali. Sarojini Naidu was the eldest among the eight siblings. One of her brothers Birendranath was a revolutionary and her other brother Harindranath was a poet, dramatist, and actor. Sarojini Naidu was a brilliant student. She was proficient in Urdu, Telugu, English, Bengali, and Persian. At the age of twelve, Sarojini Naidu attained national fame when she topped the matriculation examination at Madras University. Her father wanted her to become a mathematician or scientist but Sarojini Naidu was interested in poetry. -
Indian English Poet Rabindranath Tagore: an English Connection
www.galaxyimrj.com Galaxy: International Multidisciplinary Research Journal ISSN 2278 – 9529 Indian English Poet Rabindranath Tagore: An English Connection Dr. Madhumita Ghosh No critique on Indian English Poetry may begin without a study of Rabindranath Tagore, the poet laureate from Bengal, who was the first Asian to win the Nobel Prize in 1913 for Song Offerings, his English translation of Gitanjali. Tagore, however, is not the first Indian English poet. The title should go to Henry Louis Vivian Derozio (1809-1831), who was the first Indian to write poetry in English. Greatly influenced by the English Romantic poets, Derozio’s poetry speaks of his love for Nature, while incorporating both Indian and Greek mythology in his poems. He wrote sonnets, often in the Petrarchan tradition, and lyrics, his notable work being The Fakir of Jungheera. Other writers before Tagore who also wrote in English besides in Bengali were Michael Madhusudan Dutt (1824-73) and Bankim Chandra Chatterjee (1838-94). Toru Dutt (1856-77) wrote in English and French. But none of these writers earned as much fame as Tagore did with his collection of poems, Gitanjali. R.N.Tagore was not only the first Indian, but also the first non-European to win the Nobel Prize in Literature in 1913. Tagore’s original English writings are mostly essays, poetry being his translations of his original Bengali poems. Two interesting English works of Tagore, Stray Birds and Fireflies contain poems, both original and translations. Besides Gitanjali or Song Offerings which has earned him the Nobel prize, among his other poetical works in English, all translations, are The Gardener, The Crescent Moon, Fruit Gathering, Lover’s Gift and Crossing, The Fugitive and translations of the poems of Kabir.