DOCSLIB.ORG

Mainstage Playbill

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Mainstage Playbill Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. The Curious Incident of the Dog in the Night-Time A play by Simon Stephens. Based on the novel by Mark Haddon. CAST Christopher .....................................................................Alexander Stuart Siobhan .................................................................................Ashton Heyl* Ed ............................................................................................Todd Licea* Judy ................................................................................Rachel Moulton* Voice 1 (Mrs. Shears & Others) ..................................................Liz Power* Voice 2 (Roger Shears & Others) ......................................... Alex Teicheira* Voice 3 (Policeman & Others) ............................................Michael J. Berry Voice 4 (Rev. Peters & Others) ..............................................Sam Mossler* Voice 5 (No. 40 & Others)/Fight Captain .....................Brooke Tyler Benson Voice 6 (Mrs. Alexander & Others) ............................Ann Gundersheimer* Directed by: Richard Hopkins Scenic Designer Costume Designer Lighting Designer Isabel & Moriah Curley-Clay Kimberly Matela Thom Beaulieu Sound Designer Projection Designer Movement Director Fight Director Thomas Korp Bobby Johnston Sunny Hitt Dan Granke Stage Manager: Roy Johns* Season Underwriters Gerri Aaron, Gaele Barthold, Cookie Boudreaux & Dennis Hassell, Ed & Judy Christian, Georgia Court, Shirley Fein, Sydney Goldstein, Wendy & Bob Grady, Gulf Coast Community Foundation, Robert & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer, Dennis & Graci McGillicuddy, Patrick & Mary Mulva, Anne H.S. Nethercott, Muriel O’Neil Fund for the Performing Arts of Community Foundation of Sarasota County, Gail & Skip Sack, Dorothy Waldron Co-Producers Willa & Bob Bernhard, Joan & Larry Castellani, Carol Gilbert & Matty Matheson, Ron & Shirley Gossett, Ben & Judith Handelman, Valerie Joels, Elaine M. Keating, Virginia Lipton, Barbara Lupoff, Alan & Lois Schottenstein, Sallie Carter Tyler, SRQ Media Group, FST Artistic Endowment THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME was first presented by the National Theatre, London at the Cottesloe Theatre on August 2nd 2012 and transferred to the Gielgud Theatre, West End, London on March 12th 2013. The Play opened in the USA at the Ethel Barrymore Theatre on October 5th 2014. This Play is presented by kind permission of Warner Bros. Entertainment. THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME is presented by special arrangement with Dramatists Play Service, Inc., New York. The video or audio recording of this performance by any means is strictly prohibited. * Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ARTIST PROFILES ALEXANDER STUART RACHEL MOULTON (Judy) (Christopher) is honored to Curious Incident marks be making his FST debut! Rachel’s eighth production He was recently seen at FST. Previously: George playing Christopher in Brant’s one-woman show Actors Theatre of Louisville’s Grounded (2017 Handy Award acclaimed production of for Best Actress), Heisenberg, Curious Incident this past Honor Killing (World fall, making him the second Premiere), Alabama Story, autistic actor to play the role. Chicago Credits: The Columnist (Regional Premiere), The God of Isaac, Citadel Theatre Company, Interrobang Theatre and Jericho (NNPN Rolling World Premiere). Off- Project, and RhinoFest 2018. A proud graduate of Broadway/New York: In a Tilted Place (IRT), Sex Tips Columbia College Chicago (‘17), university credits For Straight Women from a Gay Man (777 Theatre), include The Tempest, Doctor Faustus, Mud, Peter Philip Goes Forth (The Mint) and as Zelda Fitzgerald Pan, Bent, Superheroes in Love, and As You Like It. in This Side of Paradise (St.Clements). Regional: ASHTON HEYL (Siobhan) The Book Club Play (Virginia Stage Company), One FST debut. Recent credits Slight Hitch (Florida Repertory Theatre), Black include: Pride & Prejudice Comedy and RENT (Pioneer Theatre Company), (Pittsburgh Public Theater), My Fair Lady (JW Engeman Theatre), Midsummer Gretchen in Boeing Boeing (Pennsylvania Shakespeare Festival), Finding (Gulfshore Playhouse & New Nemo: The Musical (WDW). Several commercials, Theatre), Ruth in The Norman most notably as the spokesperson for Office Depot. Conquests (Northern Stage, Training: Graduate of Interlochen Arts Academy Dorset Theatre Festival, & and Syracuse University, B.F.A. rachelmoulton.com Weston Playhouse); Emma in After the Revolution LIZ POWER (Voice 1 - (Baltimore Center Stage); Ana in The Book Club Play Mrs. Shears & Others) was (Virginia Stage Company). At YSD: Hedda in Hedda previously seen at FST in Gabler, Sunday in the Park with George, and Fen. The Prima Donnettes, By MFA: Yale School of Drama. Proud AEA member. Gershwin, Reel Music, and TODD LICEA (Ed) Previous Dancing in the Street. Credits FST productions: Doublewide include Eva Peron in Evita and Stalking The Boogeyman. (European Tour & regional Other credits include: Sam’s productions), Lucy in Jekyll Romance (Off-Broadwayand Hyde (Nat’l Tour), Grace u/s in Annie (Nat’l Actors Temple Theatre), Tour/Madison Square Garden), Ellen in Miss Saigon, The Seagull (Access Theatre Reno in Anything Goes, Adelaide in Guys and Dolls, NYC), The Third Policeman Louise in Gypsy, Grizabella in Cats, Carrie in Carousel (LaMaMa) Glengarry Glen and Liz in The Philadelphia Story. Musical Theatre Ross (Merrimack Rep.) All BFA - Syracuse University. Liz also teaches private The Kings Men (Intiman Theatre), A Christmas voice lessons in Lakewood Ranch, FL. lizpower.com Carol (ACT), The Tempest (Seattle Shakespeare ALEX TEICHEIRA (Voice 2 Co.), A Confederacy Of Dunces, (Book-It Repertory - Roger Shears & Others) is Theatre) Dracula (Empty Space Theatre). His grateful to return to the Florida voice work can also be heard on the video game Studio Theatre after playing series Halo and the audiobook Over The End Line. Pablo in FST’s production of Native Gardens last season. Previous theatre credits: Signature Theatre, California Shakespeare Theater, Theatre ARTIST PROFILES Rhinoceros, Sixth Street Playhouse, Yale Rep, Elm Florida ever since. Recent Regional credits include Shakes, Long Wharf, Yale Cabaret, Baryshnikov Arts Miss Bennet: Christmas at Pemberley (American Center, Access Theatre, Soho Rep and The Flea Theater. Stage), Incognito (Urbanite Theatre), The Lion, The TV: Blacklist: Redemption, and Alexander the Great Witch and The Wardrobe, Constellations (U/S), Deck on The History Channel. MFA: Yale School of Drama. The Halls (Florida Studio Theatre). btylerbenson.com MICHAEL J. BERRY (Voice ANN GUNDERSHEIMER 3 - Policeman & Others) (Voice 6 - Mrs. Alexander National Tour: Monty Python’s & others) Ann is thrilled to Spamalot. Regional: Bullets be making her debut in a Over Broadway (Resident Mainstage production at FST. Theatre Company), The A transplant to Sarasota from Sunshine Boys (Judson Philadelphia, she gained her Theatre), Some People MFA in Theatre at Wayne State Hear Thunder (Capital University, taught Theatre Rep), Huzzah!, Plano, Poster Boy, Orpheus in The at Temple University and has been seen on many Berkshires (Williamstown Theatre Festival), Fiddler stages in and around Philly and Sarasota. The Lyons on the Roof, The Wizard Of Oz (Cortland Rep), (Rita), Last Lists of My Mad Mother (Dot), The Vagina Tartuffe (Two Headed Rep), and Sound Asleep Monologues, Uncle Vanya (Marina), The Busy World (Potomac Theatre). London: Romeo and Juliet, is Hushed (Hannah), The Waverly Gallery (Ellen), A Richard II, The Provoked Wife (Linbury Studio). Fair Country (Patrice), The Children’s Hour (Amelia), Film: Monday Morning, and the upcoming indie Endgame (Nell), A Perfect Ganesh (Katherine). film, Milkwater. BFA Boston University, MFA Proud member of Actor’s Equity Association. London Academy of Music and Dramatic Art. RICHARD HOPKINS (Director and Producing SAM MOSSLER (Voice 4 - Rev. Artistic Director) Mr. Hopkins is the Producing Artistic Peters & Others) Returns to Director of Florida Studio Theatre. Mr. Hopkins has the FST stage after last year’s fostered the development of FST’s Mainstage and productions of How to Use a Cabaret productions. His many directing Mainstage Knife and Other People’s Money. credits include: Honor Killing, Inspired Lunacy, The Other Credits: The Philadelphia Best of Enemies, Next to Normal, Race, Ruined, The Story (Sandy Lord), Laughter 25th Annual Putnam County Spelling Bee, Boleros on the 23rd Floor (Ira Stone), for the Disenchanted, Permanent Collection, and The Threepenny Opera (Money Metamorphoses, among numerous other plays. Matt), Twelfth Night (Toby Belch), The Owl and Mr. Hopkins led the development of FST’s Cabaret the Pussycat (Felix). As a writer, Sam has been productions of Piano Men, The Prima Donnettes, produced in New York, Los Angeles and Atlanta. His Too Darn Hot, and By Gershwin. Mr. Hopkins also screenplay, Og’s Utopia, was a semi-finalist at the serves as the Chief Executive Officer of Florida Austin Film Festival. Sam is also very proud to be a Studio Theatre. This includes overseeing the creation Teaching Artist at the FST School. sammossler.com and implementation of all FST programming, including Mainstage, Cabaret, Stage III, New Play BROOKE TYLER BENSON Development, Education, and Touring. Since his
Recommended publications
  • Member Association AFTRA / AEA / SAG Hassan El-Amin Height

    Member Association AFTRA / AEA / SAG Hassan El-Amin Height

    Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The
  • CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator

    CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator

    CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator FOUNDER/ARTISTIC DIRECTOR/CHOREOGRAPHER/PERFORMER 2006-present Camille A. Brown & Dancers, contemporary dance company based in New York City www.camilleabrown.org FILM/TELEVISION Ma Rainey’s Black Bottom George C. Wolfe Netflix Jesus Christ Superstar Live David Leveaux NBC BROADWAY Disney’s Aida (Fall 2020) Schele Williams Broadway Theatre TBD Soul Train (2021-22) Kamilah Forbes Broadway Theatre TBD Basquiat (TBD) John Doyle Broadway Theatre TBD Pal Joey (TBD) Tony Goldwyn Broadway Theatre TBD Choir Boy Trip Cullman Samuel Friedman Theatre (MTC) *nominee Tony, Drama Desk Awards Once on This Island Michael Arden Circle in the Square Theatre *nominee Chita Rivera, Outer Critics Circle, Drama Desk Awards A Streetcar Named Desire Emily Mann Broadhurst Theatre OFF-BROADWAY/NEW YORK The Suffragists (October 2020) Leigh Silverman The Public Theater Thoroughly Modern Millie Lear DeBessonet Encores! City Center For Colored Girls Leah Gardiner The Public Theater Porgy and Bess James Robinson The Metropolitan Opera Much Ado About Nothing Kenny Leon Shakespeare in the Park *winner: Audelco Award 2019 Toni Stone Pam McKinnon Roundabout Theatre Company This Ain’t Not Disco Darko Trensjak Atlantic Theatre Company Bella: An American Tall Tale Robert O’Hara Playwrights HoriZons *winner: Lucille Lortel Award 2017 Cabin in the Sky Ruben Santiago-Hudson New York City Center (Encores!) Fortress of Solitude Daniel Aukin The Public Theater *nominee Lucille Lortel Award tick, tick…BOOM! Oliver Butler New York City Center (Encores!) The Box: A Black Comedy Seth Bockley The Irondale Soul Doctor Danny Wise New York Theatre Workshop 450 West 24th Street Suite 1C New York New York 10011 (212) 221-0400 Main (212) 881-9492 Fax www.michaelmooreagency.com Department of Consumer Affairs License #2001545-DCA REGIONAL Treemonisha (May 2022) Camille A.
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”

    “Kiss Today Goodbye, and Point Me Toward Tomorrow”

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
  • Kennesaw State University Welcomes Tony Award-Winner Kenny Leon Broadway, Film and Television Director to Teach Master Classes in Acting

    Kennesaw State University Welcomes Tony Award-Winner Kenny Leon Broadway, Film and Television Director to Teach Master Classes in Acting

    NEWS Kennesaw State University welcomes Tony Award-winner Kenny Leon Broadway, film and television director to teach master classes in acting KENNESAW, Ga. (Aug. 2, 2017) –– Tony Award-winning Broadway, film and television director Kenny Leon will teach two master classes to students in the Department of Theatre and Performance Studies at Kennesaw State University, and will share his extensive professional experience with up-and-coming actors, designers, directors, writers and technicians. “Kenny approached us about how he could work with our students in meaningful and impactful ways,” said Patty Poulter, dean of the College of the Arts. “He is incredibly enthusiastic and eager to work with our students, and it is very exciting to have him at Kennesaw State University.” A sought-after motivational speaker, Leon has conducted acting and theater workshops at universities and corporations in this country and abroad. “I want to bridge that gap between the academic world and the professional world. There should be a healthy synergy between the academic world and the professional/artistic world. So, I am all for that,” said Leon. “When I have a master class with students who are serious about being in this business, it’s better to give than receive. I am rewarded by giving,” Leon said. “I have a chance to do that with some students who call Atlanta home and students who are making a commitment to the profession. You make the profession better by sharing with young folks what you know to be true. So, I am hoping that it can mean something to them.” Leon won a Tony for directing the 2014 revival of “A Raisin in the Sun” on Broadway, starring Denzel Washington.
  • The Curious Incident of the Dog in the Night-Time Illinois Theatre

    The Curious Incident of the Dog in the Night-Time Illinois Theatre

    THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME ILLINOIS THEATRE A play by Simon Stephens Based on the novel by Mark Haddon Latrelle Bright, director Thursday-Saturday, February 28-March 2, 2019, at 7:30pm Thursday-Saturday, March 7-9, 2019, at 7:30pm Saturday, March 9, 2019, at 1pm (Sensory-friendly Performance) Sunday, March 10, 2019, at 3pm Colwell Playhouse three overlapping audiences, and that our departmental mission of inclusion is enacted on and behind our stages. We have to serve our own students, the people who’ve come to receive the education to make a career as professional theatre makers. We have an obligation to train them to become working designers, actors, technicians, playwrights, stage managers, directors, scholars, and teachers. We also serve the other 44,000+ students on the campus, many of whom take our classes and enjoy our productions. POWER + PLEASURE We have to serve the University of Illinois I think a lot about the enormous privilege at Urbana-Champaign. As part of a I have as Head of Illinois Theatre. I have Research I university, we are obligated the very great pleasure of working with to create new knowledge and to pass it incredibly talented and committed faculty, on. Our productions must take part in students, and staff in the Department broad conversations and reflect the goals of Theatre, the College of Fine and and strategic plan of the university as a Applied Arts, and Krannert Center for the whole. We must make connections across Performing Arts. I have the power to shape disciplines and across campus.
  • Contact: Kirstin M. Franko/Julia Suszynski Press@Arenastage.Org; 202-600-4055

    Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055

    Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater.
  • United States Theatre Programs Collection O-016

    United States Theatre Programs Collection O-016

    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
  • The New Yorker-20180326.Pdf

    The New Yorker-20180326.Pdf

    PRICE $8.99 MAR. 26, 2018 MARCH 26, 2018 6 GOINGS ON ABOUT TOWN 17 THE TALK OF THE TOWN Amy Davidson Sorkin on White House mayhem; Allbirds’ moral fibres; Trump’s Twitter blockees; Sheila Hicks looms large; #MeToo and men. ANNALS OF THEATRE Michael Schulman 22 The Ascension Marianne Elliott and “Angels in America.” SHOUTS & MURMURS Ian Frazier 27 The British Museum of Your Stuff ONWARD AND UPWARD WITH THE ARTS Hua Hsu 28 Hip-Hop’s New Frontier 88rising’s Asian imports. PROFILES Connie Bruck 36 California v. Trump Jerry Brown’s last term as governor. PORTFOLIO Sharif Hamza 48 Gun Country with Dana Goodyear Firearms enthusiasts of the Parkland generation. FICTION Tommy Orange 58 “The State” THE CRITICS A CRITIC AT LARGE Jill Lepore 64 Rachel Carson’s writings on the sea. BOOKS Adam Kirsch 73 Two new histories of the Jews. 77 Briefly Noted THE CURRENT CINEMA Anthony Lane 78 “Tomb Raider,” “Isle of Dogs.” POEMS J. Estanislao Lopez 32 “Meditation on Beauty” Lucie Brock-Broido 44 “Giraffe” COVER Barry Blitt “Exposed” DRAWINGS Roz Chast, Zachary Kanin, Seth Fleishman, William Haefeli, Charlie Hankin, P. C. Vey, Bishakh Som, Peter Kuper, Carolita Johnson, Tom Cheney, Emily Flake, Edward Koren SPOTS Miguel Porlan CONTRIBUTORS The real story, in real time. Connie Bruck (“California v. Trump,” Hua Hsu (“Hip-Hop’s New Frontier,” p. 36) has been a staff writer since 1989. p. 28), a staff writer, is the author of “A She has published three books, among Floating Chinaman.” them “The Predators’ Ball.” Jill Lepore (A Critic at Large, p.
  • Um Compositor Brasileiro Na Broadway: a Contribuição De Heitor Villa-Lobos Ao Teatro Musical Americano

    Um Compositor Brasileiro Na Broadway: a Contribuição De Heitor Villa-Lobos Ao Teatro Musical Americano

    UNIVERSIDADE FEDERAL DE MINAS GERAIS ESCOLA DE MÚSICA PÓS-GRADUAÇÃO EM MÚSICA - MESTRADO UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO ROSANE VIANA BELO HORIZONTE 2007 ROSANE VIANA UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO Dissertação apresentada ao Curso de Mestrado da Escola de Música da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Música. Área de Concentração: Estudo das Práticas Musicais Sub-área: Análise Musical Orientador: Lucas Bretas Belo Horizonte Escola de Música da UFMG 2007 Dedico o presente trabalho ao meu pai, Sebastião Vianna. AGRADECIMENTOS Ao meu orientador, por ter aceitado o desafio de desbravar "terras incógnitas" sem medo de se arriscar e pela sua grande capacidade. A Mônica Mansur Brandão, pela ajuda inestimável e imprescindível no pré-projeto. A Maria Eugênia Albinatti, pelo seu "ouvido paciente" nesses dois anos e sua colaboração. A David Peterson, meu "dicionário vivo" em momentos cruciais. A Rita Lopes Moreira, pela sua generosidade, sem a qual eu não poderia sequer ter iniciado o Curso de Mestrado. Ao meu pai, pelas informações preciosas e inéditas sobre Magdalena e tantas outras sobre Villa-Lobos. Agradeço também pela sua ajuda financeira durante esse período. A minha saudosa mãezinha, Rosa Nalterelli Viana, pelo seu entusiasmo e incentivo quando descobri a obra em 2000. A Sandra Loureiro, pelas palavras sábias em momentos difíceis e por compartilhar comigo a alegria de escrever sobre Magdalena. A André Cavazotti, por ter carinhosamente me acolhido na sub-área Análise Musical e por ter sempre respondido aos meus e-mails e retornado meus telefonemas.
  • National Theatre

    National Theatre

    WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy
  • Hamlet West End Announcement

    Hamlet West End Announcement

    FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.
  • MITCH SEBASTIAN Director/Choreographer

    MITCH SEBASTIAN Director/Choreographer

    MITCH SEBASTIAN Director/Choreographer EVG LAKE SHOW EVG Ocean Park Concept / Creative Director PETER PAN Bogota, Colombia Book / Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo LEGALLY BLONDE Kilworth House Theatre Director / Choreo EVOLUTION OCT Shenzhen, china Concept / Director / Choreo SINGING IN THE RAIN Kilworth House Theatre Director / Choreo THE SOUND OF MUSIC Bogota, Colombia Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo VICTOR WANDA Group, China Concept / Creative Director SISTER ACT Kilworth House Theatre Director / Choreo THE WEST END MEN Vaudeville Theatre Concept / Director / Choreo SOUTH PACIFIC Kilworth House Theatre Director / Choreo POR SIEMPRE NAVIDAD Bogota, Colombia Book / Director / Choreo THE WEST END MEN UK National Tour Concept / Director/ Choreo ANYTHING GOES Kilworth House Theatre Director / Choreo MY FAIR LADY Kilworth House Theatre Director / Choreo CHRISTMAS RATPACK UK National Tour Director / Choreo / Writer CHRISTMAS RATPACK USA No1 National Tour Director / Choreo / Writer THE SOUND OF MUSIC Kilworth House Theatre Director / Choreo ME AND MY GIRL Kilworth House Theatre Director / Choreo PIPPIN Menier Chocolate Director/ Choreo RATPACK Factory Wyndhams Director / Choreo / Writer CHRISTMAS RATPACK Theatre Director / Choreo / Writer LITTLE SHOP OF HORRORS USA No.1 National Tour Director / Choreo PIRATES OF PENZANCE Kilworth House Theatre Director / Choreo THE OPERA SHOW Kilworth House Theatre Concept / Director/ Choreo GUYS AND DOLLS World