Good 'N Country Playlist for Saturday, October 10, 2020

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Good 'N Country Playlist for Saturday, October 10, 2020

Good 'N Country 10-10-2020 Artist Title Album Label Year Don Williams Ghost Story Don Williams, Volume III (LP) ABC / Dot 1974 Jean Shepard Mercy United Artists 1976 Charlie Ryan Hot Rod Lincoln Souvenir 1955 Warren Smith Heartbreak Avenue The First Country Collection Of Warren Smith Liberty 1961 Bob Fry What A Pity Rebel 1965 Elton Britt Gotta Get Together With My Gal RCA Victor 1946 Bret Raper Heart Over Mind 2020 Peggy Little Put Your Lovin' Where Your Mouth Is Dot 1969 John Wesley Ryles Kay Columbia 1968 Jeanne Pruett Temporarily Yours IBC 1980 Cal Smith Between Lust And Watching T.V. MCA 1974 Neal Burris Why Live If Life Is Not Worth Living Columbia 1954 Roy Acuff Wreck On The Highway Columbia 1942 Autry Inman Let's Take The Long Way Home Decca 1952 The McCarters Better Be Home Soon Warner Brothers 1990 Joe Stampley Every Day I Have To Cry Some Epic 1977 The Clark Family Experience Standin' Still The Clark Family Experience Curb 2002 Mike Henderson Drivin' Nails In My Coffin Edge Of Night Dead Reckoning 1996 Whitey Morgan & the 78s Bouron And The Blues Hard Times And White Lies independent 2018 Johnny Cash Sunday Morning Coming Down Columbia 1970 T. G. Sheppard Party Time Warner Brothers 1981 Rosanne Cash The Way We Make A Broken Heart Columbia 1987 Dottie West By Your Side When It's Just You And Me (LP) United Artists 1977 Cowboy Copas Feelin' Low King 1953 Hank Thompson A Fooler, A Faker Capitol 1954 Luke McDaniel Drive On King 1953 Johnnie & Jack What Do You Know About Heartaches RCA Victor 1959 Felix Slatkin Faded Love (feat. Gordon Terry) (inst.) Hoedown (LP) Liberty 1962 Tony Douglas Familiar Heartaches Heart (LP) Paula 1967 The Nitty Gritty Dirt Band Catfish John (feat. Alison Krauss) Will The Circle Be Unbroken Capitol 2002 Volume 3 Ricochet He Left A Lot To Be Desired Reloaded Ricochet Records 2008 Highway 101 Setting Me Up Warner Brothers 1989 George Morgan Making Heartaches Decca 1972 Bud Isaacs Sweet And Hot (inst.) RCA Victor 1956 George Hamilton IV Write Me A Picture RCA Victor 1965 Merle Haggard Always Wanting You Capitol 1975 Johnny Darrell The Son Of Hickory Holler's Tramp United Artists 1967 Roy Drusky Peel Me A 'Nanner Mercury 1963.

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MERLE HAGGARD After Beating Lung Cancer, “The Hag” Still Is Who He Is
MAY 2010 ISSUE MMUSICMAG.COM Q&A Travis Huggitt Travis MERLE HAGGARD After beating lung cancer, “The Hag” still is who he is MERLE HAGGARD’S NEW ALBUM is lot of young musicians now. Everything I come to the top. I didn’t used to have to called I Am What I Am, but that title could has changed. worry about things like that. have been affi xed to almost anything he’s recorded during his nearly half-century What are some of those changes? Has it made you a better singer? as one of America’s most stubbornly The methods of recording have changed I’ll have to leave that to the critics and to the self-possessed singers and songwriters. quite a bit. They’ve got it now where if you audience. In my own opinion, I think it’s made He has built a body of work unequaled can get somewhere in the general area of a better singer of me. in the country genre, one created on the right pitch they can bring you into key clear-eyed slice-of-life classics like “Okie with an electronic manipulative device. But Does the new album’s peaceful From Muskogee,” “Hungry Eyes,” “I’m a we still do our recordings the same way we tone refl ect how you feel about your Lonesome Fugitive” and “Mama Tried.” did ’em 30 years ago. We still go to tape. We life now? I Am What I Am is his fi rst album since being have a 24-track board and mix things down I’m doing probably as good as a guy my treated for lung cancer in 2008, causing a from that.
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Emmylou Harris and Rodney Crowell the Traveling Kind
Titelliste der Sendung “Country Special” vom 31.5.2015 EMMYLOU HARRIS AND RODNEY CROWELL THE TRAVELING KIND GRAM PARSONS/EMMYLOU HARRIS BRAND NEW HEARTACHE EMMYLOU HARRIS AND RODNEY CROWELL IF YOU LIVED HERE, YOU'D BE HOME BY NOW DOLLY PARTON/L. RONSTADT/EMMYLOU HARRIS WILDFLOWERS EMMYLOU HARRIS AND RODNEY CROWELL NO MEMORIES HANGING 'ROUND ROSANNE CASH WHEN THE MASTER CALLS THE ROLL EMMYLOU HARRIS AND RODNEY CROWELL BRING IT ON HOME TO MEMPHIS LUCINDA WILLIAMS I JUST WANTED TO SEE YOU SO BAD DOUG SEEGERS/EMMYLOU HARRIS SHE NORAH JONES IF THE LAW DON'T WANT YOU EMMYLOU HARRIS AND RODNEY CROWELL JUST PLEASING YOU MARK KNOPFLER/EMMYLOU HARRIS RED STAGGERWING EMMYLOU HARRIS AND RODNEY CROWELL YOU CAN'T SAY WE DIDN'T TRY SOLOMON BURKE/EMMYLOU HARRIS WE'RE GONNA HOLD ON EMMYLOU HARRIS/DON WILLIAMS IF I NEEDED YOU WILLIE NELSON AND MERLE HAGGARD IT'S ALL GOING TO POT WILLIE NELSON AND MERLE HAGGARD DJANGO AND JIMMIE JIMMIE RODGERS WAITING FOR A TRAIN BOB DYLAN MY BLUE EYED JANE WILLIE NELSON AND MERLE HAGGARD DON'T THINK TWICE, IT'S ALRIGHT ROSIE FLORES GIRL HAGGARD WILLIE NELSON AND MERLE HAGGARD UNFAIR WEATHER FRIEND BRUCE ROBISON WHAT WOULD WILLIE DO WILLIE NELSON AND MERLE HAGGARD/BOBBY BARE MISSING OL' JOHNNY CASH DJANGO REINHARDT NUAGES WILLIE NELSON AND MERLE HAGGARD ALICE IN HULALAND ASLEEP AT THE WHEEL/OLD CROW MEDICINE SHOW TIGER RAG POKEY LAFARGE SOMETHING IN THE WATER B.B. KING/WILLIE NELSON NIGHT LIFE WILLIE NELSON AND MERLE HAGGARD THE ONLY MAN WILDER THAN ME .
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“Mama Tried”--Merle Haggard (1968) Added to the National Registry: 2015 Essay by Rachel Rubin (Guest Post)*
“Mama Tried”--Merle Haggard (1968) Added to the National Registry: 2015 Essay by Rachel Rubin (guest post)* “Mama Tried” original LP cover When Merle Haggard released “Mama Tried” in 1968, it quickly became his biggest hit. But, although in terms of broad reception, the song would be shortly eclipsed by the controversies surrounding Haggard’s “Okie from Muskogee” (released the next year), “Mama Tried” was a path-breaking song in several significant ways. It efficiently marked important, shaping changes to country music made by the generation of musicians and audiences who came of age post-World War II (as did Haggard, who born in 1937). “Mama Tried,” then, encompasses and articulates developments of both Haggard’s career and artistic focus, and the direction of country music in general. Indeed, Haggard’s own story usefully traces the trajectory of modern country music. Haggard was born near the city of Bakersfield, California, in a converted boxcar. He was born two years after his parents, who were devastated Dust Bowl “Okies,” traveled there from East Oklahoma as part of the migration most famously represented by John Steinbeck in “Grapes of Wrath” (1939)--an important novel that presented and commented on the class-based contempt that “Okies” faced in California. Haggard confronted this contempt throughout his career (and even after his 2016 death, the class- based contempt continues). His family (including Haggard himself) took up a range of jobs, including agricultural work, truck-driving, and oil-well drilling. Labor remained a defining factor of Haggard’s music until he died in 2016, and he frequently found ways to refer to his musicianship as work (making a sharp joke on an album, for instance, about the connection between picking cotton and picking guitar).
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All Things Country with Rowena Playlist for April 10, 2021
All Things Country Playlist April 10, 2021 Charley Pride, feat. Janie Fricke Field Of Dreams Comfort Of Her Wings Music City Jerry Lee Lewis On The Back Row Another Place Another Time Smash LP Jo Ann Campbell Teenage Idol All The Hits Real Gone Music Minnie Pearl with Pee Wee King Jealous Hearted Me A Shot In The Dark: Tennesse Jive 1945-1955 Bear Family Johnny Duncan Last Train To San Fernando Last Train To San Fernando Bear Family Zane Williams Tired Of Being Perfect The Right Place Hack Circle Wynn Stewart & Jan Howard How The Other Half Lives Wishful Thinking Bear Family Tony Booth If I Had You Back Again This Is Tony Booth Capitol LP April Perch This Ottowa Valley Take Me Back Rounder Cal Smith You Can't Housebreak A Tomcat The Best Of Cal Smith Kapp LP Carmol Taylor Honky Tonk At Home I Think They Call It Homesick Country Int'l. David Frizzell I'm Going To Hire A Wino To Decorate Our Home Greatest Hits Madacy Jim Fagan 18 Wheels A Hummin' Home Sweet Home Overloaded Diesel Power Pak LP Reba McEntire It's Not Over (Til I'm Over You) My Kind Of Country MCA Loretta Lynn Gonna Pack Up My Troubles Here's Loretta Lynn Vocalion LP Gordon Terry I Had A Talk With Me Lotta Lotta Women Bear Family Mel Tillis Another Bridge To Burn Something Special Kapp LP Mickey Gilley Movin' On Mickey's Movin' On Playboy LP Wanda Jackson various In Person Live At Mr. Lucky's in Phoenix, AZ Capitol LP Chris Isaak I Forgot To Remember To Forget Beyond The Sun Vanguard Norma Jean Will You Be Here Tomorrow Please Don't Hurt Me RCA Victor LP Tiny Harris Hi There, Old Bottle 45rpm single Stop Liz Talley It's Time To Cross That Bridge Road To You self Roger Miller A Man Like Me Roger Miller 1957-1962 Warped George Jones Mr.
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Mama Tried Chords and Lyrics by Merle Haggard
http://www.learn-classic-rock-songs.com Mama Tried Chords And Lyrics By Merle Haggard Intro – D G D G The first thing I remember knowing - Was a lonesome whistle blowing D A And a young'un's dream of growing up to ride D G D G On a freight train leaving town - Not knowing where I'm bound D A D And no one could change my mind but Mama tried G D G One and only rebel child - From a family meek and mild D A My mama seemed to know what lay in store D G D G Despite all my Sunday learning - Towards the bad I kept on turning D A D Till Mama couldn't hold me anymore G D And I turned twenty-one in prison doing life without parole Bm A No one could steer me right but Mama tried, Mama tried D G D Mama tried to raise me better, but her pleading I denied A D That leaves only me to blame 'cause Mama tried Break – D-G-D-G-D-A …. D-G-D-G-D-A-D D G D G Dear old Daddy rest his soul - Left my mom a heavy load D A She tried so very hard to fill his shoes D G D G Working hours without rest - Wanted me to have the best http://www.learn-classic-rock-songs.com http://www.learn-classic-rock-songs.com D A D She tried to raise me right but I refused G D And I turned twenty-one in prison doing life without parole Bm A No one could steer me right but Mama tried, Mama tried D G D Mama tried to raise me better, but her pleading I denied A D That leaves only me to blame 'cause Mama tried G D And I turned twenty-one in prison doing life without parole Bm A No one could steer me right but Mama tried, Mama tried D G D Mama tried to raise me better, but her pleading I denied A D That leaves only me to blame 'cause Mama tried A D That leaves only me to blame 'cause Mama tried http://www.learn-classic-rock-songs.com .
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Mark Malak Stage Name Eddie Rivers 2020 Outstanding Alumnus
BEAVER DAM UNIFIED SCHOOL DISTRICT WALL OF FAME Mark Malak Stage Name Eddie Rivers 2020 Outstanding Alumnus Mark Malak is a 1972 graduate of Beaver Dam High School and is a nationally and internationally recognized steel guitarist. Through hard work and determination, Mark left his imprint on the country music industry. His love of Western Swing music led him to self-teach himself the basics of the steel guitar. His reputation as an excellent musician began with his performances with local bands, which is when he adopted his stage name of Eddie Rivers. His talents led to him joining the best-known Western Swing bands in the State and he soon became recognized as one of the finest steel guitar players in the Midwest. He was asked to join the Grammy-winning Western Swing Band, Asleep at the Wheel. At that time, Mark had to decline due to family obligations and for the next several years he continued performing on weekends. He was given another opportunity to join Asleep at the Wheel, which he then accepted and pursued his career as a professional musician. He recorded over 30 albums with the band and they toured nationally and internationally playing large stadiums to theaters, including the Grand Ole Opry. Mark and the band performed on the David Letterman Show and numerous times on Austin City Limits. In 2015, Mark and other members of Asleep at the Wheel were inducted into the Austin City Limits Hall of Fame. During his career, Mark also toured with country music legends Ray Price, Willie Nelson, and Merle Haggard on their Last of the Breed concert series and performed with numerous country music stars.
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Ts of the Sek
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR di QAt?tr 000.91411C.1-1 MAY 20, 1972 db0 1GH WHO IN THE WORLD Zr jÑ7as 0214 pyS iti, More Than Two Decades z An International Singing Star, Tony Bennett (Columbia) Is Busier Than Ever With New Night Club And Television Projects. A New Single, 'Maybe This Time,' From The Film 'Cabaret,' Was Released Last Week. For Details, See Story Inside. TS OF THE SEK THE STYLISTICS, "PEOPLE MAKE THE WORLD GO it WINFIELD PARKER, "STARVIN' " (Assorted, BMI). 3 CHUCK BERRY, "THE CHUCK BERRY LONDON ROUND" (Bellboy/P.sscrted, BMI). W Fine scul shouter pulls out all the D SESSIONS." The father of fathers of rock and Q stops ii a heavy number somewhat m London and Having established themselves as W roll brings his guitar to studio the hottest pop/soul group around, W SppnlJ reminiscent of the Temptations' "(I stage with incredible results. Producer Esmond Production á the Stylistics now have a reputation N-J Know) 'm Losing You." Edwards has impeccably managed to keep old- to uphold. This cut from their album dces MI justice to an outstanding time production flavor. Great achievement. is as sweet and beautiful as their artist. Spring 126 (Polydor). Chess CH 60020. other hits, and will go just as far. Avco 4595. WILSON PICKETT, "FUNK FACTORY" (Erva, BMI). VIGRASS & OSBORNE, "MEN OF LEARNING" (Jeff THE DILLARDS, "ROOTS AND BRANCHES." The titre of this gritty number might Wayne/Duchess, BMI). British duo Group, quickly picking up extensive FM airplay, well be applied to Fickett himself, are entering a crowded field of sim- takes their bluegrass roots and branches into as he is an unending source of the ilar -sounding groups, but their one fine contemporary pop sound.
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Enfield Senior Center 299 Elm Street, Enfield, CT 06082 860-763-7425 News Release: Week of August 16, 2021 Contact: Mary Keller
Enfield Senior Center 299 Elm Street, Enfield, CT 06082 860-763-7425 News Release: Week of August 16, 2021 Contact: Mary Keller, Senior Center Manager, [email protected] Outdoor Concert: Northeast Country Band Live at the Gazebo, Wednesday, August 18 from 1:00-3:00pm. This 5-piece group will take us on a journey featuring traditional country artists such as Merle Haggard, Willie Nelson, Hank Williams, Waylon Jennings, Johnny Cash and more. Bring a picnic lunch. The concert is free. Rain date: Thursday, August 19. Congregate Lunch Program: We are pleased to announce the lunch program is coming back. CRT is scheduled to start congregate lunches on Monday, August 23. The menu will be posted on the Senior Center website and our Facebook page. Menus will also be available at the Senior Center. Participants must call in by Friday, August 20 at noon for Monday, August 23rd lunches. Please call the Kitchen at 860-763-7428 and leave a message. National Senior Citizen’s Day: Join us on Friday, August 20th from 1:30-2:30pm to celebrate the day with strawberry shortcake! The event is free and is sponsored by Care One. Please call the front desk at 860-763-7425 to reserve your spot. Trivia, Treats & Coffee: Join Nicole Matson from Home Helpers on August 18th at 10:30am. The event is free. Jim Malley Presents: Focus on “Hurricane – 1955 Flood in Enfield”. Jim Malley will show photographs of the destructive forces during Hurricane Diane on August 18 & 19, 1955. Photos taken by Jim’s father, Edward J.
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Country Musicmusic Merle Haggard “The Poet of the Common Man” Testo a Cura Di Remo Ceriotti – Foto Newsweek.Com – Slate.Com Country Music Country
COUNTRY MUSICMUSIC Merle Haggard “The Poet of the Common Man” Testo a cura di Remo Ceriotti – Foto newsweek.com – slate.com COUNTRY MUSIC COUNTRY erle Haggard, o più amiche- nenza obbligata venne pure a sapere volmente HAG, è conosciuto che la moglie aspettava un figlio non Mnel circuito country come “Il suo… Era un ribelle, più volte pianificò poeta dell’uomo comune”. Le sue can- di evadere dal carcere e la conseguenza zoni, nell’ambito della country music, fu l’isolamento. Una curiosità: durante a forte risvolto autobiografico, sono il periodo in carcere ebbe pure la pos- identificate come tra le più importanti sibilità di suonare nella country band nella storia del genere musicale al pa- costituita con altri compagni di “corso”. ri di quelle scritte da Hank Williams All’inizio degli anni sessanta scontata la e Jimmie Rodgers agli albori di quella pena, in parte abbuonata, ritorna alla vi- che viene identificata come la moderna ta comune dove di giorno si cimenta nei country music Corre un filo comune tra più disparati lavori manuali. Di notte, cept album dedicato ad uno dei pionie- l’infanzia tumultuosa, il crimine, i perio- inizia ad affermarsi nei club country ca- ri della country music, Jimmie Rodgers, di passati in carcere, le grandi bevute… liforniani di Bakersfield città famosa per intitolato “Same Train Different Time”. i demoni che lo ossesioneranno per tut- aver musicalmente parlando, dato alla In questo album introdusse elementi di ta la vita e che saranno profonda fonte luce Buck Owens. Il suo stile country, rottura con la tradizione come fraseggi di ispirazione per le sue canzoni.
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Bob Wills: the King of Western Swing Contributors Gary Hartman Rush Evans Rush Evans
et al.: Contents Letter from the Director The beginning of the Fall Wylie Hubbard, have been very successful. Our third CD, which 2002 semester marks the will feature Jerry Jeff Walker, Rosie Flores, The Flatlanders, and third year since the Center others, will be available soon. Proceeds from the CDs have been for Texas Music History vital in helping fund our ongoing educational projects. We are very (formerly the Institute for grateful to the musicians and everyone else who contributed. the History of Texas Music) We are very pleased to be working closely with the Bob Bul- was officially established in lock Texas State History Museum, the Country Music Hall of the History Department at Fame and Museum, and others to help present the “Country Southwest Texas State Music from the Lone Star State” exhibit, which will run through University. During those January 2003. This issue of the Journal of Texas Music History three years, the CTMH has features an in-depth article about the exhibit. I strongly en- compiled an impressive list courage all our readers to visit the Bullock Museum to experi- of accomplishments. ence this wonderful presentation on Texas music history. With the help and I am very grateful to the following people for their hard work support of many good people and businesses throughout the and generous support: Kathryn Ledbetter, Gregg Andrews, Vikki Southwest, we have built a unique and important program Bynum, Jenni Finlay, Dawn Shepler, Ann Marie Ellis, Gene focusing on the preservation and study of the region’s complex Bourgeois, the entire SWT History Department, the CTMH and diverse musical heritage.
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Loretta Lynn’s Lyrics Parker Loretta Lynn's Lyrics: Songwriting for Women and the Working Class JEWEL CARRIE PARKER Abstract: This article argues that country music singer, Loretta Lynn, performed songs reflective of women’s issues throughout the second wave feminist movement. However, Lynn did not identify as a feminist; she believed mainstream feminism ignored working-class issues. Her beliefs, conveyed in her lyrics, reflected her working-class experiences during her childhood, marriage to Doolittle Lynn, and musical career. Throughout the 1960s and 1970s, Lynn performed songs supportive of women who lived in poverty, endured abusive spousal relationships, and observed the significance of traditional working-class gender roles. Though Lynn did not always agree with feminist thought, her songs reflected pro-feminist perspectives, including demanding men’s respect for women and women’s access to birth control. Her ability to write songs about working-class women’s lives increased her female fan base and ultimately contributed to her success as a country music star. This article analyzes Lynn’s lyrical messages and contributes to the scholarship of country music history by providing a detailed account of how music affected working-class women. This work also describes what working-class women thought of the feminist movement. Yeah, I'm proud to be a coal miner's daughter I remember well, the well where I drew water The work we done was hard At night we'd sleep 'cause we were tired I never thought of ever leaving Butcher Holler.1 These nostalgic words belong to country music star Loretta Lynn. Lynn worked her way to stardom as a singer and songwriter at the urging of her husband Doolittle Lynn.
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Jack Clement Flew to Los Angeles to Help Produce a Two Record LP
Governors et al Clement Schedule Jam - Packed Big 3 Meeting Herald CIWMonth NASHVILLE - Publisher, a busy schedule of re -mixing writer and independent record and mastering as he prepared In Nashville Proclamations received by producer Jack Clement has com- previously recorded material governors of, thus far, 36 states pleted a busy couple of months. for release, resulting in a flood herald October as Country Mu- of Clement songs and produc- sic Month. Several governors They began in mid -July when he flew out to Los Angeles to tions hitting the market almost have issued their proclamations all at once. These via recordings help produce a two -record LP incdlude "Let that are being the Chips Fall," by RCA's Char- played over local stations. by the new discovery Townes r Van Zandt, a young Texan who ley Pride, "Ruby Foo," by "The Breakfast Club" pro- RCA's Deep Reunion, gram, meanwhile, also is cele- is considered by many to be a Water new Dylan. "Got Leavin' On Her Mind," by brating Country Music Month MGM's Mac Wiseman, "Now via songstress Kathy Ryan, who Upon Clement's return to I Can Live Again," by Paula's is singing a country song every Nashville, he immediately be- gan going over material with Mickey Gilley, and "a surprise day for the entire month. An release" by Ben Colder. upcoming "Hollywood Palace" Tower Records' Kay Adams, TVer will be devoted to country whose sessions he has begun to Clement also produced ses- music; and songster Jimmy produce. His first sessions with sions for another Tower artist, Dean has been set for a Joey Kay took place during the last Dick Curless, and likewise for Bishop TV appearance this week.
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