Document.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Document.Pdf Copyright © 2015 by Ted Dekker Published by Outlaw Studios All rights reserved. No part of this book may be reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews. Scripture quotations marked (NASB) are from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation. Used by permission.” (www.Lockman.org) Scripture quotations marked (NIV) are taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. www. zondervan.com The “NIV” and “New International Version” are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.™ Scripture quotations marked (ESV) are from the Holy Bible, English Standard Version® (ESV®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. Scripture quotations marked (KJV) are taken from the Holy Bible, King James Version. Public Domain. Cover concept by Allison Metcalfe Cover design and interior layout by Yvonne Parks at www.PearCreative.ca Printed in the U.S.A. ISBN 978-0-9968124-0-5 THE FORGOTTEN WAY CONTENTS Before You Enter 5 The Forgotten Way 7 Your Journey Forward 41 The Meditations 51 The Truth 1. Look! How Magnificent Is Your Father! 55 2. There Is No Fear in Love 63 3. The Story of Your Father 69 4. The Story of You 75 5. Seeing Who You Are 83 6. The Great Mystery 93 7. Sons and Daughters of the Father 101 The Way 8. The Tale of Two Kingdoms 111 9. What Defies Earthly Eyes 121 10. Seeing in the Dark 131 11. Seeing Is Believing 139 12. See Like a Child and Be Free 147 13. Beautiful, Beautiful Brother and Savior 155 14. Step out of Your Prison 163 The Life 15. The Evidence of You Is Love 177 16. Being Love in the Darkness 185 17. Let All Your Troubles Fall Away 191 18. Giving Is Receiving 197 19. Enemies and Friends 205 20. Finding Superman 215 21. A New Declaration 223 Our Declaration 230 Scriptures and Reflections 233 3 FOR ADDITIONAL INFORMATION ON ADDITIONAL PERSONAL AND SMALL GROUP RESOURCES AS WELL AS SPEAKING ENGAGEMENTS VISIT: THEFORGOTTENWAY.COM (See Last Page for More) 4 THE FORGOTTEN WAY BEFORE YOU ENTER This simple book is a gateway to a simple journey of radical discovery for Christians, laid out in three sections. The first section, calledThe Forgotten Way, unpacks the conflicts we find on the pathway we call this life. As a matter of sound faith and doctrine, you are filled with the Spirit in this life and saved in the next life, and yet you struggle to be saved from the storms that rise up against you in this life. Although you know that the evidence of those who know God is love and that the fruits of the Spirit are peace and joy, conflict and strife batter your mind while you walk this earth. Read this section and you will surely see yourself on the page. The second section contains theMeditations on the Way of Yeshua for peace and power in this life—that way so easily forgotten by each of us every day. Like a symphony that builds, together they create a whole that must be experienced, not read like sheet music. The meditations are delivered in three movements: 1) The Truth of who your true Father is and who you are. Here, the news is good. 2) The simple and only Way to find peace, love and power in this life. Here, the news is even better. 3) TheLife you will lead when you follow the Way. Here, the news here is better than you have ever imagined. The third section contains theScriptures from the meditations and Reflections which delve deeper into those references, written by Bill Vanderbush. Throughout this book, except where noted, Scriptures are taken from the New American Standard Bible. 5 THE FORGOTTEN WAY This is our reformation in Yeshua: to be free from the lies that hold us captive to the old way of being in this world. This is our healing: to see what few see. This is our resurrection: having been raised with Christ, to now be his body on earth as apprentices in The Forgotten Way of Yeshua. The time for our transformation has come. 6 THE FORGOTTEN WAY THE FORGOTTEN WAY I have called this book The Forgotten Way because we, as Christians, so often forget the truth that empowers in this life. And I use the term Way because Yeshua’s followers called themselves the people of the Way in the years after his resurrection before others later began to call them “little Christs” or Christians. I am one of those Christians, and the meditations in this book are written to myself and to my children, and to any who find themselves drawn. They are our constant reminder of those truths we so easily forget each day, leaving us powerless to find peace in the storms that rise against us in this life. Like Paul the apostle, I find myself the chief of sinners.1 Just like you, I’m prone to struggle because life happens in cycles of ease and challenge, highs and lows, remembering and forgetting often in the space of a single day or hour. All that is written here is for me more than for any other. Herein are words that point to the way of freedom. Following the Way requires no specific affiliation with any particular Christian institutional organization, even though gathering together is a critical element in our journey. The Way is a path of discovery experienced by each of us, together and alone. It is our transformation from victims in a world darkened by deception to overcomers through an awakening to our true identity. As such, the Way isn’t a set of facts or labels or dogma, but a living, breathing journey on which all Christians find themselves. The journey from hate to love. The journey from fear to faith. 7 THE FORGOTTEN WAY The journey from insecurity to complete rest and peace. The journey from crawling to flying. Being in the eternal realm of the Father’s sovereign presence here on earth, empowered by the Spirit, we will find peace in the storms; we will walk on the troubled seas of our lives; we will not be poisoned by the lies of snakes; we will move mountains that appear insurmountable; we will heal all manner of sickness that has twisted minds and bodies. Joy and peace are our clothing because they are states of being rooted in Christ, not merely emotions that come and go like the tide. Love will flow from us as living waters, because the manifestation of the kingdom of heaven on earth is love. And when we love, all will know, there goes one who is filled with the Spirit and can fly. The Forgotten Way is a journey of experiencing that great triumph in this life, not only in whatever life awaits us, by awakening to our true identity. Indeed, we are now, at this very moment, those who can fly. But we cannot be who we are unless we see who we are, stripped of all the lies that have blinded us. Unless we remember who we are. Unless we actually come to believe the truth about our Father and ourselves. This is the journey of transformation, of awakening, of the renewing of our mind. In the end, the journey is letting go of who we think we are, to see and so be who we truly are right now, in this moment. THE CONFLICT WITHIN If there is one elephant in the room among us who are joined with Christ and filled with his Spirit2, it is that what we think and say we believe and what we actually experience are all too often two, radically different realities. Ironically, we ourselves are often the last to see this disparity. We think and say we believe in Jesus, but we are anxious for tomorrow and cringe with fear in the face of the storm. We think and 8 THE FORGOTTEN WAY say we love our neighbor and our enemy, but we court jealousy of those who have what we want, and we secretly despise those who attack us. We are Christians with various emphases in doctrine, yet in our daily lives we seem to be the same, often stumbling in darkness and feeling lost and judging with anger, not only ourselves but all those around us. The evidence of our lives does not match our rhetoric. Have we forgotten the teaching of John? There is no fear in love. Have we lost sight of Paul’s teaching? He made it plain: The preeminent evidence shown by those who know the Father is this: love. And not just any love, but the unique kind that loves enemies, not only those who show us love in return. A love that is patient, showing no jealousy or arrogance, keeping no record of wrong, not seeking its own and not provoked by another’s behavior.3 This is to love as Christ loves, submitting to each other without judgment.4 Thus we show all manner of evidence but the one that matters the most. We show the evidence of profound words to others, speaking truth in the tongues of men and angels5, yet if we rise up in anger at our brother we are as guilty as any murderer as Jesus said.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Black Storytellers in Ruth Mcenery Stuart's "Blink" (1893) and Charles W
    Swarthmore College Works English Literature Faculty Works English Literature 2002 Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899) Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2002). "Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899)". Southern Literary Journal. Volume 35, Issue 1. 70-96. DOI: 10.1353/slj.2003.0013 https://works.swarthmore.edu/fac-english-lit/25 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Command Performances: Black Storytellers in Stuart's "Blink" and Chesnutt's "The Dumb Witness" Author(s): Peter Schmidt Source: The Southern Literary Journal, Vol. 35, No. 1, Nineteenth Century Southern Writers (Fall, 2002), pp. 70-96 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/20078350 Accessed: 20-11-2017 17:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected].
    [Show full text]
  • A Readers Companion for Saint Louis Armstrong
    A Readers Companion for SAINT LOUIS ARMSTRONG BEACH by brenda woods a boy, a dog, and the hurricane that almost separated them About the book Saint is a boy with confi dence as big as his name is long. A budding musician, he earns money playing clarinet for the New Orleans tourists. His best friend is a stray dog named Shadow, and it’s because of Shadow that Saint’s still in town when Hurricane Katrina hits. Saint’s not worried about the hurricane at fi rst—he plans to live to be a hundred just to defy his palm-reader friend Jupi, who told him he has a short life line. But now the city has been ordered to evacuate, and Saint won’t leave without Shadow. His search brings him to his elderly neighbor’s home, and the three of them fl ee to her attic when the waters rise. But when Miz Moran’s medication runs out, it’s up to Saint to save her life—and his beloved Shadow’s. A terrible thing happened to a special place—a warm and wonderful city that I love very much. This book captures all of it: the heat, the hope, the music, the panic, the pathos. Most of all, it captures the people. They are real folks to me. And they will be to you, too. Brenda Woods has passed down this gift for the ages...and for all ages. —Brian Williams, NBC Nightly News anchor, 978-0-399-25507-6 (HC) • $16.99 Katrina survivor Ages 10 and up Brenda Woods, whose family hails from New Orleans, is the author of Coretta Scott King Honor winner The Red Rose Box and ALA Quick Pick Emako Blue.
    [Show full text]
  • The Glory of the Cross +++
    CLASSIC SERVICE First Evangelical Church August 6, 2017, 8:45 a.m. The Glory of the Cross +++ SCRIPTURAL INVITATION 1 Corinthians 1:22-25 SONGS OF WONDER (all) O! Precious is the flow that makes me white as snow; No other fount I know, nothing but the blood of Jesus. (choir) There on the hill where true love died, the Prince of Heaven crucified. How red the ground, how black the day, as God the Father turned away. My crown of thorns was His to wear, my guilt and shame were His to bear. My sin upon His shoulders laid, and by His blood my debt was paid. In the cross, in the cross be my glory, be my hope. What a Savior, what a cost, I will glory in the cross! (all, standing) I am Thine, O Lord, I have heard Thy voice, and it told Thy love to me; But I long to rise in the arms of faith, and be closer drawn to Thee. Draw me nearer, nearer, blessed Lord, to the cross where Thou hast died; Draw me nearer, nearer, nearer, blessed Lord, to Thy precious bleeding side. O! Precious is the flow that makes me white as snow; No other fount I know, nothing but the blood of Jesus. Glory to His name, glory to His name; There to my heart was the blood applied; Glory to His name! (please be seated) WELCOME AND PASTORAL PRAYER Taylor Park, Executive Pastor SONGS OF THE CROSS PRAYER OF PRAISE Jimmy Garrison, Elder (choir) Once in darkness, now in light; once blind, now you see.
    [Show full text]
  • PDF of the Princess Bride
    THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games.
    [Show full text]
  • June 2018 New Releases
    June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end.
    [Show full text]
  • Sleeping Ugly by Jane Yolen
    Sleeping Ugly by Jane Yolen Parts (7): Narrator 1 Narrator 2 Miserella Jane Fairy Prince Jojo <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Narrator 1: Princess Miserella was a Miserella: beautiful princess Narrator 2: if you counted her eyes (Miserella indicates eyes, nose, mouth and toes.) nose and mouth and all the way down to her Miserella: toes. Narrator 1: But inside, where it was hard to see, she was the meanest Narrator 2: wickedest, Narrator 1: and most worthless Narrator 2: princess around. She liked Miserella: stepping on dogs! (Miserella makes such foot movements) Narrator 1: She kicked kittens. (Miserella makes kicking actions) Narrator 2: She threw pies Miserella: in the cooks face, Tee Hee Hee. Narrator 1: And she never, (Miserella shakes head back and forth) not even once, said "Thank you," or "Please." Narrator 2: Now, in that very same kingdom, in the middle of the woods, lived a poor orphan (Jane turns in) named Jane: Plain Jane! Narrator 1: And plain she certainly was! Her hair was Jane: short Narrator 2: and turned down. Her nose was Jane: long Narrator 2: and turned up. And even if they had been the other way around, whe would not have been a Jane: great beauty. Narrator 1: But, she loved animals! And, she was always kind to strange old ladies. (Jane turns Back to Audience as Miserella turns in) Narrator 2: One day, Princess Miserella rode her horse out of the palace gates in a big huff. (Miserella mimes riding horse.) She rode and rode and rode, Miserella: looking beautiful, as always Narrator 1: even with her hair in tangles.
    [Show full text]
  • Literary Tricksters in African American and Chinese American Fiction
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online Free
    Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Twitter @TedDekker, facebook/#!/teddekker . He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Ted Dekker is the New York Times best-selling author of more than 25 novels. He lives in Texas with his wife and children. About the AuthorTed Dekker is the New York Times best-se The book The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps written by Ted Dekker consist of 1072 pages. It published on 2014-07-08. This book available on paperback format but you can read it online or even download it from our website. Just follow the simple step. 1 / 5 Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Read [Ted Dekker Book] The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps Online PDF free The Violent Decade: A Foreign Correspondent in Europe and the Middle East, 1935-1945 BEAUTY FLASH YOU Rule! Take Charge of Your Health and Life: A Healthy Lifestyle Guide for Teens Nanosciences: The Invisible Revolution Knights of the Blood (Knights of Blood)
    [Show full text]
  • The Book of Common Prayer
    The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People
    [Show full text]
  • Elif Şafak's the Saint of Incipient Insanities As an “International” Novel
    Elif Şafak’s The Saint of Incipient Insanities as an “International” Novel Elif Oztabek-Avci e Saint of Incipient Insanities is Elif Şafak’s fi rst novel written in English. It is also the fi rst novel in English written by a contemporary Turkish writer.1 Şafak (or Shafak) has joined the growing group of in- ternational writers who write in English although it is not their mother tongue, and e Saint of Incipient Insanities has been shelved in book- stores among other examples of “the rapid, extensive and many-sided internationalization of literatures at the end of the twentieth century” (Dhardwadker 59). e aim of this article is to explore how Shafak’s novel tackles the grip of nation on writers, especially on those from formerly colonized and/or so-called developing countries of the world, by focusing on the novel’s publication processes and the writer’s use of English in the novel. In his article Vinay Dhardwadker draws attention to a paradox: na- tionalism, he holds, is “an essential ingredient in the contemporary internationalization of literatures” (63). He suggests this paradoxical sit- uation is the result of the eff orts made by ex-colonized new nations to defi ne their “cultural identities” through literature (produced both by writers writing in their native tongue and by those writing in English): ey have established local and national councils of the arts; provided state funding for writers and literary institutions in the form of fellowships and grants; subsidized educational sys- tems, libraries, publishers, and literary media; instituted na- tional and international conferences, book fairs, and literary awards; and funded programmes for lectures, readings, and tours at home and abroad.
    [Show full text]
  • An Exploration of Afro-Southern Speculative Fiction
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners.
    [Show full text]