The Utah Statesman, October 26, 2020
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Updates on IUOE 302 Concrete Pumpers Negotiations
Updates on IUOE 302 concrete pumpers negotiations DECEMBER 30, 2007 401(k)s vs. Defined-Benefit Pensions Summary on the membership’s vote on the contract pro- (Dec. 21 entry from Local 302’s Blog at www.iuoe302.org) posal from Brundage Bone, Pacific and Ralph’s: Last week, the U.S. Government Accountability Of- The voice of our membership was heard today. The em- fice released a report explaining how grim the retire- ployers’ proposal was seen by the membership for what it is ment outlook is for today’s teenagers. More than one -- a clear attempt to further degrade out of three American workers born in 1990 will have those working in the pumping in- zero dollars in a 401(k)-style savings plan when they dustry for another six years. reach retirement age, the report said. Why? When you’re young, you aren’t thinking The vote against the proposal about retirement. You’re thinking about what you’re was nearly unanimous among the doing that weekend – or who you’re doing it with. pumpers at two companies, and it That explains why, as the GAO report points out, many was rejected 2-to-1 by pumpers at young people don’t contribute to employer-matched 401(k)s when they have the opportunity. It comes out the third. of their paychecks, and that means less this weekend. We remind all members that Even those who do contribute to 401(k) savings plans if anyone who is management attends your Union meeting often pay the tax penalty and take that money out at and then threatens your job based on your comments or your some point, the GAO report says. -
Basic Training for Those Guiding Children Around the World to Follow Jesus Like the Twelve Disciples
Basic training for those guiding children around the world to follow Jesus like the twelve disciples Part of the 1 for 50 family of training resources Table of Contents CORE LESSON OPTIONS (1 hour each) 1-0 Jesus’ Heart for Children 2-0 Jesus and the Children’s Leader 3-0 Characteristics of Children 4-0 Building Relationships with Children 5-0 Preparing to Teach Children 6-0 Building Bridges of Holistic Outreach to Children 7-0 Presenting the Gospel to Children 8-0 Talking with Children about Following Christ 9-0 Helping Children Grow as Disciples 10-0 Helping Children Experience God’s Word 11-0 Engaging Families 12-0 Building the Kingdom Together (networking/partnership) ENRICHMENT/EXTRA LESSONS (30 minutes each) 3-1 Needs of A Child 3-2 Understanding Our Children’s World 3-3 Considering children in Crisis 4-1 Communicating with Children 4-2 Building Relationships with Children through Play 4-3 Conversation Starters 5-1 Managing Classroom Behavior 6-1 Outreach Ideas 6-2 Overcoming Outreach Obstacles 7-1 More Gospel Tools 8-1 Answering Children’s Difficult Questions 9-1 Prayer Experiences for Children 9-2 Worship Experiences for Children 9-3 Helping Children Share Jesus with others 9-4 Growing Attitudes of the Disciples 9-5 Involving Children in God’s Big Story 10-1 Object Lessons-Demonstrations 10-2 Preparing and Presenting a Bible Story 10-3 More Bible Verse Ideas 10-4 Drama Experiences 10-5 Classroom Games 11-1 Spiritual Growth for Families 11-2 Outreach Ideas for Families 12-1 Connecting with the Church in Your Community 12-2 Involving Children in the church Instructor’s Guide LESSON 1-0 Jesus’ Heart for Children Objectives Participants will need: ñ To discover what scripture says about Jesus’ heart for children and the ñ Bibles world. -
FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world. -
Folklore in Film, Television and Museum Exhibits
Folklore in Film, Television and Museum Exhibits RODGERS, Diane <http://orcid.org/0000-0002-3117-4308> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/27614/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version RODGERS, Diane (2020). Folklore in Film, Television and Museum Exhibits. Folklore Museums Network. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Folklore in Film, Television and Museum Exhibits Folklore is a living, evolving part of our everyday lives and is present in the cultural artefacts that surround us. Significant elements of this cultural fabric are film and television, streamed into homes via a number of devices and from across many different countries and decades. My research interest lies in how folklore is communicated onscreen in this way, not only by what is represented on screen, but how and in what contexts. Examination of such texts can suggest to us how customs and rituals change over time and evolutions of belief and attitude, which directly affect how people may experience relevant archive material. For example, consider the representation of Voodoo in Dr. Terror’s House of Horrors (1965) or shrunken heads in numerous cinematic examples, including Tim Burton’s Beetlejuice (1994). Texts like these may be the very first experience many people have with concepts about such physical artefacts, before having come into close contact with them in a museum and, perhaps, even before questions about racism or colonialism are raised for them (the Pitt Rivers museum in Oxford recently removed its famous collection of shrunken heads as part of a decolonisation process). -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
Welcome to the Office!
OFFICIAL NEWSLETTER OF THE PARK SLOPE FOOD COOP Established 1973 Volume JJ, Number 18 September 3, 2015 Welcome to the Office! By Lily Rothman an upbeat, “Hello, Park Slope the office can’t make individual hen Coop members enter Food Coop.” exceptions to Coop-wide poli- Wthe PSFC office, though “Everyone’s really nice in cies, often the office can help. their reasons to visit may dif- the office. That’s the best thing For example, that common fer, one particular sentiment about this shift,” says Diana problems—absences and is often on their minds: I’m in Griffin, who was marking her suspensions—have plenty of trouble. Or at least, according two-year anniversary on the solutions. The office can con- to General Coordinator Jess office squad that day. “Most of nect members with their squad Robinson, who supervises the the time we can help people.” leaders (whose phone numbers staffers who work in the office, The most common reason are available in the office). The that’s the sense those on the people call, observes member office can enroll members in other side of the desk have. Debra Lowe, who has done the one-for-one program (an Many members approach the office shifts for about five years, option for people who owe second-floor sanctum as if they is to find out whether they’re makeups for more than six had been summoned to the eligible to shop. And, as Grif- work cycles in a row). The office ILLUSTRATION BY CATY BARTHOLOMEW principal’s office. fin says, despite the fact that CONTINUED ON PAGE 2 But, office workers agree, Coop Manners: Members Dish on those who shuffle up the stairs with fear in their hearts How to Have the Best Shopping shouldn’t stress out. -
Malachi #2 - Learn to Honor
Malachi #2 - Learn to Honor - Alrighty. If you've got a Bible go to the book of Malachi, it is actually in the Bible. It's the last book of the Old Testament. Little book we're gonna spend about six weeks studying, and it is God's final written word to his people. It's-- it's the last thing that he has to say, preparing them for the first Christmas, and the coming of Jesus, which would occur 400 years later. And so, it is kind of like an audit, it's an examination, it's an investigation. And it's one of the three major themes of scripture. So, as you read the Bible, and we'd encourage you to be reading the Bible, there are three major themes. One is sin and how God forgives sin. One is suffering, and that's how God helps those who are hurting. And one is stewardship, and that's really the theme that we'll be studying today. It's a theme that Jesus spent 25% of his teaching on, and that is stewardship. And that is that our lives belong to God, our money belongs to God. Our company belongs to God. Our house belongs to God. Our car belongs to God, everything that we are, everything that we have, everything that we do, every word that we say ultimately belongs to God. That God is the owner, and that we are the manager, the manager. Meaning we need to invest the resources that God gives in a way that God decrees. -
The Wicker Husband Education Pack
EDUCATION PACK 1 1 Contents Introduction Introduction ......................................................................................................................................................................... 3 Section 1: The Watermill’s Production of The Wicker Husband ........................................................................ 4 A Brief Synopsis.................................................................................................................................................................. 5 Character Profiles…………………………………………………………………………………………………………………………....…8 Note from the Writer…………………………………………..………………………..…….……………………………..…………….10 Interview with the Director ………………………….……………………………………………………………………..………….. 13 Section 2: Behind the Scenes of The Watermill’s The Wicker Husband …………………………………..… ...... 15 Meet the Cast ................................................................................................................................................................... 16 An Interview with The Musical Director .................................................................................................................. .20 The Design Process ......................................................................................................................................................... 21 The Wicker Husband Costume Design ...................................................................................................................... 23 Be a Costume Designer……………………………………………………………………………………………………………………..25 -
The Wicker Man, Grande-Bretagne 1973, 88 Minutes Patrice Doré
Document généré le 24 sept. 2021 14:11 Séquences La revue de cinéma The Wicker Man, Grande-Bretagne 1973, 88 minutes Patrice Doré James Bond 007 Numéro 246, novembre 2006, janvier 2007 URI : https://id.erudit.org/iderudit/47627ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Doré, P. (2006). Compte rendu de [The Wicker Man, Grande-Bretagne 1973, 88 minutes]. Séquences, (246), 39–39. Tous droits réservés © La revue Séquences Inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ L'ÉCRAN DVD I PANORAMIOUE gj] KOKO, LE GORILLE QUI PARLE THE SCARLET EMPRESS FILM>On savait les singes capables de quelques grimaces bien FILM > À défaut d'accommoder la vrai inspirées. Pour sa part, Koko, un gorille femelle de sept ans, passe semblance historique pour donner vie à la quelques heures par jour devant un ordinateur, favorise les Grande Catherine, Josef Von Sternberg chandails rouges aux jaunes, reconnaît les différents animaux dans (L'Ange Bleu, Shanghai Express) a su y les illustrés, ment comme un ministre et possède un vocabulaire mettre les formes. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Nativity Celebration
465 Saints Peter & Paul UOC 8410 West 131st St. Palos Park, IL 60464 V. Rev. Vasyl Sendeha — Rector www.sspeterandpauluoc.net [email protected] 708-361-5165 Nativity celebration Parish Council Blessed Nativity season to all of you! President Christ is Born! Sandra Hladky Sisterhood of St. What a beautiful celebration of the Nativity Anne of Our Lord and God Jesus Christ our parish Andrea Manson family had this past week. Church School Director On the Eve of the Nativity, we had our An- Pat Wolsko nual traditional Holy Supper at the church hall. Two long table for family style meal Ukrainian were set up as usually we do not get a very Saturday School large crowd for the evening. As people were Director arriving at the church hall, we had to keep PM Olenka adding table after table with chairs to ac- Church Choir commodate all of those who have come for Director the Holy Supper. What a beautiful way to George Cepynsky start the celebration of the Nativity. The ta- bles for the potluck Lenten dinner were Seraphim Group heavily laden. The Nativity Eve service was President extra special. It started with low lights and a Debbie Pierog joyful singing of “God is with us.” bBessing 50/50 Club of bread, wheat , wine and oil was a break- President ing point between the Vespers and Matins of Michael Gbur the Nativity Eve vigil. Towards the end of Jr. UOL the Service we had an opportunity to wel- President come into the Orthodox Faith Stanley Antony Sendeha Jakubczak, who received the sacrament of Holy Chrismation. -
War Room Movie Event Fight for Us, but Is Waiting Until We Are Tired of Fighting on Our Own
April 2016 ! "#$$%&'!($)%&*!+,-./,! ! "#$%&'#()*!+',-$).-*)#$! 0012!3#4),)$)!().5!"6! /0!*-,2!&345! 7)&8*9%$$8:!;<!=0>2?! 6-$217)882!+9!:;<=>! .#$$%&'@$)%&*-A/B/#A! &2'?)*!"#@!::<! ! "8C-.&!D8.9%/8!"8E-8*C86! ! ! Dear Sisters & Brothers, rd On Sunday, April 3 at 6:00 PM, we will be showing the movie War Room here at Rolling Plains Church. The story line of the movie is of a couple struggling in their marriage and careers and how the power of prayer totally changes their lives in miraculous ways. Many of you have seen this movie and have been blessed by the strong reminder of the power and effectiveness of a prayerful life. After seeing War Room with my family just over a month ago, I have felt a fresh power, passion, and sense of effectiveness in my prayer life. In fact, we have rearranged three rooms in our house: Elizabeth has started a prayer list on the wall in her closet, Tawna has completely reorganized her closet as a prayer room, and I have started a personal prayer wall in our bedroom closet. Some of those prayers are already being To receive our newsletter by email instead, simply send an email to answered. Praise God! [email protected] If we are honest with ourselves, many of us will admit we struggle with prayer. Some of us find ourselves too busy to with “e-newsletter” and your first and last name in the subject line. pray and it never really becomes a priority in our lives. We believe in God and know He wants to hear from us, but we get so easily discouraged when it feels like our prayers go unanswered.