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Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
Undergraduate Dissertation Trabajo Fin De Grado
Undergraduate Dissertation Trabajo Fin de Grado “Hell is a Teenage Girl”: Female Monstrosity in Jennifer's Body Author Victoria Santamaría Ibor Supervisor Maria del Mar Azcona Montoliú FACULTY OF ARTS 2020 TABLE OF CONTENTS 1. INTRODUCTION……………………………………………………………….1 2. FEMALE MONSTERS………………………………………………………….3 3. JENNIFER’S BODY……………………………………………………………..8 3.1. A WOMAN’S SACRIFICE…………………………………………………8 3.2. “SHE IS ACTUALLY EVIL, NOT HIGH SCHOOL EVIL”: NEOLIBERAL MONSTROUS FEMININITY……………………………………………..13 3.3. MEAN MONSTERS: FEMALE COMPETITION AS SOURCE OF MONSTROSITY…………………………………………………………..18 4. CONCLUSION………………………………………………………………...24 5. WORKS CITED………………………………………………………………..26 6. FILMS CITED………………………………………………………………….29 1. INTRODUCTION Jennifer’s Body, released in 2009, is a teen horror film directed by Karyn Kusama and written by Diablo Cody. It stars Megan Fox and Amanda Seyfried, playing Jennifer, the archetypal popular girl, and Anita “Needy,” her co-dependent best friend, respectively. Jennifer is a manipulative and overly sexual teenager who, as the result of a satanic ritual, is possessed by a demon and starts devouring her male classmates. Knowing that her friend is a menace, Needy decides she has to stop her. The marketing strategy behind Jennifer’s Body capitalized on Megan Fox’s emerging status as a sex symbol after her role in Transformers (dir. Michael Bay, 2007), as can be seen in the promotional poster (see fig. 1) and in the official trailer, in which Jennifer is described as the girl “every guy would die for.” The movie, which was a flop at the time of its release (grossing only $31.6 million worldwide for a film made on a $16 million Figure 1: Promotional poster budget) was criticised by some reviewers for not giving its (male) audience what it promised. -
A LOOK BACK at WONDER WOMAN's FEMINIST (AND NOT-SO- FEMINIST) HISTORY Retour Sur L'histoire Féministe (Et Un Peu Moins Féministe) De Wonder Woman
Did you know? According to a recent media analysis, films with female stars earnt more at the box office between 2014 and 2017 than films with male heroes. THE INDEPENDENT MICHAEL CAVNA A LOOK BACK AT WONDER WOMAN'S FEMINIST (AND NOT-SO- FEMINIST) HISTORY Retour sur l'histoire féministe (et un peu moins féministe) de Wonder Woman uring World War II, as Superman Woman. Marston – whose scientific work their weakness. The obvious remedy is to and Batman arose as mainstream led to the development of the lie-detector test create a feminine character with all the Dpop symbols of strength and morality, the – also outfitted Wonder Woman with the strength of Superman plus all the allure of publisher that became DC Comics needed an empowering golden Lasso of a good and beautiful woman.” antidote to what a Harvard psychologist Truth, whose coils command Upon being hired as an edito- called superhero comic books’ worst crime: veracity from its captive. Ahead rial adviser at All-American/ “bloodcurdling masculinity.” Turns out that of the release of the new Won- Detective Comics, Marston sells psychologist, William Moulton Marston, had der Woman film here is a time- his Wonder Woman character a plan to combat such a crime – in the star- line of her feminist, and less- to the publisher with the agree- spangled form of a female warrior who could, than-feminist, history. ment that his tales will spot- time and again, escape the shackles of a man's light “the growth in the power world of inflated pride and prejudice. 1941: THE CREATION of women.” He teams with not 3. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
FILMART Flyer
NEW! NEW! NEW! NEW! From the Producer of NEW! THE WALKING DEAD IN PRODUCTION IN PRODUCTION FILMART Attending: March 23th - 25th Scott Veltri | [email protected] h RESULTS - SCREENING IN MARKET! (Drama) Directed by ANDREW BULJALSKI (Computer Chess) Starring GUY PEARCE (Memento), COBIE SMULDERS (How I met your Mother), KEVIN CORRIGAN (The Depart- ed), GIOVANNI RIBISI (Saving Private Ryan), ANTHONY MICHAEL HALL (The Dead Zone), BROOKLYN DECKER (Just Go With It) Recently divorced, newly rich, and utterly miserable, Danny (Kevin Corrigan) struggles to find a balance between money and happiness. Danny’s well-funded boredom is interrupted by a momentous trip to the local gym, where he meets self-styled guru/owner Trevor (Guy Pearce) and abrasive yet irresistable trainer Kat (Cobie Smulders). Soon their three lives become intertwined, both professionally and personally. THE WRECKING CREW - SCREENING IN MARKET! (Documentary) Directed by DANNY TEDESCO Featuring interviews with Brian Wilson, Cher, Nancy Sinatra, Glen Campbell What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. The Wrecking Crew tells the story of the unsung musicians that provided the back- beat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s. TANGERINE (Comedy / Drama) Directed by SEAN BAKER (Starlet) Starring KITANA KIKI RODRIGUEZ, MYA TAYLOR, KARREN KARAGULIAN, MICKEY O’HAGAN, ALLA TUMANIAN, JAMES RANSONE It’s Christmas Eve in Tinseltown and Sin-Dee is back on the block. -
The 2014 Sony Hack and the Role of International Law
The 2014 Sony Hack and the Role of International Law Clare Sullivan* INTRODUCTION 2014 has been dubbed “the year of the hack” because of the number of hacks reported by the U.S. federal government and major U.S. corporations in busi- nesses ranging from retail to banking and communications. According to one report there were 1,541 incidents resulting in the breach of 1,023,108,267 records, a 78 percent increase in the number of personal data records compro- mised compared to 2013.1 However, the 2014 hack of Sony Pictures Entertain- ment Inc. (Sony) was unique in nature and in the way it was orchestrated and its effects. Based in Culver City, California, Sony is the movie making and entertain- ment unit of Sony Corporation of America,2 the U.S. arm of Japanese electron- ics company Sony Corporation.3 The hack, discovered in November 2014, did not follow the usual pattern of hackers attempting illicit activities against a business. It did not specifically target credit card and banking information, nor did the hackers appear to have the usual motive of personal financial gain. The nature of the wrong and the harm inflicted was more wide ranging and their motivation was apparently ideological. Identifying the source and nature of the wrong and harm is crucial for the allocation of legal consequences. Analysis of the wrong and the harm show that the 2014 Sony hack4 was more than a breach of privacy and a criminal act. If, as the United States maintains, the Democratic People’s Republic of Korea (herein- after North Korea) was behind the Sony hack, the incident is governed by international law. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
Jews Control U.S.A., Therefore the World – Is That a Good Thing?
Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10. -
Sir Howard Stringer
SIR HOWARD STRINGER Chairman and CEO of the Sony Corporation (2005 -2012) Sir Howard served as Chairman and CEO of the Sony Corporation from June 2005 until June 2012 when he became Chairman of the Board of Directors, retiring in June 2013. Sir Howard joined Sony in May 1997 and was named Chairman and CEO of the Sony Corporation of America in 1998, responsible for Sony’s entertainment companies, Sony Pictures Entertainment, Sony Music Entertainment, and Sony Music Publishing. Prior to joining Sony, Sir Howard was President of CBS from 1988 to 1995, which became the first network to rise from last to first place in one season. From 1986 to 1988, Sir Howard served as President of CBS News. He was executive producer of the CBS Evening News with Dan Rather from 1981 to 1984, the dominant network evening newscast of its day. From 1976 to 1981, while he was executive producer of the CBS REPORTS, the documentary unit won more than 30 Emmys including nine individual awards. He holds a B.A. and an M.A. in Modern History from Oxford University. He also serves on the Board of Directors for TalkTalk and Time Inc., he is Chair of the School Board at Said Business School, Oxford University, Chair of the Board of Trustees for the American Film Institute and Chairman of Board of Advisors, Department of Opthalmology, Columbia University Medical Centre. Sir Howard has also received Honorary Doctorates from Oxford University, the University of Glamorgan, the University of the Arts London, the American Film Institute and the University of Swansea. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
James Immekus
MANAGEMENT 101 JAMES IMMEKUS FILM UNBROKEN 2: PATH TO REDEMPTION Co-Star Dir Harold Cronk FRIENDED TO DEATH Lead Dir. Sarah Smick THE CARETAKER Lead Dir. Bryce Olson BOXBOARDERS! Lead Dir. Rob Hedden SPARE CHANGE Co-Star Dir. Arturo Guzman, Jon Talbert TELEVISION GOOD GIRLS Guest Star NBC, Dylan K. Massin THE GOOD DOCTOR Guest Star ABC, Mike Listo ONCE UPON A TIME Recurring ABC, Ferland, Goddard, Underwood SUPERNATURAL Guest Star CW, Jerry Wanek CRIMINAL MINDS Guest Star CBS, Michael Lange VEGAS Guest Star CBS, Duane Clark EMILY OWENS M.D. Guest Star CW, Jamie Babbit THE GLADES Guest Star A&E, Kelly Makin CSI Guest Star CBS, Louis Milito IN PLAIN SIGHT Guest Star USA, Anton Cropper JUSTIFIED Guest Star F/X, Michael Watkins LIE TO ME Guest Star FOX, Elodie Keene MAD MEN Guest Star AMC, Lesli Linka Glatter GREY’S ANATOMY Guest Star ABC, Rob Corn THE CLEANER Guest Star A&E, David Semel GHOST WHISPERER Guest Star CBS, Steven Robman SHARK Guest Star CBS, Paul Holahan MEDIUM Guest Star NBC, Miguel Sandoval BONES Guest Star FOX, Dwight Little WITHOUT A TRACE Guest Star CBS, Peter Markle HOUSE Guest Star FOX, Dan Attias COLD CASE Guest Star CBS, Paris Barclay CHARMED Guest Star WB, Michael Grossman DRAKE & JOSH Guest Star Nickelodeon, Steve Hoefer NUMB3RS Co-Star CBS, Tim Matheson THEATRE HOUSE OF BLUE LEAVES Ronnie Mark Taper Forum (CTG), Nicki Martin FINDING THE SUN Fergus Goodman Theatre, Eric Rosen WILDER Wilder CATF, Lisa Portes MARVIN’S ROOM Hank Interact Theatre Co. Dave Floric WEB SERIES CANTRIPS Recurring GeekandSundry, Canaan Triplett HITTING THE BREAKS Recurring Pureflix, Gabriel Sabloff TRAINING BFA Acting DePaul University Theatre School (Goodman School of Drama) Comedy Improv Upright Citizens Brigade (UCB) SPECIAL SKILLS Improv (Viola Spolin), Certified Acting Combatant of the Society of American Fight Directors, Percussionist, Didgeridoo, Dialects Theatrical Agent | HRI (310) 295-0775 Commercial Agent | AKA (323) 965-5600 Management 101 (818) 753-5200 • [email protected] .