PRELIM —INARY
FROM DARKNESS
Indigenous Languages and Arts By Steven Oliver V1.0 ABOUT LA BOITE ABOUT BRISBANE FESTIVAL Your Voices. Your Stories. Your Theatre. Brisbane Festival is one of Australia’s major LA BOITE La Boite holds a unique place in the international arts festivals. Each September, hearts and minds of artists and audiences in it explodes across the city with a thrilling AND BRISBANE FESTIVAL Queensland. For more than 90 years, La Boite program of theatre, music, dance, circus, has represented the adventurous and alternative. opera and major public events, such as There has always been a strong focus on the Riverfire attracting an audience of around development of new work and artists, and today one million people every year. is no different. Brisbane Festival has only been annual The stories, ideas and voices of our city and since 2009, but in that time it’s been embraced country are many and varied and as such La Boite by the city and admired by the world. seeks to represent and engage in this beautiful Brisbane Festival aims to connect artists and and rich diversity; the diversity of form, ideas, audiences in ways that lift the spirit, disrupt the ethnicity, gender – of identity. conventional and open our city to the world. Theatre has the capacity to embrace difference in so many ways. La Boite push the boundaries of form by collaborating with some extraordinary partners to stretch theatrical, physical and musical boundaries. La Boite plays with contemporary circus, visual theatre, opera and cabaret, classical text, the theatrical and extraordinary international talents. This varied menu aims to enliven and inspire our existing audiences and draw new audiences to share in the La Boite experience – the experience and magic of live performance in our unique Roundhouse Theatre.
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P2 SYNOPSIS ESTIMATED RUNNING TIME It’s the anniversary of Vinnie’s death. His brother, 90 minutes “A GRIPPING, DARKLY 17-year old Preston is being visited by spirits— seemingly tormenting him while he sleeps. His RECOMENDED FOR FUNNY DRAMA ABOUT sister, Akira buries her pain in her phone. Their AN ANCIENT FORCE AND father, Eric, is in denial and their mother, Abigail, Students in grades 11 and 12 is numbing her pain with drink, while Nan is A MODERN INDIGENOUS coping with it all by talking… a lot. WARNINGS There’s no denying that Preston’s on the →→ Coarse Language FAMILY’S NEED TO cusp of something otherworldly. The family’s → Themes of death, grief disconnect from each other and the world → and loss including suicide UNDERSTAND IT.” has gone on long enough. It’s time to purge the past to embrace the present, if they’re to have a future, and an encounter with spirits might SUBJECT MATTER just be the catalyst they all need. Indigenous Culture, Mental Health, Family, Steven Oliver’s (Black Comedy, Black Spirit Worlds, Siblings, Grief and loss, Conflict Queen Black King) deeply moving new play in relationships between mother and children, deep-dives into contemporary family politics married couple, mother-in-law and daughter-in- and the connection between culture, grief and law, Hope, Change, A better world. our humanity, with Oliver’s signature aplomb. In his debut at La Boite, Isaac Drandic directs this incredible new Australian work with PURPOSE a stellar Indigenous cast. To empower, challenge, provoke and entertain
FEELS LIKE CONTEXT Family Matters meets Redfern Now meets The Sociological, Political, Personal, Cultural Exorcist, a nuclear family like no other, family drama that transcends the physical realm FORM, STYLE & CURRICULUM LINKS Indigenous Australian Perspectives, CAST AND CREATIVES Contemporary Realism, Magical Realism, Theatre DIRECTOR Isaac Drandich of Social Comment, Contemporary Performance, DESIGN Kevin O’Brien New writing, Production Elements. CAST INCLUDES Roxanne McDonald
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P3 WHAT ARE YOU MOST LOOKING FORWARD TO WHEN DIRECTING Q&A THIS WORK? Venturing into the unknown and exploring WITH DIRECTOR untraveled territory in First Nations theatre in Australia and collaborating with a talented team ISSAC DRANDIC of actors and key creatives.
WHAT DOES THE PLAY MEAN TO YOU? Theatre can be a powerful tool for social change. As a Noongar man I take my responsibility and privilege as a director seriously. As creatives and creators of new stories i believe it’s important that we go beyond making observational theatre and imagine possibilities for an alternative future which offers a sense of hope. This play is another opportunity to connect and imagine a better world for First Nations people of Australia.
WHAT DO YOU HOPE AUDIENCES TAKE AWAY WITH THEM? A collective sense of connection. To sit in a theatre and share a special moment together.
WHAT ARE THE PARTS IN THE PERFORMANCE THAT STAND OUT TO YOU THE MOST? The family dynamics and “otherworldly” elements.
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P4 INDIGENOUS CULTURE CHARACTERS AND LANGUAGE NANNA LOU A woman in her 60’s who despite KEY From Darkness is an Indigenous Australian led being the matriarch of the family, is probably the project, written, directed and performed by cheekiest and says what’s on her mind. She’s light RESEARCH Indigenous Australian artists. hearted but can also cut very deep with her POINTS Here is a selection of Indigenous language words. words used in the script. You might like to have
students do some research about these words. ERIC A father in his forties who is the son of Nan Ideally, you could engage with local Indigenous Lou. He tries to be the good guy much to his leaders or elders in your community and discuss detriment and finds himself usually caught in the language, culture and subject matter from middle of his mother and wife. the play with them, in particular ancestry and
connection to spirits. ABIGAIL Mother in her forties who is the wife of Eric. They’ve been together since high school INDIGENOUS LANGUAGE and she has stood by his side through many hard times. Since their oldest sons death though, → Gammin → they’ve been growing apart. This is also the case →→ Birilung for her relationship with her two children and she →→ Mob often feels the outsider. →→ Ghoona AKIRA Fifteen year old daughter who feels like →→ Womba she’s the last person people care about ever since →→ Picaninnis her older brother’s death and her living brother’s relationship with the spirits and is constantly on →→ Budhoo her phone. →→ Walkabout → Bub → PRESTON Seventeen year old son who has been →→ Elder communicating with forces that lie beyond the plains of the natural world. He spends most of his →→ Gammin time in his room and has been growing distant from his family. AUSTRALIAN INSTITUTE OF ABORIGINAL AND TORRES STRAIT SET ISLANDER STUDIES
Use this map to look at the location of you school, A lounge/dining room takes mainstage. Above where your students live, and where they grew up. it is a teenage boys bedroom. The white walls AIATSIS map of Indigenous Australia are bare save for a few small family portraits. “Move your cursor over any area of the map Have students find images, or create to reveal the ‘magnifying glass’ circle. Scroll set designs using the above description your mouse wheel to zoom in or out within the from the script. magnifying circle. On touch screens, tap once on the screen to show the magnifying circle. Then, keep your finger on the screen and move the circle around to show the zoomed in map.” →→ https://aiatsis.gov.au/explore/articles/aiatsis- map-indigenous-australia
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P5 RELATIONSHIPS GRIEF & LOSS Have students discuss the following relationships, The Ferguson family in From Darkness are dealing KEY create improvisations and explore these with the loss of their brother, son and grandchild relationships. You might like to give different Vinnie who passed away. It may be important to RESEARCH provocations, complications or tensions in these safely talk about grief, loss and mourning. POINTS relationships. You could look at mourning rituals in different cultures around the world as pretexts for → Husband and wife → creating soundscapes or physicalised work. →→ Nan and grandchild →→ Mother and Mother-in-Law GLOBAL GRIEF →→ Husband, Wife and Husband’s mother At one point in the script the spirits that visit →→ Brother and sister Preston communicate not just the suffering of his people but images of global suffering.
SPIRITS →→ Native Americans Preston is amidst his connection to the spirit →→ The Holocaust world. Everyone but Abigail has some kind of →→ War connection to the spirit world. → Mass shootings in schools You might like to discuss their personal → beliefs about spirits, other worlds, life after death, →→ People all over the world ghosts, the spirit world. It may be good to discuss ideas of global ABORIGINAL SPIRITUALITY, UNCLE grief or suffering and use images or research as GRAHAM PAULSON SHARES HIS INSIGHTS INTO pretexts to create dramatic work. Soundscapes ABORIGINAL SPIRITUALITY may be a great place to start. You could → https://www.australianstogether.org.au/ → incorporate movement, and physical acting discover/indigenous-culture/aboriginal- and production elements like lighting, and spirituality/ projections. Whilst there are some excellent resources Playing with these forms and styles will and research links on this website below, please before seeing the show will be good, as a way of be conscious that the majority of it has been then discussing how the creative team use sound, written by a non-Indigenous Australian. It is lighting and projection in the production. important that your resources reflect actual Indigenous perspectives. ABORIGINAL SPIRITUALITY AND MAKE THE WORLD A BETTER PLACE BELIEFS BY BY JENS KORFF LAST Preston has many insights and perspectives on UPDATED: 23 AUGUST 2017 our changing world, and how to make it a better →→ https://www.creativespirits.info/ aboriginalculture/spirituality/ place. Have your students write monologues that reflect their own perspectives and beliefs about making the world better. You could then have other students rehearse and perform these monologues. You could also use this content to further develop devised work; scenes, soundscapes, movement pieces etc.
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P6 the police when trouble occurs, take one 29. If someone has ever spoken for you when PRIVELEGE WALK step forward. you did not want them to do so, take one Depending on the context of your school you If your family owns a computer, take one step back. might like to do the Privilege Walk with your 15. step forward. If there was ever substance abuse in your students. If you do not feel comfortable doing the 30. household, take one step back. walk with your students, you may just like to pull 16. If you have ever been able to play a out some of the questions and use them as a way significant role in a project or activity 31. If you come from a single-parent household, to discuss privilege, especially in Australia. because of a talent you gained previously, take one step back. take one step forward. 32. If you live in an area with crime and drug 1. If you are right-handed, take one step 17. If you can show affection for your romantic activity, take one step back. forward. partner in public without fear of ridicule or 33. If someone in your household suffered or violence, take one step forward. 2. If English is your first language, take one suffers from mental illness, take one step step forward. 18. If you ever had to skip a meal or were back. hungry because there was not enough 3. If one or both of your parents have a college 34. If you have been a victim of sexual degree, take one step forward. money to buy food, take one step back. harassment, take one step back. If you feel respected for your academic 4. If you can find Band-Aids at mainstream 19. 35. If you were ever uncomfortable about a stores designed to blend in with or match performance, take one step forward. joke related to your race, religion, ethnicity, your skin tone, take one step forward. 20. If you have a physically visible disability, take gender, disability, or sexual orientation but one step back. felt unsafe to confront the situation, take 5. If you rely, or have relied, primarily on public one step back. transportation, take one step back. 21. If you have an invisible illness or disability, take one step back. If you are never asked to speak on behalf of 6. If you have attended previous schools with 36. a group of people who share an identity with people you felt were like yourself, take one 22. If you were ever discouraged from an step forward activity because of race, class, ethnicity, you, take one step forward. gender, disability, or sexual orientation, take If you can make mistakes and not have 7. If you constantly feel unsafe walking alone 37. at night, take one step back. one step back. people attribute your behavior to flaws in your racial or gender group, take one step If your household employs help as servants, 23. If you ever tried to change your appearance, 8. forward. gardeners, etc., take one step forward. mannerisms, or behaviour to fit in more, take one step back. If you have always assumed you’ll go to If you are able to move through the world 38. 9. college, take one step forward. without fear of sexual assault, take one step 24. If you have ever been profiled by someone forward. else using stereotypes, take one step back. 39. If you have more than fifty books in your If you feel good about how your identities household, take one step forward. 10. If you studied the culture of your ancestors 25. in elementary school, take one step forward. are portrayed by the media, take one step 40. If your parents have told you that you can forward. be anything you want to be, take one step If you often feel that your parents are too 11. forward. busy to spend time with you, take one step 26. If you were ever accepted for something back. you applied to because of your association with a friend or family member, take one If you were ever made fun of or bullied for THE PRIVELEGE WALK FROM 12. step forward. something you could not change or was →→ https://peacelearner.org/2016/03/14/ beyond your control, take one step back. 27. If your family has health insurance take one privilege-walk-lesson-plan/ step forward. 13. If your family has ever left your homeland or entered another country not of your own 28. If you have ever been spoken over because free will, take one step back. you could not articulate your thoughts fast enough, take one step back. 14. If you would never think twice about calling
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P7 As Prime Minister of Australia, I am sorry. From little things, big things grow FROM LITTLE THINGS On behalf of the Government of Australia, From little things, big things grow BIG THINGS GROW (GET I am sorry. From little things, big things grow UP STAND UP VERSION) On behalf of the Parliament of Australia, From little things, big things grow You could use this as a pretext with your students I am sorry. to discuss Kevin Rudd’s apology to the Stolen And I offer you this apology without qualification. Where hope and history rhyme Generations, the history of the story in the And now’s one of those times original song and its contemporary version. To say sorry means to give respect Lets close the gap and if we truly mean it “After the historic apology by Prime Minister It’s long overdue we can stare down our future and find Kevin Rudd to the Stolen Generations, GetUp Now you failed to imagine we can see through those eyes commissioned this song to be made by some What if it happened to you And let us not stand with those who deny of Australia’s most prominent musicians such as Paul Kelly, Urthboy, Missy Higgins and others. Now they’re not only words now it’s not just a It seems to me that if we can imagine the Some of the nation’s best-known performers have symbol injustice come together to create a song that harnesses Accepting the past, well it’s not always simple We can imagine the opposite the momentum of February’s apology. The song When thinking of yesterday And we can have justice entered the ARIA charts at number 4 and peaked We live for tomorrow on the digital charts at number 2, while also We can’t face the future now From little things, big things grow receiving glowing media attention from around Till we face the sorrow From little things, big things grow the world. GetUp brings you The GetUp Mob’s From little things, big things grow “From Little Things Big Things Grow”. Now under the colours, yeah From little things, big things grow The GetUp Mob, organised by advocacy Of red, yellow, black group GetUp!, released a version of the song We say Never again [rpt] on 21 April 2008. This featured elements of the We say No turning back apology to the Stolen Generations, made by Prime All of us are one, because we are human Minister Kevin Rudd on 13 February 2008, as well From little things, big things grow And if I cut you, you cut me, what comes out? as former Prime Minister Paul Keating’s Redfern From little things, big things grow red blood, not different colour blood, only red Speech on 10 December 1992. The track features From little things, big things grow blood. Yes. Carmody and Kelly, as well as other prominent From little things, big things grow →→ https://www.youtube.com/ Australian artists (including Urthboy, Missy watch?v=8zXFmJmrj0s Higgins, Mia Dyson, Radical Son, Jane Tyrrell, Dan Lighting up the path Sultan, Joel Wenitong and Ozi Batla). This version With good in our heart peaked at #4 on the ARIA singles chart after its 28 See the more that you look April 2008 release, and #2 on both the Australian The better for all Chart and Digital Track Chart. The video for the So he sang as he walked song was produced by ARIA winner Hackett And together we stand Films, and features John Butler, Leah Purcell, Pat For we’re sure to stand tall Dodson and Anthony Mundine. Kev Carmody We must all play our part described the 2008 version: [Rudd: indigenous and non indigenous] “This contemporised version of the song Tears within our brow transforms us from a negative concept of the past Yes forward we struggle and all to the positive possibilities of the future.” -Kev we’ve achieved Carmody, 2008 Will be nothing if greed was the only motivation of man So we can love one another, and with respect for each other Then we move forward [reconciled] together
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P8 I got more reason to be here, Fuck celebrating days made of misery (Fuck that) JANUARY 26 BY if you could believe it While Aus still got the black history (That’s true) A.B.ORIGINAL WITH Won’t salute a constitution or who’s underneath And that shirt will get you banned DA N S U LTA N it Turn that flag to a noose, put a cease to your from the Parliament You could use the lyrics of this song to discuss breathing If you ain’t having a conversation, the Change the Date debate and why it is such an I can’t get in my whip, I get a ticket for that well then we starting it important issue. I get a DWB, and that’s a ‘Driving Whilst Black’ There are many amazing images from I turn the other cheek, I get a knife in my back [HOOK: DAN SULTAN & BRIGGS] Change the Date protests that you could also And I tell ‘em it hurts, they say I overreact You can call it what you want use as pretexts. So fuck that! (Fuck that!) But it just don’t mean a thing No, it just don’t mean a thing
[HOOK (EXTENDED): DAN SULTAN & BRIGGS] [HOOK: DAN SULTAN & BRIGGS (TRIALS)] Fuck that, homie You can call it what you want You can call it what you want You can come and wave your flag But it just don’t mean a thing But it just don’t mean a thing But it don’t mean a thing to me No, it just don’t mean a thing No, it just don’t mean a thing No, it just don’t mean a thing! Fuck that, homie (Hey, Briggs!) Fuck that, homie You can come and wave your flag You can come and wave your flag [BRIDGE: DAN SULTAN & TRIALS] But it don’t mean a thing to me But it don’t mean a thing to me No, it just don’t mean a thing No, it just don’t mean a thing No, it just don’t mean a thing Nah, it just don’t mean a thing Fuck that, homie No, it just don’t mean a thing You can call it what you want [VERSE 2: TRIALS] Nah, it just don’t mean a thing But it just don’t mean a thing I said celebrate the heretic anytime No, it just don’t mean a thing No, it just don’t mean a thing outside Jan 26 (Anytime) Nah, it just don’t mean a thing Fuck that, homie That’s the date for them suckers doing No, it just don’t mean a thing You can come and wave your flag that sucker shit (That’s true!) Nah, it just don’t mean a But it don’t mean a thing to me That’s that land-taking, flag-waving attitude Motherfucking thing No, it just don’t mean a thing Got this new Captain Cook dance to No, it just don’t mean a thing Fuck that, homie show you how to move (Move it) How you wanna raise a flag with a rifle [OUTRO: BRIGGS & TRIALS] Wave it, wave it baby [VERSE 1: BRIGGS] To make us want to celebrate anything They said, “Hey, Briggs, pick a date” (Okay) but survival? Wave it, wave it, eat the flag “You know, one we can celebrate” (For sure) Nah, you watching tele for The Bachelor Wave it, wave it mama “Where we can come together (Yeah) But wouldn’t read a book about a fuckload Wave that flaggy, wear the flag Talk about the weather, call that Australia Day” of massacres? (What?) Wave it, wave it baby (What you gonna do?!) I said, “How about March 8th?” I remember all the blood and what Wave it, wave it, wave it baby! (That’s a good one) carried us (I remember) Wave it, wave it mama And we can do it on your Nan’s They remember twenty recipes Wave that flaggy grave (Got that, bitch?) for lamingtons (Yum) We can piss up, piss on her face Yeah, their ancestors got a boat ride →→ https://www.youtube.com/ Get lit up and burn out like Mark Skaife Both mine saw them coming until they watch?v=tZ9qeX4gUeo They screaming, “love it or leave it” (Love it!) both died
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P9 It is always important to include indigenous NUNUKUL YUGGERA ABORIGINAL social and historical contexts in the work that you DANCERS FURTHER are doing with your students. Below are some → http://www.nunukul-yuggera.com/ resources you could use imbedded into your → READING existing units of work. INDIGENOUS KNOWELDGE CENTRES LINKS & RESOURCES →→ http://www.slq.qld.gov.au/about-us/ indigenous-knowledge-centres
KANYINI BY MELANIE HOGAN SUNDAY PROGRAM REVIEW CLOSE THE GAP →→ https://www.youtube.com/watch?v=c-X_ →→ https://www.humanrights.gov.au/our-work/ eABVwyU aboriginal-and-torres-strait-islander-social- justice/projects/close-gap-indigenous-health MY GRANDMOTHERS LINGO →→ https://www.sbs.com.au/ mygrandmotherslingo/ VIDEOS
YOU CAN’T ASK THAT – INDIGENOUS FIRST CONTACT AUSTRALIANS → http://www.sbs.com.au/programs/first- → → http://iview.abc.net.au/programs/you-cant- contact → ask-that/LE1517H008S00
BRINGING THEM HOME REPORT THE 7 STAGES OF GRIEVING JUNE →→ https://www.humanrights.gov.au/ 2017 AT THE JOAN publications/bringing-them-home- →→ https://www.youtube.com/watch?v=a_ report-1997 xLXqwgYFg
BRINGING THEM HOME: 20 YEARS YARRAMUNDI KIDS - WHEN I WAS A AFTER REPORT, INDIGENOUS KID - DEBORAH MAILMAN CHILDREN WORSE OFF THAN BEFORE BY POLITICAL REPORTER →→ https://www.youtube.com/watch?v=Bw-_- DAN CONIFER 5nCXOM →→ http://www.abc.net.au/news/2017-05-26/ bringing-them-home-report-20-years-on- children-worse-off/8560568
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P10 COMPANIES ABORIGINAL AND TORRES STRAIT ISLANDER STUDIES HANDBOOK FURTHER 2010 DIGI YOUTH ARTS READING →→ https://www.qcaa.qld.edu.au/downloads/ →→ http://dya.net.au/ senior/snr_atsi_10_handbook.pdf
BANGARRA DANCE THEATRE ABORIGINAL AND TORRES STRAIT ISLANDER STUDIES (2009) →→ https://www.youtube.com/channel/UCdtJI_ TEACHING & LEARNING HHSj9cqiVMha0yahQ →→ https://www.qcaa.qld.edu.au/senior/subjects/ humanities-and-social-sciences/aboriginal- ILBIJERRI THEATRE COMPANY torres-strait-islander-studies-2009/teaching- learning →→ https://www.youtube.com/user/ ilbijerritheatreco TEACHER RESOURCE MATERIALS YIRRA YAAKIN FOR MIRACLE IN BRISBANE → https://eprints.qut.edu.au/27258/1/Miracle_ →→ https://www.youtube.com/user/ → YirraYaakinTheatreCo in_Brisbane_Teacher_Resource_2009.pdf
KOOEMBA DJARRA INDIGENOUS DEPARTMENT OF LEARNING PERFORMING ARTS WESTERN AUSTRALIA - ABORIGINAL EDUCATION ‹ LESSON →→ http://www.kooemba.com.au/index.html PLANS ‹ LESSONS BY LEARNING AREA ‹ THE ARTS ILBIGERRI ABORIGINAL AND →→ http://www.det.wa.edu.au/ TORRES STRAIT ISLANDER DANCE aboriginaleducation/apac/detcms/aboriginal- CO-OPERATIVE education/apac/lesson-plans/the-arts.en?cat- id=9192344 →→ http://www.ilbijerri.org.au/index.htm
BANGARRA DANCE THEATRE ABORIGINAL THEATRES → https://www.creativespirits.info/ →→ http://www.bangarra.com.au/ → aboriginalculture/arts/aboriginal- theatres#axzz4kQCeVjbq LESSONS & RESOURCES P L AY S
ABORIGINAL AND TORRES STRAIT ISLANDER GUIDELINES FOR BLAK STAGE – AUSTRALIAN STAGE DRAMA/THEATRE EDUCATION BY RESOURCES DRAMA AUSTRALIA →→ https://australianplays.org/blakstage/scripts →→ https://www.dramaaustralia.org.au/assets/ →→ https://australianplays.org/blakstage/ files/ATSIguidelinesFinalSept07.pdf resources →→ https://australianplays.org/blakstage/media- gallery
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P11 THE STORIES OF OUR STREETS PLAYS (CONT.) published on August 24, 2013 FURTHER → http://www.westendmagazine.com/the- HART BY SHE SAID THEATRE → READING stories-of-our-streets/ →→ http://shesaidtheatre.com/projects/hart ADAM GOODES: ‘IF PEOPLE ONLY THE SECRET RIVER ABC TV – MINI REMEMBER ME FOR MY FOOTBALL, SERIES – THE SECRET RIVER I’VE FAILED IN LIFE.’ By andrew webster →→ http://www.abc.net.au/tv/programs/secret- →→ http://www.smh.com.au/afl/sydney-swas/ river/ adam-goodes-if-people-only-remember-me- for-my-football-ive-failed-in-life-20150730- ginms6.html KATE GRENVILLE – THE SECRET RIVER →→ http://kategrenville.com/secret_river MOTHER OF TEEN WHO SLEDGED ADAM GOODES SAYS FANS → http://kategrenville.com/secret_river_readers_ → SHOULD NOT BOO, BUT STILL notes WANTS AN APOLOGY Andrew Wu July 30 2015 THE SECRET RIVER BY ANDREW →→ http://www.smh.com.au/afl/sydney-swans/ BOVELL mother-of-teen-who-sledged-adam-goodes- →→ https://australianplays.org/script/CP-2787 says-fans-should-not-boo-but-still-wants-an- apology-20150729-gimqms.html
A RESPONSE TO NO SUGAR CUE THE CHORUS: THE MAKINGS WE DON’T NEED A MAP. OF A MAN BY JOHN HARDING “A few years back I got in a bit of trouble when I →→ https://australianplays.org/script/CPD-12 said I thought the Southern Cross was becoming the new swastika. Caused a ruckus alright. But ARTICLES it got me thinking. The poor old Southern Cross has been reclaimed as a badge for exclusion, but is there more to the story? Why 10 THINGS YOU SHOULD KNOW is this symbol so potent? What does it mean for ABOUT WHITE PRIVILEGE by luke blackfellas? Australia … Maybe it’s time to ask pearson and sophie verass some sober questions about who we are and where we are going.” →→ http://www.sbs.com.au/nitv/ WARWICK THORNTON article/2016/10/13/10-things-you-should- →→ https://www.wedontneedamapmovie.com/ know-about-white-privilege TAKE BACK THE STARS AND WEAR BRISBANE COULD RENAME THE SOUTHERN CROSS WITH PRIDE HISTORICALLY RACIST BOUNDARY OCTOBER 23, 2014 1.21PM AEDT, MYLES RUSSELL COOK STREETS by cameron atfield → http://theconversation.com/take-back-the- → http://www.brisbanetimes.com.au/ → → stars-and-wear-the-southern-cross-with- queensland/brisbane-could-rename- pride-33301 historically-racist-boundary-streets- 20160129-gmhgi3.html
La Boite From Darkness Prelimeinary Notes 2019 v1.0 P12 Education Partner
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