Ms Shelfmark Ms Title Ms Dm Link Add Ch 19788 Grant of King Wulfhere of the Mercians (D. 675) to His Kinsman Beorhtferth
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Chapter (PDF)
ILLUSTRATIONS, FIGURES AND MAPS illustrations 1. Kneeling crusader with his horse behind him, from the Westminster Psalter, c. 1250. xxii © British Library Board. All Rights Reserved / Bridgeman Images. 2. Eichstätt model of the Edicule, twelfth century. Bildarchiv Monheim GmbH / xxiv Alamy Stock Photo. 3. Aerial view of the Church of the Holy Sepulchre, Jerusalem. Photo © Zev Radovan / xxv Bridgeman Images. 4. Croix de chevalier from the First Crusade. Photo Josse / Scala, Florence. 4 5. Giving the cross, from J. Riley-Smith (ed.), The Oxford Illustraded History of 7 the Crusades (Oxford 1995). 6. Women at a siege, from Histoire ancienne jusqu’à César, late thirteenth century. 11 © The British Library Board (MS 15268, fol. 101v). 7. Stone carving of Roland (right) on the exterior of the royal palace at Navarre, 13 twelfth century. Granger / Bridgeman Images. 8. ‘The Rider on the white horse and his followers’, from Apocalypse (‘The Queen 16 Mary Apocalypse’), early fourteenth century. © The British Library Board (Royal 19 B. XV, fol. 37r). All rights reserved / Bridgeman Images. 9. Godfrey of Bouillon and his train setting out on horseback, from William of Tyre, 22 Histoire d’Outremer, 1232–61. © British Library Board. All Rights Reserved / Bridgeman Images. 10. Richard I jousts with Saladin during the crusade of 1191. Encaustic tiles from 29 Chertsey Abbey, c. 1250. Universal History Archive/UIG / Bridgeman Images. 11. The Dome of the Rock, Jerusalem. Lori Epstein / National Geographic 32 Image Collection / Bridgeman Images. 12. Ivory casket with figural and ornamental decoration including hunting scenes, southern 33 Italy or Sicily, eleventh–twelfth centuries. -
British Library Ancient, Medieval and Early Modern Manuscripts Digitisation Master List
British Library Ancient, Medieval and Early Modern Manuscripts Digitisation Master List 07/01/2016 Shelfmark Title Hyperlink Add Ch 54148 Bull of Pope Alexander III relating to Kilham, http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_Ch_54148&index=0 Yorkshire Add Ch 76659 Confirmations by the Patriarch of Constantinople of http://www.bl.uk/manuscripts/FullDisplay.aspx?index=0&ref=Add_Ch_76659 the stavropegiacal rights of the Monastery of Theotokos Chrysopodariotissa near Kalanos, in the province of Patras in the Peloponnese Add Ch 76660 Confirmations by the Patriarch of Constantinople of http://www.bl.uk/manuscripts/FullDisplay.aspx?index=0&ref=Add_Ch_76660 the stavropegiacal rights of the Monastery of Theotokos Chrysopodariotissa near Kalanos, in the province of Patras in the Peloponnese Add MS 10014 Works of Macarius Alexandrinus, John Chrysostom http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10014 and others Add MS 10016 Pseudo-Nonnus; Maximus the Peloponnesian; http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10016 Hilarion Kigalas Add MS 10017 History of Roman Jurisprudence during the Middle http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10017 Ages, translated into Modern Greek Add MS 10022 Procopius of Gaza, Commentary on Genesis http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10022 Add MS 10023 Procopius of Gaza, Commentary on the Octateuch http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10023 Add MS 10024 Vikentios Damodos, On Metaphysics http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_10024 -
Art in the Ancient World
Art in the Ancient World A U G U S T I N E C O L L E G E Byzantine Manuscript illumination Carolingian | David playing the Lyre The Good Samaritan Rossano Gospels perhaps made in Constantinople | 6th C The body of St. Catherine transported to Mt. Sinai Belles Heures of Jean, duc de Berry, 15th C Psalter | Psalm 11 1180–1200 | ENGLISH Book of Kells late 8th or early 9th century Codex Aureus Laurensius Gospels 778 to 820 Opening of the Gospel of Luke 1020 BYZANTINE The Gospel of Mark The Evangelist Mark Seated at His Desk 1025-50 BYZANTINE The Creation detail Moralized Bible, 1220 FRENCH Christ in Majesty 1200 Westminster Psalter The Crucifixion and the Deposition of Christ with Ecclesia and Synagoga 1235 Psalter of Blanche of Castile Missal Italy | 1250 The Belleville Breviary 14th C | Jean PUCELLE The Belleville Breviary 14th C | FRENCH Altar-hanging of the Crucifixion painted in grisaille for the Church of St. Just, Narbonne 1364-78 Louvre Ecclesia Synagoga Altar-hanging made for Church of St. Just, Narbonne 1364-78 | Louvre The Wilton Diptych Richard II Presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund 1395 The Wilton Diptych back 1395 Arms and helmet of Richard II Emblem of Richard II The Wilton Diptych back 1395 The Wilton Diptych Richard II Presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund 1395 The Wilton Diptych The Virgin and Child 1395 The Wilton Diptych detail St. -
Jeremy Montagu Some Mss. in the British Library with Instruments Page 1 of 2
Jeremy Montagu Some Mss. In the British Library with Instruments Page 1 of 2 Some Manuscripts in the British Library with Illustrations of Musical Instruments and a few other sources that I have found FoMRHIQ 2, January 1976,Comm. 8 Arundel 83. Conflation of two English Psalters, East Anglia, c.1310. The second half is known as the de Lisle Psalter. Good source. Includes: long trumpets, harps, citole, bagpipe, bells, fiddle, portative, psaltery, duct flute, pipe & tabor. Cotton, Tib.C.vi. Psalter, mid 11th c. f.30 is well-known; the rest is the usual Boethius improbabilities of the period. Egerton 1139. Queen Melissander’s Psalter, Latin Kingdom of Jerusalem, c.1140. The only instrument is a good harp, available asa postcard. The ivory cover is well known: King David playing what might be a dulcimer. Harley 2804. German Bible, 1148. f.3 has a not very good David and musicians. Harley 4425. La Roman de la Rose, pre-1500. 2 folios with music parties. Royal 2.A.xvi. Psalter time of Henry VIII, with annotations by him. Harp, pipe& tabor, short trumpet, dulcimer. Interesting that Henry is one of the musicians (and his fool shuts his ears to avoid his playing). Royal 2.A.xxii. The Westminster Psalter, late 12th c. David with harp and bells (postcard available), another harp. Interesting in that Westminster Abbey has a very similar hemi- spherical bell in the Undercroft exhibition room. Royal 2.B.vii. The Queen Mary Psalter, English early 14th c. well known source with a lot of material, but none quite as good and clear as in other East Anglian psalters (e.g. -
Public Records of The
The Public Records of the STATE OF CONNECTICUT FROM 1821 TO 1822 VOLUME XXI Edited in accordance with an Act of The General Assembly Douglas M. Arnold Editor Shelby Shapiro Bevi Chagnon Associate Editor Production Consultant Hartford 2015 Published by The Connecticut State Library Kendall F. Wiggin Lizette Pelletier State Librarian State Archivist © 2015 Connecticut State Library PREFACE This volume contains a transcription of the positive actions of the General As- sembly of Connecticut during the years 1821 and 1822. The manuscript which forms the core of this volume—and of the entire Public Records series—is the official record of the acts, resolutions, and appointments made by the General Assembly. It is housed at the Connecticut State Library [CSL] in Hartford in Archives Record Group 1. The records of the 1821 session reproduced here can be found on pages 407–561 of Volume 13 of the manuscript; those for 1822 can be found on pages 8–231 of Volume 14. The appendices to each ses- sion reproduce selected supplementary documents culled from the records of the executive department at the CSL and from contemporary newspapers. Time constraints did not permit exhaustive research. The footnotes high- light the major activities of the General Assembly, identify some significant themes and developments, indicate where additional primary source materials can be found in manuscript series at the CSL, and provide information about important public figures. Brief biographies usually appear in footnotes on the first appearance of an individual in a major office and other key figures are occasionally identified when appropriate. Cross-references point to matters discussed elsewhere in this and earlier volumes of the series. -
THE AMESBURY PSALTER MADONNA and CHILD By
THE AMESBURY PSALTER MADONNA AND CHILD by DOREEN NALOS B.A., University of British Columbia, 1973 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of . Fine Arts We accept this thesis as conforming to the required standard: THE UNIVERSITY OF BRITISH COLUMBIA September, 1976 © Doreen Nalos, 1976 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Doreen Na1os Department of FINE ARTS The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date September U . 1 976 ii ABSTRACT The decoration of the Amesbury Psalter, c.1250, is of immediate appeal because of its skilled execu• tion and the richness of its decoration. It is, moreover, interesting iconographically; the Madonna and Child page, which presents Mary as the Virgo lactans, appears to be the earliest representation of this type of Madonna which is of English proven• ance. Although the Virgo lactans is the oldest image of Mary known to us, it has never been the popular im• age of the Virgin as has been, for example, the re• presentation of the seated Hodegetria. This essay traces the history of the Virgo lactans to the cult of Isis in Egypt, explores the image of Mary expressed in theological writings through the centuries, and examines popular concepts of the Virgin portrayed in vernacular literature, and the various ways in which the Madonna and Child theme has been visually presented. -
The Influence Ofmedieval Illuminated Manuscripts on the Pre-Raphaelites and the Early Poetry Ofwilliam Morris Michaela Braesel
The Influence ofMedieval Illuminated Manuscripts on the Pre-Raphaelites and the Early Poetry ofWilliam Morris Michaela Braesel When considering the influence ofmedieval book illumination on the work of Pre-Raphaelite arrists stress is generally laid upon examples from the thirreemh and fourreemh cemuries. These are the book illu minations recommended by John Ruskin, which 'in their bold rejec tion ofall principles ofperspective, light and shade, and drawing ... are infinitely more ornamental to the page owi ng to the vivid opposition of their brightcolours and quaintlines, than ifthey had been drawn by Da Vinci himself'. I He also considered that they demonstrated the basic principles ofart: 'clearness ofoutline and simplicity, without the intro duction oflightand shade'.1 Ruskin's emhusiasm for the aestheticqual ities ofilluminated manuscripts from the fourteenth cemury is evidenr from a statemem he made about the decoration ofa bookofhours in his owncollection which he described as 'notofrefined work, butextreme Iy rich, groresque, and full ofpure colour. The new worlds which every leafofthis book opened to me, and the joy I had, couming their letters, and unravelling theirarabesques asifrhey hadall been ofbeaten gold... cannot be told'..1 Comrary to the view ofcontemporaries such as Gus tav Friedtich Waagen or Henry Noel Humphreys, Ruskin considered that the most striking example ofthe demise ofmedieval book illumi nation was to be seen in the works ofGiulio Clovio (1498-1578), who had umil then been held in high esteem due to Giorgio Vasari's com parison ofhim with Michelangelo (1475-1564).4 It is miniatures from the thirreenth and fourteenth centuries, high ly valued by Ruskin because ofthe brilliance oftheir colours, which Dante Gabriel Rossetti used as a starring poinr for his watercolours from the second halfofthe 1850s, several ofwhich Morris acquired. -
The Dover Road
THE DOVER ROAD BY CHARLES G. HARPER The Dover Road I Of all the historic highways of England, the story of the old Road to Dover is the most difficult to tell. No other road in all Christendom (or Pagandom either, for that matter) has so long and continuous a history, nor one so crowded in every age with incident and associations. The writer, therefore, who has the telling of that story to accomplish is weighted with a heavy sense of responsibility, and though (like a village boy marching fearfully through a midnight churchyard) he whistles to keep his courage warm, yet, for all his outward show of indifference, he keeps an awed glance upon the shadows that beset his path, and is prepared to take to his heels at any moment. And see what portentous shadows crowd the long reaches of the Dover Road, and demand attention! Cæsar’s presence haunts the weird plateau of Barham Downs, and the alert imagination hears the tramp of the legionaries along Watling Street on moonlit nights. Shades of Britons, Saxons, Danes, and Normans people the streets of the old towns through which the highway takes its course, or crowd in warlike array upon the hillsides. Kings and queens, nobles, saints of different degrees of sanctity, great blackguards of every degree of blackguardism, and ecclesiastics holy, haughty, proud, or pitiful, rise up before one and terrify with thoughts of the space the record of their doings would occupy; in fine, the wraiths and phantoms of nigh upon two thousand years combine to intimidate the historian. -
Hickmott Marriages 1550-1916
Hickmott Marriages 1550-1916 (last updated 17 October 2018) Sources: 1.LDS IGI: England Marriages 1538-1973; Brenchley M130942 (1754-1876); East Farleigh; East Malling; Ewhurst M148041 (1558-1881); Frant M148461 (1543-1837), M148462 (1837-1881); Horsmonden M131471 (1558-1732), M131472 (1733-1876); Lamberhurst M131531 (1564-1837), M131532 (1813-1842); Rotherfield M148353 (1837-1881); Ticehurst M013842 (1559-1641, 1653-1870); Tonbridge M008391 (1558-1837); Tudeley & Capel M135202 (1702-1812); West Farleigh; West Malling; West Peckham. (igi) 2. Dawn Miles’ ‘Hickmotts of Lamberhurst’ website listing of local parish registers; 3. Pallot’s Marriage Index 4. Canterbury Marriage Licences (1751-1837) 5. Parish Registers of Marriages (from Ancestry.com): Lamberhurst (1564-1837); Staplehurst (1538- 1837); West Farleigh (1558-1812); Wichling (1577-1837); (reg) 6. Calendar of Marriage Licence Allegations 1597-1648 7. Marriage Licences Granted by the Bishop of London 1520-1610 8. England and Wales, FreeBMD Marriage Index (1837-c1918) 9. Ss Peter and Paul Headcorn registers (C1560-1899; M 1560-1904; B 1560-1903) 10. Mid-Kent Marriages Index 1754-1911 11. All England & Wales Marriages, 1538-1940 (Ancestry.com) 12. Surrey, England, Marriages, 1754-1937 13. All London Marriages & Banns 1754-1921 (Ancestry.com) (AE) 14. KFHS CD-ROM 02/07 (Revision 1): Includes Beneden M (1578-1836); East Peckham M (1558- 1812); Hollingbourne M (1554-1837); Smarden M (1559-1837); Snargate M (1552-1812); Sutton Valence M (1577-1836); Tenterden M (1597-1915); Woodchurch M -
Archaeological Journal the Palace Or Manor-House of the Bishops of Rochester at Bromley, Kent, with Some Notes on Their Early Re
This article was downloaded by: [Northwestern University] On: 03 February 2015, At: 23:25 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 The Palace or Manor-House of the Bishops of Rochester at Bromley, Kent, with some Notes on their Early Residences Philip Norman LL.D., F.S.A. Published online: 17 Jul 2014. To cite this article: Philip Norman LL.D., F.S.A. (1920) The Palace or Manor- House of the Bishops of Rochester at Bromley, Kent, with some Notes on their Early Residences, Archaeological Journal, 77:1, 148-176, DOI: 10.1080/00665983.1920.10853350 To link to this article: http://dx.doi.org/10.1080/00665983.1920.10853350 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Water As Medieval Intellectual Entity
Water as Medieval Intellectual Entity Case Studies in Twelfth-Century Western Monasticism James L. Smith 10406629 BA(Hons) W.Aust (2008), GCRC QUT (2010) This thesis is presented for the degree of Doctor of Philosophy in History of The University of Western Australia School of Humanities Discipline of History 2013 ii ABSTRACT In this thesis, the imagery of water serves as a point of focus for an inquiry into the composition of medieval abstract space. As a ubiquitous element of human life with distinct properties and connotations across time, water touches, and has ever touched upon, both what is historically and culturally unique and what is ongoing within environmental imagination. This study examines the significance and the deployment of environmental imagery in the composition, narration, and recollection of organised thought in the Middle Ages. I argue that images of environment in systematic ecological arrangement perform a key role in revealing medieval spaces of thought. The intellectual and imaginative uses of water in medieval thought merge mind and environment, and bind intellection and phenomenon within the spaces of the inner world. This thesis suggests that the medieval logic of these patterned spaces links us intimately to the internal structures of sense-making in a distinct intellectual milieu—that of monastic, twelfth-century, Northern European Christendom—and to the understanding of environment that it implied, be it cultural, religious, or quotidian. In this thesis, I analyse the imagery and the rhetoric of water in various texts as a means to explore the potential meanings of water as an abstract entity in medieval thought. -
Europe's Confused Transmutation: The
Europe’s Confused Transmutation: The Realignment of Moral Cartography in Juan de la Cosa’s Mappa Mundi (1500) James L. Smith **Published in European Review of History—Revue européenne d'histoire, 2014, Vol. 21, No. 6, 799–816, http://dx.doi.org/10.1080/13507486.2014.960813. This is a final pre-press version of the article without articles. For the final publishers‟ text and images, please follow the doi link above. Abstract Following the voyages of Christopher Columbus, John Cabot, Alonso de Ojeda and Amerigo Vespucci in the last decade of the fifteenth century, the New World of the Americas entered the cartographic and moral consciousness of Europe. In the 1500 mappa mundi of Juan de la Cosa, navigator and map-maker, we see Europe as a hybrid moral entity, a transitional blend of the medieval and the modern at the crossroads between two mappings of Europe. This paper argues that the Juan De la Cosa map represents a blurred transition between map- making traditions and a mixed moral rhetoric of European identity. The De la Cosa map operates across two sets of imagined axes: held horizontally, the map is set to a Ptolemaic grid with Europe straddling the prime meridian, and yet when held vertically it presents a medieval moral continuum in which the Americas occupy an ascendant position, a verdant new Jerusalem in contrast to the Babylon of the old world. Europe is both drawn to the centre of a new world order, and also pushed to the moral margins in an echo of the medieval mappa mundi still imperfectly resolved.