352.1 1 Nova, Et Integra Universi Orbis Descriptio
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Map Matters 1
www.australiaonthemap.org.au I s s u e Map Matters 1 Issue 19 November 2012 Inside this issue Welcome to the "Spring" 2012 edition of Map Matters, News the newsletter of the Australia on the Map Division of the Cutty Sark is back! Australasian Hydrographic Society. A Star to Steer Her By Johann Schöner on the Web Arrowsmith's Australian If you have any contributions or suggestions for Maps Map Matters, you can email them to me at: Rupert Gerritsen awarded the Dorothy [email protected], or post them to me at: Prescott Prize GPO Box 1781, Canberra, 2601 When Did the Macassans Start Coming to Northern Frank Geurts Australia? Editor Projects update Members welcome Contacts How to contact the AOTM Division News Cutty Sark is back! On 25 April 2012, near Britain’s National Maritime Museum at historic Greenwich, Queen Elizabeth II reopened Cutty Sark after nearly six years of restoration work, punctuated by the serious fire of 21 May 2007. The Cutty Sark is not only a London icon but also an important artefact in Australian maritime history. She spent 12 years of her working life carrying Australian wool to England. The ship was built in 1869 for one purpose – to bring tea back to London from China quickly. A premium was paid for new season tea so that the first ships back made huge profits for their owners. This led to competition to build faster ships shaped more like elegant racing yachts than cargo carriers. Cutty Sark is a composite ship with a frame of wrought iron and a wooden cladding, built at Dumbarton, Scotland. -
The Jagiellonian Globe, Utopia and Australia
Paper 2: The Jagiellonian Globe, Utopia and Australia Robert J. King [email protected] ABSTRACT The globe, dating from around 1510, held by the Jagiellonian University in Cracow, Poland, depicts a continent in the Indian Ocean to the east of Africa and south of India, but labeled “America”. The globe illustrates how geographers of that time struggled to reconcile the discoveries of new lands with orthodox Ptolomaic cosmography. It offers a clue as to where Thomas More located his Utopia, and may provide a cosmographic explanation for the Jave la Grande of the Dieppe school of maps. BIOGRAPHICAL NOTE From 1975 to 2002, Robert J King was secretary to various committees of the Australian Senate, including the Senate Committee on Foreign Affairs, Defence and Trade. He is now an independent researcher at the National Library of Australia in Canberra with a special interest in the European expansion into the Pacific in the late 18th century. He is the author of The Secret History of the Convict Colony: Alexandro Malaspina’s report on the British settlement of New South Wales published in 1990 by Allen & Unwin. He has also authored a number of articles relating to colonial/imperial rivalry in the eighteenth century and was a contributing editor to the Hakluyt Society’s 3 volume publication, The Malaspina Expedition, 1789-1794: Journal of the Voyage by Alexandro Malaspina The Jagiellonian Globe, Utopia and Australia1 The appearance in the mid-sixteenth century of Jave la Grande in a series of mappemondes drawn by a school of cartographers centred -
From the Edition of the Tractatus De Sphaera (1516) to the Cosmographia (1532)
Chapter 8 Oronce Fine and Sacrobosco: From the Edition of the Tractatus de sphaera (1516) to the Cosmographia (1532) Angela Axworthy Abstract This paper considers the contribution of the French mathematician Oronce Fine to the diffusion and transformation of Johannes de Sacrobosco’s Tractatus de sphaera by considering his 1516 edition of the Sphaera and his Cosmographia, sive sphaera mundi (in Protomathesis, 1532). The article first describes Fine’s life and career, as well as his work as editor of the Sphaera. In a second part, it considers what Fine, in the Cosmographia, has drawn and left aside from the Sphaera, revealing the consequent transformations to the teaching of Sacrobosco’s theory of the sphere and its adaptation to the cultural and intellectual environment in which Fine evolved. A last part considers the treatment, in the Cosmographia, of the cosmological representations transmitted by Sacrobosco and by subsequent interpreters of Ptolemaic astronomy concerning the number of celes- tial spheres and its relation to judicial astrology. A. Axworthy (*) Technische Universität Berlin, Berlin, Germany Max Planck Institute for the History of Science, Berlin, Germany e-mail: [email protected] © The Author(s) 2020 185 M. Valleriani (ed.), De sphaera of Johannes de Sacrobosco in the Early Modern Period, https://doi.org/10.1007/978-3-030-30833-9_8 186 A. Axworthy 1 Introduction1 Oronce Fine or Finé2 (1494–1555), a French mathematician from the Dauphiné, is chiefly known to historians of science for having been the first to -
6 • Globes in Renaissance Europe Elly Dekker
6 • Globes in Renaissance Europe Elly Dekker Introduction Abbreviations used in this chapter include: Globes at Greenwich for In 1533 Hans Holbein the Younger, the foremost painter Elly Dekker et al., Globes at Greenwich: A Catalogue of the Globes and then in London, made the portrait now known as The Armillary Spheres in the National Maritime Museum, Greenwich (Ox- Ambassadors (fig. 6.1).1 One of the remarkable features ford:OxfordUniversityPressandtheNationalMaritimeMuseum,1999). 1. The best study of the painting and its provenance still is the book of this painting is the abundance of scientific instru- by Mary Frederica Sophia Hervey, Holbein’s “Ambassadors”: The Pic- ments depicted in it. On the top shelf there is a celestial ture and the Men (London: Bell and Sons, 1900). See also Susan Fois- globe, a pillar dial, an equinoctial dial (in two parts), ter, Ashok Roy, and Martin Wyld, Holbein’s Ambassadors (London: a horary quadrant, a polyhedral dial, and, on top of a National Gallery Publications, 1997), esp. 30 – 43; the information book, an astronomical instrument known as a tor- about the globes and the instruments provided in this catalog should be considered with some care. quetum. On the lower shelf there is a terrestrial globe, a 2. The book on arithmetic is that by Peter Apian, titled Eyn newe und book on arithmetic, a set square and a pair of dividers, wolgegründete underweisunge aller Kauffmans Rechnung (Ingolstadt, a lute with broken strings, a case of flutes, and a hymn- 1527), and the hymn book is by Johann Walther [Walter], Geystliche book.2 The objects displayed between the two men are gesangk Buchleyn (Wittenberg, 1525). -
The French and Terra Australis
The French and Terra Australis MARGARET SANKEY* All those interested in Australian history will be aware of the long European quest for the mythical Terra australis incognita, punctuated by the discovery of coasts of New Holland by the Dutch in the seventeenth century, and not abandoned until the late eighteenth century when Captain James Cook, during his second voyage, finally demonstrated that there was no vast inhabited continent sUlTounding the South Pole. In the English speaking world, the history of the Southern Hemisphere has been traditionally dominated by the English achievements. The search for Terra australis is thus seen as culminating in the discovery of the east coast of Australia and the subsequent implantation of colonies along the Australian coastlines. In recent years, the French contIibution to the early exploration and mapping of New Holland is increasingly being recognised. Although most Australians know something of the ill-fated expedition of La Perouse, last heard of when he sailed from Botany Bay in 1788, voyages such as those of D'Entrecasteaux (sent in search of La Perouse in 1791) and Baudin (sent on a scientific voyage to New Holland by Napoleon Bonaparte in 1800) are only now beginning to attract the attention they deserve. The pioneering work done over the last few decades by John Dunmore, Leslie Marchant, Frank Homer, and more recently other scholars such as Edward Duyker, has demonstrated the achievements of the French explorers and revealed the wealth of documentation they accumulated about New Holland during the earliest days of European settlement. * Professor Margaret Sankey, FAHA, holds the McCaughey Chair of French Studies at the University of Sydney. -
De Sphaera of Johannes De Sacrobosco in the Early Modern
Matteo Valleriani Editor De sphaera of Johannes de Sacrobosco in the Early Modern Period The Authors of the Commentaries De sphaera of Johannes de Sacrobosco in the Early Modern Period Matteo Valleriani Editor De sphaera of Johannes de Sacrobosco in the Early Modern Period The Authors of the Commentaries Editor Matteo Valleriani Max Planck Institute for the History of Science Berlin, Germany Technische Universität Berlin Berlin, Germany University of Tel Aviv Tel Aviv, Israel ISBN 978-3-030-30832-2 ISBN 978-3-030-30833-9 (eBook) https://doi.org/10.1007/978-3-030-30833-9 © The Editor(s) (if applicable) and The Author(s) 2020. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. -
JAVE LA GRANDE, a PART of TERRA AUSTRALIS? Robert J
Mapping Our World: Discovery Day, National Library of Australia, 10 November 2013 JAVE LA GRANDE, A PART OF TERRA AUSTRALIS? Robert J. King Did Portuguese navigators discover Australia in the early 16th century? No! As Joachim Pedro de Oliveira Martins, the Portuguese maritime historian who examined this question concluded: "Australia was not visited by any Portuguese in the sixteenth century". If there had been a Portuguese discovery it would have been shown on the world map of Diego Ribeiro, a Portuguese cosmographer in the service of the King of Spain. There is no mystery to the Dieppe maps when they are seen in the context of cartographic history: they expressed the cosmographic concepts of the period. This accounts for the superficial resemblance of their Jave la Grande to Australia. Jave la Grande can be accounted for by developments in cosmographic theory without the necessity of positing unrecorded voyages of discovery by Portuguese or other early 16th century voyagers. The Dieppe cartographers incorporated into their world maps the cosmographic concepts of Oronce Fine, Professor of Mathematics and cosmographer to the King of France. Fine's 1531 map of the world shows a large promontory attached to the continent of TERRA AVSTRALIS and extending northward almost to the Tropic of Capricorn: this promontory is named REGIO PATALIS (“the Region of Patala”). The Dieppe mapmakers identified Jave la Grande with Oronce Fine’s Regio Patalis. Jave la Grande was “the great island called Java” described by Marco Polo. He called it Java Major to differentiate it from Java Minor (Sumatra). Book III of Marco Polo’s Travels described his journey in 1292 by sea from China to India 1 by way of Champa, Locach and Sumatra (Java Minor). -
Colonialist Ideals in an Un-Colonial Place: “Terra Australis Nondum Cognita” the Southward Aye We Fled. and Now There Came B
Colonialist Ideals in an Un-Colonial Place: “Terra Australis Nondum Cognita” The southward aye we fled. And now there came both mist and snow, And it grew wondrous cold: And ice, mast-high, came floating by, As green as emerald. And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken— The ice was all between. The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound! Samuel Taylor Coleridge The Ancient Mariner, Section I Samuel S. Dalke Gustavus Stadler, Advisor Department of English Haverford College Spring 2007 Polar exploration is at once the cleanest and most isolated way of having a bad time which has been devised…it is more lonely than London, more secluded than any monastery, and the post comes but once a year…a member of Campbell’s party tells me that the trenches at Ypres were a comparative picnic…take it all in all, I do not believe anybody on earth has a worse time than an Emperor penguin. Apsley Cherry-Garrard, Opening Paragraph of The Worst Journey in the World “We achieved a first-rate tragedy,” wrote Sir Robert Falcon Scott just hours before his death. “Had we lived, I should have had a tale to tell of the hardihood, endurance, and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale” (542). After three years sledging through the Antarctic on low rations, facing ghastly conditions of unabated winds and biting colds, Scott reached the South Pole only to find that a party of Norwegians had gotten there first. -
Portuguese Cartography in the Renaissance Maria Fernanda Alegria, Suzanne Daveau, João Carlos Garcia, and Francesc Relaño
38 • Portuguese Cartography in the Renaissance Maria Fernanda Alegria, Suzanne Daveau, João Carlos Garcia, and Francesc Relaño Introduction the fifteenth century to the end of the seventeenth and the most comprehensive guide to any country’s cartographic The study of Portuguese cartography has focused in large resources in the Renaissance. After dominating the histo- part on Portugal’s contribution to nautical charting, as- riography of Portuguese cartography for forty years, tronomical navigation at sea, and mapping in support of some of its interpretations are now being modified, but it its vast overseas expansion in the fifteenth and sixteenth still forms the starting point for any detailed work on the centuries. The factors contributing to Portugal’s impor- subject, and its influence is clearly seen throughout this tance in those activities during that period are complex.1 chapter.4 Portugal’s geographical position as the westernmost part of continental Europe facing the North Atlantic, for ex- Abbreviations used in this chapter include: Bartolomeu Dias for Con- ample, cannot account entirely for its success. Other gresso Internacional Bartolomeu Dias e a sua Época: Actas, 5 vols. countries had more and better harbors and a larger pro- (Porto: Universidade do Porto, CNCDP, 1989); IAN/TT for Instituto portion of their population engaged in the sea. But Por- dos Arquivos Nacionais / Torre do Tombo, Lisbon; PMC for Armando tugal’s political unity from the thirteenth century; the sup- Cortesão and A. Teixeira da Mota, Portugaliae monumenta carto- port it received from a series of Papal bulls that gave it a graphica, 6 vols. (Lisbon, 1960; reprint, with an introduction and sup- plement by Alfredo Pinheiro Marques, Lisbon: Imprensa Nacional– monopoly in discovery, conquest, and commerce, as well Casa da Moeda, 1987); and Publicações for Publicações (Congresso do as gold and slaves from West Africa to pay for these ac- Mundo Português), 19 vols. -
Map Projections in the Renaissance John P
10 • Map Projections in the Renaissance John P. Snyder This chapter is organized in four main sections reflecting straight parallels usually limited to the equator, the broad types of maps for which projections were useful in Arctic and Antarctic circles, and the tropics of Cancer the European Renaissance: world maps (and globes), and Capricorn. This is the case with a 1493 zone map by nautical charts, regional maps, and celestial maps. Editor’s note: John Parr Snyder completed his chapters for Volumes Projections for World Maps 3–6 of the History of Cartography so early that he was encouraged to publish them as a separate book, which appeared as Flattening the When we talk of a “world map,” it is important to dis- Earth: Two Thousand Years of Map Projections (Chicago: University of tinguish between a map of the world as known at the time Chicago Press, 1993; reprinted with corrections 1997). In the preface to the map was made (the inhabited world or oikoumene) that book, he explains the history of his association with the History of and a map of the whole 360 degrees of longitude and 180 Cartography Project (xvii–xviii). This chapter complements Snyder’s already published work. Its pur- degrees latitude of the earth. One of the themes that pose is not to summarize the original text but to recast it in a more gen- emerges in this chapter is how the demand for maps of eral mode and to add information and references that have appeared the whole world, and not just the oikoumene, expanded since the author’s death in 1997. -
Images of Renaissance Cosmography, 1450–1650
THE HISTORY OF RENAISSANCE CARTOGRAPHY: INTERPRETIVE ESSAYS 3 • Images of Renaissance Cosmography, 1450 –1650 Denis E. Cosgrove Cosmography as a Renaissance Project tronomy, Chicago; Beinecke for the Beinecke Rare Book and Manuscript Library, Yale University, New Haven; and MnU for Special Collections Graphic images are powerful tools for making visible and Rare Books, Wilson Library, University of Minnesota, Minneapolis. 1. For a discussion of the origins and meanings of kosmos, see M. R. the idea of an ordered creation comprising heavens and Wright, Cosmology in Antiquity (London: Routledge, 1995). Plato’s 1 earth that Greek philosophers called Kosmo~. In the Re- Timaeus represented the fullest account of the origins of the ancient naissance images played an important role in remapping Greek cosmos. medieval natural philosophy. Renaissance cosmography 2. Matthew H. Edney, “Cartography without ‘Progress’: Reinter- might be regarded as a “mode,” or a historically specific preting the Nature and Historical Development of Mapmaking,” Car- tographica 30, nos. 2 and 3 (1993): 54 –68, and David Turnbull, “Car- set of social and technical relations that determine repre- tography and Science in Early Modern Europe: Mapping the 2 sentational practices. The social and technical relations Construction of Knowledge Spaces,” Imago Mundi 48 (1996): of Renaissance cosmography converged around a grow- 5–24. ing apprehension of terrestrial, celestial, and represen- 3. W. P. D. Wightman, “Science and the Renaissance,” History of tational space as absolute and capable of intellectual Science 3 (1964): 1–19. 3 4. The earliest illustrated publication of the text was Erhard Ratdolt’s mastery. Drawing on medieval precedents, the practices 1482 Venice printing with a woodcut world map. -
European Cartographers and the Ottoman World 1500–1750: Maps
oi.uchicago.edu EUROPEAN CARTOGRAPHERS AND THE OTTOMAN WORLD 1500–1750 oi.uchicago.edu Jan Vermeer van Delft (1632–1675). The Geographer. Courtesy of The Städel Museum, Frankfurt/Artothek oi.uchicago.edu EUROPEAN CARTOGRAPHERS AND THE OTTOMAN WORLD 1500–1750 MAPS FROM THE COLLECTION OF O. J. SOPRANOS IAN MANNERS with a contribution by M. PINAR EMI˙RALI˙OG˘LU THE ORIENTAL INSTITUTE MUSEUM OF THE UNIVERSITY OF CHICAGO oi.uchicago.edu EUROPEAN CARTOGRAPHERS AND THE OTTOMAN WORLD Library of Congress Control Number: 2007935787 ISBN: 978-1-885923-53-0 ISBN: 1-885923-53-8 © 2007 by The University of Chicago. All rights reserved. Published 2007. Printed in the United States of America. The Oriental Institute, Chicago Oriental Institute Museum Publications No. 27 This volume has been published in conjunction with the exhibition European Cartographers and the Ottoman World, 1500–1750: Maps from the Collection of O. J. Sopranos. Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois 60637 USA oi.uchicago.edu Front Cover Illustration: Georg Braun and Frans Hogenberg. Byzantivm nunc Constantinopolis. [1572]. From Civitates Orbis Terrarum, Cologne. The O. J. Sopranos Collection Back Cover Illustration: Abraham Ortelius. Tvrcici Imperii Descriptio. [1579]. From Theatrum Orbis Terrarum. [Antwerp], 1602. The O. J. Sopranos Collection Cover Design: Hanau-Strain, Inc., Chicago This volume was made possible through the generous donation of the Dellenback Family Foundation. Printed by M&G Graphics, Chicago, Illinois. The paper used in this publication meets the minimum requirements of American National Standard for Information Service — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984 ∞ 4 oi.uchicago.edu EUROPEAN CARTOGRAPHERS AND THE OTTOMAN WORLD TABLE OF CONTENTS List of Figures ............................................................................................................................................