Student Guide to the Theatre HUNTER BELL TABLE of CONTENTS BASED on the BOOK by JULIE ANDREWS EDWARDS ABOUT the SHOW: the Story
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Fact Book 2004 Fact Book 2004
Fact Book 2004 Fact Book 2004 Table of Contents Welcome Letter 2 Management Executive Team 4 Board of Directors 4 Operations Media Networks Profile 6 Business 7 Key Dates 8 Fast Facts 10 Data 13 Studio Entertainment Profile 22 Business 22 Key Dates 23 Fast Facts 25 Data 27 Parks and Resorts Profile 34 Business 34 Key Dates 35 Fast Facts 40 Data 42 Consumer Products Profile 48 Business 48 Key Dates 49 Fast Facts 51 History 55 Financials Income Statements 73 Balance Sheets 76 Cash Flows 78 Quarterly Statements 2004 80 Quarterly Statements 2003 82 Financial Ratios 85 Stock Statistics 86 Reconciliations 87 1 Fact Book 2004 Welcome to The Walt Disney Company Fact Book 2004 The Walt Disney Company’s Fact Book 2004 profiles the company’s key business segments and performance, and highlights key events from throughout the company’s 81 year history. The Walt Disney Company strives to be one of the world’s leading producers and providers of quality entertainment and information. Our investment in new content and characters as well as building, nurturing and expanding our existing franchises, gives us an advantage to strengthen and reinforce the affinity that consumers have with our brands and characters across all of our business segments. By growing operating income, improving returns on capital and delivering strong cash flow, the company strives to provide long-term value to Disney’s shareholders. Disney enjoys competitive advantages that underpin all of our successes, both financial and creative. In the long run, we prosper from the inventiveness of our film, television, and other programming; our ability to connect with our audiences; the use of technological advances to enhance our products; the opportunity to delight people around the world with our toys, clothing and other consumer products; and the ability to surprise our Guests with magical experiences at the parks, cruise lines and resorts. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
Direct PDF Link for Archiving
Baird Jarman Quick as a Flash: Victor Collodion and the Development of the Lightning Artist Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Citation: Baird Jarman, “Quick as a Flash: Victor Collodion and the Development of the Lightning Artist,” Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020), https:// doi.org/10.29411/ncaw.2020.19.2.3. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Jarman: Quick as a Flash: Victor Collodion and the Development of the Lightning Artist Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Quick as a Flash: Victor Collodion and the Development of the Lightning Artist by Baird Jarman On the day after Christmas in 1872, a French caricaturist known as Victor Collodion, recently banned in Paris for mocking the president of France, debuted on the London stage. Speaking no English and appearing only momentarily amid a four-hour extravaganza, he became a surprise overnight sensation. A show bill featuring his self-portrait preserves perhaps the sole visual record of his popular act (fig. 1). Garbed in knee-high leather boots, a velvet jacket with diamond-slit sleeves, flaring lace cuffs, and a wide-brimmed hat with a feather plume atop a long mane of flowing hair, Collodion exuded the swashbuckling bravado of an Ancien-Régime guardsman, though armed with drawing charcoal rather than a sword. -
Featured Inside
Volume 14, Issue 2 April/May ConNotations 2004 The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society The Borg Invade Las Vegas Featured Inside by Lee Whiteside SF Tube Talk Special Features All the latest news about The Borg Invade Las Vegas The Star Trek Experience at the Las techniques, other effects are used Scienc Fiction TV shows by Lee Whiteside Vegas Hilton has stayed pretty much the (poking, air blasts, moving floors, and by Lee Whiteside same since it opened in 1998. The Klingon surround sound) to create a fuller The Waldorf Conference: Encounter ride has been a popular one, experience. 24 Frames Microphones, Scripts, and Actors with fans being able to visit the bridge of Behind the scenes of the visual All the latest Movie News Part 2 the Enterprise D from Star Trek: The Next effects is Threshold Digital Research by Lee Whiteside By Shane Shellenbarger Generation and experience a motion Labs and a team led by George Johnsen, simulator shuttle ride that ends up on a former Babylon 5 producer, with visual Haunted History: now outdated flight down the Las Vegas effects artists such as Mojo working on Pointless Meanderings News and Reviews Pioneer Living History Village Strip. Aside from some updated displays in it. They have created multiple 3-D images by Dawn Mullan the History of the Future museum for the that are displayed on multiple screens on from the world of comics and Anime last Trek movies and Enterprise TV series, the ride to give the feeling of being in In Memorium the attraction has stayed pretty much the space and to heighten the tension when Musical Notes Michael L Jackson same. -
Children's DVD Titles (Including Parent Collection)
Children’s DVD Titles (including Parent Collection) - as of July 2017 NRA ABC monsters, volume 1: Meet the ABC monsters NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) PG A.C.O.R.N.S: Operation crack down (CC) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 PG Adventure planet (CC) TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) TV-G Adventures in babysitting (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Top gear trucks TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Ichabod and Mr. Toad (2014) (SDH) G The adventures of Milo and Otis (CC) PG The adventures of Panda Warrior (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with -
Menlo Park Juvi Dvds Check the Online Catalog for Availability
Menlo Park Juvi DVDs Check the online catalog for availability. List run 09/28/12. J DVD A.LI A. Lincoln and me J DVD ABE Abel's island J DVD ADV The adventures of Curious George J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Curious George J DVD ADV The adventures of Ociee Nash J DVD ADV The adventures of Ichabod and Mr. Toad J DVD ADV The adventures of Tintin. J DVD ADV The adventures of Pinocchio J DVD ADV The adventures of Tintin J DVD ADV The adventures of Tintin J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD AGE Agent Cody Banks J DVD AGE Agent Cody Banks J DVD AGE 2 Agent Cody Banks 2 J DVD AIR Air Bud J DVD AIR Air buddies J DVD ALA Aladdin J DVD ALE Alex Rider J DVD ALE Alex Rider J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALICE Alice in Wonderland J DVD ALL All dogs go to heaven J DVD ALL All about fall J DVD ALV Alvin and the chipmunks. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
Teacher Preparation Guide
TEACHER PREPARATION GUIDE Book and lyrics by ALAN J. LERNER, Music by FREDERICK LOEWE Based on the play Pygmalion by GEORGE BERNARD SHAW Directed By VICTORIA BUSSERT TABLE OF CONTENTS Dear Educator ………………………………………………………………………..... 3 A Note to Students: What to Expect at the Theater…………………………………… 4 GLT: Our History, Our Future………………………………………………………... 5 Director’s Note .......................…………………………………………………………. 6 George Bernard Shaw ... ………………………………………………………………. 8 Scenes & Musical Numbers ……………………………………………………………. 9 The Inspiration …………………………………………………………………………. 10 Past Performances of Pygmalion & My Fair Lady …………………………………….. 12 Idaho Shakespeare Festival’s Production of My Fair Lady …….………………………. 14 Costume Design………………………………………………………………………… 16 Scenic Design…………………………………………………………………………... 20 Questions for Discussion Prior to Attending the Performance ………………………… 21 Activities ……………………………………………………………………………….. 23 Writing Prompts …………………………………………………………………..…… 25 A Brief Glossary of Theater Terms …………………………………………………….. 26 How to Write a Review ………………………………………………………………… 28 A Sample Review Written by a Student ……………………………………………….. 29 Questions for Discussion After Attending the Performance …………………………… 30 Notes …………………………………………………………………………………… 34 Generous Support …………………………………………………………………….... 37 About Great Lakes Theater ………….…………………………………………………. 38 ן TEACHER PREPARATION GUIDE: MY FAIR LADY 2 Fall 2016 Dear Educator, Thank you for your student matinee ticket order to Great Lakes Theater’s production My Fair Lady by Alan J. Lerner and Frederick -
Little Shop of Horrors by Martin Morrow
SUPPORT FOR THE 2019 SEASON OF THE AVON THEATRE IS GENEROUSLY PROVIDED BY THE BIRMINGHAM FAMILY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY MARY ANN & ROBERT GORLIN 2 DIRECTOR & CHOREOGRAPHER’S NOTES SUBVERSIVE FUN FOR SCARY TIMES BY DONNA FEORE “You know the plant is talking, right?” crisis. Really! Giving blood is great if you’re at the Red Cross; giving it to a houseplant These words actually came out of my is a whole other thing. Some plants make mouth at a rehearsal for Little Shop of promises (remember the Beanstalk?) and Horrors because at that moment we’d some make deals. We humans are pretty lost sight of just how much fun this show vulnerable as we muddle through tough is. It’s fun, creepy and startlingly moving. lives, comforted by dreams of something And the plant talks! True to its sci-fi roots, different. Seymour and Audrey don’t want Little Shop is not afraid to be imaginatively a lot, just a little more than what they’ve outrageous. got – and, of course, each other. And sure, there’ll be blood, but always Our plant, named Audrey II by Seymour in for a good or bad cause. It all depends an affectionate tribute to his love, offers on which side of the plant you sit. When fame and fortune but at an exorbitant cost. our hero, Seymour, accidentally discovers I mean, it’s asking for blood, and blood is the plant’s secret, he faces an existential life, so … it’s going to cost you everything. But then, life always does. -
Gay's the Word
Press Information Full casting and extra performances announced! The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Evergreen Theatrical Productions Ltd in association with Neil McPherson for the Finborough Theatre presents Ivor Novello’s GAY’S THE WORD The Happiest Musical of the Year! Book and Music by Ivor Novello Lyrics by Alan Melville Book Adapted by Richard Stirling by special permission of Samuel French Ltd on behalf of the Ivor Novello Trustees Directed and Choreographed by Stewart Nicholls Music Direction by Ben Stock with Frank Barrie, James Bentham, Helena Blackman, Anna Brook-Mitchell, Daniel Cane, Valerie Cutko, Sophie-Louise Dann, Amy Hamlen, Doreen Hermitage, James Irving, Josh Little, Lindsey Nicholls, Eileen Page, Jonny Purchase, Myra Sands, Elizabeth Seal, Sophie Simms, Paul Slack, Sebastian Smith The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series follows its sell-out success Perchance to Dream with Ivor Novello’s last and wittiest musical. Gay’s the Word opens a strictly limited run of seven Sunday and Monday performances on Sunday, 5 February 2012 (Press Night: Monday, 6 February 2012 at 7.30pm). This is the first professional revival of the 1951 smash hit, which starred Dame Cicely Courtneidge. Novello sends up his own Ruritanian extravagances in this backstage musical comedy. Former stage star Gay Daventry opens a drama school and finds that what is needed to get her back on top is, to name the show's hit song, Vitality! Other numbers include If Only He'd Looked My Way (subsequently recorded by Frank Sinatra), Bees Are Buzzin’ and the enchanting On Such A Night As This, all combining Novello’s melodic talent with Alan Melville’s sharp wit. -
Integration and the American Musical: from Musical Theatre to Performance Studies
Integration and the American Musical: From Musical Theatre to Performance Studies By James Bradley Rogers A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Linda Williams Professor Shannon Steen Fall 2010 COPYRIGHT 2010 JAMES BRADLEY ROGERS Abstract Integration and the American Musical: From Musical Theatre to Performance Studies by James Bradley Rogers Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Shannon Jackson, Chair In this dissertation, I challenge the discourse of “integration” that has long served as the foundation of musical theatre historiography. Integration ostensibly refers to an artful melding of the various components of the musical, such that the dances, songs, and dialogue appear fluid and continuous, of a whole. Most histories of the musical claim that the Kern-Hammerstein musical Show Boat was the first piece to adumbrate integration, and that the 1943 Rodgers & Hammerstein musical Oklahoma! fully realized this promise of integration. I argue that this commonly held view ignores the fundamental impossibility of the musical to speak from a single voice, given the shift between the dialogic and musical registers. My dissertation illuminates how certain components or conventions of performance—divas, dancers, and the relationship of musicals to film and opera—have helped to consolidate this fictive sense of integration. This analysis also shows how the dominant narrative of musical theatre historiography—and our subsequent understandings of musical theatre—have been intimately suffused with the politics of gender, race, class, and nation. -
NEW YORK SHEET MUSIC SOCIETY MARCH, 2012 President’S Message
New New York Sheet Music Societsy lette VOLUME 33, NUMBER 6 SINCwwwE.NY S1MS.o9rg 80 MARCH, 2012 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC SSttaarr PPoowweerr:: SShhaannaa FFaarrrr && RRoobbeerrtt WWiinnddeelleerr oonn JJuulliiee AAnnddrreewwss WWhhiissttlliinngg AAwwaayy tthhee DDaarrkk:: AA LLiiffee tthhrroouugghh SSoonngg By Jerry Osterberg she was a person. At the To my knowledge, Shana Farr has never appeared on Law age of 13, Andrews & Order, but she has been seen on television in The Guiding became an immediate Light, which means that my late grandmother would have been sensation after she a fan. Her resume (Shana’s- not my grandmother’s) is long performed “Je Suis and deep. It includes cabaret: Feinstein’s, Laurie Beechman Titania” from Mignon at and the Metropolitan Room; musical theatre: The Music Man, the London Palladium for P h Oklahoma; opera: Madame Butterfly, Lucia di Lammermoor; the royal family of o t o operetta: The Pirates of Penzance, The Yeoman of the Guard, George VI, which b y R Princess Ida; and jewelry design, a unique day job to be sure. included the future Queen o s e Robert Windeler is a writer, and his credentials are equally Elizabeth. Fifty years B i l l later, following her final i impressive. He’s been the Hollywood correspondent for The n g New York Times, Time, People, and USA Weekend, and the show on Broadway – s author of biographies about Mary Pickford and Burt Lancaster, Victor/ Victoria, her Fred Barton & Shana Farr as well as two volumes on Julie Andrews. Happily for incredible singing career NYSMS members, Shana and Robert became acquainted at was over after a throat operation.