SHIRT STYLE&DESIGN MANUAL Placket Style Placket Style
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Exempt Services
County of Somerset New Jersey PO Box 3000 – 20 Grove Street COUNTY ADMINISTRATION BUILDING SOMERVILLE, NJ 08876-1262 PURCHASING DIVISION PHONE: (908) 231-7045 MARY LOUISE STANTON Fax: (908) 575-3917 Purchasing Agent, QPA NOTICE TO BIDDERS #2 SOCCP The County of Somerset is conducting a voluntary Co-operative Pricing System #2 SOCCP. Sealed bids which will be received by the Purchasing Agent acting as Lead Agent on behalf of each participating contracting unit, on January 26, 2010 at 2:30 P.M. prevailing time in the Purchasing Division, County Administration Building, 20 Grove St., Somerville, NJ 08876 at which time and place bids will be opened and read in public for: Uniforms, Various County Departments, Contract #CC-04-10 Proposals must be made on the standard proposal form, in addition to a CD of the Table, be enclosed in a sealed package. Specifications and instruction to bidders may be obtained at the Purchasing Office or the County website at www.co.somerset.nj.us * * All Bid Addenda will be issued on the website. Therefore, all interested respondents should check the website from now through bid opening. It is the sole responsibility of the respondent to be knowledgeable of all addenda related to this procurement. Bidders shall comply with the requirements of N.J.S.A. 10:5-31 and N.J.A.C. 17-27 et seq. Mary Louise Stanton, QPA NOTICE- RESULTS OF ALL BIDS ARE POSTED ON THE COUNTY WEB SITE. 1 CO-OPERATIVE PRICING CONDITIONS METHOD OF AWARDING CONTRACTS Contract(s) of purchase shall be awarded to the lowest responsible bidder(s) as declared by the County of Somerset. -
Invitation to Bid Fire Uniforms ITB # 269-2015-059 Charlotte/Mecklenburg County
Invitation to Bid Fire Uniforms ITB # 269-2015-059 Charlotte/Mecklenburg County Phase 2 May 21, 2015 1:00PM Galls, LLC ® --- Table of Contents ITB # 269-2015-059 Fi re Uniforms Charlotte/Mecklenburg County Phase 2 o Form 1- Bid Submission Form o Form 2 -Acknowledgement of AddendumsjExceptions Form o Form 3- Pricing Sheet o Form 4- Nondiscrimination Certification Form o Form 5- E Verify Certification o Form 6- Solicitation Schedule o CCPA Plan- Attachment 3 o Product Specifications- Attachment 4 o Billing Capabilities- Attachment 6 o Procurement Cards- Attachment 7 o Pricing Sheet (PDF Version) o Addendums o Description of Exact Products Bid (Specs) (]L\RLOTTE. Section 6 Required Forms - Form One BID SUBMISSION FORM ITB # 269-2015-059 FIRE UNIFORMS This Bid is submitted by: Company Name: _G=a:::.Bs;:;.!,-=L=-=L:.;:C::...._ ______________ _ Representative (printed): _D,-a_r_n_ell_D_e_n_n-.::is_ ------------ Representative (sigued) : [J~ J) ~- Address: 1340 Russell Cave Road City/State/Zip: Lexington KY 40505 Telephone: 800-876-4242 x 2356 (Area Code) Telephone Number Facsimile: 877-914-2557 (Area Code) Fax Number E-Mai I Address: [email protected] It is understood by the Bidder that the CL T reserves the right to reject any and all Bids, to award multiple Contracts by line item, combination of items, or grand total on a state, regional, or national basis according to the best interest of the CL T and CCPA, to waive formalities. technicalities, to recover and re-bid this ITB. Bids are valid for one hundred twenty ( 120) calendar days from Bid Opening. Galls, LLC 4/7/15 Date Darnell Dennis Aut or1zed S1gnature Please type or print name ITB 269-2015-059 MARCH 23, 2015 37 45 Section 6 Required Forms- Form Two Addenda Acknowledgement I Exceptions Form ITB # 269-2015-059 FIRE UNIFORMS Bid/Bid Submission Check List: Confim1 by placing a check mark in the space provided that as the bidder or proposer the infom1ation listed belov. -
Dressing Aids F Are Available Through Specialtyretailers
The War Amps For Your Information Tel.: 1 877 622-2472 Fax: 1 855 860-5595 [email protected] Dressing Aids rom buttons, buckles, zippers and laces, these Fsimple fasteners can pose difficulties in an amputee’s daily activities. Featured below are various Velcro tabs dressing aids that can make many of these tasks easier. Some can be made using household items and others are available through specialty retailers. Hassle-free Fasteners • Velcro tabs under shirt or blouse buttons instead of conventional button holes. • A Velcro strip instead of a zipper in the fly of trousers. • Velcro on jacket cuffs. • Toggle buttons on outer wear which are easier to manage than stiff, flat buttons. Elastic cufflink • Cuff links made of elastic thread between two buttons keep cuffs looking tidy while letting you slide your hand in and out without undoing the button. • Some button-up shirts can be put on without being fully unbuttoned, simply leave enough buttons undone to allow room for your head, and then A C fasten the rest later. B D Button Hooks To assist the amputee with buttoning clothing, various button hooks are available including the regular handle(A), rubber handle(B), cuff handle(C), and ball or knob handle(D). Prosthetic Limbs and Devices Prosthetic A button hook has a small wire loop that slips over the button and when pulled, guides the button through the buttonhole. Zipper Pull Rings For those who have difficulty holding onto and pulling the regular zipper tabs, a variety of zipper pull rings are available which attach to the regular zipper tab and which can be grasped more easily by artificial limbs. -
Shirt, Flame-Resistant Aramid
5100-91K April 28, 2020 Supersedes 5100-91J February 24, 2011 U.S. DEPARTMENT OF AGRICULTURE FOREST SERVICE SPECIFICATION FOR SHIRT, FLAME RESISTANT ARAMID Beneficial comments (recommendations, additions, deletions) and any pertinent data that may be used in improving this document should be addressed: via electronic mail <[email protected]> or U.S. mail to the U.S. Department of Agriculture, Forest Service, National Technology and Development Program, 5785 Highway 10 West, MT 59808. Distribution Statement A: Approved for public release; distribution is unlimited. FSC 8415 5100-91K CONTENTS 1. SCOPE AND CLASSIFICATION ............................................................................................ 4 1.1. Scope. This specification covers the requirements for flame resistant aramid shirts. .......................... 4 1.2. Classification. The shirt shall be of one type in the following sizes (see 6.2): ...................................... 4 1.3. Interpretations and Definitions. ............................................................................................................ 4 2. APPLICABLE DOCUMENTS ..................................................................................................................... 4 2.1. Government documents. ..................................................................................................................... 4 2.2. Non-Government publications. ........................................................................................................... -
Instruction Book
INSTRUCTION BOOK IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the followings: Read all instructions before using this appliance. DANGER— To reduce the risk of electric shock: 1. An appliance should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. WARNING— To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow children to play with the machine. The machine is not intended for use by children or infirmed persons without proper supervision. Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children. 2. Use this appliance only for its intended use as described in this owner’s manual. Use only attachments recommended by the manufacturer as contained in this owner’s manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return this sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the appliance with any air opening blocked. Keep ventilation openings of this sewing machine and foot controller free from accumulation of lint, dust and loose cloth. 5. Never drop or insert any object into any opening. 6. Do not use outdoors. 7. Do not operate where aerosol (spray) products are being used or where oxygen is being administered. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Izzy. and We’Re All Here
ALSO BY CELESTE NG Everything I Never Told You PENGUIN PRESS An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 penguin.com Copyright © 2017 by Celeste Ng Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. ISBN 9780735224292 (hardcover) ISBN 9780735224308 (eBook) ISBN 9780525522560 (international edition) This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. Version_2 To those out on their own paths, setting little fires CONTENTS ALSO BY CELESTE NG TITLE PAGE COPYRIGHT DEDICATION EPIGRAPH CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 ACKNOWLEDGMENTS Whether you buy a homesite in the School Section, broad acres in the Shaker Country Estates, or one of the houses offered by this company in a choice of neighborhoods, your purchase includes facilities for golf, riding, tennis, boating; it includes unexcelled schools; and it includes protection forever against depreciation and unwelcome change. -
CO Guide to Judging Clothing
Colorado 4-H Guide for Clothing Judges Standards of Quality Clothing Construction Introduction One of our basic tasks in evaluating or judging is to be able to recognize and identify the standards that give a garment a finished, professional look. There are many techniques that can be used to accomplish the same end product. Each of us has techniques that we like and techniques that we dislike. In an objective evaluation it is essential to play down our personal preferences and to build upon identified and accepted standards. In general, there are some standards that apply to almost all techniques. Almost all construction techniques should result in an area, finish or detail that is: • Inconspicuous o Flat and smooth o Free from bulk o Stitching a uniform distance from an edge or fold • Functional • Durable –stitching uniform and secure Specific standards that can be expected in good construction are listed on the following pages. They are organized by techniques and/or areas, and the techniques are presented in alphabetical order. Overall Appearance Be objective when considering the overall appearance and appeal of a garment. It may be helpful to think about there being at least one especially pleasing feature about this garment, reflecting the many hours of though, effort and creativity that went into its construction. It may be the design, fabric, use of unusual technique or detail. Particularly neat and well-done machine or handstitching, etc. o Overall neatness and cleanliness o Plaids, stripes, checks and other designs matched at seams o Fabric with a direction in design or nap issued in garment in one direction unless garment design requires variation. -
Bucklepage 9 – Part Nine 17Th-18Th Century
Home C J’s Metal detecting pages Coin galleries BUCKLES BUCKLEPAGE 05/09/2013 BY NMS Having already looked at some buckle types of the 17th century we again start in that period but with buckles that are technically of a different form of construction. These are distinguished from all other types by having a double-loop frame (as Types IIIA-IIID) but with the frame drilled to take a separate pin or spindle. These I have classified as Type V. They were generally made to be removable and so the previously common ‘sandwich’ type buckle-plate used for attachment to straps and belts is replaced by a chape that attaches the buckle by a stud, a hook, or a spike. When used for the shoe these buckles were attached across the instep by two straps called latchets. The buckle was attached to one latchet by the chape. The second latchet was then pulled through the buckle frame to the required tension for securing the shoe and then fastened by the spike of the tongue. See fig.9: xix for the terms used to describe the parts of these buckles. Strictly speaking the chape constitutes all the moving parts within the buckle frame but the term is used here to describe the type of fastening employed to attach the buckle to the shoe. Although shoe buckles had been used in previous times, by the late 1500′s they had been replaced by rosettes and ribbon ties and these continued in use through most of the 17thc. However it is clear that by 1660 buckles were again being used for fastening shoes, at least by the upper classes, and that they were of this removable type: ‘This day I began to put on buckles to my shoes’ - the diary of Samuel Pepys – entry for January 22nd, 1660. -
Design Iterations Through Fusion of Additive and Subtractive Design
DESIGN ITERATIONS THROUGH FUSION OF ADDITIVE AND SUBTRACTIVE DESIGN A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Gordon Stumpo May 2016 i Thesis written by Gordon Stumpo B.A., Washington State University, 2014 M.A., Kent State University, 2016 Approved by Vince Quevedo, Thesis Supervisor Brian Peters, Committee Member Margarita Benitez, Committee Member Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art Mr. J.R. Campbell, Director, The Fashion School Dr. Christine Havice, Director, The School of Art Dr. John Crawford-Spinelli, Dean, College of the Arts ii TABLE OF CONTENTS Page LIST OF FIGURES ……………………………………………………………………………………….……….…….….vi LIST OF TABLES………………………………………………………………………………………...……….………..xi ACKNOWLEDGMENTS……………………………………………………………………………...………..………..xii CHAPTER I. INTRODUCTION…………………………………………………………………………………………..………….13 Concept……………………………………………………………………………………...................................13 Design Framework…………………………………………………………………………………………..…13 Surface and Structure Frameworks…………………………………………………………….….……14 Additive Design…………………………………………………………………………………………..…..….18 Subtractive Design……………………………………………………….……………………………....….…18 Tension…………….……………………………………………………………………………….…………..…..18 Price Point…………….…………………………….………………………………………………………...…..19 Personal Skills & Background…………….……………………………………………………….…..…..19 Problem Statement & -
LAPTOP SHOULDER BAG by Jackie Robinson, Animas Quilts - 2017
LAPTOP SHOULDER BAG by Jackie Robinson, Animas Quilts - 2017 Hydrangea Embroidery - digitized by OESD adapted from Hydrangea fabric by Jackie Robinson & Benartex LLC Outer Fabric - 7/8 yd Fusible Woven Interfacing - 1-3/4 yds if 40” wide or 3-1/2 yds if 20” wide Pellon Fleece - 1/2 yd Lining Fabric - 1/2 yd Medium weight Tear-Away, preferably Ultra Clean & Tear from OESD OESD Perfect Press Cloth Begin by measuring your laptop – width, height, and thickness. MacBook is: 14.125 x 9.75 x .75 I wanted a 6” flap, 2” of gusset (it has to include that on top, plus 9.75” height for the back = 17.75” x 14.125. Add 1” to both measurements (1/4” seams plus ease for the included batting) = 18.75” x 15.125” That’s the measurement I trimed to after embroidery. Therefore, begin with a 20” x 17” for the Back & Flap. It’s large, so fuse two layers of woven iron-on interfacing to the wrong side. Double interface all the pieces for strength, as well because of embroidery on the back as well as the flap. Use two layers of stabilizer also. Flap embroidery is 5” x 12”. At the Raw edge of the flap, mark center 2.5” + .5” = 1.125” + 4.125” up from the edge. Strap - Cut fabric at least 7” x 42” Two layers of Interfacing. Place leaves as desired, with two layers of stabilizer. After stitching, trim to 6-1/8” x 36” Cut front 10.75” x 15.125”. Double Interface. -
Elejq . 5W4” \/ Inventor
Jan. 29, 1963 ' C..RUBIO 3,075,202 PIN COLLAR STAYS Filed June 13, 1955 8 , \ / 7 3 .ELEJQ . 5W4” \/ INVENTOR. 5. [40 I5 4 Carlos Ruble 3,b75,2d2 United States Patent 0 " 1C6 Patented Jan. 29, 1353 1 2 FIGURE 7 is a plan view showing a modi?ed form of 3,075,202 angular adjustable stay for collars. PIN COLLAR STAYS FIGURE 8 is a plan view showing a modi?ed form of Carlos Rubin, 126 E. 83rd St, New York, N.Y. cross adjustable collar stay, according to the invention. Filed June 13, 1955, Ser. No. 514,840 FIGURE 9 is a plan view showing another modi?ed 2 Claims. (El. 2-132) form of collar stay with unitary main body construction. FIGURE 10 is a front elevational view of the collar This invention relates to improvements in devices for stay shown in FIGURE 9. staying and smoothing shirt collars and the like. FIGURE 11 is a right end-elevational View of the collar An object of the invention is to provide a novel and im stay shown in FIGURE 9. proved shirt collar stay which is carried by the collar in FIGURE 12 is a plan view showing another modi?ed order to retain the collar in unwrinkled form, and with a form of quadrilateral stay of a type suitable for collars smooth attractive appearance. also. ' Another object of the invention is to provide a novel The presently disclosed devices are convenient for main and improved shirt collar stay which may be employed on 15 taining the most attractive and uniform appearance de any type of shirt collar, whether or not it is equipped sired in connection with the wearing of shirt collars.