DOCSLIB.ORG

Page 1 of 27 Blanchet Et Associés

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page 1 of 27 Blanchet Et Associés Blanchet et Associés - Maison de Ventes aux enchères Page 1 of 27 Etude Ventes à venir Ventes passées Spécialités Actualité LIVRES ET MANUSCRITS vendredi 27 janvier 2012 ESTAMPES ET TABLEAUX MODERNES ET CONTEMPORAINS Drouot -Richelieu Liste Visionner le catalogue Télécharger le PDF Diaporama Recherchez 20 € 30 € LOT Estampes modernes Estimation 1 Cinq estampes ou impressions. Non adjugé Estampes modernes LOT Sous ce numéro seront dispersées des estampes de Beurdely, Courtin, Guastalla, Hallez, Hopf, Jordan Roman, He, Lespinasse, Adjugé 2 Martinez 37.50 € 60 € 80 € LOT Paul ACKERMAN (1908-1981) Estimation 3 Deux personnages. Lithographie signée, dédicacée et numérotée: 14/50. Non adjugé 100 € 150 € LOT Valerio ADAMI (1935). Estimation 4 "Il baccio". Serigraphie en couleur signée et numérotée. Encadrée. 35 x 46,5 cm. Non adjugé 120 € 150 € LOT Valerio ADAMI (1935). Estimation 5 Daphné et Apollon. Lithographie en couleur, signée et numérotée: III-XXV. Encadrée. 65 x 49 cm (à vue). Non adjugé 150 € 200 € LOT Valerio ADAMI (1935) Estimation 6 "Early morning" circa 1990. Lithographie signée et numérotée: 6/30. 47 x 63 cm. Non adjugé http://blanchet -associes.com/ventes_passees.php?page=lots&vente_id=68&vue=liste 3/2/2012 Blanchet et Associés - Maison de Ventes aux enchères Page 2 of 27 120 € 150 € LOT Valerio ADAMI (1935). Estimation 7 "Daphne et Apollon". Lithographie en couleur signée, datée et numérotée: 111/150. Non adjugé 120 € 150 € LOT Eduardo ARROYO (1937) Estimation 8 "Piramides" (1972). Lithographie en couleur, signée et numérotée: 41/90. Encadrée. 65 x 46,5 cm. Non adjugé 80 € 100 € LOT Guy ASSADOUR (1943) Estimation 9 Composition (1975 ou 1977). Trois gravures (deux en couleur) signée et numérotées. Seront divisées. Adjugé 100 € 40 € 60 € LOT Mario AVATI (1921) Estimation 10 Verre en équilibre (carte de v ux pour 2001). Manière noire en couleur, signée et dédicacée. Non adjugé 40 € 60 € LOT Mario AVATI (1921) Estimation 11 "Cerises et pastèque" (Carte de v ux pour 2004). Manière noire en couleur signée et dédicacée. Adjugé 37.50 € 80 € 100 € LOT Hans BELLMER (1902-1975) Estimation 12 Sans titre. Eau-forte en couleur, signée et annotée "E.A". 66 x 50 cm. Adjugé 125 € 200 € 300 € LOT Hans BELLMER (1902-1975) Estimation 13 Composition. Eau-forte signée et annotée "Epreuve d'artiste". Encadrée. 35 x 46,5 cm (à vue). Non adjugé 80 € 100 € LOT Hans BELLMER (1902-1975) Estimation 14 Sans titre. Eau-forte en couleur, signée et numérotée 124/150. 66 x 50 cm. Adjugé 200 € 80 € 100 € LOT Hans BELLMER (1902-1975) Estimation 15 Composition. Eau-forte signée et annotée "Epreuve d'artiste". Encadrée. 35 x 46,5 cm (à vue). Non adjugé 200 € 300 € LOT Joseph BEUYS (1921-1986) Estimation 16 "7000 Eichen", 1982. Carte postale signée par l'artiste au verso. Non adjugé 200 € François BOIROND (1959) 300 € LOT "Génération 80". Lithographie en couleur signée. On y joint une impression en couleur du même artiste: "Concerto Média". 100 x 68 Estimation 17 cm. Adjugé 250 € 50 € 60 € LOT Alain BONNEFOIT (1937) Estimation 18 Femme au chat. Lithographie en couleur, signée et annotée "E.A". 38 x 56 cm. Non adjugé 80 € 100 € LOT François BOUCHEIX (1940) Estimation 19 Allégorie. Lithographie en couleur, signée et numérotée 125/250. 55 x 75 cm. Non adjugé http://blanchet -associes.com/ventes_passees.php?page=lots&vente_id=68&vue=liste 3/2/2012 Blanchet et Associés - Maison de Ventes aux enchères Page 3 of 27 80 € 100 € LOT François BOUCHEIX (1940) Estimation 20 Fruits et fleurs. Lithographie en couleur, signée et numérotée 62/180. 52 x 73 cm. Non adjugé 30 € 40 € LOT BRACO D. Estimation 21 Triptychos, 1994. Impression en couleur, signée, datée, et numérotée 8/8. 70 x 102 cm. Non adjugé 30 € 40 € LOT Geoges BRAQUE (1882-1963) D'après Estimation 22 Citations illustrées. Deux impressions sur papier. Encadrées. Chacune: 60 x 45 cm. Adjugé 75 € 80 € 120 € LOT Yves BRAYER (1907-1990) Estimation 23 Lumières de Moscou. Lithographie en couleur, signée et numérotée 30/185. 50 x 65 cm. Adjugé 75 € 80 € 120 € LOT Yves BRAYER (1907-1990) Estimation 24 L'entrée dans l'arène. Lithographie en couleur, signée et numérotée: 17/250. Adjugé 125 € 80 € 120 € LOT Yves BRAYER (1907-1990) Estimation 25 Fëte camarguaise. Lithographie en couleur signée et numérotée: 17/250. Adjugé 112.50 € 80 € 100 € LOT Maurice BRIANCHON (1899-1979) Estimation 26 Au champs de courses. Lithographie en couleur signée et numérotée: 5/75. Adjugé 175 € 60 € 80 € LOT Maurice BRIANCHON (1899-1979) Estimation 27 Plage. Lithographie en couleur signée. Adjugé 125 € 80 € 120 € LOT Camille BRYEN (1907-1977) Estimation 28 Composition. Eau-forte et aquatinte en couleur. Signée et annotée "ep. D'art".49,8 x 39 cm. Non adjugé 80 € 100 € LOT Bernard BUFFET (1928-1999) Estimation 29 Plage - Eglise (cartes de v ux 1969 et 1971). Deux pointes sèches. Adjugé 175 € 30 € 40 € LOT SAKTI BURMAN (1935) Estimation 30 Sans titre. Lithographie en couleur, signée et numérotée 149/200. 50 x 65 cm. Non adjugé 120 € 150 € LOT Aristide CAILLAUX (1902-1990) Estimation 31 Forêt. Lithographie en couleur signée et numérotée: 10/175. Encadrée. 71 x 49 cm (à vue). Non adjugé 40 € 50 € LOT Jean CARZOU (1907-2000) Estimation 32 Le parc, 1985. Lithographie en couleur, signée, datée et numérotée: 180/250. Encadrée. 36 x 53 cm (à vue). Adjugé 62.50 € 80 € 100 € LOT Jean CARZOU (1907-2000) Estimation 33 Sujets divers. Quatres lithographies en couleur, signées, datées et numérotées. Encadrées. Seront divisées. Adjugé 400 € 100 € 150 € LOT Jean-Pierre CASSIGNEUL (1935). Estimation 34 Femme de dos. Lithographie en couleurs, signée et annotée "Epreuve d'artiste" (encadrée). Le sujet : 320 x 200 mm. Non adjugé http://blanchet -associes.com/ventes_passees.php?page=lots&vente_id=68&vue=liste 3/2/2012 Blanchet et Associés - Maison de Ventes aux enchères Page 4 of 27 80 € 100 € LOT Marc CHAGALL (1887-1985) Estimation 35 Scène biblique. Eau-forte sur velin de Montval. 44 x 32,5 cm. Non adjugé 100 € 150 € LOT Marc CHAGALL (1887-1985) Estimation 36 "Derrière le miroir", (1981). Numéro consacré à l'artiste illustré de deux lithographies originales. Gal. Maeght Editeur. Adjugé 112.50 € 60 € 80 € LOT CHAS-LABORDE (1886-1941) Estimation 37 Broadway la nuit - Music Hall - L'essayage. Deux eaux-fortes et une lithographie en couleur signées. (ensemble, 3 pièces). Adjugé 187.50 € 100 € 150 € LOT Michel CHEMIAKIN (1943) Estimation 38 Sans titre. Lithographie en couleur, signée et numérotée 58/225. 53 x 76 cm. Adjugé 75 € 15 € 20 € LOT Jean CHEVOLLEAU (1924-1996) Estimation 39 Le vieil homme. Lithographie en noir, signée et annotée "Epreuve d'artiste". 50 x 65 cm. Non adjugé 60 € 80 € LOT Michel CIRY (1919) Estimation 40 "Espérance". Eau-forte et aquatinte signée et numérotée: 17/70. 44 x 33 cm. Adjugé 75 € 60 € 80 € LOT Michel CIRY (1919) Estimation 41 "Les saintes femmes". Eau-forte et aquatinte signée, titrée et numérotée: 46/50. Adjugé 125 € 60 € 80 € LOT Michel CIRY (1919) Estimation 42 "Voile de Véronique"(1960). Eau-forte et aquatinte signée, titrée, datée et numérotée: "EPREUVE D'ARTISTE II/X". Adjugé 75 € 60 € 80 € LOT Michel CIRY (1919) Estimation 43 "Passion" (1961). Eau-forte et aquatinte signée, titrée, datée et annotée "EPREUVE D'ARTISTE". Adjugé 62.50 € 80 € 100 € LOT Michel CIRY (1919) Estimation 44 "Primavéra". Eau-forte et aquatinte signée et numérotée: 15/70. Adjugé 75 € 300 € 400 € LOT Antoni CLAVÉ (1913-2005) Estimation 45 Composition. Gravure au carborundum en couleurs, signée et numérotée: 22/65. Encadrée. 73 x 56 cm. Non adjugé 300 € 400 € LOT Antoni CLAVÉ (1913-2005) Estimation 46 Composition. Gravure au carborundum, signée. 73 x 56 cm. Non adjugé 20 € 30 € LOT Germaine de COSTER (1895-?) Estimation 47 La petite chèvre. Aquatinte signée et numérotée: 14/30. Adjugé 18.75 € 30 € 40 € LOT Othon COUBINE (1883-1969) Estimation 48 "Maison forte". Eau-forte signée et numérotée: 17/30. Adjugé 100 € http://blanchet -associes.com/ventes_passees.php?page=lots&vente_id=68&vue=liste 3/2/2012 Blanchet et Associés - Maison de Ventes aux enchères Page 5 of 27 60 € 80 € LOT Lucien COUTAUD (1904-1977) Estimation 49 Trois personnages. Lithographie en couleur signée et annotée: E.A. Non adjugé 100 € 150 € LOT DADO (1933-2010) Estimation 50 "Mozart" (1990). Eau-forte et aquatinte signée, datée et numérotée: 59/70. Adjugé 162.50 € 40 € 60 € LOT Salvador DALI (1904-1989) Estimation 51 L'arbre dans un salon surréaliste. Affiche pour une exposition en Russie. 62,5 x 42 cm. Non adjugé 30 € 40 € LOT Gabriel DAUCHOT (1927-2005) Estimation 52 Sur la barque. Lithographie en couleur, signée et numérotée 259/275. 35 x 54 cm. Non adjugé 40 € 50 € LOT Alfred DEFOSSEZ (1932) Estimation 53 Vase de fleurs. Lithographie en couleur, signée et annotée "E.A". 38 x 48 cm. Non adjugé 100 € 150 € LOT Maurice DENIS (1870-1943) Estimation 54 "Maternité à la fenêtre ouverte". Lithographie. Belle épreuve d'essai signée. 49 x 32,5 cm. Adjugé 125 € 80 € 100 € LOT Fred DEUX (1924) Estimation 55 Composition. Lithographie en couleur signée et numérotée: 3/99. Adjugé 125 € 100 € 150 € LOT Hervé DI ROSA (1959) Estimation 56 Dioces, 2001. Gravure en couleur, signée, datée, titrée, et numérotée 13/40. 58 x 77 cm. Non adjugé 15 € 20 € LOT DOROLA Estimation 57 Femme au chapeau. Lithographie en couleur, signée et numérotée 24/50. 50 x 65 cm. Adjugé 18.75 € 15 € 20 € LOT DUCHIRON Estimation 58 Vase de fleurs. Lithographie en couleur, signée et numérotée 175/300. 56 x 76 cm. Non adjugé 30 € 40 € LOT André DUNOYER DE SEGONZAC (1884-1974) Estimation 59 Les ruches. Eau-forte.Encadrée. Adjugé 37.50 € 150 € 200 € LOT ERRO (1932) Estimation 60 Sonja (2001).
Load more

Recommended publications
  • Impressionist & Modern
    IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT.
    [Show full text]
  • Twentieth Century Masters
    TWENTIETH CENTURY MASTERS FINDLAY GALLERIES Gallery Collection on View Balthus (1908 - 2001) Braque (1882 - 1963) Camoin (1879 - 1965) Chagall (1887 - 1985) D'Espagnat (1870 - 1950) Degas (1834 - 1917) Friesz (1879 - 1949) Glackens (1870 - 1938) TWENTIETH Hassam (1859 - 1935) CENTURY Homer (1836 - 1910) Lachaise (1882 - 1935) Laurencin (1883 - 1956) Le Sidaner (1862 - 1939) Lebasque (1865 - 1937) Lebourg (1849 - 1928) Luce (1858 - 1941) Martin- Ferrieres (1893 - 1972) Matisse (1869 - 1954) Metzinger (1883 - 1956) Pissarro- (1830 - 1903) Prendergast (1858 - 1924) Renoir (1841 - 1919) Valtat (1869 - 1952) Van Dongen (1877 - 1968) Vlaminck (1876 - 1958) Vuillard (1868 - 1940) KEES VAN DONGEN (1877 - 1968) Portrait de jeune femme au petit chien, c. 1920 oil on canvas 59 x 59 inches Signed 'van Dongen' (middle right) 137616 3 // FINDLAY TWENTIETH CENTURY MASTERS Findlay Galleries continues its long tradition of presenting highly important paintings to fine art collectors throughout the world. The Masters' Collection offers a cross-section of highlights from our collection including recent acquisitions of Impressionist and Modern Masters. The Galleries' global position in the art market for nearly 148 years has distinguished it as a leader in providing unique opportunities for collectors. Many of the paintings in this exhibition have appeared in museums around the globe and in distinguished collectors' homes. Several of these works have been privately collected and quietly passed down from generation through generation. As always, our art consultants offer unparalleled excellence in assisting our clients as they enhance or begin their collections. As a dealer to individuals, institutions and corporate collectors alike, Findlay Galleries continues to celebrate its traditions of presenting exhibitions featuring collections of diverse, original, and outstanding works.
    [Show full text]
  • Explorateurs Musée Faure Aix-Les-Bains
    EXPLORATEURS MUSÉE FAURE AIX-LES-BAINS DÉCOUVRE LE MUSÉE FAURE EN T’AMUSANT ! LIVRET JEUNE PUBLIC PLAN DU MUSÉE FAURE CHER JEUNE VISITEUR ! Le Musée Faure et toute son équipe sont heureux de t’accueillir ! Ce livret Explorateurs te propose Étage 2 : Sculptures de Rodin Chambre de Lamartine un voyage au cœur de l’art du 19e siècle ! Lorsqu’on parle du dix-neuvième siècle – tu le Salle Lamartine trouveras souvent écrit 19e ou XIXe – on parle des années allant de 1801 à 1900. 8 À cette époque, l’art et la société connaissent de Salle Rodin 9 grands changements ! La ville d’Aix-les-Bains a la chance de posséder un Étage 1 : Peintures musée qui aborde plusieurs des styles artistiques Mouvements artistiques du 19e siècle qui ont marqué ce siècle. Ce livret comporte des jeux et des informations qui te feront découvrir le 1 2 Musée Faure et l’art en général*. 3 Alors laisse-toi guider, et bonne visite ! 5 *Durée : de 30 minutes à 1h30 si on s’attarde longtemps sur les textes et les œuvres. 7 4 Salle 3 6 Salle 4 Que veulent dire les symboles du livret ? À TOI DE JOUER ! Salle 2 Rez-de-chaussée Les consignes dans le livret te guideront pour réaliser les jeux. Tu pourras Salle 1 vérifier les réponses en page 15 de ton livret Explorateurs. Accueil Exposition temporaire INFO MUSÉES ! 1 REGARDE BIEN ! Familiarise-toi avec le Le numéro se réfère au plan, il Entrée monde des musées et t’indique la salle où se trouvent les de l’histoire de l’art.
    [Show full text]
  • Impressionist & Modern
    IMPRESSIONIST & MODERN ART Wednesday November 16, 2016 IMPRESSIONIST & MODERN ART Wednesday 16 November 2016 at 4pm New York BONHAMS BIDS INQUIRIES Automated Results Service 580 Madison Avenue +1 (212) 644 9001 New York +1 (800) 223 2854 New York, New York 10022 +1 (212) 644 9009 fax William O’Reilly +1 (212) 644 9135 bonhams.com ILLUSTRATIONS To bid via the internet please visit [email protected] Front cover: Lot 24 PREVIEW www.bonhams.com/23446 Agnieszka Perche Inside front cover: Lot 10 Wednesday November 9 +1 (917) 206 1603 Facing page: Lot 14 Session page: Lot 38 and 21 10am to 5pm Please note that telephone bids [email protected] Inside back cover: Lot 28 Thursday November 10 must be submitted no later Los Angeles Back cover: Lot 24 10am to 5pm than 4pm on the day prior to Friday November 11 Alexis Chompaisal the auction. New bidders must 10am to 5pm +1 (323) 436 5469 Saturday November 12 also provide proof of identity [email protected] 12pm to 5pm and address when submitting Sunday November 13 bids. Telephone bidding is only Kathy Wong 12pm to 5pm available for lots with a low +1 (323) 436 5415 Monday November 14 estimate in excess of $1000. [email protected] 10am to 5pm Tuesday November 15 Please contact client services London 10am to 5pm with any bidding inquiries. India Phillips Wednesday November 16 +44 20 7468 8328 10am to 2pm [email protected] Please see pages 108 to 111 for bidder information including 23446 Business Development SALE NUMBER: Conditions of Sale, after-sale Lots 1 - 51 Pamela Bingham collection and shipment.
    [Show full text]
  • Henri Lebasque 1865-1937
    Henri Lebasque 1865-1937 « Jeune Femme à la Ceinture Bleue » Oil on canvas / Signed lower left Dimensions : 65 x 54 cm Dimensions : 25.59 x 21.26 inch 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Henri Lebasque 1865-1937 Biography Henri Lebasque was born in Champigné (Maine et Loire) in 1865. The son of a modest family, he started his artistic education at the Ecole des BeauxArts in Angers, before moving to Paris where he studied in the Studio of the portraitist Leon Bonnat at the Beaux-Arts Academy. He began to exhibit regularly at the annual art society exhibitions and at the Paris Salon. Meanwhile, he assisted the artist Ferdinand Humbert with the decorative murals at the Pantheon for 6 years. Very soon he decided to give up his studies and befriended the artists Paul Signac, Bonnard and Vuillard, cofounders of the Nabis group and the " Intimists " group, who favoured the quietness and lightness of domestic subject matters, and from whom he would learn the significance of a colour theory which stressed the use of complementary colours in shading. He also met Camille Pissaro, in 1902, and Renoir. Both would have a large influence on his work. Travelling abroad, he went to London where he discovered the work of Turner. A friend of Matisse, Manguin and Rouault, he did not share their style, violent colours and strong brushstoke, but stayed closer to the subtlety of Impressionism until 1905. In 1906, the discovery, (thanks to his friend Manguin), of the South of France and its very specific light would lead him to a drastic change of style.
    [Show full text]
  • The Turn of a Great Century
    cover:Layout 1 8/27/09 9:34 PM Page 1 Guarisco Gallery The Turn of a Great Century 19th and Early 20th Century Paintings, Sculptures & Watercolors 1 WHY 19TH AND EARLY 20TH CENTURIES (The Optimal Period for Collecting) T he turn of the 19th century into the 20th has always proven to be one of the most interesting eras in art history. It is the century that witnessed the greatest expression of the Academic tradition and it is the era that launched modernism through the developments of Impressionism and Post-Impressionism. * * * * * * * * * * * * Academic: Realism. It is best defined as an artist’s mastery of a variety of painting techniques, including the depiction of atmosphere and natural light, intended to produce a picture that mimicked reality. This style reached its height in the latter part of the 19th century. Major artists of this period include: William Bouguereau, Jean-Léon Gérome, Alexandre Cabanel, Briton Riviere, and Lawrence Alma-Tadema. Modern: Impressionism and Post-Impressionism; the commencement of modern painting. This period is the beginning of experimentation with form, color, brushwork, and subject matter leading to modern art. These artists experimented with depicting the effects of light and using expressive color and brushwork to portray both figures and landscapes. Founding members include: Claude Monet, Eugène Boudin, Camille Pissarro, Pierre Auguste Renoir, and Albert Guillaumin—and their contemporaries—Edmond Petitjean, Henri Lebasque, Henri Martin, and Georges d’Espagnat. These artitsts produced works which continue to be most favored for their market value and aesthetic merit. 2 (at The Ritz-Carlton) Welcome to Guarisco Gallery Guarisco Gallery is a leading international gallery founded in 1980 specializing in museum quality 19th - and early 20th - century paintings and sculpture.
    [Show full text]
  • Ggcataloguefall2014.Pdf
    Guarisco Gallery Claude-Emile Schuffenecker French, 1851-1934 Le Square (au Luxembourg), 1885 43’’ x 49 ½’’ fr., o/c 1 Guarisco Gallery has recently opened a 2nd Location at Ritz Carlton, DC NEW at Four Seasons, Georgetown 1120 22nd St., NW | Washington, DC 20037 2828 Pennsylvania Ave., NW | Washington, DC 20037 202-333-8533 202-847-3098 Monday - Sunday Monday - Sunday www.guariscogallery.com 2 ARMAND GUILLAUMIN, one of the founding members of the Impressionists, was the most loyal to the tenets of the movement–a bright palette, vigorous brushwork, contemporary subject, and en plein air painting. Guillaumin has recently been “rediscovered” and acknowledged for his importance within the Impressionist movement and as a major influence on Post-Impressionists including van Gogh, Paul Signac, and Henri Matisse. Here, Guillaumin creates an intimate portrait of his wife in pastel. The use of pastel was popular in the 17th century, but was re- introduced by the Impressionists in the 19th century, most notably by Edgar Degas, Mary Cassatt, and Henri Toulouse Lautrec. Armand Guillaumin La Femme de l’artiste French, 1841-1927 23’’ x 20’’ fr. Signed L.R., Pastel 3 44 Pointillism The Post-Impressionist period was a hothouse of varied artistic philosophies, including Pointillism, Symbolism, and Fauvism. Branching from Impressionism, Seurat and Signac developed this technique in 1886. Pointillism, also known as divisionism, is a mode of painting in which small, distinct dots of pure color are applied in patterns to form an image. Unlike the academic artists who blended colors on the palette before applying paint to canvas, this new modern movement relied on the ability of the eye and mind of the viewer to blend color spots into clearer and more defined forms.
    [Show full text]
  • It Is Very Rare in the History of Art That an Artist Has Equal Talent for Painting and Sculpture
    Lot 13 (detail) European Art & Old Masters AUCTION Sale 1656 Tuesday, February 18 at 12pm 2400 Market St Philadelphia PA freemansauction.com VIEWING TIMES Friday, February 14: 10am - 5pm Saturday & Sunday, February 15 & 16: 12pm - 5pm Monday, February 17: 10am - 5pm Tuesday, February 18: by appointment only DEPARTMENT David Weiss Senior Vice President | Head of Department [email protected], 267.414.1214 Alasdair Nichol Chairman | Division Head [email protected], 267.414.1211 Raphaël Chatroux Specialist [email protected], 267.414.1253 Opposite: Lot 34 (detail); Cover: Lot 48; Inside Front Cover: Lot 37 (detail); Inside Back Cover: Lot 38 (detail) Lot 12 (detail) The Rhinoceros is one of Albrecht Dürer’s rarest prints. This woodcut, executed in eight states, is 1 a visual record of an Indian rhinoceros brought Albrecht Dürer (German, 1471–1528) to Emanuel I, King of Portugal in 1513 and known The Rhinoceros to Dürer from a sketch by the painter Valentin Ferdinand. In 1515, Emanuel I sent the rhinoceros 1515. Woodcut on paper with a Single-Headed to Pope Leo X as a gift, though the animal died in a Eagle watermark (Meder 224), a good impression of the sixth state (of eight). Printed by Hendrick shipwreck. While Dürer never saw the rhinoceros, Hondius, The Hague, circa 1620. The Dutch text he refers to it in an inscription in the edition of the trimmed, as is common; with an inscription in French print with letterpress text as being “fast, impetuous on the reverse and cunning.” Dürer’s Rhinoceros is a highly stylized Image size: 8 3/8 x 11 3/4 in.
    [Show full text]
  • Henri Lebasque 1865-1937
    Henri Lebasque 1865-1937 "Hortensias" Oil on canvas / Signed lower left Dimensions : 35 x 30 cm Dimensions : 13.78 x 11.81 inch 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Henri Lebasque 1865-1937 Biography Henri Lebasque was born in Champigné (Maine et Loire) in 1865. The son of a modest family, he started his artistic education at the Ecole des BeauxArts in Angers, before moving to Paris where he studied in the Studio of the portraitist Leon Bonnat at the Beaux-Arts Academy. He began to exhibit regularly at the annual art society exhibitions and at the Paris Salon. Meanwhile, he assisted the artist Ferdinand Humbert with the decorative murals at the Pantheon for 6 years. Very soon he decided to give up his studies and befriended the artists Paul Signac, Bonnard and Vuillard, cofounders of the Nabis group and the " Intimists " group, who favoured the quietness and lightness of domestic subject matters, and from whom he would learn the significance of a colour theory which stressed the use of complementary colours in shading. He also met Camille Pissaro, in 1902, and Renoir. Both would have a large influence on his work. Travelling abroad, he went to London where he discovered the work of Turner. A friend of Matisse, Manguin and Rouault, he did not share their style, violent colours and strong brushstoke, but stayed closer to the subtlety of Impressionism until 1905. In 1906, the discovery, (thanks to his friend Manguin), of the South of France and its very specific light would lead him to a drastic change of style.
    [Show full text]
  • Pierre Bonnard
    PIERRE BONNARD Au fil des jours agendas 1927-1946 Essais de Céline Chicha-Castex / Alain Lévêque / Véronique Serrano L’Atelier contemporain Musée Bonnard, Le Cannet Bibliothèque nationale de France / Véronique Serrano / L’œuvre et la personnalité de Bonnard – on le constate depuis quelques années grâce au nombre croissant de publications et d’expositions – sont loin d’avoir révélé tous leurs secrets. La visibilité accrue de son œuvre participe à repenser la place de cet artiste unique dans le panorama de l’art moderne de la seconde moitié du XXe siècle. Toutefois cette relecture nécessaire nous met – historiens d’art et conservateurs – face à une problématique. On peut en effet regretter l’accès difficile, voire impossible aux archives privées le concernant (correspondances, livres de compte, images, etc.) qui permettrait d’en avoir une meilleure approche. Aussi, ce travail publié aujourd’hui ne constitue-t-il que le début d’une réflexion qui reste aujourd’hui incomplète et parcellaire ; si on la compare au niveau de la recherche actuelle sur Matisse, par exemple, dont la connaissance de l’œuvre est favorisée par l’étendue des archives accessibles aux chercheurs et historiens d’art, encourageant ainsi des études aussi diverses que fondamentales. Ces petits agendas, qui sont des trésors d’émotions, ont accompagné Bonnard de 1927 à 1946 ; ils ne sont pas à proprement parler le journal de sa vie, ils sont plus que cela. Il y note le temps qu’il fait, la liste de ses courses, ses rendez-vous, ses déplacements, des événements, en oubliant certains autres, ses réflexions y font naître de nombreux dessins, prémices de l’œuvre peinte, alors qu’il a en parallèle un petit carnet de croquis qui l’accompagne partout.
    [Show full text]
  • Nathalia Brodskaïa
    Nathalia Brodskaïa TheThe FauvesFauves Author: Nathalia Brodskaïa Layout: Baseline Co. Ltd 61A-63A Vo Van Tan Street 4th Floor District 3, Ho Chi Minh City Vietnam © Confidential Concepts, worldwide, USA © Parkstone Press International, New York, USA © Auguste Chabaud, Artists Rights Society (ARS), New York / ADAGP, Paris © Othon Friesz, Artists Rights Society (ARS), New York / ADAGP, Paris © Henri Manguin, Artists Rights Society (ARS), New York / ADAGP, Paris © André Derain, Artists Rights Society (ARS), New York / ADAGP, Paris © Louis Valtat, Artists Rights Society (ARS), New York / ADAGP, Paris © Georges Rouault, Artists Rights Society (ARS), New York / ADAGP, Paris © Kees van Dongen, Artists Rights Society (ARS), New York / ADAGP, Paris © Albert Marquet, Artists Rights Society (ARS), New York / ADAGP, Paris © Maurice de Vlaminck, Artists Rights Society (ARS), New York / ADAGP, Paris © Raoul Dufy, Artists Rights Society (ARS), New York / ADAGP, Paris © Jean Puy, Artists Rights Society (ARS), New York / ADAGP, Paris © René Seyssaud, Artists Rights Society (ARS), New York / ADAGP, Paris © Succession H. Matisse, Paris / Artists Rights Society (ARS), New York © Henri Le Fauconnier, all rights reserved All rights reserved. No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers, artists, heirs or estates. Despite intensive research, it has not always been possible to
    [Show full text]
  • Impressionism & Modern
    Impressionism & Modern Art Lot 3201 – 3279 Auction: Friday, 29 June 2018, 4pm Preview: Sat. 16 June, 11.30am to 7pm Sun. 17 to Sun. 24 June 2018, 10am to 7pm Editing: Fabio Sidler Jara Koller Tel. +41 44 445 63 41 Tel. +41 44 445 63 45 [email protected] [email protected] The condition of the works are only partly and in particular cases noted in the catalogue. Please do not hesitate to contact us for a detailed condition report. Impressionist & Modern Art 3201 MAX LIEBERMANN (1847 Berlin 1935) Allee mit Frauenfigur und Kind (Avenue with female figure and child). 1896. Oil on panel. Signed lower right: M. Liebermann. 37 x 27 cm. Provenance: Liebermann depicts a typical scene for the - Galerie Thannhauser, Munich (1923). artist - a mother and child leisurely strolling - Weinmüller, Munich, auction 1-2 June in a landscape - which he so well mastered. 1949, no. 704 (with ill.). The light and carefree mood are wonder- - Christies London, auction 27 June 1989, fully captured in the artist's impressionistic no. 714 (with ill.). style. Both the arrangement of the rows of - Kunstsalon Franke, Baden-Baden (1990). trees and the proportions of the figures to - Private collection, Switzerland, bought the trees are reminiscent of two paintings from the above gallery. that Liebermann painted during his time in Laren, thus allowing the assumption that Exhibitions: this painting was created in Laren in 1996. - Munich 1923, Max Liebermann, Galerie The subject of the tree-lined road was a Thannhauser, no. 15 (with ill.). particular favourite of Liebermann and - Baden-Baden 1990, Max Liebermann/ features prominently throughout his work.
    [Show full text]