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Henri Manguin L’exposition henri mangUIN un fAuve chez bonnard 27 juin - 31 octobre 2015 museebonnard.fr +33 (0)4 93 94 06 06 16 bd Sadi Carnot Le Cannet / Côte d’Azur DOSsier de preSSE SOMMAIRE L’exposition Henri Manguin. Un fauve chez Bonnard page 3 Les visuels libres de droits pour la presse page 4 La liste des œuvres page 7 Biographies croisées page 9 Le catalogue page 11 L’audioguide pour tous page 12 Les collections page 13 Les événements & activités page 14 Le musée page 16 1. Le musée Bonnard en quelques dates page 16 2. De la villa du Bosquet au musée Bonnard page 18 3. Le bâtiment page 18 4. La promenade culturelle «Sur les pas de Bonnard» page 18 5. Partenariat avec le musée d’Orsay page 19 6. Les Collections page 19 Informations pratiques page 20 1. Les coordonnées page 20 2. La situation et les accès page 20 3. Les horaires page 21 4. Les tarifs page 21 5. Les services page 21 6. Les partenaires page 21 7. Les contacts page 22 2 DOSsier de presse du musée Bonnard L’expoSITION 27 juin - 31 octobre 2015 henri mangUIN un fAuve chez bonnard L’été 2015, le musée Bonnard met à l’honneur Henri Manguin, proche de Pierre Bonnard à qui il fit découvrir le Midi. Le musée a choisi de présenter les œuvres de la période d’avant-guerre de 1900 à 1914, dont les sujets récurrents, sa famille, Jeanne - sa femme et muse - le paysage et la couleur marquent les débuts du fauvisme. L’atelier d’Henri Manguin (1874-1949) de la rue Boursault à Paris, comme ses maisons de Saint-Tropez accueillent fréquemment ses amis Henri Matisse, Albert Marquet, Charles Camoin, Henri Lebasque et bien sûr Pierre Bonnard. Une sélection de près de 70 œuvres met en évidence le travail de Manguin au sein de son environnement artistique et son rôle dans l’émergence du fauvisme dès 1904, tout en marquant sa différence avec ses contemporains parmi lesquels, Bonnard et Matisse. Cette exposition s’attache plus particulièrement aux années décisives précédant la 1ère guerre mondiale, celles où se mettent en place les sujets de toujours, proches des préoccupations de Bonnard. Elle met également en lumière la relation étroite de Manguin avec les Hahnloser, couple de collectionneurs de Winterthur, auxquels il conseille, un temps, les orientations artistiques. Commissariat Véronique Serrano, conservateur en chef du musée Bonnard 3 DOSsier de presse du musée Bonnard LES VISUELS LIBRES DE DROITS POUR LA PRESSE Ce dossier de presse et ces visuels sont disponibles en téléchargement sur l’espace presse du musée. www.museebonnard.fr > Infos pratiques > Espace presse Identifiant : medialmb Mot de passe : medialmb 1. LeS débUTS - L’ATELier de La rue BOURSAULT, LABORAToire du fAUVISme 1900-1904 Henri Manguin, Figures sur la plage, Jeanne et Claude Henri Manguin, La Petite italienne, 1903- Henri Manguin, Devant la fenêtre, rue Manguin, 1902, huile sur toile, 33x34 cm, Collection 1904, huile sur toile, 61x50 cm, Collection Boursault, 1904, huile sur toile, 61x50 cm, particulière particulière, Lausanne, Suisse Collection particulière © Adagp, Paris 2015 © Claude Almodovar © Adagp, Paris 2015 © Atelier Bétant, Lausanne © Adagp, Paris 2015 © Fabrice Lepeltier Visuel non exonéré de droits pour la presse. Conditions de reproduction : • Reproduction intégrale des œuvres • Non surimpression de textes ou logos • Mention obligatoire de copyright « © Succession H. Matisse » en regard des œuvres reproduites. • Soumission d’épreuves pour bon à tirer en vue d’un contrôle de qualité lorsqu’il s’agit de Hors-Série ou de (bi-)mensuels (etc..) ; seuls les quotidiens et hebdomadaires sont exemptés et communiqueront la mise en page des illustrations (par courriel, directement à l’adresse ci-dessus). • Paiement* des droits d’auteur correspondants, sauf dans le cas suivant : Photographie d’ensemble de l’exposition, avec personnages, les œuvres apparaissant sur les murs du musée. Tout manquement au respect des conditions énumérées ci-dessus pourra entraîner une sanction financière. Albert Marquet, Matisse dans l’atelier Henri Matisse, Nu dans l’atelier (Marquet * LES HERITIERS MATISSE de Manguin (Nu dans l’atelier), 1905 peignant dans l’atelier de Manguin), 92 avenue du Général de Gaulle huile sur carton, 100x73 cm, Paris, 1904- 1905, huile sur toile, 91x72 cm, 92130 Issy-les-Moulineaux Centre Pompidou - Musée national d’art Centre Pompidou - Musée national d’art Tel : 01 40 93 46 18 moderne - Centre de création industrielle, moderne - Centre de création industrielle, Fax : 01 40 93 52 95 [email protected] Paris Paris © Adagp, Paris 2015 © Photo CNAC/MNAM © Succession H. Matisse Dist. RMN - Jean-Claude Planchet © Photo CNAC/MNAM / Dist. RMN - Jean-Claude Planchet 4 DOSsier de presse du musée Bonnard LES VISUELS LIBRES DE DROITS POUR LA PRESSE 2. L’EXALTAtion de La cOLorée du fAUVISme 1905-1906 Henri Manguin, Saint-Tropez, Le coucher Henri Manguin, Le 14 juillet à Saint-Tropez, 1905 Henri Manguin, Jeanne au chapeau, 1905 du soleil, 1904, huile sur toile, 81x65 cm, huile sur toile, 61x50 cm, Collection particulière huile sur toile, 28x22 cm, Collection particulière Collection particulière © Adagp, Paris 2015 © Claude Almodovar © Adagp, Paris 2015 © Claude Almodovar © Adagp, Paris 2015 © Claude Almodovar Henri Manguin, Le Vallon, Villa Demière, 1905, Henri Manguin, Pinède à Cavalière, 1906 huile sur toile, 50x65 cm, Collection particulière huile sur toile, 65x81 cm, Collection particulière © Adagp, Paris 2015 © Claude Almodovar © Adagp, Paris 2015 © Fabrice Lepeltier Henri Manguin, Jeanne à Cavalière, 1906 Henri Manguin, Jeanne à l’ombrelle, Henri Manguin, Jeanne sur le balcon de Aquarelle sur papier, 29x23 cm, Collection Cavalière, 1906, huile sur toile, 92x74 cm, la villa Demière, 1905, huile sur toile, particulière Peter Findlay gallery © Adagp, Paris 2015 81x65 cm, Collection particulière © Adagp, Paris 2015 © Fabrice Lepeltier © Christie’s Images / Bridgeman Images © Adagp, Paris 2015 © Claude Almodovar 5 DOSsier de presse du musée Bonnard LES VISUELS LIBRES DE DROITS POUR LA PRESSE 3. RETour à La SIMPLIFICAtion céZanienne 1907-1912 Henri Manguin, L’Amandier en fleurs, 1907 Pierre Bonnard, L’Amandier, vers 1930, huile sur toile, huile sur toile, 65 X 81 cm, Collection particulière, Lausanne, Suisse 51,1 x 34,9 cm, musée Bonnard, Le Cannet, © Adagp, Paris 2015 © Atelier Bétant, Lausanne don de la Fondation Meyer pour le développement culturel et artistique, 2014 © Adagp, Paris 2015 Henri Manguin, Le Golfe de Saint-Tropez, 1907, huile sur toile, Henri Manguin, Fruits dans un plat rond, 1909 63x73 cm, Paris, Centre Pompidou - Musée national d’art moderne huile sur toile, 50x61 cm, Collection particulière - Centre de création industrielle Peter Findlay gallery © Adagp, Paris 2015 © Claude Almodovar © Adagp, Paris 2015 / Claude Holstein © Photo CNAC/MNAM Dist. RMN - Jean-Claude Planchet 6 DOSsier de presse du musée Bonnard La LISte deS ŒUVRES Liste non exhaustive susceptible d’évoluer selon les demandes de prêts en cours. albeRt MaRquet HeNRi Matisse PieRRe boNNaRd Matisse dans l’atelier de Manguin Nu dans l’atelier (Marquet peignant L’Amandier, vers 1930, huile sur toile, (Nu dans l’atelier), 1905, huile sur dans l’atelier de Manguin), 1904 - 1905 51,1 x 34,9 cm, musée Bonnard, carton, 100 x 73 cm, Centre Pompidou - huile sur toile, 91 x 72 cm, Centre Pom- Le Cannet, don de la Fondation Meyer Musée national d’art moderne - Centre pidou - Musée national d’art moderne pour le développement culturel de création industrielle, Paris - Centre de création industrielle, Paris et artistique, 2014 HeNRi MaNguiN Rue Boursault, 1899, huile sur toile, Le Modèle assoupi, 1903, plume et La Femme au carrick, 1904, huile sur 55,3 x 38,2 cm, Peter Findlay gallery, encre de Chine, 36,5 x 28 cm, toile, 73,5 x 60 cm, coll. particulière New-York, USA coll. particulière Femme à sa coiffure, 1904, encre de Femme en robe rose, 1900, pastel sur Jeanne japonaise, 1903, aquarelle sur Chine à la plume et au pinceau, 32 x 25 papier, 32 x 24 cm, coll. particulière papier, 17 x 25 cm, , coll. particulière cm, coll. particulière Grande Nature morte, 1900, huile sur Nu de dos, 1903, aquarelle sur papier, Jeanne à sa coiffeuse, 1904-1905, toile, 81 x 100 cm, coll. particulière 23 x 16,5 cm, coll. particulière huile sur toile, 33 x 24 cm, coll. particulière Jeanne riant, 1900, huile sur toile, La Petite italienne, 1903, huile sur toile 41 x33 cm, coll. particulière 61 x 50 cm, coll. particulière, Nu assis, étude pour «La coiffure», Lausanne, Suisse 1904-1905, encre de Chine sur papier La Femme aux bas noirs, 1901 rehaussée d’aquarelle, 72 x 55 cm, fusain, 24,5 x 16 cm, coll. particulière Saint-Tropez, le coucher de soleil, 1904 coll. particulière huile sur toile, 81 x 65 cm, Figures sur la plage, Jeanne et Claude coll. particulière Les Gravures, 1905, huile sur toile, 81 x Manguin, 1902, huile sur toile, 33,2 x 100 cm, Collection Carmen Borneisza, 33,8 cm, coll. particulière Jeanne à sa coiffure, 1904, huile sur dépôt musée Thyssen, Madrid toile, coll. particulière Jeanne cousant, 1902, huile sur toile, Jeanne sur le balcon de la villa Demière, 27 x 22 cm, coll. particulière Jeanne à sa coiffure, 1904, encre de 1905, huile sur toile, 81 x 65 cm, coll. chine à la plume et pinceau, 32 x 25 cm, particulière La Cabine de bain, Paris plage, 1902 coll. particulière huile sur toile, 22 x 27 cm, Jeanne au chapeau, 1905, huile sur coll. particulière Devant la fenêtre, rue Boursault, 1904 toile, 28 x 22 cm, coll. particulière huile sur toile, 61 x 50 cm, Le Lever, Jeanne, 1902, huile sur toile, coll. particulière Le 14 juillet à Saint-Tropez, 1905 65 x 54 cm, coll. particulière huile sur toile, 61 x 50 cm, La Glace, 1904, huile sur toile, 64 x 54 coll.
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