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Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
Linde Form IEPF-1
Note: This sheet is applicable for uploading the particulars related to the amount credited to Investor Education and Protection Fund. Make sure that the details are in accordance with the information already provided in e-form IEPF-1 CIN/BCIN L40200WB1935PLC008184 Prefill Company/Bank Name LINDE INDIA LIMITED Sum of unpaid and unclaimed dividend 658007.00 Sum of interest on matured debentures 0.00 Validate Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Clear Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Sum of Other Investment Types 0.00 Date of event (date of declaration of dividend/redemption date Is the of preference shares/date Date of Birth(DD-MON- Investment Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount of maturity of Joint Holder Address Country State District Pin Code Folio Number Investment Type PAN YYYY) Aadhar Number Nominee Name Remarks (amount / Name Name Name First Name Middle Name Name Account Number transferred bonds/debentures/applic Name shares )under ation money any litigation. refundable/interest thereon (DD-MON-YYYY) 19 B B CHATERJEE ROAD LIND0000000002239 Amount for unclaimed and A BOSE NA INDIA West Bengal 700042 600.00 23-May-2014 No CALCUTTA 072 unpaid dividend CHLORIDE INDIA LIMITED EXIDE LIND0000000000403 Amount for unclaimed and A DASGUPTA NA HOUSE -
Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917. -
IEPF Suspense A/C – Shares Due to Be Transferred
LAKSHMI ELECTRICAL CONTROL SYSTEMS LIMITED LIST OF SHAREHOLDERS NOT CLAIMED DIVIDEND DURING LAST 7 YEARS AND DETAILS OF RELATED SHARES TO BE TRANSFERRED BY THE COMPANY TO IEPF SUSPENSE ACCOUNT SLNO FOLIO/DEMAT ID NAME DIV09 DIV10 DIV11 DIV12 DIV13 DIV14 DIV15 VALID SHARES 1 00009 PRADEEP NAGINDAS CHRISTIAN 133.00 159.00 239.00 265.00 106.00 265.00 371.00 53 2 00032 KALPANA 258.00 309.00 464.00 515.00 206.00 515.00 721.00 103 3 00044 MURUGAPPAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 4 00049 SANJAY RANCHHODBHAI PATEL 500.00 600.00 900.00 1000.00 400.00 1000.00 1400.00 200 5 00067 DAXA CAPITAL MARKET & CONSULTANCY P LTD 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 6 00101 RITA KATIRA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 7 00102 SUBHASH KATIRA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 8 00114 SRINIVASAN 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 9 00129 CHOCKALINGAM 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 10 00222 HAROON 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 11 00227 MADHU KRISHNA KARKERA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 12 00230 CHARI 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 13 00294 ESOOF ESMAIL BADAT 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 14 00310 BHAIRAVAN 515.00 618.00 927.00 1030.00 412.00 1030.00 1442.00 206 15 00407 PRAKASH SHARMA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 16 00514 SURYA PRABHA AHUJA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 17 00618 SANJEEV KUMAR JOSHI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 18 00742 SURESH KUMAR BHAIYA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 19 00759 -
IFL Annual Return 2018-19
FORM NO. MGT-7 Annual Return [Pursuant to sub-Section(1) of section 92 of the Companies Act, 2013 and sub-rule (1) of rule 11of the Companies (Management and Administration) Rules, 2014] Form language English Hindi Refer the instruction kit for filing the form. I. REGISTRATION AND OTHER DETAILS (i) * Corporate Identification Number (CIN) of the company Pre-fill Global Location Number (GLN) of the company * Permanent Account Number (PAN) of the company (ii) (a) Name of the company (b) Registered office address (c) *e-mail ID of the company (d) *Telephone number with STD code (e) Website (iii) Date of Incorporation (iv) Type of the Company Category of the Company Sub-category of the Company (v) Whether company is having share capital Yes No (vi) *Whether shares listed on recognized Stock Exchange(s) Yes No (b) CIN of the Registrar and Transfer Agent Pre-fill Name of the Registrar and Transfer Agent Page 1 of 15 Registered office address of the Registrar and Transfer Agents (vii) *Financial year From date 01/04/2018 (DD/MM/YYYY) To date 31/03/2019 (DD/MM/YYYY) (viii) *Whether Annual general meeting (AGM) held Yes No (a) If yes, date of AGM 24/09/2019 (b) Due date of AGM 30/09/2019 (c) Whether any extension for AGM granted Yes No II. PRINCIPAL BUSINESS ACTIVITIES OF THE COMPANY *Number of business activities 1 S.No Main Description of Main Activity group Business Description of Business Activity % of turnover Activity Activity of the group code Code company I I2 III. PARTICULARS OF HOLDING, SUBSIDIARY AND ASSOCIATE COMPANIES (INCLUDING JOINT VENTURES) *No. -
21 Aug Page 07.Qxd
SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 28,MARCH, (07) Tragedy Queen of Indian Cinema Contd.From Page no.06 the film's music and lyrics were by Roshan and Sahir to August, Meena Kumari was in the hands of Dr. Sheila Sherlock.Upon Ludhianvi and noted for songs such as "Sansaar Se Bhaage Phirte Ho" and recovery, Meena Kumari returned to India in September 1968 and on the fifth "Mann Re Tu Kaahe". Ghazal directed by Ved-Madan, starring Meena Kumari day after her arrival, Meena Kumari, contrary to doctors' instructionsAAfter their and Sunil Dutt, was a Muslim social film about the right of the young generation marriage, Kamal Amrohi allowed Meena Kumari to continue her actiresumed to the marriage of their choice. It had music by Madan Mohan with lyrics by work. Suffering from cirrhosis of the liver, although Meena Kumari temporarily Sahir Ludhianvi, featuring notable filmi-ghazals such as "Rang Aur Noor Ki recovered but was now much weak and thin. She eventually shifted her focus Baraat", performed by Mohammed Rafi and "Naghma O Sher Ki Saugaat" on more 'acting oriented' or character roles. Out of her last six releases namely performed by Lata Mangeshkar. Main Bhi Ladki Hoon was directed by A. C. Jawab, Saat Phere, Mere Apne, Dushman, Pakeezah & Gomti Ke Kinare, she Tirulokchandar. The film stars Meena Kumari with newcomer Dharmendra. only had a lead role in Pakeezah. In Mere Apne and Gomti Ke Kinare, although Critical acclaim (1962) Sahib Bibi Aur she didn't play a typical heroine role, but her character was actually the central Ghulam (1962) character of the story. -
Cherubic Baby
The time evolution of iconographic conventions in the public sphere is a fascinating thing. Of course it is obvious that a more relevant sphere of enquiry is the origin of specific iconographic patterns and their semiotic significance. But that is something for the semioticians and culture theorists of the popular to decipher. I am instead fascinated by how these conventions evolve-why some things don’t change while others change radically in a fairly short time frame? Anyone passing through a small town in North India can’t help notice the proliferation of fruit juice sellers. I am not talking about the seasonal sugarcane juice sellers but instead fixed shops which run through the year. These establishments, which came into being in a big way in the late seventies-early eighties, were aided by two technological developments-one, the introduction of the “mixie” at affordable prices and second the availability of fruits and vegetables from distant parts of the country because of the transport revolution. The mixie, in reality a pseudo food processor became common as a kitchen appliance only when relatively cheap local clones began to be sold. The fruit juice seller would sell mango milk shakes and some other juices during the summers, “mausami” juice through the year (since this has an almost totemic hold on our psyche as “the” health drink) and carrot and pomegranate juice in the winters. It is important to realize that until the introduction of packaged fruit juices, juice was considered a relative luxury-one had seasonal fruit at home but juice was something for the ailing (anyone would recall the cluster of fruit juice sellers outside of hospitals- and papaya vendors of course!). -
Bollywood Sounds
Bollywood Sounds Bollywood Sounds The Cosmopolitan Mediations of Hindi Film Song Jayson Beaster-Jones 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Beaster-Jones, Jayson. Bollywood sounds : the cosmopolitan mediations of Hindi film song / Jayson Beaster-Jones. pages cm Includes bibliographical references and index. ISBN 978–0–19–986254–2 (pbk. -
National Conference
I.T.S. Engineering College & COMMUNE Jointly announce COMMUNE CACCS 2012 “COMMUNE Conference on Advancements in Communication & Computing Systems” (March 24-25, 2012) Visit us at: www.thecommune.info, E-Mail us at: [email protected] Venue: I.T.S. Engineering College, Knowledge Park III, Gr. Noida COMMUNE - The technical society founded in 2007 by I.T.S Group of Institutions started in the year 1995 with a academicians, researchers and practicing engineers, steps single campus at Mohan Nagar, Ghaziabad and then had spread ahead with its key objective of enhancing the research its wings to create the second campus in the year 2000 at capabilities in India by stimulating a highly interactive Muradnagar and two more campuses at Gr. Noida in the year environment through its platform to exchange the state-of-art 2006. The Group now has 8 institutions, more than 700 full technologies and amalgamating the highly technical expertise time faculty members and 8000 strong students fraternity. from the academia and industry. COMMUNE team has been formulated concentrating on the I.T.S Engineering College, a part of I.T.S Group of Institutions inclusion of professionals from the academia as well as came into functioning in 2006 at Knowledge Park, Gr. Noida. industry. Online infrastructure has been framed for managing Presently, this college is running B.Tech. programme in various events such as conferences/seminars/workshops Computer Science & Engg., Electronics & Communication considering the online submission of papers, thorough review Engg., Electrical & Electronics Engg., Mechanical Engg. and processes, publications and pre and post event communication Information Technology. -
Retiree List Exercise Option.Xlsx
SR NO INSURED NAME PF NO OPTION EXERCISE 1 Shri. SUNIL ANANT DESHPANDE 105541 Without Domiciliary with Super Top Up 2 Shri. SUBRAMANIAN K 33331 Without Domiciliary with Super Top Up 3 Shri. R. MEENAKSHI SUNDARAM 259704 Without Domiciliary with Super Top Up 4 Shri. RAJENDRA VASANT DESHPANDE 205019 Without Domiciliary with Super Top Up 5 Shri. SHYAMAL KUMAR MITRA 202293 Without Domiciliary with Super Top Up 6 Shri. VINOD KUMAR MAHAJAN 52560 Without Domiciliary with Super Top Up 7 Shri. KASHINATH PANDA 47938 Without Domiciliary with Super Top Up 8 Smt. EDNA JOHN D'SOUZA 152541 Without Domiciliary with Super Top Up 9 RAM,JAI 285821 Without Domiciliary with Super Top Up 10 RANA,VINOD SINGH 123662 Without Domiciliary with Super Top Up 11 SINGH,JIWANAND 220850 Without Domiciliary with Super Top Up 12 NARANG,VARSHA 223162 Without Domiciliary with Super Top Up 13 LOHARA,MANIK 224224 Without Domiciliary with Super Top Up 14 RAY,PRANAB KUMAR 225414 Without Domiciliary with Super Top Up 15 DAMLE,VINAYAK GOVIND 228377 Without Domiciliary with Super Top Up 16 SINGH,CHANDRA PAL 233431 Without Domiciliary with Super Top Up 17 GAWDE,VIJAY LAXMAN 234810 Without Domiciliary with Super Top Up 18 JADHAV,VILAS MURLIDHAR 236100 Without Domiciliary 19 BIWALKAR,ANIL YASHWANT 245690 Without Domiciliary with Super Top Up 20 RAO,PADMANABHA ISHWAR 246621 Without Domiciliary 21 PILLAI,SUBRAMANIAM DORAISWAMY 251491 Without Domiciliary with Super Top Up 22 DATTA,BHRANTI 252649 Without Domiciliary with Super Top Up 23 NANDY,DEBABROTA 252660 Without Domiciliary with Super -
Cancer and Indian Films Role of Liver Transplantation for Surgical
Free full text available from Letters to the Editor www.cancerjournal.net Cancer and Indian films Sir, - a young man with cancer, who knows that he is going to die, Cancer afflicts all communities worldwide. Approximately lives his life to the fullest. The Marathi language film “Shwaas” 10 million people are diagnosed with cancer and more than is the emotional journey of a child with cancer, of both eyes, six million die of the disease every year.[1] Today cancer is the and his grandfather; the path from light to darkness in the second leading cause of death.[2] child’s life. “Shwaas” is based on a real life story and was also sent as an official entry to Oscars from India. In India, it is estimated that there are approximately 2-2.5 million cases of cancer at any given point of time with around All these films are not really scientifically correct. They make seven lakh new cases being detected each year. Nearly half some contribution regarding cancer awareness but little in of these cases die each year.[2] Due to the rising incidence of cancer education, which is an important area of primary cancer, especially oral cancer and lung cancer, the Government prevention of the cancer. These films are noteworthy as they of India has banned tobacco smoking, on screen, in films. This show another human side of the Indian Film Industry and step taken by government must be appreciated by all sectors social commitment of Indian Films. of society. Harshal T. Pandve Indian films are presumed to be one of the major causes of Department of Community Medicine, Smt. -
Download (201.46
PARTICULARS OF STUDENTS ADMITTED IN CLASS I : SEESSION 2020-21 Admission Date of Categ Communit S No. Name of the Student Class Sec Father's Name Mother's Name Sex Number Birth ory y 1 006306 S HANISH I A T SELVAN B RADHIKA Boy 18/09/2014 V SC 2 006312 S PRAVEEN I A P SELVARAJ S RAJATHI Boy 02/01/2015 V OBC 3 006315 AADESH D I A A DAKSHINAMOORTHY D CHITRA Boy 14/06/2014 V SC ILANGOVAN 4 006318 YUVANESH ILLANGOVAN I A MONIKA ILOANGOVA Boy 27/10/2014 V General KANNAPPAN C PIRAISOODIYA 5 006324 I A G CHANDRA KUMAR C VIJAYA Girl 15/12/2014 I OBC PRIYAVARSHINI C PIRAISOODIYA 6 006321 I A G CHANDRA KUMAR C VIJAYA Girl 15/12/2014 I OBC PRIYADHARSHINI 7 006330 VIVEK SIHARRA I A BANVARI LAL MEENA PRIYANKA MEENA Boy 21/02/2015 I General 8 006333 PUNAM MEENA I A GOPAL LAL MEENA SUMAN DEVI MEENA Girl 10/03/2015 I ST 9 006337 P OMISHA I A A PRAKASH P KAMALADEVI Girl 08/11/2014 I General 10 006339 JIGYANSH SHARMA I A VIKASH BALI NEHA BALI Boy 12/02/2014 I General 11 006342 VISHNU V I A VENKADESH V RANJITHA S Boy 12/07/2013 V OBC 12 006345 BOTTA SASI PRIYA I A B VENKATESWARA RAO B GANGA BHAVANI Girl 21/02/2015 I OBC 13 006348 AMLIVA JOSEY I A JOSEY JOHN BIJI OONNUNNY Girl 21/08/2014 I General 14 006351 S SIDDESHWAR I A S SIVARAMAN S RADHA Boy 31/03/2014 I General AADHITHRI SUNIL 15 006354 I A SUNIL KUMAR C K AMBILY S Girl 01/11/2014 I OBC KUMAR C 16 006357 PALAK KUMARI I A CHANDAN PANDEY SHUBHAM KUMARI Girl 18/01/2014 I General 17 006360 CHAINDAVI L I A LOGESH KUMAR R SANDHIYA S Girl 12/09/2014 I OBC ARYAN KUMAR 18 006363 I A JAGDISH KUMAR MANISHA KUMARI