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Persmap - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Timbuktu Kidane woont samen met zijn vrouw Satima en hun dochter Toya in de woestijn buiten de stad Timbuktu. In tegenstelling tot Timbutku, waar de religieuze fundamentalisten heersen, is het een vredige plek. In de stad lijden de mensen onder het terreurregime van de Jihadisten, die vastbesloten zijn om de islamitische geloofsovertuiging op te leggen. Muziek, gelach, sigaretten en zelfs voetbal zijn verboden. De vrouwen zijn een schaduw van zichzelf geworden, maar houden waardig stand. Iedere dag spreekt het geïmproviseerde tribunaal absurde en tragische veroordelingen uit. Kidane en zijn familie zijn gespaard gebleven van de chaos in Timbuktu. Alles verandert wanneer Kidane per ongeluk de visser Amadou doodt, en hij geconfronteerd wordt met de nieuwe wetten van de buitenlandse bezetters. TIMBUKTU werd genomineerd voor de Oscar Beste Buitenlandse Film en voor een Gouden Palm en won vele prijzen waaronder 7 Césars (Franse Oscars). Speelduur: 100 - Land: Frankrijk - Jaar: 2015 - Genre: Drama Release datum bioscoop: 26 maart 2014 Distributie: Cinéart Meer informatie over de film: Cinéart Nederland - Janneke De Jong & Noor Pelser Herengracht 328 III / 1016 CE Amsterdam Tel: +31 (0)20 5308844 Email: [email protected] / [email protected] www.cineart.nl Persmap en foto’s staan op: www.cineart.nl Persrubriek - inlog: cineart / wachtwoord: film - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Short Director’s Statement On July 29th, 2012 in Aguelhok, a small city in northern Mali – more than half of which was being occupied by men who were mostly outsiders – an unspeakable crime took place to which the media largely turned a blind eye. A thirty-something couple, blessed with two children, were stoned to death. Their crime: they weren’t married. The video of their killing, which was posted online by the perpetrators, is horrid. The women dies struck by the first stone, while the man lets out a hollow rasp of a cry. Then silence. Soon after they were dug up only to be buried further away. Aguelhok is not Damascus, nor Tehran. So nothing is said about all this. What I write is unbearable, I know this. I am in no way trying to use shock value to promote a film. I can’t say I didn’t know and, now that I do, I must testify in the hopes that no child will ever again have to learn their parents died because they loved each other. - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Filmography Abderrahmane Sissako Features-films, Shorts and Documentaries 1989 the Game (short) 1992 Octobre (short) 1995 Le Chameau et les Bâtons Flottants (short) 1996 Sabrya (short) 1997 Rostov-Luanda (documentary) 1998 Life on Earth 2002 Waiting for Happiness Un Certain Regard, Cannes Film Festival 2006 Bamako Out-of-competition, Cannes Film Festival 2007 Tiya’s Dream / 8 (short) 2008 Stories on Human Rights Segment: N’Dimagu-Dignity) 2010 Je Vous Souhaite La Pluie (short) - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Cast Ibrahim Ahmed Kidane Abel Jafri Abdelkerim Toulou Kiki Satima Layla Walet Mohamed Toya Mehdi A.G. Mohamed Issan Hichem Yacoubi Djihadiste Kettly Noël Zabou Fatoumata Diawara La chanteuse Adel Mahmoud Cherif L'Imam Salem Dendou Le chef djihadiste Mamby Kamissoko Djihadiste Yoro Diakité Djihadiste Cheik A.G. Emakni Omar Zikra Oualet Moussa Tina Weli Cleib Juge Djié Sidi Juge Damien Ndjie Abu Jaafar Crew Director Abderrahmane Sissako Scenario Abderrahmane Sissako Kessen Tal Cinematography by Sofian El Fani Film Editing by Nadia Ben Rachid Sound Department Philippe Welsh Roman Dymny Thierry Delor Music Amin Bouhafa Assistent Mise en scene Demba Dieye Decors Sebastian Birchler Producer Sylvie Pialat - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] .

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Poverty and the Struggle to Survive in the Fuuta Tooro Region Of
What Development? Poverty and the Struggle to Survive in the Fuuta Tooro Region of Southern Mauritania Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Christopher Hemmig, M.A. Graduate Program in Near Eastern Languages and Cultures. The Ohio State University 2015 Dissertation Committee: Sabra Webber, Advisor Morgan Liu Katey Borland Copyright by Christopher T. Hemmig 2015 Abstract Like much of Subsaharan Africa, development has been an ever-present aspect to postcolonial life for the Halpulaar populations of the Fuuta Tooro region of southern Mauritania. With the collapse of locally historical modes of production by which the population formerly sustained itself, Fuuta communities recognize the need for change and adaptation to the different political, economic, social, and ecological circumstances in which they find themselves. Development has taken on a particular urgency as people look for effective strategies to adjust to new realities while maintaining their sense of cultural identity. Unfortunately, the initiatives, projects, and partnerships that have come to fruition through development have not been enough to bring improvements to the quality of life in the region. Fuuta communities find their capacity to develop hindered by three macro challenges: climate change, their marginalized status within the Mauritanian national community, and the region's unfavorable integration into the global economy by which the local markets act as backwaters that accumulate the detritus of global trade. Any headway that communities can make against any of these challenges tends to be swallowed up by the forces associated with the other challenges.
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Toolkit: The Story of African Film Author: Lindiwe Dovey Toolkit: The Story of African Film 2 By Lindiwe Dovey Still from Pumzi (dir. Wanuri Kahiu, 2009), courtesy of director Toolkit: The Story of African Film 3 By Lindiwe Dovey Toolkit 1: The Story of African Film This Toolkit is a shortened version of an African film course syllabus by Lindiwe Dovey which she is sharing in the hopes that it can support others in teaching African film and/or better integrating African film into more general film and screen studies courses. The Story of African Film: Narrative Screen Media in sub-Saharan Africa A course developed by Professor Lindiwe Dovey Background to the Course I developed this course when I first arrived as a Lecturer in African Film at SOAS University of London in September 2007, and it has been taught every year at SOAS since then (by guest lecturers when I have been on sabbatical). Because of my passion for African filmmaking, it has been my favourite course to teach, and I have learned so much from the many people who have taken and contributed to it. I have been shocked over the years to hear from people taking the course (especially coming in to the UK from the US) that they could not find anything like it elsewhere; there are hundreds of film courses taught around the world, but so few give African film the deep attention it deserves. In a global context of neoliberal capitalism and the corporatisation of higher education I am concerned about what is going to happen to already-marginalised academic subjects like African film.
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ABDERRAHMANE SISSAKO Not Far from Timbuktu, Now Ruled by the Religious Shadows but Resist with Dignity
LES FILMS DU WORSO AND DUNE VISION PRESENT A FILM BY ABDERRAHMANE SISSAKO Not far from Timbuktu, now ruled by the religious shadows but resist with dignity. Every day, the new improvised courts SYNOPSIS fundamentalists, Kidane lives peacefully in the dunes issue tragic and absurd sentences. with his wife Satima, his daughter Toya, and Issan, their twelve-year-old shepherd. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes when Kidane accidentally kills Amadou, In town, the people suffer, powerless, from the regime of terror imposed the fisherman who slaughtered «GPS», his beloved cow. He now has to by the Jihadists determined to control their faith. Music, laughter, face the new laws of the foreign occupants. cigarettes, even soccer have been banned. The women have become On July 29th, 2012 in Aguelhok, SHORT DIRECTOR’S STATEMENT a small city in northern Mali – FILMOGRAPHY ABDERRAHMANE SISSAKO more than half of which was being occupied by men who were mostly FEATURES-FILMS, SHORTS and DOCUMENTARIES outsiders – an unspeakable crime took place to which the media 1989 THE GAME (short) largely turned a blind eye. A thirty-something couple, blessed with two children, were stoned to death. 1992 OCTOBRE (short) 1995 (short) Their crime: they weren’t married. The video of their killing, which was LE CHAMEAU ET LES BÂTONS FLOTTANTS posted online by the perpetrators, is horrid. The woman dies struck 1996 SABRYA (short) by the first stone, while the man lets out a hollow rasp of a cry. Then 1997 ROSTOV-LUANDA (documentary) silence.
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Observatorio (OBS*) Journal, (2020, special issue), 108-122 1646-5954/ERC123483/2020 108 Musical Resistance in Abderrahmane Sissako’s Timbuktu Katy Stewart* *University of Sheffield Abstract When Abderrahmane Sissako’s film Timbuktu was released in 2014, it attracted a great deal of controversy – as well as an Oscar nomination. Was lauded as an exceptionally artistic, poetic film which brought the world’s attention to the plight of Timbuktu under jihadi rule, but the way in which Sissako chose to humanise jihadists, and the elliptical way in which he constructs the film – missing many of the finer details of the political and military situation – was criticised by some, and it was almost withdrawn from competition at FESPACO, the world’s largest African film festival. This article argues that much is missed in such readings of the film, and proposes that an intermedial approach to analysing the film offers a new understanding of it. By exploring the intermedial and intercultural borders and connections in Timbuktu, it will be shown how Sissako combines diverse influences, including Italian Westerns and the Wassoulou music of southern Mali, to create a film that does not merely represent resistance, but is itself an act of resistance against extremism, in Mali. Intermedial borders between film, music and social media are of particular significance in this regard. With a focus on the diegetic and extra-diegetic performances of Malian singer Fatoumata Diawara, the article demonstrates how such intermediality can engage the spectator’s “symbolic participation” (Manthia Diawara, 2015) and contributes to a movement of artistic resistance against extremism in Mali.
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Sydney Film Festival Announces Five Special Screenings on Sale Now
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Press-Release-BFS-Ti
VTIFF.ORG/BFS For more information: CONTACT Orly Yadin Eric Ford Executive Director, VTIFF Co-Founder, Burlington Film Society P 802.310.6423 P 802.355.5418 E [email protected] E [email protected] FOR IMMEDIATE RELEASE Area Theatrical Premiere of Academy Award Nominated Timbuktu in March Burlington, VT: (March 16, 2015) Main Street Landing, The Burlington Film Society (BFS), the Vermont International Film Foundation (VTIFF) are pleased to present an exclusive Burlington area theatrical premiere of the 2015 Academy Award nominee for Best Foreign Language film, Mauritanian/French production Timbuktu. The screening will take place on Thursday, March 26th at 7pm at The Main Street Landing Film House, 60 Lake Street in Burlington. Following the screening, there will be discussion lead by Laurence Clerfeuille, board member of Alliance Française and professor of French at Saint Michael's College. This screening of Timbuktu is free for VTIFF Members, $8 general admission, $5 for students. Tickets can be purchased at the door or online at: http://www.brownpapertickets.com/event/1360733. To learn more about VTIFF Membership and benefits, please visit http://vtiff.org/membership. Screening sponsored by Main Street Landing and Alliance Francaise of the Lake Champlain Region About the film: Timbuktu 2014, 97 Minutes, Mauritania/France, rated PG-13 Directed by Abderrahmane Sissako Nominee – Best Foreign Language Film - 2015 Academy Awards Official Competition 2014 Cannes Film Festival (Winner: Prix du Jury Ecuménique, François Chalais Award) Not far from Timbuktu, now ruled by religious fundamentalists, Kidane lives peacefully in the dunes with his wife Satima, his daughter Toya, and Issan, their shepherd.
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Africana Video Collection
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ECFG-Mauritania-2020R.Pdf
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