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Ringo Lam Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ) The Adventurers https://bg.listvote.com/lists/film/movies/the-adventurers-10933704/actors The Suspect https://bg.listvote.com/lists/film/movies/the-suspect-11120043/actors Undeclared War https://bg.listvote.com/lists/film/movies/undeclared-war-11611022/actors Happy Ghost III https://bg.listvote.com/lists/film/movies/happy-ghost-iii-12357584/actors Touch and Go https://bg.listvote.com/lists/film/movies/touch-and-go-17026777/actors Wild City https://bg.listvote.com/lists/film/movies/wild-city-17500811/actors The Other Side of Gentleman https://bg.listvote.com/lists/film/movies/the-other-side-of-gentleman-17990713/actors Twin Dragons https://bg.listvote.com/lists/film/movies/twin-dragons-2093119/actors Burning Paradise https://bg.listvote.com/lists/film/movies/burning-paradise-2630859/actors Sky on Fire https://bg.listvote.com/lists/film/movies/sky-on-fire-27964541/actors Full Alert https://bg.listvote.com/lists/film/movies/full-alert-3090759/actors Aces Go Places 4 https://bg.listvote.com/lists/film/movies/aces-go-places-4-3106821/actors School on Fire https://bg.listvote.com/lists/film/movies/school-on-fire-3475506/actors Victim https://bg.listvote.com/lists/film/movies/victim-3523221/actors Prison on Fire II https://bg.listvote.com/lists/film/movies/prison-on-fire-ii-3877734/actors Esprit d'amour https://bg.listvote.com/lists/film/movies/esprit-d%27amour-5399178/actors Replicant https://bg.listvote.com/lists/film/movies/replicant-543573/actors Maximum Risk https://bg.listvote.com/lists/film/movies/maximum-risk-598177/actors Looking for Mr. Perfect https://bg.listvote.com/lists/film/movies/looking-for-mr.-perfect-60852116/actors Prison on Fire https://bg.listvote.com/lists/film/movies/prison-on-fire-739009/actors Wild Search https://bg.listvote.com/lists/film/movies/wild-search-8000800/actors Full Contact https://bg.listvote.com/lists/film/movies/full-contact-845357/actors City on Fire https://bg.listvote.com/lists/film/movies/city-on-fire-867713/actors Septet: The Story of Hong https://bg.listvote.com/lists/film/movies/septet%3A-the-story-of-hong-kong-97179196/actors Kong Triangle https://bg.listvote.com/lists/film/movies/triangle-994033/actors ÐÐ ´ https://bg.listvote.com/lists/film/movies/%D0%B0%D0%B4-1355015/actors.

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DP TRIANGLE.Indd
DISTRIBUTION WILD SIDE FILMS 42, rue de Clichy 75009 Paris Tél : 01 42 25 82 00 Fax : 01 42 25 82 10 www.wildside.fr RELATIONS PRESSE LE PUBLIC SYSTEME CINEMA Céline Petit & Annelise Landureau 40, rue Anatole France 92594 Levallois-Perret cedex Tel : 01 41 34 23 50 / 22 01 Fax : 01 41 34 20 77 [email protected] [email protected] www.lepublicsystemecinema.com www.triangle-leﬁ lm.com CADAVRE EXQUIS : Jeu créé par les surréalistes en 1920 qui consiste à faire composer une phrase, ou un dessin, par plusieurs personnes sans qu’aucune d’elles puisse tenir compte de la collaboration ou des collaborations précédentes. En règle générale un cadavre exquis est une histoire commencée par une personne et terminée par plusieurs autres. Quelqu’un écrit plusieurs lignes puis donne le texte à une autre personne qui ajoute quelques lignes et ainsi de suite jusqu’à ce que quelqu’un décide de conclure l’histoire. DISTRIBUTION STOCK Wild Side Films Distribution Service Tél : 01 42 25 82 00 STOCKS COPIES ET PUBLICITÉ Fax : 01 42 25 82 10 Grande Région Ile-de-France www.wildside.fr 24, Route de Groslay 95204 Sarcelles WILD SIDE FILMS DIRECTION DE LA DISTRIBUTION présente Marc-Antoine Pineau COPIES Tél. : 01 34 29 44 21 [email protected] Fax : 01 39 94 11 48 [email protected] Dossier de presse imprimé en papier recyclé PROGRAMMATION Philippe Lux PUBLICITÉ [email protected] Tél. : 01 34 29 44 26 Fax : 01 34 29 44 09 [email protected] MÉDIAS Le premier ﬁlm réalisé sur le principe du jeu du cadavre exquis Christophe Laduche par les trois maîtres du cinéma de Hong Kong [email protected] LYON 25, avenue Beauregard 69150 Decines DIRECTRICE TECHNIQUE 35MM Brigitte Dutray Tél.
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Tsui Hark Ringo Lam Johnnie To
TSUI HARK LOUIS KOO A legendary producer and director, Tsui Hark is one of Hong Kong cinema’s most influential figures. A pioneer of the 80’s Hong Kong New — AH FAI Wave film movement, Tsui Hark immediately caught the attention of critics with his innovative style and techniques. “Butterfly Murders” Singer, actor, model – Louis Koo is one of Hong Kong’s most popular Chanteur, acteur, mannequin – Louis Koo est l’une des plus grandes (1979) and “Dangerous Encounters: 1st Kind”(1980) pushed the boundary of Hong Kong genre films as well as the limit of the censors. celebrities. He began his film career in the mid-90’s and has acted in stars de Hong Kong. Il commence sa carrière au milieu des années 90 Following the creation of Film Workshop in 1984, he directed and produced a series of successful commercial films that initiated the so-called over 40 movies such as Wilson Yip’s “Bullet Over Summer”(1999), Tsui et joue dans plus de 40 films, dont « Bullets Over Summer » (1999) de “golden era” of Hong Kong cinema. Films including “A Chinese Ghost Story”(1987), “Swordsman”(1990), and “Once Upon A Time In China” Hark’s “Legend of Zu 2”(2001) and Derek Yee’s “Lost In Time”(2003). Wilson Yip, « La Légende de Zu 2 » (2001) de Tsui Hark et « Lost In (1991) established Tsui Hark's dominance across Asia. After directing two films in Hollywood, he returned to Hong Kong in the mid-90’s Over the past couple of years, he has forged a close working relationship Time » (2003) de Derek Yee.
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Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff.
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Sunday Morning Grid 12/21/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/21/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Kansas City Chiefs at Pittsburgh Steelers. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Young Men Big Dreams On Money Access Hollywood (N) Skiing U.S. Grand Prix. 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. Outback Explore 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Winning Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Atlanta Falcons at New Orleans Saints. (N) Å 13 MyNet Paid Program Christmas Angel 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Alsace-Hubert Heirloom Meals Man in the Kitchen (TVG) 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Christmas Twister (2012) Casper Van Dien. (PG) 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia 101 Dalmatians ›› (1996) Glenn Close.
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The Ambivalent Identity of Wong Kar-Wai's Cinema
Université de Montréal The ambivalent identity of Wong Kar-wai’s cinema par Ludmila Moreira Macedo de Carvalho Département de Littérature Comparée Faculté des Arts et des Sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Ph.D. en Littérature option Littérature et cinéma Juin 2009 Copyright Ludmila Moreira Macedo de Carvalho, 2009 Université de Montréal Faculté des Arts et des Sciences Cette thèse intitulée The ambivalent identity of Wong Kar-wai’s cinema présentée par : Ludmila Moreira Macedo de Carvalho a été évaluée par un jury composé des personnes suivantes : Savoy, Eric Président-rapporteur Lu, Tonglin Directrice de recherche Vigo, Julian Membre du jury Liu, Kang Examinateur externe Garneau, Michèle Représentante du doyen de Faculté ii Sommaire Ayant réalisé neuf longs-métrages entre 1988 et 2007, aussi que plusieurs campagnes publicitaires, vidéo-clips, courts-métrages et projets collectifs, Wong Kar- wai est un des réalisateurs contemporains les plus importants actuellement. Issu de l'industrie cinématographique fortement commerciale de Hong Kong, Wong est parvenu à attirer l'attention du circuit international des festivals de cinéma avec son style visuel unique et son récit fragmenté. Considéré par plusieurs critiques comme le poète de la recherche d’identité de Hong Kong après 1997, Wong Kar-wai défie toutes les tentatives de catégorisation. L’étude qui se poursuivit ici a donc pour objet essentiel de fournir une analyse attentive et complète de son oeuvre, tout en se concentrant sur les traits stylistiques qui donnent à ses films une unité. Ces caractéristiques correspondent à une certaine façon de raconter des histoires, de composer des personnages et des récits, de manipuler le temps et d'utiliser des ressources techniques de sorte que ses films offrent une identité cohérente.
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Brotherly Relations: Self and (M)Other in Conjoined Twin Films
Brotherly Relations: Self and (M)Other in Conjoined Twin Films Juliana de Nooy and Bronwyn Statham, University of Queensland, Australia; Griffith University, Australia Prompting fascination and fear since mythological times, twins continue to haunt our imagination. Identical, non-identical, conjoined, mutant, telepathic, homicidal, buddies, soul- mates or jealous rivals, twins feature in scores of films across a range of genres; comedy, drama, thriller, horror, sci-fi, action and auteur cinema. Amidst this apparently infinite variety, however, insistent patterns occur (De Nooy and Statham, 1998). In this paper we focus on a particular sub-set of twin films -- recent horror films featuring male conjoined twins -- to show some surprising regularities of representation. Specifically, these narratives of fraternal attachment and separation represent the twin relation as maternal. Our aim is twofold, to demonstrate this striking pattern (in our analysis of Dead Ringers, Basket Case I and II, an episode of The X-Files, and The Dark Half) and to account for it. We argue that existing work on the representation of the body in contemporary horror only partially explains the emergence of this phenomenon, and that the pattern needs to be understood as a highly specific configuration of genre (horror), gender (male) and topos (conjoined twins) that lends itself to the rehearsal of a cultural anxiety regarding gender (male maternity). The discursive power of this configuration is demonstrated in our reading of Twin Falls Idaho. This film is not in the horror genre, and it repeatedly uses the metaphor of marriage, rather than motherhood, to describe conjoined twins Francis and Blake’s relationship.
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Hong Kong Filmmakers Search: Ringo
Ringo LAM 林嶺東（1955.10.28–2018.12.29） Director, Screenwriter, Producer A native of Chaozhou, Guangdong, Lam was born in Hong Kong. He graduated from Television Broadcasts Limited’s (TVB) performing artist training programme in 1973, and started to appear in the series On the Paektu Mountain (1975) soon after. He later shifted to work behind the camera as Wong Tin-lam’s assistant, during which he shot series such as The Legend of the Book and the Sword (1976). He was promoted to producer in 1976, and directed the long series drama A House is Not a Home (1977). In 1977, he joined Commercial Television. In 1978, Lam moved to Canada, where he studied film production at York University. He joined Cinema City upon returning to Hong Kong and made his directorial debut with Esprit D'amour (1983). In 1985, he directed the romantic comedy Cupid One, which he also wrote the screenplay with Wellington Fung. Later he was entrusted by Karl Maka to direct the big-budget comedy Aces Go Places IV (1986), for which they wrote the screenplay together. They had maintained a close partnership ever since. After the Cinema City’s production team was divided into subgroups, Lam worked under Maka. He later directed the critically acclaimed work City on Fire (1987), which earned nearly HK$20 million at the box office and brought him the honour of Best Director at the 7th Hong Kong Film Awards. In the same year, he began to create his realistic ‘On Fire’ action series, starting out with Prison on Fire (1987) which won him Best Director at the Asia-Pacific Film Festival.
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Hong Kong Filmmakers Search: NAM
NAM Yin 南燕（b. 1953.6.11） Screenwriter, Director, Associate Producer, Producer Originally named Lam Ling-nan, Nam was born in Hong Kong. In 1973, he applied for Television Broadcasts Limited’s (TVB) performing artist training programme together with his brother Ringo Lam but was not admitted. He did not enter the film industry until he was in his 30s, when he wrote the screenplay for Prison on Fire (1987) directed by Ringo Lam. With his extensive knowledge of the underworld, he succeeded in depicting in rich details life behind bars. The film was both a commercial and critical success, for which he was nominated for Best Screenwriter at the Hong Kong Film Awards and the Asia-Pacific Film Festival. The theme song, ‘The Light of Friendship’, whose lyrics he also penned, was popular at the time. Nam created screenplays for various gangster films in subsequent years, including School on Fire (1988), Women’s Prison (1988), Triads – the Inside Story (1989), A Killer’s Blues (1990), Dragon in Jail (1990) and Hong Kong Godfather (1991). In 1990, he joined Silver Medal Production Ltd. as associate producer. In 1991, he served as the first chairperson of the Hong Kong Screenwriters’ Guild, and co-founded Golden Power Productions Ltd. with his brother Lam Chung-kwok, under which he produced Category III films such as Don’t Stop My Crazy Love for You (1993) and Ancient Chinese Whorehouse (1994). He formed his own company Nam Yin Production Co. Ltd. in 1995, and was the writer and producer of its debut, A Fake Pretty Woman (1995).
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Media Asia Film Production Limited All Rights Reserved 1
Media Asia Film Production Limited All Rights Reserved 1 rd The 73 Cannes Official Selection Septet: The Story of Hong Kong《七人樂隊》 An omnibus film presented by Media Asia and China Film Media, a production of Milkyway Image, Septet: The Story of Hong Kong has been selected for the official lineup of the 73rd Cannes Film Festival. The film is composed of seven short films in honor of Hong Kong by seven of the city’s most revered directors - Tsui Hark, Ann Hui, Sammo Hung, Patrick Tam, Yuen Wo Ping, Ringo Lam, and Johnnie To, who produced the film and directed one of the seven segments. It is another Johnnie To’s film selected by Cannes Film Festival after Breaking News, Election, Triangle, Vengeance and Blind Detective. It all began with an idea by Johnnie To: despite their renowned international repute and countless accolades under their belts, many Hong Kong directors of his generation still share the same passion for filmmaking and an unwavering love for their city. Johnnie To rallied his like-minded director friends Sammo Hung, Ann Hui, Patrick Tam, Yuen Wo Ping, Ringo Lam, and Tsui Hark to make a movie about Hong Kong. It would be shot on film as a tribute to the bygone era of filmmaking, and the stories would span from the 50s to the future. Each director shot a short movie around 10 minutes each for their allotted decade. Each segment would be a special melody imprinted with the director’s feelings for Hong Kong. Seven of Hong Kong’s most revered directors with distinctly unique styles come together for the first time to compose a symphony of stories for their city.
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Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.
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Chapter 1 Chapter 2
Notes Chapter 1 1. I have analysed part of this series (texts by Ovid, Freud and Lacan) in an earlier article (de Nooy, 1991b). 2. I take ‘topos’ to refer not simply to a topic (such as twins) but to its embedding in a particular thematic arrangement or ‘place’ – conjoined twins, twins as sexual rivals, good and evil twins, the author and his twin/double, the incestu- ous twin couple, twins in enemy camps, twins separated at birth – which will tend to coincide with its occurrence in a particular genre. 3. The notion of retelling is not intended to imply that at some point of origin there exists a master-story, which is then reproduced in the form of versions of the original. Rather than assuming a hierarchy between renditions, I follow Barbara Herrnstein-Smith in understanding all stories as particular retellings, ‘constructed by someone in particular, on some occasion, for some purpose’ (1981: 167). Thus telling always involves some retelling, some gesture towards existing stories, and retelling entails both repetition and difference. 4. Rank’s ‘Der Doppelgänger’ was ﬁrst published in 1914 and substantially revised in 1925. English (1971) and French (1973) translations exist. I shall refer to both on occasion, as the work translated in the French volume includes additional chapters, one of which is devoted to twinship (cf. the publication history detailed in Rank, 1971: vii–ix). 5. The relative coherence of the Romantic literature of the double – or at least of the established canon of works representing it – makes it possible to conceive of The Theme of The Double during this period: a singular theme of a paradoxically singular double.
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Hong Kong Filmmakers Search: Tony CHOW Kwok-Chung
Tony CHOW Kwok-chung 周國忠（b. 1941） Film Editor, Producer, Post-Production A native of Guangdong and born in Hong Kong, Chow joined his father Chow Tat-kuen’s film processing laboratory after graduating from technical college in 1961. His interest for film editing grew as he observed the actual process in the darkroom. In the late 1960s, Chow started his career as a film editor with Super-Cop vs the Leopard (1970). Apart from Hong Kong films, he also edited Taiwanese and Indonesian productions. Invited by Karl Maka, he edited Maka’s directorial debut The Good, the Bad and the Loser (1976), beginning their long-term collaboration from Gar Bo, Advance to Warriors. Films edited by him include Dirty Tiger, Crazy Frog! (1978), Odd Couple (1979), By Hook or by Crook (1980). In the same period, he also edited films produced by other studios, such as Crazy Couple (1979) and The Way to Hell (1980). Chow worked full-time as film editor at Cinema City since its establishment in 1980. He edited almost every one of the company’s films until 1985, including Laughing Times (1980), Chasing Girls (1981), Aces Go Places (1982) and The Happy Ghost (1984). Chow was awarded Best Film Editing at the 18th Golden Horse Awards for All the Wrong Clues (...for the Right Solution) (1981) and Best Film Editing at the 2nd Hong Kong Film Awards for He Lives by Night (1982). In 1985, Chow assisted Cinema City in the acquisition of Kwong Au Recording Studio, which was renamed as Cinema City Recording Studio, and oversaw post-production processes such as dubbing, film development and printing.
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Ringo Lam Ð¤Ð¸Ð»Ð¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)​

Ringo Lam Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)