Unit 3 Lesson 1
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer
Course Title: The Original Youth Culture: Teenagers and Subcultures in Postwar Britain Course Code: LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer Course Description: The first teenage culture explored investigated… Postwar buildings of London and Liverpool explored… Britain’s youth subcultures in the 1950s andArcadia 60s examined … From the Teddy Boys to the Mods…from Rock’n Roll to The Beatles The Battle of Brighton. The course will comprise of field studies, lectures and seminar discussions Course Required Text Requirements: 1. MOD: From Bepop tocopyright Britpop, Britain’s Biggest Youth Movement by Richard Weight (Vintage:London, 2015). ISBN: 978-0099597889, Cost: To Be Determined 2. Never Had it So Good: A History of Britain from Suez to the Beatles by Dominic Sandbrook (Little Brown: London, 2005). ISBN: 978-0349141276, Cost: To Be Determinedproperty 3. Selections from The Spiv and the Architect: Unruly Life in Postwar London by Richard Hornsey (University of Minnesota: London, 2010). ISBN: 978-0816653157, Cost: To Be Determined IntellectualAdditional Readings and Resources Articles and power-point lecture slides are available from the instructor on the course Blackboard site through Arcadia University. Assignments Course Requirements Percentages 1. Reflective Essays on Site Visits 30 % 2. Final Essay 60 % © Arcadia University | The College of Global Studies 1 3. Presentation 10 % Total 100% 1. Reflective Essays After each field study the student is expected to write a 3-page reflective essay which also incorporates ideas and thoughts from the Universityreadings. Students should discuss what is left of the subcultures in the sites we visit, and what kind of people the sites now attract. -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
The Inner Light: the Beatles, India, Gurus, and the Legacy
The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul. -
Carmel Pine Cone, March 27, 2020
VolumeThe 106 No. 13 Carmelwww.carmelpinecone.com Pine ConeMarch 27-April 2, 2020 T RUS T ED BY LOCALS AND LOVED BY VISI T ORS SINCE 1 9 1 5 Keeping your distance and waiting for answers Coronavirus cases Facing an uncertain future, Monterey Peninsula residents in county remain coped with the coronavirus epidemic as best they could this week by (clockwise from low, but why? right) practicing social distanc- ing even on Carmel Beach By KELLY NIX and in line at the supermarket. Many restaurants managed to stay open by offering food to THE NUMBER of people infected with coronavirus go. Armed rangers patrolled in Monterey County this week remained relatively low the quarantine site at the Asi- since the first two cases were announced March 17, but it’s lomar Conference Grounds. unclear if that’s a result of the statewide stay-home order And on Cannery Row, even or something else. Meanwhile, health officials are being Ed Ricketts tried to keep the extremely tight-lipped about the people who are infect- virus at bay. ed with the virus — including where they got it and how they’re doing. One person was reported to have died from the virus March 21, but the public also doesn’t know anything about the circumstances of that death. As of Thursday, 24 people in the county had tested pos- itive for COVID-19, out of a population of about 435,000. Compare that number to Santa Clara County, which has 1.9 million people and at least 459 with the virus, or even Santa Cruz County, which has about 275,000 people See VIRUS page 13A City braces for big drop -
Set List Select Several Songs to Be Played at Your Event / Party
FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO ELO - Mr. Blue Sky Lykke Li - I follow Rivers St. Vincent - Digital Witness Elton John - Tiny Dancer Major Lazer – Lean On Stealers Wheel - Stuck in the Middle With You Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Empire of the Sun - Walking On a Dream Mariah Carey - Fantasy Steely Dan - Hey Nineteen Belle and Sebastian - Your Covers Blown 90's R&B Medley Amy Winehouse - Valerie Feist - 1,2,3,4 Mark Morrison - Return of the Mack Steely Dan - Peg Black Keys - Gold On the Ceiling TLC Ariel Pink - Round + Round Feist - Sea Lion Woman Mark Ronson - Uptown Funk Stevie Nicks - Stand Back Bon Iver – Holocene Usher Beach Boys - God Only Knows Fleetwood Mac - Dreams Marvin Gaye - Ain't No Mountain High Enough Stevie Wonder - Higher Ground Bon Iver - Re: Stacks Montell Jordan Beck - Debra Fleetwood Mac - Never Going Back MGMT - Electric Feel Stevie Wonder - Sir Duke Bon Iver - Skinny Love Mark Morrison Beck - Where It’s At Fleetwood Mac - Say You Love Me Michael Jackson - Human Nature Stevie Wonder- Superstition Christopher Cross - Sailing Next Belle and Sebastian - Your Covers Blown Fleetwood Mac - You Make Lovin Fun Michael Jackson - Don’t Stop Til You Get Enough Supremes - You Can't Hurry Love David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Billy Preston - Nothing From Nothing Frank Ocean – Lost Michael Jackson - Human Nature Talking Heads - Burning Down the House Eagles - Hotel California New Order Black Keys - Gold On the Ceiling Frankie Vailli - December 1963 (Oh What A Night) Michael Jackson - O The Wall Talking Heads - Girlfriend is Better ELO - Mr. -
The Rolling Stones
112 Chapter7 George Harrison wrote and recorded albums of his Tho membersof the Rolling Stones,Mick Jagger(born own and alsobecame very involvedin movie production in 1943) and Keith Richard (born in 1943),had attended for Handmade Films, wherehe often worked with mem- the sameprimary school.(Keiths name had beenmistak- bers of the British comedy troupe Monry Python. Ringo enly spelled"Richards" enough times that he eventually Starr pursuedhis own careeras a singerand actor and oc- adopted the final "s" himself.) Although they lost contact casionallyplayed drums on recordingsmade by the other with eachother for ten years,they had both becomeblues ex-Beatles.Harrison and Starrplayed together on several fans after hearing Muddy \Taters perform in England in of Harrison'salbums, including the successfulCloud Nine 1958. \XAen they ran into eachother againin 1960 they (1987). Harrison died of cancerin 2001. In 1989, fungo began to work together,joining various blues groups in pur togetherwhat he calledhis All-Starr Band for a tour. London. ln 1962,they formed the Rolling Stones,naming The band included Nils Lofgren, Billy Preston, Joe their group after the "rolling stone" that representeda tough Walsh, Dr. John, Jim Keltner,Rick Danko, Levon Helm, and independentman in bluessongs like "Rollin' Stone" and ClarenceClemons. Of thosemembers, only Lofgren and "Mannish Boy" (both recordedby MuddyWaters). and'Walshwere in the 1992 "All Starrs,"accompanied by The original Rolling Stones included singer/harpist Dave Edmunds,Todd Rundgren,and others. Mick Jagger,guirarist Keith fuchards, guitarist Brian McCartney, Harrison, and Starr-at the time, the three Jones(1942-1969), pianisr Ian Stewart,and other musi- living Beatles-finally dropped their various feuds and re- cianswho playedwith them off and on during their first grouped to record two new Beatlesongs, "Free as a Bird" year. -
SUBCULTURE: the MEANING of STYLE with Laughter in the Record-Office of the Station, and the Police ‘Smelling of Garlic, Sweat and Oil, But
DICK HEBDIGE SUBCULTURE THE MEANING OF STYLE LONDON AND NEW YORK INTRODUCTION: SUBCULTURE AND STYLE I managed to get about twenty photographs, and with bits of chewed bread I pasted them on the back of the cardboard sheet of regulations that hangs on the wall. Some are pinned up with bits of brass wire which the foreman brings me and on which I have to string coloured glass beads. Using the same beads with which the prisoners next door make funeral wreaths, I have made star-shaped frames for the most purely criminal. In the evening, as you open your window to the street, I turn the back of the regulation sheet towards me. Smiles and sneers, alike inexorable, enter me by all the holes I offer. They watch over my little routines. (Genet, 1966a) N the opening pages of The Thief’s Journal, Jean Genet describes how a tube of vaseline, found in his Ipossession, is confiscated by the Spanish police during a raid. This ‘dirty, wretched object’, proclaiming his homosexuality to the world, becomes for Genet a kind of guarantee - ‘the sign of a secret grace which was soon to save me from contempt’. The discovery of the vaseline is greeted 2 SUBCULTURE: THE MEANING OF STYLE with laughter in the record-office of the station, and the police ‘smelling of garlic, sweat and oil, but . strong in their moral assurance’ subject Genet to a tirade of hostile innuendo. The author joins in the laughter too (‘though painfully’) but later, in his cell, ‘the image of the tube of vaseline never left me’. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
America's Changing Mirror: How Popular Music Reflects Public
AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered.