SERIE TV Al 30 Settembre 2020
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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Location Manager Resume
ROBERTO DE BIASE LOCATION SCOUT & MANAGER - RESUME (619) 977-3139 [email protected] www.rdblocations.com COMMERCIAL PRODUCTION (Selected Credits) APICTURES – VLADIMIR JONES - Xcel Energy “Hero” & “Tough” Location Scout & Manager John Elper, Director – Kent Feuerring, Producer – Jorie Kopie, Producer MARTIN BRINKERHOFF & ASSOCIATES – Honda Motorcycles “KZZA” Location Scout & Manager Rick Balthaser, Director – Jorie Kopie, Producer REALITY PICTURES – BMW “Stock Running Footage” Location Scout & Manager Kim Takal, Director - Pamela Elrich, Producer PARANA FILMS – CONILL - Toyota Prius V “Resort” & “Road” Location Scout Pucho Mentasti, Director - Sebastian Leda, Executive Producer – Sal Tassone, Producer TEN STORIES – Bridgepoint Education, Ashford University Holiday Bowl Location Scout & Manager Rich Underwood, Director – Robert Craghead and Bryan Bihari, Producers DETOUR FILMS – RED HYDRANT - San Diego Tourism “Happiness is Calling” Location Scout & Manager Dana Tynan, Director – Jessica Cooper Carlson, Producer, Jorie Kopie, Producer VRA USA – TEAM RETAIL FIRST – Ford “Built for San Diego Running Footage” Location Scout & Manager Alan Vajda, Director – Joe Ramey, Executive Producer – Jorie Kopie, Producer IDENTITY – GLOBAL HUE – US NAVY – Job 1464 Location Scout & Manager Andrew Walton, Director – Laure Stevens, Producer CHROME BUMPER FILMS – PERICH – “GM & GMC Fleet Running Footage” Location Scout & Manager John Quigley, Director – Shannon Cragin, Producer FILM REALITÉ – THE DESIGNORY – “Nissan Leaf Digital Brochure Running Footage” Location Scout & Manager Rich Epstein, Director – Marla Whittaker, Producer PONY SHOW ENTERTAINMENT – CAMPBELL-EDWALD – US NAVY “The Shield” Location Scout & Manager Peter Berg, Director – Fern Martin, Producer – Josh Mulry, Production Supervisor RESPOND2 – ICON FITNESS – “AbGlider, Discovery” Location Scout & Manager Greg Penner, Director - Kristin Swanson, Producer FILM REALITÉ – TEAM DETROIT – FORD “Early 2011 Running Footage” Location Scout Kevin Ward, Director – Marla Whittaker, Producer FOUNDATION POST – ORTHO BIOTECH INC. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
Cinema, Democracy and Perfectionism: Joshua Foa Dienstag in Dialogue
Cinema, democracy and perfectionism CRITICAL POWERS Series Editors: Bert van den Brink (University of Utrecht), Antony Simon Laden (University of Illinois, Chicago), Peter Niesen (University of Hamburg) and David Owen (University of Southampton). Critical Powers is dedicated to constructing dialogues around innova- tive and original work in social and political theory. The ambition of the series is to be pluralist in welcoming work from different philosophical traditions and theoretical orientations, ranging from abstract concep- tual argument to concrete policy-relevant engagements, and encourag- ing dialogue across the diverse approaches that populate the field of social and political theory. All the volumes in the series are structured as dialogues in which a lead essay is greeted with a series of responses before a reply by the lead essayist. Such dialogues spark debate, fos- ter understanding, encourage innovation and perform the drama of thought in a way that engages a wide audience of scholars and students. Published by Bloomsbury On Global Citizenship, James Tully Justice, Democracy and the Right to Justification, Rainer Forst Forthcoming from Manchester University Press Rogue Theodicy – Politics and power in the shadow of justice, Glen Newey Democratic Inclusion, Rainer Baubock Law and Violence, Christoph Menke Autonomy Gaps, Joel Anderson Toleration, Liberty and the Right to Justification, Rainer Forst Cinema, democracy and perfectionism Joshua Foa Dienstag in dialogue Edited by Joshua Foa Dienstag Manchester University Press Copyright © Manchester University Press 2016 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. -
Bahama Mamma's May Make Way for Chase Bank Branch
THREE DAYS A WEEK POST COMMENTS AT CAPE-CORAL-DAILY-BREEZE.COM Off and CAPE CORAL running Baker girls open hoops season with a win over city rival BREEZE —SPORTS MID-WEEK EDITION WEATHER: Sunny • Tonight: Mostly Clear • Friday: Sunny — 2A cape-coral-daily-breeze.com Vol. 50, No. 138 Thursday, November 17, 2011 50 cents Fake license scheme lands Cape man in federal prison By TIFFANY REPECKI deal with prosecutors. In the plea agreement, Albanito pleaded to: [email protected] Albanito faced a maximum of 145 ■ A Cape Coral man has been sentenced years in prison if he had been convicted on Two counts of unlawful pro- derived from a specified unlawful all of the charges and if he received the duction of false identification docu- activity to federal prison for producing and distrib- ■ uting fake driver’s licenses, for which he maximum allowed for each charge. In ments One count of structuring cur- ■ pocketed at least $1 million. addition to his plea, he also agreed to for- Two counts of unlawful trans- rency transactions to evade reporting U.S. District Judge John E. Steele sen- feit $868,040, a 2010 Lexus, the West fer of false identification documents requirements ■ ■ tenced Brandon T. Albanito, 25, of 801 Cape Estates home, jewelry, an iPhone, One count of using a fictious Two counts of possession of computers and software programs, a name to conduct unlawful business drugs with intent to distribute W. Cape Estates Circle, to 87 months — ■ 6-1/2 years — Monday. In May, he had Caspian Arms .45-caliber semi-automatic by means of the U.S. -
Small-Screen Courtrooms a Hit with Lawyers - Buffalo - Buffalo Business First
9/18/2018 Small-screen courtrooms a hit with lawyers - Buffalo - Buffalo Business First MENU Account FOR THE EXCLUSIVE USE OF [email protected] From the Buffalo Business First: https://www.bizjournals.com/buffalo/news/2018/09/17/small-screen-courtrooms-a-hit-with-lawyers.html Small-screen courtrooms a hit with lawyers Sep 17, 2018, 6:00am EDT For many, TV shows are an escape from reality. For attorneys, that’s no different – even when they’re watching lawyers on TV. “Better Call Saul” is the latest in a long line of TV shows about the legal profession. A prequel to AMC’s “Breaking Bad,” the show stars Bob Odenkirk as a crooked-at-times attorney named Jimmy McGill. “He’s a likable guy and you like his character,” said Patrick Fitzsimmons, senior associate at Hodgson Russ LLP in Buffalo. “It’s a great show. I think it’s the one BEN LEUNER/AMC show compared to the others where it’s not about a big firm.” “Better Call Saul” puts a new spin on legal drama as the slippery Jimmy McGill (played by Bob Odenkirk) Also a fan is Michael Benz, an associate at HoganWillig who recently returned to builds his practice. his native Buffalo after working in the Philadelphia public defender’s office and in his own practice as a criminal defense attorney. “(Odenkirk’s character is) the classic defense attorney who will do anything to make a buck or help his client,” Benz said, adding that he often binge-watches shows with his wife, Carla, an attorney in the federal public defender’s office in Buffalo. -
Programma Del Bif&St 2018
PROGRAMMA DEL BIF&ST 2018 Teatro Petruzzelli Le Anteprime internazionali In questa sezione non competitiva il Teatro Petruzzelli ospiterà sette film in anteprima italiana assoluta e un Cine-concerto. • ROMAN J. ISRAEL, ESQ. (End of Justice: nessuno è innocente) di Dan Gilroy con Denzel Washington, Colin Farrell - USA 2017, 122’ (Warner Bros Entert.) – 21 aprile La carriera di Roman J. Israel, un determinato avvocato difensore interpretato da Denzel Washington, è stata caratterizzata da un tenace attivismo: la sua vita viene stravolta quando una serie di inaspettati eventi si scontrano con i suoi ideali. Colin Farrell affianca il protagonista nel ruolo di un ricco e ambizioso avvocato che assume Roman nel suo studio legale. • ARMANDO TROVAJOLI, LA MUSICA TRA TEATRO E CINEMA. Cine-concerto con Rita Marcotulli al pianoforte, Peppe Servillo alla voce, Luciano Biondini alla fisarmonica, Daniele Tittarelli al sax, Ares Tavolazzi al contrabbasso, Alessandro Paternesi alla batteria, Enrico Rava alla tromba. Una produzione originale del Festival Creuza de Mà – Musica per Cinema, ideata da Gianfranco Cabiddu, con la direzione musicale di Rita Marcotulli. Evento speciale introdotto da Pippo Baudo, grande amico e estimatore di Trovajoli. 22 aprile Oltre ai film, il programma serale del Teatro Petruzzelli prevede il 22 aprile un evento speciale: un cine-concerto di 90’ in ricordo del grande Maestro nel centenario della nascita, con proiezione di immagini dai suoi film e le sue musiche e le sue canzoni, trascritte e arrangiate in una veste nuova, e affidate all’esecuzione di grandi musicisti, in omaggio alla passione di Trovajoli per il jazz che fra l’altro curò le musiche di quasi tutti i film diretti da Ettore Scola, presidente onorario del Bif&st e presidente effettivo fino alla sua scomparsa. -
Phd Manuscript 190429 Plain Text
The Presence of Performance and the Stakes of Serial Drama: Accrual, Transience, Companionship Elliott Logan MPhil (University of Queensland, 2013) BA, Hons (University of Queensland, 2009) BA (University of Queensland, 2007) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2018 School of Communication and Arts Abstract This thesis shows how performance is a critically neglected but crucial aspect of serial television drama as an art form. One of serial drama’s obvious storytelling attractions is its ability to involve viewers in relationships between characters over long periods of time. Such involvement takes place through a recurring structure of episodes and seasons, whose unfolding reflects the extensive, ongoing history through which interpersonal bonds form and develop, deepen and decay. The characters we watch onscreen are embodied and performed by actors. Television studies, however, has persistently overlooked screen performance, hampering appreciation of serial drama’s affinity with long-term relationships as a resource for aesthetic significance. Redressing such neglect, this thesis directs new critical attention to expressive stylistic relationships between serial form, screen performance, and the subject of companionship in some recent US serial dramas. The focus of that attention is a particular aesthetic quality: the provisional, which emerges through serial drama’s distinctive tension between permanence and transience. In the first chapter, I argue that the provisional is central to an affinity between screen performance, seriality in television drama, and companionship as an aspect of human life. Chapters Two and Three then show how the art of the provisional in particular series has been underappreciated due to television studies’ neglect of performance and expressiveness as dimensions of serial form in television fiction. -
Una Produzione R.T.I. Prodotto Da RIZZOLI AUDIOVISIVI DIEGO
una produzione R.T.I. prodotto da RIZZOLI AUDIOVISIVI DIEGO ABATANTUONO in con ALESSIA MARCUZZI e ANTONIO CATANIA FABIO FULCO VITTORIA PIANCASTELLI GENNARO DIANA ELENA CANTARONE UGO CONTI RICCARDO ZINNA e con DINO ABBRESCIA con la partecipazione di LUIGI MARIA BURRUANO con la partecipazione di AMANDA SANDRELLI Soggetto di serie GRAZIANO DIANA, ENRICO OLDOINI, SALVATORE BASILE, GIANCARLO DE CATALDO Soggetti e sceneggiature GIANCARLO DE CATALDO, GRAZIANO DIANA, FRANCO FERRINI, ENRICO OLDOINI, CARLO BELLAMIO, MARCO TIBERI Prodotto da ANGELO RIZZOLI Regia di ENRICO OLDOINI serie tv in 4 puntate in onda in prima serata su CANALE 5 venerdì 4, 11, 18 e 25 maggio 2007 CREDITI NON CONTRATTUALI CAST ARTISTICO PRINCIPALE Diego Abatantuono (Giudice Diego Mastrangelo) Alessia Marcuzzi (Claudia Nicolai) Antonio Catania (Uelino) Fabio Fulco (Paolo Parsani) Vittoria Piancastelli (Cristiana Mastrangelo) Gennaro Diana (Naselli) Dino Abbrescia (Gerardo) Elena Cantarone (Finzi) Ugo Conti (Palmieri) Riccardo Zinna (Frappampina) Luigi Maria Burruano (Procuratore De Cesare) Melissa Satta (Francesca) Amanda Sandrelli (Federica Denza) CREDITI NON CONTRATTUALI CAST TECNICO Soggetto di serie GRAZIANO DIANA ENRICO OLDOINI SALVATORE BASILE GIANCARLO DE CATALDO Soggetti e Sceneggiature CARLO BELLAMIO GIANCARLO DE CATALDO GRAZIANO DIANA FRANCO FERRINI ENRICO OLDOINI MARCO TIBERI casting director FRANCO ALBERTO CUCCHINI Face ON suono FABRIZIO ANDREUCCI organizzatore di produzione EMANUELE EMILIANI costumi PATRIZIA CHERICONI FLORENCE EMIR scenografia MARISA RIZZATO musiche PIVIO & ALDO DE SCALZI montaggio FABIO e JENNY LOUTFY fotografia SANDRO GROSSI organizzatore generale ALESSANDRO LOY delegato di produzione R.T.I. FABIANA MOCCIA produttori R.T.I. MARCO MARCHIONNI ALESSANDRA SILVERI prodotto da ANGELO RIZZOLI per RIZZOLI AUDIOVISIVI S.p.A. regia di ENRICO OLDOINI UFFICIO STAMPA RIZZOLI AUDIOVISIVI: UFFICIO STAMPA MEDIASET: ENRICO LUCHERINI Maria Cristina de Caro TEL. -
NASTRI D'argento 71 Gran Finale a TAORMINA Gianni Amelio La Tenerezza
NASTRI d’ARGENTO 71 Gran Finale a TAORMINA Gianni Amelio regista dell’anno per il miglior film La tenerezza Migliore commedia L’ORA LEGALE Miglior esordio I FIGLI DELLA NOTTE di Andrea De Sica Monica Bellucci Nastro europeo Giuliano Montaldo Nastro speciale attore protagonista Roberto Faenza Nastro alla carriera GLI ATTORI 2017 Jasmine Trinca Renato Carpentieri Sabrina Ferilli Carla Signoris Alessandro Borghi l’anno dei ‘doppio’. Nastri doppi per Gianni Amelio, doppio Nastro per Enzo Avitabile, Nastri doppi e indivisibili ovviamente –come cantanti- ma anche il premio doppio da esordienti per Angela e Marianna Fontana… Come se non l’editoriale bastasse è doppio il verdetto per il produttore e doppia è l’ideazioneÈ l’interpretazione e soprattutto la regia della commedia vincente, L’ora legale di Ficarra&Picone. Doppio il Manfredi che premia una coppia da commedia divertente e originale con Pierfrancesco Favino e Kasia Smutniak. E dulcis in fundo c’è un ex aequo con un Nastro, doppio, che va alle attrici non protagoniste dell’anno, eccezionalmente due. Una coppia inedita come Sabrina Ferilli per Omicidio all’italiana e Carla Signoris, accanto a Toni Servillo in Lasciati andare. Non hanno vinto, in coppia i registi di Mine, Guaglione e Resinaro (ha battuto loro e gli altri registi dell’opera prima Andrea De Sica) né la coppia di protagoniste candidate per La tenerezza. Sono però due sono i titoli per i quali vince invece il Nastro da non protagonista il ‘madrino’ in arrivo a Venezia Alessandro Borghi e due anche i Nastri tecnici andati a Sicilian Ghost Story di Piazza e Grassadonia premiati per fotografia e scenografia. -
Beeman Pdf, Epub, Ebook
BEEMAN PDF, EPUB, EBOOK Laurie Krebs | 40 pages | 01 Apr 2009 | Barefoot Books Ltd | 9781846862601 | English | Bath, United Kingdom Beeman PDF Book The company out a great deal of attention into the weight distribution with this design. Bonkers candy. Fully adjustable fiber optic rear sight. You can also refill from the tank using an adapter and connector. Since then I have shot hundreds of rabbits, squirrels, starlings and pigeons with it at distances up to and exceeding yards. Pros Fiber optic sights. The R9 break-barrel. While other importers and distributors have attempted to copy the Beeman formula for success, none have succeeded. Beeman R7 Air Rifle. Leave a Reply Cancel reply Your email address will not be published. Cons More expensive. BN C-Cup. Stan Beeman is a fictional character in the American television drama series The Americans on FX , and the supporting male character. Cons Most expensive. This rifle also offers a reduced cocking effort when compared with the R1. This makes for a great option for those hunting small game. Cons Difficult to cock. Beeman originally claimed the gum contained pepsin powder that would improve digestion. We like this as a great option for those in need of a gas-piston air rifle. They have dinner at the Jennings house and, despite admitting that he still considers Sandra his wife, he and Tori have sex. A heartbroken Nina leaves the Rezidentura to return to Moscow to stand trial for treason while Stan sadly watches her leave from a parked car. Checkout Cart is Empty. Beeman Writer Bonkers candy.