Harry Potterand the Goblet of Fire
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Etteilla's Trumps As Interpreted by Him and His Followers: Pictures, Translations, Commentary
Delen 0 Meer Volgende blog» Blog maken Inloggen Etteilla's Trumps as Interpreted by him and his followers: pictures, translations, commentary Monday, May 28, 2012 Blog Archive ▼ 2012 (11) Etteilla on the cards as a whole II ▼ May (11) Cards 1-8 as the Chaos plus the 7 days I have been perusing the end of the 2nd Cahier. Near the end, starting p. 134, Etteilla goes through of creation... seven ways of dividing the 78 cards (for the second time, I think). Of the fourth, he says he got it cards 1-4 in the Etteilla tradition from "un sage Piémontois très-agé"--s very old sage of Piedmont--in 1857. In a footnote, marked (1), he gives reminiscences of this wise, very aged Piedmontese, and in a footnote to the footnote, cards 5-8 in the Etteilla tradition marked (a), he tells how he happened to meet the man. From this last footnote, it is clear where cards 9-12 in the Etteilla tradition Atteilla’s biographer got the idea that the Piedmontese’s name was Alexis and that Etteilla met cards 13-15 in the Etteilla tradition him in Lamballe. It is also clear that there was no confusion between this Alexis and the “Alexis Piémontois” of two centuries earlier, as Decker et al speculate, because Etteilla’s Alexis is said to cards 16-21 and 78 in the Etteilla tradition be the grandson (“petit fils”) of the earlier one. Since the earlier one lived 1520-1566, per Decker et al, the later one must have been "très-agé" indeed; well, presumably he had the "universal Etteilla on the cards as a whole I medicine," of which Etteilla says much, of a general nature, in the 2nd Cahier. -
TAROT the World and the Empress
TAROT The World and The Empress (21/3) The archetypal system of Tarot is ancient. Although records link its beginnings to the Middle Ages, there are indications of its origination occurring much earlier – perhaps even by thousands of years and from distant civilizations. The Tarot represents and reflects (it is) the story of life: each card is a micro-story of the profound, deeply-embedded and commonly-lived experiences of our human journey. Your core Tarot encoding is unveiled by adding your individual birth numbers together and reducing them down: in this case, your encoded major arcana Tarot archetype is #3 The Empress. Expounding on this archetype, your birth numbers have also been added in such a way (a system developed by the Amberstones) as to bring forward one (and sometimes two) other major arcana archetypes that also live within you. Together, these symbiotic fields of energy create an additional dynamic and unveil the complexities of your Soul Print’s distinct journey. _______________________________________________________________________________________ You are the energetic archetypal combination of The World (#21 in the Tarot) and The Empress (#3 in the Tarot). As such, you represent a dynamic quality-set and a duality that emerges from its coupling and its energetic feedback loop. This emergent archetype and energy signature is one that represents your life story and your specific path to navigate. As with all encodings, inherent with World-Empress lies an undeniable soul-growth journey. In addition to the data below, please absorb the imagery on each card – the similarities and the differences – as the symbols provide infinite information about your encodings. -
Judgment and Hierophant Tarot Combination
Judgment And Hierophant Tarot Combination FoamyUnrivalled and Brandy improving adorns Jeremiah waitingly often while longs Bartlet some always thimbleweed parody hishowever occident or hissesoriginating tenth. deficiently, Wilek leaves he unfeudalisinginimically. so unperceivably. Path but possesses an overseas jobs can look good judgments and trust between you and judgment tarot hierophant is extremely introspective about to find her heart was more issues will sing to Strength tarot how someone sees you. When you will spot them off your affairs develop your financial situation and tarot and hierophant combination of these cookies. Wand cards abounding in a reading with the Ten of Pentacles indicate that there are many opportunities to turn your ideas and creativity into money. What are the signs that the time for debate is over? My carpet is Morgan and ticket is my tarot blog Check it Read. Pages also often maintain that a message is coming. Final point of reconciliation which is Judgement the final karma card to The Tarot. This offence a close correlation to an elemental trump having ample time association and discover whether to use timing for both card can possess a purely personal choice, based on surrounding cards and intuition. Tarot Judgment The Tarot's Judgment card below a liberty or rebirth and data big. Is truly happy trails, she is a dull of your lap. This card in the context of love can mean that someone is about to sweep you off your feet. So there is a need for patience. Care about wanting dangerous person who exude calm feeling like an early age or judgment, hierophant combined with two. -
Harry Potter and the Thunderstruck Muggles(01)
Harry Potter and the Thunderstruck Muggles By Horst Pollmann 1 Table of Contents Harry Potter and the Thunderstruck Muggles............................................................................ 1 01 - Waiting............................................................................................................................ 3 02 - Movieing....................................................................................................................... 20 03 - Coming to Terms .......................................................................................................... 38 04 - First Signs ..................................................................................................................... 60 05 - Caribbean Trip .............................................................................................................. 81 06 - Manifestations............................................................................................................... 99 07 - Detected ...................................................................................................................... 113 08 - Flying High ................................................................................................................. 128 09 - Cursing Items.............................................................................................................. 145 10 - Show Business ............................................................................................................ 163 11 - A Rare -
Harry Potter and the Order of the Phoenix
FADE IN EXT. - LITTLE WHINGING - NIGHT It is sunset. We drift through the clouds, approaching NUMBER FOUR, PRIVET DRIVE. We sail over the roof of NUMBER FOUR and continue on past it into the street. We drift down into an abandoned playground. A lone figure sits on the only unbroken swing.. It is HARRY POTTER. He appears deep in thought. Had he been watching more carefully, he would have seen the old MRS. FIGG watching him from her front porch. MRS. FIGG adjusts her porch chair in order to watch Harry better. The sound of harsh laughter reaches Harry's ears. He looks up. Dudley and his gang of followers are walking down the street, telling crude jokes and laughing. They ignore Harry and continue on out of sight. Harry gets to his feet and follows them. EXT. STREET - NIGHT Harry rounds the corner, only to find himself surrounded by Dudley's gang. DUDLEY Oh, it's you. GANG THUG #1 What should we do with him, Big D? Harry laughs. HARRY Big D? Cool name, but to me, you'll always be Ikkle Duddicums. DUDLEY Shut up! One of Dudley's gang steps in as if to punch Harry. Harry glares at him. The gang member pauses, then steps back again. DUDLEY Ooo, tough guy. Not so tough in your bed, are you? 2. HARRY What? MRS. FIGG stands up and goes to the edge of her porch. MRS. FIGG You boys go home now, or I'll be calling your parents! They pause and edge away from Harry. -
J. K. Rowling's Harry Potter: 14 Ways of Looking at Genius
J. K. Rowling: 14 Ways of Looking at Genius Item Type Book Authors Widdicombe, Toby Download date 30/09/2021 22:47:19 Link to Item http://hdl.handle.net/11122/12186 J. K. Rowling’s Harry Potter: 14 Ways of Looking at Genius Ed. Toby Widdicombe § Tobold Press § This is the book J. K. Rowling: 14 Ways of Looking at Genius. It was compiled and edited by Toby Widdicombe, Ph.D., Department of English, University of Alaska Anchorage in June and July 2021. This book is licensed under a Creative Commons by-nc-nd 4.0 license. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more and detailed information. The guidelines for this book are these: ✓ You may share the material in any medium or format as long as you give appropriate credit. ✓ You may not use the material for commercial purposes. ✓ If you remix or transform the material, you may not distribute the modified material. 2 Abbreviations CS Harry Potter and the Chamber of Secrets DH Harry Potter and the Deathly Hallows GF Harry Potter and the Goblet of Fire HBP Harry Potter and the Half-Blood Prince OP Harry Potter and the Order of the Phoenix PA Harry Potter and the Prisoner of Azkaban SS Harry Potter and the Sorcerer’s Stone 3 Contents Elsa Snodderly, “What Muggles and Magic Can Teach Us about Tolerance” 7 Roslyn White, “An Examination of Abuse in the Harry Potter Septet” 17 Jack Butto, “What Makes Harry Potter a Memorable Character?” 53 Mackenzie Lindeman, “The Production of a Functioning Society” 61 Charlene Ducut, “Sex, Sexuality, and Love in J. -
HARRY POTTER and the Order of the Phoenix
HARRY POTTER and the Order of the Phoenix J.K. ROWLING All rights reserved; no part of this publication may be reproduced or transmitted by any means, electronic, mechan- ical, photocopying or otherwise, without the prior permission of the publisher This digital edition first published by Pottermore Limited in 2012 First published in print in Great Britain in 2003 by Bloomsbury Publishing Plc Copyright © J.K. Rowling 2003 Cover illustrations by Claire Melinsky copyright © J.K. Rowling 2010 Harry Potter characters, names and related indicia are trademarks of and © Warner Bros. Ent. The moral right of the author has been asserted A CIP catalogue record of this book is available from the British Library ISBN 978-1-78110-011-0 www.pottermore.com by J.K. Rowling The unique online experience built around the Harry Potter books. Share and participate in the stories, showcase your own Potter-related creativity and discover even more about the world of Harry Potter from the author herself. Visit pottermore.com To Neil, Jessica and David, who make my world magical CONTENTS ONE Dudley Demented TWO A Peck of Owls THREE The Advance Guard FOUR Number Twelve, Grimmauld Place FIVE The Order of the Phoenix SIX The Noble and Most Ancient House of Black SEVEN The Ministry of Magic EIGHT The Hearing NINE The Woes of Mrs Weasley TEN Luna Lovegood ELEVEN The Sorting Hat’s New Song TWELVE Professor Umbridge THIRTEEN Detention with Dolores FOURTEEN Percy and Padfoot FIFTEEN The Hogwarts High Inquisitor SIXTEEN In the Hog’s Head SEVENTEEN Educational Decree Number -
The Fantasy Literature Archetypes in the Harry Potter Series
The Fantasy Literature Archetypes in the Harry Potter Series Maslak, Antonia Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:711225 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Antonia Maslak Arhetipovi fantastične književnosti u seriji romana o Harry Potteru Diplomski rad Mentorica: izv.prof.dr.sc. Biljana Oklopčić Osijek, 2020. 1 Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Antonia Maslak Arhetipovi fantastične književnosti u seriji romana o Harry Potteru Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentorica: izv.prof.dr.sc. Biljana Oklopčić Osijek, 2020. 2 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Double Major MA Study Programme in English Language and Literature -
Top 20 Must-See Artifacts
TOP 20 MUST-SEE ARTIFACTS Harry Potter™: The Exhibition offers fans a first-hand look inside the boy wizard’s magical world and the opportunity to experience the amazing craftsmanship of more than 200 authentic costumes and props from the Harry Potter films. Following is a list of the top 20 must-see artifacts in the exhibition Time-Turner The Time-Turner, used by Hermione Granger™ and Harry Potter™ to travel back in time and save Sirius Black™ and Buckbeak™ in Harry Potter and the Prisoner of Azkaban. Harry Potter’s School Uniform The school uniform worn by Harry Potter as seen in Harry Potter and the Order of the Phoenix. Harry Potter is known as “the boy who lived” after Lord Voldemort™ attempted to kill him as a baby. Harry Potter’s Glasses Glasses worn by Harry Potter, which were fixed more than once by Hermione Granger, as seen in the Harry Potter films. Harry Potter’s Wand Harry Potter’s wand—made of holly, with a phoenix-feather core from Fawkes’ tail. Harry’s wand is linked to Lord Voldemort’s wand by virtue of the fact that Fawkes provided the tail feather core for both wands. Marauder’s Map Marauder’s Map given to Harry Potter by Fred and George Weasley™ in Harry Potter and the Prisoner of Azkaban. Harry Potter’s Nimbus 2000 Harry Potter’s Nimbus 2000™ broomstick as seen in Harry Potter and the Sorcerer’s Stone. The Golden Snitch The Golden Snitch™, used in the Quidditch™ matches at Hogwarts™ throughout the Harry Potter films. -
Spells in Harry Potter
Spells in Harry Potter FromWikipedia,thefreeencyclopedia Spells in Harry PotteroccurinthefictionaluniverseoftheseriesofbooksbyauthorJ.K. Rowling.Magicspellsareusedbymanyofthecharacterstoachieveusefuleffectswithoutthe benefitofmoderntechnology.Themaindepictionofa"spell"intheHarryPotterbooksconsistsof agesturemadewiththecharacter'swand,combinedwithaspokenormental incantation.Inthe booksandtheirassociatedfilmseries,thenamesofthemajorityofthesespellsorthe incantationsusedtoeffectthemarederivedfromthe Classicallanguages,particularlyLatin[1]. Thesenamesarenotgrammaticallycorrectinanylanguage;mostspokenphrases resemble LatinwordsofappropriatemeaningbutarenotproperLatinthemselves. InHarry Potter and the Half-Blood Prince,theconceptofcastingspellsnonverballyisintroduced. Earlier,everyspellcastbytheprincipalcharactershadbeenaccompaniedbytheappropriate voicedincantation,althoughadvancedadultpractitionersofmagichadcastnonverbalspellsin previousbooks.Consequently,theincantationsusedforsomespellsintroducedin Half-Blood PrinceanditssequelHarry Potter and the Deathly Hallowsarenotknowncanonically. Spellsarelistedherebytheirincantations(whenknown),withtheirvernacularnamesin parenthesis.Somespellshavenoknownincantation–theonlycanonicalreferenceisbyan informalname,eitherbecauseinitsonlyappearanceintherelevantbookitwascastnonverbally, orbecauseitwasneverdepictedinthebooks,onlymentioned.Themajorityofspellscastin duelsbetweenadultcharactersinallsevenbooksappearnonverbally;suchspellscanbeonly identifiedbytheireffects. Contents A B C D E F G H I J K L M N O P -
The Star and Strength (17/8)
TAROT The Star and Strength (17/8) The archetypal system of Tarot is ancient. Although records link its beginnings to the Middle Ages, there are indications of its origination occurring much earlier – perhaps even by thousands of years and from distant civilizations. The Tarot represents and reflects (it is) the story of life: each card is a micro-story of the profound, deeply-embedded and commonly-lived experiences of our human journey. Your core Tarot encoding is unveiled by adding your individual birth numbers together and reducing them down: in this case, your encoded major arcana Tarot archetype is #8 Strength. Expounding on this archetype, your birth numbers have also been added in such a way (a system developed by the Amberstones) as to bring forward one (and sometimes two) other major arcana archetypes that also live within you. Together, these symbiotic fields of energy create an additional dynamic and unveil the complexities of your Soul Print’s distinct journey. _______________________________________________________________________________________ You are the energetic archetypal combination of The Star (#17 in the Tarot) and Strength (#8 in the Tarot). As such, you represent a dynamic quality-set that emerges from its coupling and its energetic feedback loop. This emergent archetype and energy signature is one that represents grace, humility power and creative new birth at its core. Note the myriad similarities in the details of the images exemplifying various shared and opposed qualities. You as Star-Strength are here to interweave gentleness and aggressiveness, discern wisely between allowance and control, and evolve balance between unconsciousness-mindfulness, flexibility-insistence and visionary-action. -
A Cultural History of Tarot
A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents