Press Release

Waiting for Teddy Williams by Howard Frank Mosher

• About the Book • About the Author • Advance Praise for the Book • Praise for the Author • A Conversation with Howard Frank Mosher

Number One Book Sense Pick, September 2004

"One of the funniest and most heartfelt baseball stories in recent memory . . . This is a baseball fantasy, a warm and hilarious tale of dreams come true." — Publishers Weekly, starred review

"A baseball story as sweet and heart-gladdening as the juice from a ripe peach . . . The outcome is as ambrosial as the story itself." — Kirkus Reviews

"This is Mosher's best book, a generous, bighearted look into the very essence of faith and those complicated New Englanders who call themselves Red Sox fans." — Ken Burns

In his eight previous books, Howard Frank Mosher has established himself as a true American treasure, praised as no than a "combination of , Henry David Thoreau, and Jim Harrison" by the Los Angeles Times. From classics such as A Stranger in the Kingdom to last year's rollicking The True Account, Mosher's stories weave wonderful, quirky characters with graceful language and laugh-out-loud humor to create worlds that readers go back to inhabit again and again. In his newest novel, Waiting for Teddy Williams, Mosher returns to the corner of northern Vermont he has made famous to tell a lively tale of growing up and loving baseball.

About the Book

Waiting is the story of Ethan "E.A." Allen of Kingdom Common, Vermont, the spiritual home of the Red Sox Nation, where every radio in town is tuned in on game days and a replica of the Green Monster scoreboard bedecks the local bat factory. Living on the edge of town with his doting but hard-living mother, Gypsy Lee, and the sharp-tongued, Sox-obsessed Gran, E. www.hougtonmifflinbooks.com 1 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. A. divides his time between practicing his batting and trying to figure out which of the villagers could be his father.

After a mysterious drifter enters his life and patiently teaches him the finer points of the game, and when a new owner threatens the very existence of his Sox, E.A. finds himself on the other side of the fence at Fenway Park, charged with breaking the team's nearly century-old losing streak and taking it all the way to the World Series.

Engaging, heartfelt, and one hundred percent original, Waiting for Teddy Williams is a very American story that reminds us that dreams, no matter how far-fetched, sometimes do come true.

About the Author

Howard Frank Mosher's work has earned him the highest esteem of some of our most admired writers, including , , , and Frank McCourt, who has written that he'd "put Howard Mosher up on the pedestal I keep for , Frederick Turner, [and] Edward Hoagland."

Mosher is the author of eight novels, including last year's The True Account and The Fall of the Year (both Book Sense 76 Top Ten Picks), A Stranger in the Kingdom (winner of the New England Book Award), Disappearances, Where the Rivers Flow North, Northern Borders, and Marie Blythe, and one work of nonfiction, North Country. Three of his novels (A Stranger in the Kingdom, Disappearances, and Where the Rivers Flow North) have been made into feature films.

Mosher has received a Guggenheim fellowship and a National Endowment for the Arts fellowship, the American Academy of Arts and Letters Literature Award, the American Civil Liberties Union Award for Excellence in the Arts, and the New England Book Award.

A lifelong baseball fan and longtime player and coach, Mosher lives in Vermont's Northeast Kingdom with Phillis, his wife of nearly four decades and frequent muse. They have two children.

Advance Praise for the Book

"Waiting for Teddy Williams is a bighearted love letter to the most steadfast, stubborn, long- suffering people in the U.S.: Boston Red Sox fans. Mixing small-town Vermont, hardscrabble hope, and a generous dollop of baseball, Howard Frank Mosher hits this one out of the park." — Jodi Picoult, author of Second Glance and My Sister's Keeper

"This is the creation myth of every baseball fan. E.A. is as lovable as Huck Finn. A must- read." — Bill "Spaceman" Lee, pitcher, Boston Red Sox, 1969–1978

www.hougtonmifflinbooks.com 2 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. "I like the Boston Red Sox of Howard Mosher's Waiting for Teddy Williams better than the real thing. I think most readers will, too, whether they are fans or not. Like a favorite season, readers will return to Waiting for Teddy Williams again and again." — Glenn Stout, coauthor of Red Sox Century

"There hasn't been a writer like Howard Mosher since Mark Twain. Waiting for Teddy Williams ranks with Huckleberry Finn as a literary experience in heart, spirit, and insight into the American character." — Ernest Hebert, author of The Old American

"Howard Frank Mosher puts a delightful spin on the timeless Red Sox theme of Waiting." — Dan Shaughnessy, author of Curse of the Bambino

"I LOVE this book. And if you value wisdom or wit, story or character, tradition, family or baseball, you'll love it, too. What a marvelous book!" — Billie Letts, author of Where the Heart Is

Praise for the Author

For The True Account:

"Perhaps the funniest historical novel about the West since Little Big Man." — Ron Franscell, Denver Post

"Howard Mosher calls to mind the best of Mark Twain — mischievous, touching, and very funny. Private True Teague Kinneson is an uproarious literary creation, a flamboyantly addled expeditionary whose company you'll never regret." — Carl Hiaasen, author of Hoot

"Picaresque is too tame a word for this imagined romp through the somber history of the Lewis and Clark Expedition . . . A great adventure, told with the dry, subversive humor of a true Vermonter." — Los Angeles Times

For The Fall of the Year:

"Few writers create characters as wondrous and idiosyncratic as Howard Frank Mosher — and fewer still offer us stories with as much grace and humor and heart. He is, pure and simple, one of the very best we have." — Chris Bohjalian, author of Buffalo Soldiers and Midwives

For Northern Borders:

"One of our very best writers . . . Mosher offers us a landscape, both natural and human, worth knowing, worth believing in." — Richard Russo, author of

For A Stranger in the Kingdom:

"Reminiscent of and Anatomy of a Murder . . . absorbing!" — Christopher Lehmann-Haupt, New York Times

www.hougtonmifflinbooks.com 3 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. For North Country:

"Mr. Mosher has transformed the northern U.S. frontier and the southern coast of Canada into one long and bountiful literary landscape, and in doing so has made me see America more vividly. His wonderful itinerary is bright with anecdote and history and lore, and most importantly with affection for his human subjects." — Richard Ford, author of Independence Day

"I'd put Howard Mosher up on the pedestal I keep for Wallace Stegner, Frederick Turner, Edward Hoagland . . . The book makes you want to get into the car and go. It shows America is still virgin territory for the traveler with a warm heart and a ready pen, characteristics Mr. Mosher has in spades." — Frank McCourt, author of Angela's Ashes

A Conversation with Howard Frank Mosher

How did the idea for Waiting for Teddy Williams originate?

I've loved baseball for as long as I can remember. When I was four or five, my father and my uncle used to drive me to a nearby mountaintop where we could sometimes pick up Red Sox–Yankees games over the car radio. My dad was a Yankees fan and my uncle was a Red Sox fan. That made for some interesting times. Since moving to Vermont in 1964, I've been a proud, card-carrying member of the Red Sox Nation.

A few years ago, returning from a book tour out west, I was driving along a dull stretch of the New York State Thruway between Buffalo and Rochester. I must have been daydreaming, on automatic pilot. Suddenly, I saw in my mind the most vivid image of a little boy standing at the window of a Vermont farmhouse at night. He was looking at a tall man, somewhat resembling the great Sox hitter Ted Williams, leaning against the barn door and smoking a cigarette in the moonlight. In the next five or ten minutes, the entire story and the main characters of Waiting for Teddy Williams came to me right out of the blue.

Has anything like this ever happened to you before? Do your stories usually come to you as "visions"?

No. But I agonized for years to write what turned out to be my first published story, about a country singer named Alabama Jones. Then one fall day, looking at a bright red maple tree, I imagined a pretty girl in a red dress standing beside it. There was my story. I wish that kind of thing happened more often.

Your colorful characters date all the way back to Quebec Bill Bonhomme, the French-Canadian whiskey runner in your first novel, Disappearances. Waiting for Teddy Williams has its share of colorful characters, including a talking statue.

That's right. The statue of Ethan's ancestor, whom he is named after, on the village green, gives him advice regularly. Then there's The Legendary Spence, the Boston Red Sox manager — "the winningest active manager never to have won a World Series." Spence has a talking macaw called The Curse of the Bambino, whose favorite remark is "New York Yankees, Number One."

www.hougtonmifflinbooks.com 4 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. There's a carnival baseball-throw pitcher named Cajun Stan the Baseball Man, and Stan's beautiful daughter, Louisianne. Charlie Kinneson, the young lawyer-hero of my novel A Stranger in the Kingdom, reappears in Waiting for Teddy Williams as the local judge. He hasn't changed a bit in fifty years.

You mentioned the macaw named The Curse of the Bambino. Where did you come up with that name?

In 1920, Boston's owner traded Babe Ruth, known as the Bambino, to the Yankees. Many members of Red Sox Nation think that this ill-advised trade resulted in "the Curse of the Bambino" — the Sox's failure to ever win another Series.

Do you believe in the Curse?

After the disastrous final game of the American League Championship Series last fall, between the Sox and the Yankees, it's hard not to. But no, I really don't, despite all of the bad things the Sox have done to us fans over the years — in '67, '75, '78, '86. My own theory is that at least until this year, they've always been a key player or two short of having the best team in the majors. Often that missing key player has been a pitcher.

So you think things might be different this year?

Yes, but that's part of being a Red Sox fan. We always think "things might be different this year." I believe that what defines "those complicated New Englanders who call themselves Red Sox fans" is great faith in spite of the odds. Faith that really flies in the face of all logic.

Did you grow up playing baseball?

Yes. Like E.A., I grew up in a small town and lived, breathed, ate, and slept baseball. I played in high school. Then for years afterward I played town-team baseball. Also, I've coached baseball most of my adult life.

In the 1960s, every town in Vermont seemed to have a baseball team — like the Kingdom Common Outlaws, the local team E.A. plays for. Town-team ball is almost a thing of the past now, like the small family farm and the incredibly independent-minded New Englanders I've spent my life writing about.

You mentioned your novel A Stranger in the Kingdom, which won the 1991 New England Book Award, and your first novel, Disappearances. Do you have a favorite?

Until now, my favorite was Northern Borders, which is the story of a boy growing up in Vermont with his exceedingly unusual grandparents. But Waiting for Teddy Williams is very near to my heart. Besides loads of baseball scenes, all the way from the cow-pasture diamonds of Vermont to Fenway Park, it deals with fathers and sons, mothers and sons, and coming of age. Gypsy Lee, E.A.'s mom, is a country singer and songwriter, like my daughter, Annie, who lives in Nashville, where the novel ends. I "borrowed" some of Gypsy's songs from Annie's CDs. Some of E.A.'s baseball experiences are based on my son Jake's; Jake pitched for his college team and had a professional tryout.

www.hougtonmifflinbooks.com 5 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. Like all my books, this novel is about family and place. To me, Waiting for Teddy Williams is about baseball, but it's about baseball the way A River Runs Through It is about fly fishing.

Your novel has been compared to Huckleberry Finn. Has Mark Twain been an influence on you?

Yes. The Adventures of Huckleberry Finn is my all-time favorite novel.

Also, as readers might suspect from a who writes about talking statues, I'm a huge fan of Isaac Bashevis Singer and the South American magical realist Gabriel García Márquez — and, of course, Charles Dickens. I love his characters.

Why do you think that baseball is still regarded by so many people as the premier "American" pastime?

I mentioned the magical realism of Márquez. To me, there's something magical about baseball. I'm intensely aware of it the moment I walk into a stadium and see the colors, the symmetry of the diamond, the fans.

I don't think anyone really knows who "invented" the game. But its history goes back at least as far as the Civil War. Babe Ruth, Ty Cobb, and Cy Young were bona fide American heroes. Up on that mountaintop, trying to pick up the Yankees-Sox games on the car radio, my dad and my uncle had long, heated arguments about whether Ted Williams or Joe DiMaggio was the greater player. "Ted" and "Joe" were American heroes to us and to millions of other fans.

Do your "Teddy" Williams and the actual Ted Williams have something in common besides being standout ball players?

Definitely. When it comes to baseball, and to winning, my "Teddy" is as ruthless as the great Teddy Ballgame. In the novel, though, "Teddy" remains somewhat mysterious. He has one objective, to teach E.A. the game.

For your nationwide and New England book tour for Waiting for Teddy Williams, you're doing a reading from the novel and a slide show presentation called "Baseball and the Writing Life." What are the similarities between baseball and the writing life?

As I see it, both baseball and writing are low-investment but high-risk careers. To play baseball, you need a glove, a bat, a ball, and a vacant lot. To write, you need a pencil or a pen and a tablet. That's the low investment.

Then, in both cases, you have to dedicate your entire life to the venture and hope you have the ability to pull it off. That's the high risk.

As Teddy and E.A. discover, baseball, like writing novels, can be taught only up to a point. After that, ball players and writers have to teach themselves. In a way, I have to teach myself how to write fiction all over again each time I start a new novel.

www.hougtonmifflinbooks.com 6 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved. In the slide show, I talk about how I wrote Waiting for Teddy Williams and how I approach fiction writing in general. And I talk about my ups and downs as a long-suffering but loyal member of the Red Sox Nation and what it means to be a Sox fan.

www.hougtonmifflinbooks.com 7 of 7 Copyright © 2004 Houghton Mifflin Company. All rights reserved.