Study Guides: All Chapters World in the Making: a Global History
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Medieval History
CONTENTS MEDIEVAL HISTORY 1. MAJOR DYNASTIES (EARLY ....... 01-22 2. EARLY MUSLIM INVASIONS ........23-26 MEDIEVAL INDIA 750-1200 AD) 2.1 Early Muslim Invasions ..................24 1.1 Major Dynasties of North ...............02 The Arab Conquest of Sindh ............... 24 India (750-1200 Ad) Mahmud of Ghazni ............................ 24 Introduction .......................................2 Muhammad Ghori ............................. 25 The Tripartite Struggle ........................2 th th The Pratiharas (8 to 10 Century) ........3 3. THE DELHI SULTANATE ................27-52 th th The Palas (8 to 11 Century) ...............4 (1206-1526 AD) The Rashtrakutas (9th to 10th Century) ....5 The Senas (11th to 12th Century) ............5 3.1 The Delhi Sultanate ......................28 The Rajaputa’s Origin ..........................6 Introduction ..................................... 28 Chandellas ........................................6 Slave/Mamluk Dynasty (Ilbari ............ 28 Chahamanas ......................................7 Turks)(1206-1526 AD) Gahadvalas ........................................8 The Khalji Dynasty (1290-1320 AD) ..... 32 Indian Feudalism ................................9 The Tughlaq Dynasty (1320-1414 AD) .. 34 Administration in Northern India ........ 09 The Sayyid Dynasty ........................... 38 between 8th to 12th Century Lodi Dynasty .................................... 38 Nature of Society .............................. 11 Challenges Faced by the Sultanate ...... 39 Rise -
2 Jules La Mission Civilisatrice, Le Bourguibism, and La Sécuritocratie
Current Issues in Comparative Education (CICE) Volume 22, Issue 1, Special Issue 2020 La Mission Civilisatrice, Le Bourguibism, and La Sécuritocratie: Deciphering Transitological Educational Codings in Post-spaces – the Case of Tunisia Tavis D. Jules Loyola University Chicago This article builds upon Robert Cowen’s (1996) work on educational coding in transitological settings and post-spaces by deciphering the efficacy of political and economic compressions in Tunisia from the French protectorate period to the 2011 post-Jasmine revolution. First, I diachronically decrypt and elucidate the specific experiences and trajectories of Tunisia’s transitologies, while paying attention to the emergence of specific synchronically educational moments. It is suggested that educational codes during transitory periods are framed by political compressions and preconceived philosophies of modernity. It is postulated that four educational codings can be derived in Tunisia’s post-spaces: (a) the protectorate code defined by la Mission Civilisatrice (the civilizing mission); (b) the post-protectorate code defined by le Bourguibisme (Bourguibism); (c) the post-Bourguibisme code defined by la Sécuritocratie (securitocracy) in the form of the national reconciliation; and (d) the post-Sécuritocratie period defined by the National Constituent Assembly (NCA) – as economic and political power is compressed into educational forms. I situate educational patterns within the Tunisian context to illustrate how educational codings shape post-spaces across these four transitory periods. Keywords: Tunisia, la Mission Civilisatrice, la Bourguibisme, la Securitocracy, transitology and educational codings. Introduction This paper employs Robert Cowen’s (2000) concept of “educational coding, that is, the compression of political and economic power into educational forms” (p. 10) within the context of transitologies (the study of transition) to reading the motor nuclei (a sequence of signposts that transcend discourse)1 of educational development across post-spaces. -
THE AMERICAN UNIVERSITY in CAIRO School of Humanities And
1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one. Thank you for your patience, understanding and endless love. I am forever, indebted to you. I would like to thank my family and friends whose interest in the field and questions pushed me to find out more. Aziz, my brother, thank you for your questions and criticism, they only pushed me to be better at something I love to do. Zeina, we will explore this world of architecture together some day, thank you for listening and asking questions that only pushed me forward I love you. Alya’a and the Friday morning tours, best mornings of my adult life. Iman, thank you for listening to me ranting and complaining when I thought I’d never finish, thank you for pushing me. Salma, with me every step of the way, thank you for encouraging me always. Adham abu-elenin, thank you for your time and photography. -
Exhibition Brochure
KOREAN FOLK PAINTINGS, OR MINWHA, DURING THE JOSEON DYNASTY (1392-1910) REVEAL SOME ESSENTIAL VALUES OF KOREAN SOCIETY. USUALLY PLACED IN A ROOM IN FOLDING SCREEN FORMAT OR HUNG ON WALLS IN SCROLL FORMAT, THIS GENRE ILLUSTRATES VARIOUS SUBJECTS SUCH AS SCHOLARS’ EQUIPMENT, CHARACTERS RELATED TO CONFUCIAN VIRTUES, AND NATURAL THEMES SUCH AS BIRDS-AND-FLOWERS AND A RANGE OF OTHER ANIMALS. THESE MINWHA NOT ONLY DECORATED THE ROOMS OF MANY HOUSEHOLDS BUT WERE ALSO UNDERSTOOD TO BRING GOOD LUCK, WARD OFF EVIL SPIRITS, AND DEPICT MORAL VIRTUES. IN CONTRAST TO HIGHLY REVERED LITERATI PAINTING BY YANGBAN, OR UPPER-CLASS SCHOLAR-GENTLEMEN, MINWHA RECEIVED LITTLE RESPECT AS AN ART FORM BUT CONTINUED TO ENJOY STRONG SUPPORT AMONG THE GROWING MIDDLE CLASS DURING PERIODS OF POLITICAL STABILITY. AUSPICIOUS BEAUTY: KOREAN FOLK PAINTING INTRODUCES POPULAR THEMES DEPICTED IN MINWHA AND DISCUSSES THEIR MEANINGS, FUNCTIONS AND THE ROLE OF PATRONS IN THEIR CREATION. Joseon Korea faced many changes politically and socially, which brought about new experiences in cultural life as well. After overthrowing the Goryeo dynasty (918-1392), the kings of the Joseon dynasty professed Confucianism over Buddhism, which had been the state religion of Goryeo Korea. Under Confucian ideology, social order, education and pragmatism became the fundamental ideas holding the nation together. As the Joseon government embarked on an ambitious plan to reform the Shin Saimdang (1504-1551); Sogwa-do (Painting of Vegetables-and- nation into an ideal Confucian society, able rulers such as King Fruit) (Detail); Korea, Joseon Dynasty (1392-1910), 16th century; Ink and Sejong (r.1418-50) systematically realized this vision with the mineral pigments on paper; Loaned by Isao Saito inception of the National Code, or Kyongguk Daejon, (completed in 1474), and the invention of the Korean alphabet, hangeul, in 1443. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Evil Savage Other As Enemy in Modern U.S. Presidential Discourse
Angles New Perspectives on the Anglophone World 10 | 2020 Creating the Enemy The Evil Savage Other as Enemy in Modern U.S. Presidential Discourse Jérôme Viala-Gaudefroy Electronic version URL: http://journals.openedition.org/angles/498 DOI: 10.4000/angles.498 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Jérôme Viala-Gaudefroy, « The Evil Savage Other as Enemy in Modern U.S. Presidential Discourse », Angles [Online], 10 | 2020, Online since 01 April 2020, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/498 ; DOI : https://doi.org/10.4000/angles.498 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The Evil Savage Other as Enemy in Modern U.S. Presidential Discourse 1 The Evil Savage Other as Enemy in Modern U.S. Presidential Discourse Jérôme Viala-Gaudefroy 1 Most scholars in international relations hold the view that our knowledge of the world is a human and social construction rather than the mere reflection of reality (Wendt 1994; Finnemore 1996). This perspective, rooted in constructivist epistemology, implies that nations are not unquestionable ancient natural quasi-objective entities, as primordialist nationalists claim, but rather cognitive constructions shaped by stories their members imagine and relate.1 This was famously illustrated by Benedict Anderson’s study of nationalism that reached the compelling conclusion that any community “larger than that primordial village of face-to-face contact” can only be imagined (Anderson 1983: 6). The identity of a nation is undoubtedly dependent on stories its members imagine and relate. -
The BCCI Affair
The BCCI Affair A Report to the Committee on Foreign Relations United States Senate by Senator John Kerry and Senator Hank Brown December 1992 102d Congress 2d Session Senate Print 102-140 This December 1992 document is the penultimate draft of the Senate Foreign Relations Committee report on the BCCI Affair. After it was released by the Committee, Sen. Hank Brown, reportedly acting at the behest of Henry Kissinger, pressed for the deletion of a few passages, particularly in Chapter 20 on "BCCI and Kissinger Associates." As a result, the final hardcopy version of the report, as published by the Government Printing Office, differs slightly from the Committee's softcopy version presented below. - Steven Aftergood Federation of American Scientists This report was originally made available on the website of the Federation of American Scientists. This version was compiled in PDF format by Public Intelligence. Contents EXECUTIVE SUMMARY ................................................................................................................................ 4 INTRODUCTION AND SUMMARY OF INVESTIGATION ............................................................................... 21 THE ORIGIN AND EARLY YEARS OF BCCI .................................................................................................... 25 BCCI'S CRIMINALITY .................................................................................................................................. 49 BCCI'S RELATIONSHIP WITH FOREIGN GOVERNMENTS CENTRAL BANKS, AND INTERNATIONAL -
Generating a New Image for Cultural Heritage: Model for Preserving the Typical Image of the Traditional Turkish Coffeehouse
Sustainability Today 401 Generating a new image for cultural heritage: model for preserving the typical image of the traditional Turkish coffeehouse N. Ayalp & A. Müge Bozday TOBB University, Turkey Abstract The aim of the study is to create a model for a reusing a specific cultural setting. Traditional Turkish coffeehouses are selected as a traditional environment. The coffeehouse, which has been used in Turkey since the sixteenth century, is one of the most significant places in the country’s cultural heritage. Coffeehouses are one of the public spaces that represent the place identity of Turkish culture. During the Ottoman period, with their frequent use, people helped these places gain place identities. Moreover, not just the space but the ways in which people become socialized represent an intangible part of our cultural heritage. However, previous studies indicate that this cultural value has not been sufficiently transferred to the present day. This study identifies the traditional Turkish coffeehouse as contributing to both tangible and intangible cultural heritage and generates a model for interpreting the coffeehouse in terms of a contemporary place identity. In order to do this, the concept of place, place identity, and social identity is discussed. Turkish coffeehouses are analyzed to identify and their typical spatial elements. In the conclusion, a model for preserving the typical image of the traditional Turkish coffeehouse is presented. Keywords: traditional Turkish coffeehouses, place, place identity, social identity, typical elements in Turkish coffeehouses’ interiors. 1 Introduction: discussion of Turkish coffeehouses within a conceptual framework In order to safeguard a place that has a cultural value, it is not sufficient to discuss just its material attributes. -
Movement, Space, and Identity in a Mexican Body Culture
societies Article From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture George Jennings Cardiff School of Sport and Health Sciences, Cardiff Metropolitan University, Cardiff CF23 6XD, UK; [email protected] Received: 20 July 2018; Accepted: 9 August 2018; Published: 13 August 2018 Abstract: There are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) approach via the Mexican martial art, exercise, and human development philosophy—Xilam. Situating Xilam within its historical and political context and within a triad of Mesoamerican, native, and modern martial arts, combat sports, and other physical cultures, I map this complexity through Eichberg’s triadic model of achievement, fitness, and experience sports. I then focus my analysis on the aspects of movement in space as seen in my ethnographic fieldwork in one branch of the Xilam school. Using a bare studio as the setting and my body as principle instrument, I provide an impressionist portrait of what it is like to train in Xilam within a communal dance hall (space) and typical class session of two hours (time) and to form and express warrior identity from it. This article displays the techniques; gestures and bodily symbols that encapsulate the essence of the Xilam body culture, calling for a way to theorise from not just from and on the body but also across body cultures. Keywords: body cultures; comparative analysis; Eichberg; ethnography; games; martial arts; Mexico; physical culture; space; theory 1. -
Syntactic Changes in English Between the Seventeenth Century and The
I Syntactic Changes in English between the Seventeenth Century and the Twentieth Century as Represented in Two Literary Works: William Shakespeare's Play The Merchant of Venice and George Bernard Shaw's Play Arms and the Man التغيرات النحوية في اللغة اﻹنجليزية بين القرن السابع عشر و القرن العشرين ممثلة في عملين أدبيين : مسرحية تاجر البندقيه لوليام شكسبيرو مسرحية الرجل والسﻻح لجورج برنارد شو By Eman Mahmud Ayesh El-Abweni Supervised by Prof. Zakaria Ahmad Abuhamdia A Thesis Submitted in Partial Fulfillment of the Requirements for the Master’s Degree in English Language and Literature Department of English Language and Literature Faculty of Arts and Sciences Middle East University January, 2018 II III IV Acknowledgments First and above all, the whole thanks and glory are for the Almighty Allah with His Mercy, who gave me the strength and fortitude to finish my thesis. I would like to express my trustworthy gratitude and appreciation for my supervisor Professor Zakaria Ahmad Abuhamdia for his unlimited guidance and supervision. I have been extremely proud to have a supervisor who appreciated my work and responded to my questions either face- to- face, via the phone calls or, SMS. Without his support my thesis, may not have been completed successfully. Also, I would like to thank the committee members for their comments and guidance. My deepest and great gratitude is due to my parents Mahmoud El-Abweni and Intisar El-Amayreh and my husband Amjad El-Amayreh who have supported and encouraged me to reach this stage. In addition, my appreciation is extended to my brothers Ayesh, Yousef and my sisters Saja and Noor for their support and care during this period, in addition to my beloved children Mohammad and Aded El-Rahman who have been a delight. -
Women's Life During the Chosŏn Dynasty
International Journal of Korean History(Vol.6, Dec.2004) 113 Women’s Life during the Chosŏn Dynasty Han Hee-sook* 1 Introduction The Chosŏn society was one in which the yangban (aristocracy) wielded tremendous power. The role of women in this society was influenced greatly by the yangban class’ attempts to establish a patriarchal family order and a Confucian-based society. For example, women were forced, in accordance with neo-Confucian ideology, to remain chaste before marriage and barred from remarrying once their husbands had passed away. As far as the marriage system was concerned, the Chosŏn era saw a move away from the old tradition of the man moving into his in-laws house following the wedding (男歸女家婚 namgwiyŏgahon), with the woman now expected to move in with her husband’s family following the marriage (親迎制度 ch΄inyŏng jedo). Moreover, wives were rigidly divided into two categories: legitimate wife (ch΄ŏ) and concubines (ch΄ŏp). This period also saw a change in the legal standing of women with regards to inheritance, as the system was altered from the practice of equal, from a gender standpoint, rights to inheritance, to one in which the eldest son became the sole inheritor. These neo-Confucianist inspired changes contributed to the strengthening of the patriarchal system during the Chosŏn era. As a result of these changes, Chosŏn women’s rights and activities became increasingly restricted. * Professor, Dept. of Korean History, Sookmyung Women’s University 114 Women’s Life during the Chosŏn Dynasty During the Chosŏn dynasty women fell into one of the following classifications: female members of the royal family such as the queen and the king’s concubines, members of the yangban class the wives of the landed gentry, commoners, the majority of which were engaged in agriculture, women in special professions such as palace women, entertainers, shamans and physicians, and women from the lowborn class (ch’ŏnin), which usually referred to the yangban’s female slaves. -
Title Page Diss
Pre-Modern Iberian Fragments in the Present: Studies in Philology, Time, Representation and Value By Heather Marie Bamford A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Jesús Rodríguez-Velasco, Co-Chair Professor José Rabasa, Co-Chair Professor Hans Ulrich Gumbrecht Professor Ignacio Navarrete Professor David Hult Fall 2010 1 Abstract Pre-Modern Iberian Fragments in the Present: Studies in Philology, Time, Representation, and Value by Heather Marie Bamford Doctor of Philosophy in Hispanic Literatures and Languages University of California, Berkeley Professors Jesús Rodríguez-Velasco and José Rabasa, Co-Chairs This dissertation examines the uses of medieval and early-modern Iberian cultural objects in the present. It draws on the notion of fragment and actual fragmentary testimonies to study how pre- modern Iberian things and texts are reconstituted and used for various projects of personal, institutional, national and transnational reconstitution in the present. The corpus objects are necessarily diverse in chronological scope, with examples from the medieval, early-modern and modern periods, and touch upon works of many genres: chivalric romance, royal and personal correspondence, early-modern and modern historiography, Hispano-Arabic and Hispano-Hebrew lyric, inscriptions, pre-modern and modern biographies and 21st century book exhibitions. The dissertation proposes that Iberian fragments are engaged in various forms of reconstitution or production in the present and, at the same time, are held as timeless, unchanging entities that have the capability to allow users to connect with something genuinely old, truly Spanish and, indeed, eternal.