FMA Informative Newspaper Vol4 No.8
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Untitled -.:: GEOCITIES.Ws
Publisher Steven K. Dowd Contributing Writers Ginalyn Relos Roy Vina Zena Sultana Babao Marc J. Lawrence Abner Anievas Kristine Strasburger Don Moore Don Edwards Jeffrey Macalolooy WEKAF Contents From the Publishers Desk Kiwanis Club Philippines Jilliane Vina Cassandra Kossman - Kuntaw Filipino Martial Arts Family Style in the South Bay Babao Arnis Bloodline Teaching Children Eskrima IMAF in Hong Kong Children’s Teaching Methods Arnis Karate 1st NFMA and 3rd World FMA Festivals Noah J. Jones WEKAF Dragons Den Mixed Martial Arts Kuntaw in Fallon, Nevada Gian Paolo Lalic Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta It is so nice to have a grown man or woman learn one of the Filipino martial arts. -
Great Grandmaster Ernesto A. Presas the Philippines)
Publisher Steven K. Dowd Contributing Writers Jose G. Paman Joey Paman Julia “Timagua” Ballantine Claire Batongbakal Contents From the Publishers Desk Kombatan Founder Ernesto A. Presas The Leader Emerges Attracting Followers The Making of Kombatan Interviews with Four of Kombatan’s Top Experts Alex France - Secretary General Jose G. Paman - Original Arjuken Mike Bowers - North American Chief Instructor Andy Elliott - The Australian Connection The Printed Word Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta Well it has taken some time, but the FMAdigest finally was able to get a Special Edition on Great Grandmaster Ernesto Presas and Kombatan and also some interviews with four of his top representatives. -
DVD Piracy As Alternative Media: the Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009
MARIA F. MANGAHAS 109 Kasarinlan: Philippine Journal of Third World Studies 2014 29 (1): 109–139 DVD Piracy as Alternative Media: The Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009 MARIA F. MANGAHAS ABSTRACT. Some digital materials which are documentary of specific forms of social transgression comprise an apparent “market niche” for piracy. “Scandals” as unique commodities in the Philippines’s informal market for pirated disks are quite distinct from other digital entertainment, being originally candid/unstaged or “stolen”/taken without their subject’s knowledge and usually made to non-professional standards/ equipment. Enterprisingly put on the market by pirate-entrepreneurs because of apparent consumer-audience interest in the content, such unique “reality” goods became conveniently available through networks of digital piracy outlets. In the context of consumption of pirated goods, the article reads “scandals” as expressive of everyday critique and resistance. The niche market for “scandals” functions as alternative media as these digital goods inherently evade government and (formal) corporate control as sources of news and entertainment. Indicators of the significance of “scandal” in the informal economy and the meaningful convergence between its piracy and consumer- audience demand are examined ethnographically: their translation into commodities through packaging, the range of sites for consumers to access “scandals,” pirate- entrepreneurs’ sales strategies and standards, and how the market behavior of these “scandals” apparently responded to the unfolding of the social scandals in real time as current events—events that themselves were influenced by the popular circulation and piracy of these commodities. Three cases that took place between 2005–2009—“Hello Garci,” the “Kat/Kho sex scandals,” and the “Maguindanao massacre” DVD—serve as diverse examples, each with their own issues of authenticity, morality, and social effects consequent to piracy and consumption. -
FMA-Vol6 No3.Pdf
Publisher Steven K. Dowd Contributing Writers Marc Lawrence Villasin Balintawak Archives Michael Alegria Patrick Armijo David Calleja Contents From the Publishers Desk Filipino Martial Arts in the United States Life and Times of Grandmaster Alfredo Bandalan Grandmaster Ver Villasin of Balintawak A Devoted, Loyal Practitioner of JENDO A Journey of Experience Learning History and Culture Through Martial Arts Ryan Buot - Music and Balintawak Dinuguan for Brunch FMA Past Events FMAForum FMA Future Events FMA Educational Depot Announcements Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta To start Marc Lawrence brings a bit of history on the Filipino-American Heritage, which actually he put together for his sons, but is sharing with the FMAdigest and you the reader. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
Executive Summary
EXECUTIVE SUMMARY A. Introduction The Optical Media Board (OMB), under the direct supervision of the Office of the President, was created pursuant to Republic Act (R.A.) No. 9239, the Optical Media Act of 2003 which was approved on February 10, 2004. The Board is composed of five regular and four ex-officio members. The agency is mandated to regulate the mastering, manufacture, replication, importation and exportation of optical media in all forms. Coverage of authority is the entire territory of the Republic of the Philippines including the economic zones as defined both under R.A. Nos. 9239 and 7916. It is headed by a Chairperson who is also the Chief Executive Officer (CEO). It has a Secretariat headed by an Executive Director who assists the Chairperson/CEO in the day-to-day operations. OMB has complement of 60 plantilla personnel and four contractual. It operates under four divisions and two units namely: Administrative and Finance Division, Legal Division, Registration and Licensing Division, Enforcement and Investigation Division, Public Information and Communication Unit and the Planning Unit. B. Financial Highlights The comparative financial condition, results of operations and sources and utilization of funds of the OMB are as follows: Increase Particulars 2013 2012 (Decrease) Financial Conditions Assets 74,361,951.95 76,278,103.34 (1,916,15139) Liabilities 1,097,581.09 6,191,949.24 (5,094,368.15) Equity 73,264,370.86 70,086,154.10 3,178,216.76 Results of Operations Income 46,441,966.23 45,830,237.90 611,728.33 Expenses 41,428,424.87 -
Episode 102 – Datu Tim Hartman | Whistlekickmartialartsradio.Com
Episode 102 – Datu Tim Hartman | whistlekickMartialArtsRadio.com Jeremy Lesniak: Hello, everyone! it's episode 102 of whistlekick martial arts radio. The only place to hear the best stories from the best martial artists like todays guest, Datu Tim Hartman. At whistlekick, we make the world’s best sparring gear and here on martial arts radio, we bring you the best martial arts podcast. I'd like to personally welcome you. My name is Jeremy Lesniak. I'm whistlekick’s founder and very fortunate to be your host here in martial arts radio. Thank you to the returning listeners and hello and welcome to those of you listening for the very first time. If you're new to the show or you're not familiar with what we make, please check out our sweatshirts. We have some lightweight zip-up ones and some heavier pullovers. Colorful, durable and they look good. Check them out at whistlekick.com. If you're interested in our sparring gear, which is the heart of what we offer, you can find that there too or at amazon.com. If you want the show notes, including links and photos, you can find those at whistlekickmartialartsradio.com. If you're not on the newsletter list, now’s a great time. We offer exclusive content to subscribers and it's the only place to find out about upcoming guests for the show. We only email a few times a month, we will never ever, ever, ever sell or give away your information and sometimes we mail out a pretty good coupon. -
HFCNE 07092011:Layout 1.Qxd
PHILIPPINE NEWS MAINLAND NEWS LEGAL NOTES inside look Another Expressway 9 U.S.: Terrorists 12 Crackdown 13 JULY 9, 2011 to Rise in Central Look to Implant on Immigration Luzon Bombs in Humans Scams H AWAII’ S O NLY W EEKLY F ILIPINO - A MERICAN N EWSPAPER CANADA TO CONTINUE EXPORTING ASBESTOS TO RP, OTHER THIRD WORLD NATIONS By HFC Staff gnoring sharp criticism by leading scientists around the world, Canada has decided to continue mining and exporting asbestos products to I the Philippines, India, Indonesia and other Third World nations. The Canadian government recently DANGERS OF ASBESTOS blocked attempts to list chrysotile asbestos as Due to its good tensile strength and resist- a hazardous substance on a United Nations ance to damage, asbestos was extremely popu- treaty called the Rotterdam Convention—a lar during the early 20th century. It continues to move that was seen by many in the interna- be popular in many less wealthy nations, where tional community as a defiant gesture. At a it is used to strengthen cement and prolong the U.N. conference held in Geneva from June life of road surfaces. 20-24, 2011, Canada was the only developed When medical science established a clear nation to oppose placing chrysotile asbestos link between asbestos and lung disease and on the treaty. It received support from such cancer, wealthier nations began phasing out its nations as Ukraine, Vietnam, Kazakhstan and use and removing it from public buildings. De- Kyrgyzstan—the kind of international backing spite these efforts, the World Health Organiza- one doesn’t normally boast about. -
2004 01 Inside Pages
UP Film Institute Filmography of Filipino Films 2003 Introduced by Lucenio Martin L. Lauzon Compiled by Virginia D. Cuyugan and Lucenio Martin L. Lauzon with assistance from Pol del Mundo of the Movie and Television Review and Classification Board (MTRCB) Ana Fajardo of the Film Academy of the Philippines (FAP) Edwin Joaquin of the MOWELFUND Film Institute The Filipino film celebrates this year its 85th anniversary but its activities and achievements through the years still need to be documented and assessed fully and systematically. Today, the country is still wanting not only in the capability to preserve its film heritage but also in the determined and sustained efforts to collect and preserve existing data on Filipino film for posterity. It does not help that the conservation of Filipino heritage, taxing and tedious as it is already, is appreciated by only a few individuals even within the industry. As an institution dedicated to the study of films, the UP Film Institute (UPFI) shall try to help in the task of gathering, classifying and disseminating data on the Filipino film. As part of its commitment to the public, the UPFI shall make these data available to everyone through the publication of a systematic and comprehensive listing of Filipino films, beginning with those produced in 2003. This year is most apropos as it was also in 2003 that the UPFI was formally established by virtue of the UP Board of Regents resolution. The UPFI realizes that such filmographies are indispensable for anyone who wants to gain an overview of the film landscape in the country and to make necessary, informed and authoritative observations on the state of the Filipino film industry. -
FILIPINO MARTIAL ARTS the Filipino Martial Arts
Ronald A. Harris, Ph.D. FILIPINO MARTIAL ARTS The Filipino martial arts (FMA) can be called Filipino fencing, because they are methods of personal armed combat that emphasize skills in weaponry over skills in empty hands. Unarmed combat is practiced in FMA, but is traditionally studied after weaponry. This training sequence sets FMA apart from other martial arts that initiate with empty hands. Armed combat is known as Arnis, Eskrima (fencing, Spanish), and Kali. Arnis derives from the Spanish arnes meaning armor. It also comes from “harness,” referring to the battle harness worn by Filipino soldiers under Spanish command. Arnis-de-mano means “harness of hand”, referring to deft hand movements of Filipino grooms for Spanish officers. These lightning fast hand movements were native martial arts techniques in disguise. Forbidden by the Spanish to practice martial arts, defiant Filipinos retained their fighting skills in secret by hiding them in dance forms called Santikan, Sayaw, and Moro-Moro. Other etymologies have been suggested for the names of the various Filipino arts. Dueling an opponent is “to skirmish”. The Spanish term Esgrima is in the Pilipino language. Kali might be named after the Hindu Goddess of c:\mars\clio\fma 1 Ronald A. Harris, Ph.D. Destruction. Dan Inosanto says Kali is the conjunction of the first syllables of two words from the Philippine Islands Visayan language--kamot meaning “hand” and lihok meaning “motion”. Thus, Kali means “hand motion”. An etymology of the Pilipino language indicates otherwise. In the Hiligaynon dialect of the Western Visayas, the term kali means “to dig”, as with a shovel (pala). -
Martial Arts of the Middle Age
IQP JLS-0072 Martial Arts of the Middle Age Interactive Qualifying Project Report Submitted to the Faculty of the Worcester Polytechnic Institute, Worcester, MA in partial fulfillment of the requirements for graduation by Andrew Aveyard ___________________ Jason Cardwell ___________________ Brad Davison ___________________ Daniel Haggerty ___________________ May 6, 2014 _______________________________ Professor Jeffrey L. Forgeng, Advisor 1 Table of Contents Table of Contents .......................................................................................................................................... 1 Abstract ......................................................................................................................................................... 4 Introduction .................................................................................................................................................. 5 History of European Martial Arts ................................................................................................................ 10 Medieval Time Period ............................................................................................................................. 10 Environment of the Medieval Age ...................................................................................................... 10 Knightly Combat .................................................................................................................................. 12 Masters and their Manuscripts -
Symbolism in Pre-Colonial Filipino Warrior Culture by Perry Gil S
FMA CORNER: Symbolism in Pre-Colonial Filipino Warrior Culture By Perry Gil S. Mallari - January 7, 2010 Symbolism is part and parcel of pre-colonial Filipino warrior culture. A certain clothing, tattoo or cicatrix may connote the wearer’s status in the warrior society. Tattooing was widely practiced in pre-colonial Philippines both for the purposes of ornamentation and rite of passage. This was particularly prevalent in the Visayas and among the highland tribes of northern Luzon. So widespread was the practice of tattooing in the Visayas that the Spaniards coined the Visayans “pintados” [painted] because their bodies were covered with tattoos. Batuk is the general term for tattoos in the Visayas. Even today, an annual feast called Pintados Festival is celebrated in Tacloban to pay tribute to the ancient tattooing tradition of the Visayans. On the other hand, in the mountainous part of northern Luzon, tattooing traditions are still preserved today within certain tribes. The Visayas William Henry Scott, in his book “Barangay: Sixteenth Century Philippine Culture,” explains that the display of tattoos plays an important part in psyching up one’s opponent in battle, he wrote, “Still more rugged were those who submitted to facial tattooing. Indeed those with tattoos right up to the eyelids constituted a Spartan elite. Such countenances were really terrifying and no doubt intimidated enemies in battle as well as townmates at home. Men would be slow to challenge or antagonize a tough with such visible signs of physical fortitude.” The location of a tattoo also indicates a warrior’s experience in battle as Scott notes in the following texts, “Chest tattoos which looked like breastplates – less frequently, tattoos on the abdomen – only came after further action in battle; and still later, those on the whole back, widest field for the tattooer’s artistry.